District of Columbia
Crush Dance Bar to debut Grizzly Happy Hour
Bringing back the energy of Town Danceboutique’s bear events

If you spend even a few hours in one of more than 20 queer bars D.C. has to offer, chances are someone will wax nostalgic for the days of Town Danceboutique, which closed in 2018.
One of the major draws to Town was its Bear Happy Hour, where drink discounts, special DJs, and drag shows would draw in bears, their admirers, and anyone looking to start off their weekend with a party.
Tony Castro, longtime Washington resident and a big fan of Town’s Bear Happy Hour, is attempting to bring back the drink discounts and special energy the happy hour provided to the city’s LGBTQ population to a new location for a new generation of queer people. This time at Crush Dance Bar at 2007 14th St., N.W.
“Grizzly was something that I came up with just in conversations over the past couple years,” Castro said to the Blade in a recent interview. “Talking with numerous people, I’ve heard that there’s been kind of a gap since Town Bear Happy Hour. There’s been a kind of a gap in the Friday happy hour that everyone looked forward to. That was one of the special things about Town — it was something that everyone looked forward to on a Friday and it just wasn’t the bear community. It was kind of everybody.”
Grizzly (Bear) Happy Hour officially debuted on Valentine’s Day earlier this year, setting the tone with $8 pitchers of beer, free hot dogs, and a pop-up from fetish gear outlet Anubis Gear. That night, Castro got his first real sense of the event’s energy and was overwhelmed by the positive response.
“I think my favorite comment that I heard throughout the course of the night was people coming up to me or just saying to other people that ‘This feels like Town.’ That kind of gives me chills. That was sort of the idea, that kind of feeling of just inclusivity. It’s Friday and there’s cheap drink specials and it just felt like a good place to be. Just to hear that people say that Valentine’s reminded them of Town, was kind of what I was going for.”

The goal of Grizzly Happy Hour, Castro explained, was not to recreate the exact happy hour that he and much of the city’s LGBTQ population grew to love at Town but rather bring it into the 2020s. One part of that, Castro explained, is taking advantage of everything Crush has to offer.
Crush, which sits at the intersection of 14th and U streets, has quickly become a favorite drink and dance spot for the LGBTQ community in Washington. The bar hosts myriad events for multiple sub-communities within the LGBTQ community, including drag bingo with legendary local drag queens and Deep Cvnt Ball, one of only a handful of Black queer ballroom events in the city. The versatility Crush offers—along with the steady stream of patrons willing to wait up to 30 minutes at peak hours—makes the two-story bar an ideal home for Grizzly Happy Hour.
“I look at this venue as an opportunity to be somewhat of a sensory overload,” Castro explained. “From things that you’re visually seeing, to vendors that are there, artists that are there, and the new people that you’re meeting, but also having great happy hour specials. One of the things that was attractive about Crush was it’s a dance bar, it has access to outdoor space, and it’s an inclusive environment. Those are the three things that to me, Grizzly and Crush come together on.”
For a happy hour to be successful, Castro explained creating drink deals “without breaking the wallet” was a major focus.
“One of the things that was so infamous about Town’s Bear Happy Hour was that they had pitchers of beer. There’s not many places where you can get a huge pitcher of beer for an inexpensive price. Having that was key to making some of this a success, and somewhat to make it feel more like the Town and Bear Happy Hour of the past.”
If beer isn’t your go-to, no worries, Castro assured. The vibes of the happy hour would be enjoyable to all — from those who prefer a cocktail, to people who’d rather throw back a shot before heading to the dance floor.
“There’s a couple other drinks that we brought on the menu that I’m excited about,” he said. “One is the ‘Bear Crush,’ which is a modified normal Crush. And then we have a shot called the ‘Sexual Teddy Bear’ shot, which was quite popular on Valentine’s Day.”
Another important element when planning an event is the music.
“In terms of the music and the DJs, I think we’re going to mix it up every time. Sometimes it could be all pop. Sometimes it could be more dancy. The intent is that it’s feel-good music. And we really want to support the DJs in the community, especially a lot of the newer DJs who don’t get the opportunity to perform in spaces like this.”
Castro hopes that this happy hour can be more than friends grabbing some drinks to start the weekend, though. He wants Grizzly to become a safe space for all, including the many LGBTQ organizations that exist in the city.
“I think it’s going back to having organizations and different entrepreneurs within the community actively participate in Grizzly and just getting to spread their message and recruitment.”
One concern that Castro had was not stepping on anyone’s toes in planning the happy hour, specifically other bear-themed events. It’s true that other queer bars in the city do have more ‘bear centered’ events, like Uproar’s weekly “Bears, Brews, and Booze” on Sundays, Castro made it clear he, and the rest of Grizzly’s team are not here to take any other bar’s bear spot in the ever changing landscape of Washington’s queer nightlife scene.
“It’s not trying to replace any other bear events or happy hours that are happening on different days of the week,” Castro said.
He also wants it to be clear that this is not solely for the bears or bear lovers of D.C. Castro wants all in the LGBTQ community to feel comfortable at Grizzly, despite what its name implies.
“We’re publicly promoting it,” Castro started. “It’s not like an elite club or anything. It’s on open social media. It’s on Crush’s website. It’s on Grizzly social media- it’s an open invite. I will say the name Grizzly, we struggled with the name for a bit. At Town, it was exclusively called ‘Bear Happy Hour.’ I struggled for a while … While the logo is a bear, Grizzly sort of implies a bear, it doesn’t say ‘bear.’ It was my subtle way of saying that this isn’t all for bears — everyone’s invited.”
Castro went on to explain that this inclusive spirit of Grizzly was what made him choose Crush over more bear-centric venues.
“That was part of the intention of having it at Crush,” he said. “I would love it if someone walked into Crush for a happy hour and didn’t even know Grizzly was happening. They’re like, ‘Oh, wow! This event has really good drink specials. The music’s really great. The people are great. Let’s just stay here.’ That’s sort of what I’m hoping for. I think that’ll happen over time.”
Grizzly Bear Happy Hour will take place on Friday, March 7 at Crush Dance Bar (2007 14th St., N.W.) from 6-10 pm. For more details visit Grizzly’s Instagram page at grizzly_bhhdc.
District of Columbia
Sentencing for Ruby Corado postponed for second time
Former Casa Ruby director pleaded guilty to wire fraud

