Arts & Entertainment
Array of queer events on tap for D.C. this spring
Art, music, and Rehoboth’s Women’s+ Fest among options
After such a blisteringly cold winter, spring is almost here, which means it’s time to hit the streets for unmitigated fun. Below is a list of some of the events you should absolutely check out.
Flower Factory Party will host a colorful, queer dance party on Sunday, March 16 at Zebbie’s Garden. Sweet Spot (aka Chris & Andre), a Baltimore-based DJ, will perform. If you love all things pop music, pop culture, and queer icons — you’ll love their sets. They produce a queer dance party in Baltimore, also called Sweet Spot, and have a monthly residency at Trade in D.C. Tickets are $10 and more details are available on Flower Factory’s Instagram.
The Gay Men’s Chorus of Washington D.C. will perform on Saturday, March 15 at 8 p.m. at the Lincoln Theatre as part of its international tour, “Passports.” The group is travelling the globe in song, celebrating diversity in culture and identity in the name of Pride. The show will feature GMCW, along with the smaller ensembles Potomac Fever, Rock Creek Singers, and Seasons of Love, plus GenOUT Youth Chorus, and 17th Street Dance. From African folk songs and South American dance rhythms to American jazz, you’ll be dancing in your seats. For more information and to purchase tickets, visit the Chorus’s website.
Art with Tosca will host “Queer Icons & Trailblazers: An Art Tour for WorldPride DC 2025” on Sunday, May 18 at 2 p.m. at the Smithsonian American Art Museum. Art historian and licensed tour guide Tosca Ruggieri will lead an unforgettable exploration of LGBTQ history, identity, and artistic expression at the Smithsonian American Art Museum and National Portrait Gallery. Expect to celebrate the vibrant history and culture of the LGBTQ+ community through compelling portraits and groundbreaking works that highlight the power of queer artistry. Tickets start at $50 and can be purchased on Eventbrite.
Allumé Entertainment Group Xclusive will host “For Men Only Weekend” starting on Friday, April 11 at 8 p.m. at an undisclosed location. There will be “Guys & Gaymes” on Friday, which will include a spades tournament, Uno, and more. On Saturday, there will be “Deep Strokes Sip ‘N’ Paint.” For this event, presale tickets are priority over door tickets. By purchasing at the door you run the risk of not being able to attend as there are a limited number of seats based on the number of art supplies. This is an indoor event, ticket sales are final (refunds only if event is cancelled). Tips encouraged, and this event is for those 21 and over with valid ID. The weekend will end with “Men & Mimosas” on Sunday. For more details, visit Eventbrite.
Skye Marinda will host “Femme Art Market” on Saturday, March 22 at The Coupe. One dozen local makers will come together to celebrate the Spring Equinox, Women’s History Month, and have fun. Come check out local arts and crafts, tarot readings, and more. Plus, you can enter a raffle for a chance to win goods from our artists. All proceeds to benefit the D.C. Abortion Fund. For more details, visit Eventbrite.
Caged Bird Productions will host “GAY Soul Food” during the weekend beginning on Friday, March 14 at 7 p.m. at Anacostia Arts Center. Guests are encouraged to come celebrate a special dedication to the mothers, grandmothers and aunts who love their LGBTQ+ family members unconditionally. Tickets start at $30 and can be purchased on Eventbrite.
The Howard Theatre will host “Electric Feels: Indie Rock + Indie Dance Party” on Saturday, March 29 at 10:30 p.m. This is an experiential dance party that features all your favorite Indie Rock + Indie Dance songs all night with amazing DJs, stage production and more. Tickets start at $18 and can be purchased on the Howard Theatre’s website.
9:30 club will host “Gimme Gimme Disco – A Dance Party Inspired by ABBA” on Friday, April 11 at 9 p.m. This is a DJ dance party playing all your favorite ABBA tracks, plus plenty of other disco hits from the 70s & 80s like The Bee Gees, Donna Summer, Cher, and so much more. Tickets are $35 and can be purchased on 9:30 club’s website.
UpCycle Creative Reuse Center will host “Art Therapy: Neurographic Drawing” on Wednesday, March 19 at 7 p.m. Starting with a short meditation, they will use markers and up-cycled inks to follow intuitions and work through emotions. This workshop is open to anyone ages 8 and up. Tickets are $20 and can be purchased on Eventbrite.
The Pancakes & Booze Art Show is coming to Washington D.C. on Thursday, April 10 at 7 p.m. at Hook Hall. This is one of the largest pop-up art movements to hit North America over the past decade. Guests are encouraged to come celebrate the group’s 10th year serving free pancakes and introducing you to some of the nation’s leading emerging artists. There will be local artists exhibiting over 750+ pieces of work, free “All-U-Can Eat Pancakes,” live audio performances from local DJs and music producers, and live body painting and art. This event is for those 21+. Tickets cost $15 and can be purchased on Eventbrite.
Women’s+ Fest returns to Rehoboth Beach April 10-13 with a weekend packed full of events, including a golf tournament, art reception, pickleball tournament, a literary pop-up bookstore, and more. The Friday night headliner is Be Steadwell with Gwen LaRoka at the Rehoboth Beach Convention Center. Col. Grethe Cammermeyer speaks on Saturday morning at 9:30 in the Sands Hotel ballroom. Saturday’s dance party features GirlsRoom and DJ Peggy Castle. There’s a range of ticket options available at camprehoboth.org.
