Arts & Entertainment
A very queer night at the Emmys
Tillman makes history; Cumming wins for ‘Traitors’
When “Severance” star Tramell Tillman became the first gay Black man to win for Best Supporting Actor in a Drama at the 77th Primetime Emmy Awards, the first person he thanked was his mother.
“Mama, you were there for me when no one else was and no one else would show up,” the first-time winner said onstage, during his acceptance speech.
“Your loving kindness stays with me, and this is for you. Thank you to the Academy. I am full. I am humbled. I am honored. And as my mama would say, ‘Whew. Look at God.’ Thank you.”
Backstage in the pressroom, Tillman said he was “on cloud nine” and “still processing” the historic win.
“I am fortunate to be in the company of such great actors that have gone before me, like Andre Braugher, Ossie Davis, Michael K. Williams, that have done beautiful work, and those that are still with us today, like Giancarlo Esposito and Jeffrey Wright,” he said.
“These men, I’ve been taken by their work for years, and I borrow from them. So I’m just honored to be in the class.”
Tillman also mentioned the “importance of taking a chance on yourself,” adding he was “told that I would never make it as an actor, that it’s a career that leads to a dead end.”
But after seeing his classmates pursue their dreams, he realized it was time for him to take a chance, “I’ve learned there are no guarantees in life, but you continue to take a chance to see what happens.”
Another first-time LGBTQ winner who was thrilled with her win was “Adolescence’s” Erin Doherty, who won the Emmy for Outstanding Supporting Actress in a Limited or Anthology Series or Movie.
Doherty thanked her girlfriend Sinead Donnelly onstage. “Sinead, thank you for making me the happiest person in the world. I love you with everything I’ve got,” she said lovingly.
In addition, a visibly shocked Jeff Hiller won Outstanding Supporting Actor in a Comedy Series in “Somebody Somewhere.”
Thanking his “sweet husband,” Hiller said: “I feel like I’m going to cry because for the past 25 years, I’ve been, like ‘world, I want to be an actor!’ and the world’s, like, ‘maybe computers.’ I just want to say thank you to HBO for putting a show about sweaty middle-aged people on the same network as the sexy teens of ‘Euphoria!’ Thank you to the Duplass brothers, Carolyn Straus, and Hanna Boss and Paul Thureen who wrote a show about connecting and love, in this time when compassion is seen as a weakness.”
Alan Cumming picked up his second Emmy for hosting Peacock’s brilliant competition show “The Traitors.”
“Thanks to everyone who watches the show. Thanks to all of the people who have ‘Traitors’ parties and dress up as me. We see you. We love you!” he told the audience onstage.
Cumming is also an executive producer on the competition series. “Thank you to our crazy cast and our crew in Scotland who had to understand the concept of the Scottish summer is sometimes oxymoronic,” he quipped.
He also sent loving words to his hubby. Thanking his husband Grant, “who brings joy into my life every single day,” Cumming acknowledged that this was a difficult time we live in. But “it’s so great that our show brings a little bit of joy into this life.”
In the pressroom, Cumming was asked who he thinks should join the show, Cumming responded, “I’m sure our president would be very good on the show. Having a lot of chaos and sort of turmoil and treachery, so maybe he’d like to come on and be paid for that, probably better than he gets as president.”
At the awards show, Cumming supported trans rights, wearing a decorative pin to the lapel of his dapper tuxedo.
While this next season will be full of celebrities, the following season of “The Traitors” will feature regular people rather than Hollywood types.
Around town, there was a plethora of gifting suites activity, with numerous LGBTQ nominees and vendors.
“After 25 years of producing the official Grammy’s gift lounge, it feels like a full circle moment to be able to add something as prestigious as the Emmy Awards Giving Suite to our roster,” said organizer Lash Fary.
“To still be expanding our scope after all these years is a testament to how gifts make people feel … something that isn’t simply a trend. I’m incredibly proud of this new relationship and that sharing gifts I love with talented people I respect is something that allows me to live a beautiful life.”
The 2026 Mr. Mid-Atlantic Leather competition was held at the Hyatt Regency Capitol Hill on Sunday. Seven contestants vied for the title and Gage Ryder was named the winner.
(Washington Blade photo by Michael Key)
Theater
Voiceless ‘Antony & Cleopatra’ a spectacle of operatic proportions
Synetic production pulls audience into grips of doomed lovers’ passion
‘Antony & Cleopatra’
Through Jan. 25
Synetic Theater at
Shakespeare Theatre Company’s Klein Theatre
450 7th St., N.W.
Synetictheater.org
A spectacle of operatic proportions, Synetic Theater’s “Antony & Cleopatra” is performed entirely voiceless. An adaptation of the Bard’s original (a play bursting with wordplay, metaphors, and poetic language), the celebrated company’s production doesn’t flinch before the challenge.