The sentencing in D.C. federal court for Ruby Corado, the founder and executive director of the now-defunct LGBTQ community services organization Casa Ruby on a charge of wire fraud, has been postponed for the second time, from March 28 to April 29.
A spokesperson for U.S. District Court Judge Trevor N. McFadden, who is presiding over the case, said it was the judge who postponed the sentencing due to a scheduling conflict. The earlier postponement, from Jan. 10 to March 28, came at the request of Corado’s attorney and was not opposed by prosecutors with the Office of the U.S. Attorney for D.C.
Corado pleaded guilty on July 17, 2024, to a single charge of wire fraud as part of a plea bargain deal offered by prosecutors. The charge to which she pleaded guilty in U.S. District Court for D.C. says she allegedly diverted at least $150,000 “in taxpayer backed emergency COVID relief funds to private offshore bank accounts for her personal use,” according to a statement from the U.S. Attorney’s office.
Under the federal wire fraud law, for which Corado is being prosecuted, she could be subjected to a possible maximum sentence of up to 20 years in prison, a fine of up to $250,000, and restitution requiring her to repay the funds she allegedly stole.
Court observers, however, have said that due to Corado’s decision to waive her right to a trial and plead guilty to the lesser charge, prosecutors will likely ask the judge to hand down a lesser sentence than the maximum sentence.
An earlier criminal complaint filed against Corado, which has been replaced by the single charge to which she has pleaded guilty, came at the time the FBI arrested her on March 5, 2024, at a hotel in Laurel, Md., shortly after she returned to the U.S. from El Salvador.
At the request of her attorney and against the wishes of prosecutors, another judge at that time agreed to release Corado into custody of her niece in Rockville, Md., under a home detention order. The release order came seven days after Corado had been held in jail at the time of her March 5 arrest.
District of Columbia
Harvey Fierstein says he was banned from Kennedy Center
Gay icon called out President Donald Trump