Celebrity News
D.C. goes gaga for Gaga
Bisexual icon brought ‘The Mayhem Ball’ tour to Washington this week
Lady Gaga this week took D.C. by storm.
The bisexual icon and LGBTQ rights champion brought “The Mayhem Ball” tour to Capital One Arena on Monday and Tuesday.
“Abracadabra,” “Paparazzi,” “Applause,” and “Bad Romance” are among the songs Lady Gaga performed during the 2 1/2-hour long concert. Lady Gaga also celebrated her many queer fans.
“You are precious to us,” she said on Tuesday night before she performed “Born This Way.”
Photos
PHOTOS: Capital Stonewall Democrats 50th anniversary
D.C. LGBTQ political group celebrates milestone at Pepco Edison Place Gallery
The Capital Stonewall Democrats held a 50th anniversary celebration at Pepco Edison Place Gallery on Friday. Rayceen Pendarvis served as the emcee.
(Washington Blade photos by Michael Key)
Theater
‘Inherit the Wind’ isn’t about science vs. religion, but the right to think
Holly Twyford on new role and importance of listening to different opinions
‘Inherit the Wind’
Through April 5
Arena Stage
1101 Sixth St., S.W.
Tickets start at $73
Arenastage.org
When “Inherit the Wind” premiered on Broadway in 1955 with a cast of 50, its fictional setting of Hillsboro, an obscure country town described as the buckle on the Bible Belt, was filled with townspeople. And now at Arena Stage, director Ryan Guzzo Purcell has somehow crowded Arena’s large Fichandler space with just 10 actors, five principals and a delightful ensemble of five playing multiple roles.
Inspired by the real-life Scopes Monkey Trial of 1925, Jerome Lawrence and Robert E. Lee’s fictionalized work pits intellectual freedom against McCarthyism via the imagined trial of Bertram Cates (Noah Plomgren), a Tennessee educator charged with teaching evolution. Drawn into the fracas are big shot lawyers, defense attorney Henry Drummond (Billy Eugene Jones), and conservative prosecutor, Matthew Harrison Brady (Dakin Matthew). On hand to cover the closely watched story is wisecracking city slicker and Baltimore reporter E.K. Horneck (played by nonbinary actor Alyssa Keegan).
Out actor Holly Twyford, a four-time Helen Hayes Award winner who has appeared in more than 80 Washington area plays, is part of the ensemble. In jeans and boots, she memorably plays Meeker, the bailiff at the Hillsboro courthouse and the jailer responsible for holding Cates in the days leading to his trial.
Twyford also plays Sillers, a slack jawed earnest employee at the local feed store who’s called to serve on the jury. And more importantly she plays Brady’s quietly strong wife Sarah whom he affectionately calls “Mother.”
When Twyford makes her memorable first entrance as Meeker, she’s wiping shaving cream from her face with a hand towel. With shades of Mayberry R.F.D., the jail is run casually. Meeker says Cates isn’t the criminal type, and he’s not.
“There’s a joke among actors,” says Twyford. “When an actor gets his shoes, they know who their character is. And it’s sort of true. When you put on boots, heels, or flip flops, there’s a different feeling, and you walk differently.”
Similarly, shares Twyford, it goes for clothes too: “When Mother slips a pink coat dress over her cowboy boots, dons a little hat and ties her scarf, or Meeker puts on his work shirt, I know where I am. And all of that is thanks to a remarkable wardrobe crew.
“Additionally, some of the ensemble characters are played broadly which is helpful to the actors and super identifying for the audience too.”
During intermission, an audience member loudly described the production as “a proper play” filled with beautifully written passages. And it’s true. Twyford agrees, adding “That’s all true, and it’s also been was fun for us to be a part of the Arena legacy as well. Arena took ‘Inherit the Wind’ to the Soviet Union in the early ‘70s when the respective governments did a cultural exchange. At the time, the iron curtain was very much in place, and they traveled with a play about a man with his own thoughts.”
When the ensemble was cast, actors didn’t know which tracts exactly they were going to play. “What came together was a cast, diverse in different ways. Some directors, including myself when I direct, are interested in assembling a cast that’s a good group. No time for egos. It’s more about who will make the best group to help me tell this story.”
At one point during rehearsal, ensemble members began to help one another with minor onstage costume changes, like jackets and hats: “We just started doing it and Ryan [Guzzo Purcell] picked up on it, saying things really began to come alive when we helped each other, so we went with that.”
“For me, it was reminiscent of ‘The Laramie Project’ [Ford’s Theatre in 2013] when we played five different parts and we’d help each other with a vest or jacket in a similar way. It worked so well then too,” says Twyford.
“Inherit the Wind” isn’t about science versus religion. It’s about the right to think, playwright Jerome Lawrrence has been quoted as saying. And it’s a quote that makes the play that much more relevant today.
Twford remembers a chat in a hair salon: “I was getting my hair cut and the woman next to me shared that she was tired of message plays. Understandably there are theater makers who believe that message plays are the point, while others think it’s all about entertainment. I feel like ‘Inherit the Wind’ sits in a nice place in the middle.”
She adds “the work is a creative way of showing different opinions and that, I think, is what we should be paying attention to right now. Clearly, it’s not right or wrong to express what you think.”
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D.C. goes gaga for Gaga
Gay priest credited with boosting church support for LGBTQ Catholics
‘How We Survived’ panel set for March 25
Calendar: March 21-26
PHOTOS: Capital Stonewall Democrats 50th anniversary
‘Inherit the Wind’ isn’t about science vs. religion, but the right to think