Staged by Paata Tsikurishvili and choreographed by Irina Tsikurishvili, this worthy remount is currently playing at Shakespeare Theatre Company’s Klein Theatre, the same venue where it premiered 10 years ago. Much is changed, including players, but the usual inimitable Synectic energy and ingenuity remain intact.
As audiences file into the Klein, they’re met with a monumental pyramid bathed in mist on a dimly lit stage. As the lights rise, the struggle kicks off: Cleopatra (Irina Kavsadze) and brother Ptolemy (Natan-Maël Gray) are each vying for the crown of Egypt. Alas, he wins and she’s banished from Alexandria along with her ethereal black-clad sidekick Mardian (Stella Bunch); but as history tells us, Cleopatra soon makes a triumphant return rolled in a carpet.
Meanwhile, in the increasingly dangerous Rome, Caesar (memorably played by Tony Amante) is assassinated by a group of senators. Here, his legendary Ides of March murder is rather elegantly achieved by silver masked politicians, leaving the epic storytelling to focus on the titular lovers.
The fabled couple is intense. As the Roman general Antony, Vato Tsikurishvili comes across as equal parts warrior, careerist, and beguiled lover. And despite a dose of earthiness, it’s clear that Kavsadze’s Cleopatra was born to be queen.
Phil Charlwood’s scenic design along with Colin K. Bills’ lighting cleverly morph the huge pyramidic structure into the throne of Egypt, the Roman Senate, and most astonishingly as a battle galley crashing across the seas with Tsikurishvili’s Antony ferociously at the helm.
There are some less subtle suggestions of location and empire building in the form of outsized cardboard puzzle pieces depicting the Mediterranean and a royal throne broken into jagged halves, and the back-and-forth of missives.
Of course, going wordless has its challenges. Kindly, Synectic provides a compact synopsis of the story. I’d recommend coming early and studying that page. With changing locations, lots of who’s who, shifting alliances, numerous war skirmishes, and lack of dialogue, it helps to get a jump on plot and characters.
Erik Teague’s terrific costume design is not only inspired but also helpful. Crimson red, silver, and white say Rome; while all things Egyptian have a more exotic look with lots of gold and diaphanous veils, etc.
When Synetic’s voicelessness works, it’s masterful. Many hands create the magic: There’s the direction, choreography, design, and the outrageously committed, sinewy built players who bring it to life through movement, some acrobatics, and the remarkable sword dancing using (actual sparking sabers) while twirling to original music composed by Konstantine Lortkipanidze.
Amid the tumultuous relationships and frequent battling (fight choreography compliments of Ben Cunis), moments of whimsy and humor aren’t unwelcome. Ptolemy has a few clownish bits as Cleopatra’s lesser sibling. And Antony’s powerful rival Octavian (ageless out actor Philip Fletcher) engages in peppy propaganda featuring a faux Cleopatra (played by Maryam Najafzada) as a less than virtuous queen enthusiastically engaged in an all-out sex romp.
When Antony and Cleopatra reach their respective ends with sword and adder, it comes almost as a relief. They’ve been through so much. And from start to finish, without uttering a word, Kavsadze and Tsikurishvili share a chemistry that pulls the audience into the grips of the doomed lovers’ palpable passion.
Out & About
Love board games and looking for love?
Quirk Events will host “Board Game Speed Dating for Gay Men” on Thursday, Jan. 22 at 7 p.m. at KBird DC.
Searching for a partner can be challenging. But board games are always fun. So what if you combined board games and finding a partner?
Picture this: You sit down for a night of games. A gaming concierge walks you through several games over the course of the night. You play classics you love and discover brand new games you’ve never heard of, playing each with a different group of fun singles. All while in a great establishment.
At the end of the night, you give your gaming concierge a list of the folks you met that you’d like to date and a list of those you met that you’d like to just hang out with as friends. If any two people put down the same name as each other in either column, then your gaming concierge will make sure you get each other’s e-mail address and you can coordinate a time to hang out.
Tickets cost $31.80 and can be purchased on Eventbrite.
Faith programming remains key part of Creating Change Conference
LGBTQ Iranians join anti-government protests
The power of no
McPike prevails in ‘firehouse’ Dem primary for Va. House of Delegates
Trump-Vance administration ‘has dismantled’ US foreign policy infrastructure
Va. Senate approves referendum to repeal marriage amendment
Voiceless ‘Antony & Cleopatra’ a spectacle of operatic proportions
Top buyer-friendly markets for the LGBTQ community
Abigail Spanberger sworn in as Va. governor