Gay icon and film legend Harvey Fierstein, 72, announced in an Instagram post on Tuesday that he was banned from the Kennedy Center as a result of President Donald Trump’s sweeping anti-LGBTQ measures in the performing space.
Fierstein, who is a longtime fixture of queer storytelling both on screen and on stage, took to social media to criticize Trump for his recent decisions to take control of the John F. Kennedy Center for the Performing Arts and to hide — if not erase — LGBTQ art, and sounds the alarm for the future of the United States.
In the picture posted on Instagram, Fierstein alongside LGBTQ rights activist Marsha P. Johnson is walking in the Christopher Street Liberation Day parade in 1979, with the caption beginning with “I have been banned from THE KENNEDY CENTER.”
The multiple Tony Award-winning artist, who may be best known for “Torch Song Trilogy,” “La Cage aux Folles,” and “Kinky Boots,” to name a few, went on to explain his thoughts on Trump’s very public takeover of the national cultural center.
“A few folks have written to ask how I feel about Trump’s takeover of The Kennedy Center. How do you think I feel? The shows I’ve written are now banned from being performed in our premier American theater. Those shows, most of which have been performed there in the past, include, KINKY BOOTS. LA CAGE AUX FOLLES, TORCH SONG TRILOGY, HAIRSPRAY, SAFE SEX, CASA VALENTINA, SPOOKHOUSE, A CATERED AFFAIR, THE SISSY DUCKLING, BELLA BELLA and more.”
“I have been in the struggle for our civil rights for more than 50 years only to watch them snatched away by a man who actually couldn’t care less,” the post continued. “He does this stuff only to placate the religious right so they’ll look the other way as he savages our political system for his own glorification. He attacks free speech. He attacks the free press. He attacks America’s allies. His only allegiance is to himself – the golden calf.”
Fierstein then issued a warning for Americans, remarking that removing works that don’t align with Trump’s personal agenda represents a slippery slope that can lead to the erosion of democracy and emergence into fascism.
“My fellow Americans I warn you – this is NOT how it begins. This is how freedom ENDS!”
He finished the post with a call to action for Americans to recognize and confront Trump’s injustice.
“Trump may have declared ‘woke’ as dead in America. We must prove him wrong. WAKE THE HELL UP!!!!!”
The post seemingly also pushes back on the Trump administration’s choice to remove any mention of transgender people from the Stonewall National Monument’s website by including Marsha P. Johnson in his post.
Since its upload on Tuesday, the post has gained more than 14,000 likes and 300 comments supporting Fierstein.
Trump’s reported banning of Fierstein from the Kennedy Center comes amid the president’s drastic overhaul of the cultural venue after calling out “woke” programming on its stages, including a drag show. His actions signal a broader effort to reshape the nation’s artistic landscape to align with his administration’s ideology.
The Kennedy Center couldn’t immediately be reached to confirm Fierstein’s claims. This post will be updated.
District of Columbia
Town nightclub lawsuit against landlord dismissed in September
Court records show action was by mutual consent

A lawsuit filed in April 2024 by Town 2.0, the company that planned to reopen the popular LGBTQ nightclub Town in a former church on North Capitol Street that accused its landlord of failing to renovate the building as required by a lease agreement was dismissed in a little-noticed development on Sept. 6, 2024.
A document filed in D.C. Superior Court, where the lawsuit was filed against Jemal’s Sanctuary LLC, the company that owns the church building, shows that a “Stipulation of Dismissal With Prejudice” was jointly filed by the attorneys representing the two parties in the lawsuit and approved by the judge.
Jemal’s Sanctuary is a subsidiary of the Douglas Development Corporation, one of the city’s largest real estate development firms.
An attorney familiar with civil litigation who spoke to the Washington Blade on condition of not being identified said a stipulation of dismissal indicates the two parties reached a settlement to terminate the lawsuit on conditions that are always confidential and not included in court records.
The attorney who spoke with the Blade said the term “with prejudice” means the lawsuit cannot be re-filed again by either of the two parties.
The public court records for this case do not include any information about a settlement or the terms of such a settlement. However, the one-sentence Stipulation Of Dismissal With Prejudice addresses the issue of payment of legal fees.
“Pursuant to Rule 41(a) of the District of Columbia Superior Court Civil Rules, Plaintiff Town 2.0 LLC and Defendant Jemal’s Sanctuary LLC, by and through their undersigned counsel, hereby stipulate that the lawsuit be dismissed in its entirety, with prejudice, as to any and all claims and counterclaims asserted therein, with each party to bear its own fees and costs, including attorneys’ fees.”
The Town 2.0 lawsuit called for the termination of the lease and at least $450,000 in damages on grounds that Jemal’s Sanctuary violated the terms of the lease by failing to complete renovation work on the building that was required to be completed by a Sept. 1, 2020 “delivery date.”
In response to the lawsuit, attorneys for Jemal’s Sanctuary filed court papers denying the company violated the terms of the lease and later filed a countersuit charging Town 2.0 with violating its requirements under the lease, which the countersuit claimed included doing its own required part of the renovation work in the building, which is more than 100 years old.
Court records show Judge Maurice A. Ross, who presided over the case, dismissed the countersuit at the request of Town 2.0 on Aug. 20, 2024, on grounds that it was filed past the deadline of a three-year statute of limitations for filing such a claim.
Neither the owners of Town 2.0, their attorney, nor the attorney representing Jemal’s Sanctuary responded to a request by the Washington Blade for comment on the mutual dismissal of the lawsuit.
Town 2.0 co-owner John Guggenmos, who also owns with his two business partners the D.C. gay bars Trade and Number Nine, did not respond to a question asking if he and his partners plan to open Town 2.0 at another location.
What was initially known as Town Danceboutique operated from 2007 to 2018 in a large, converted warehouse building on 8th Street, N.W., just off Florida Avenue. It was forced to close when the building’s owner sold it to a developer who built a residential building in its place.
It was the last of the city’s large LGBTQ dance hall nightclubs that once drew large crowds, included live entertainment, and often hosted fundraising events for LGBTQ community organizations and causes.
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