Arts & Entertainment
Katy, Gaga, Janet, Kesha, Bruno for starters
Be ready to cough up hundreds for good seats at A-lister shows
Gay broadway heartthrob Cheyenne Jackson plays the Barns at Wolf Trap on Sunday, Oct. 15. (Photo by Karl Simone; courtesy Wolf Trap)
This fall brings a massive wealth of talent to the Washington area. There are many shows to choose from with every imaginable genre represented. Here is but a small sampling.
The fall season begins with a bang as pop/R&B superstar the Weeknd brings his “Starboy Legend of the Fall 2017 World Tour” to Capital One Arena, formerly the Verizon Center (601 F Street, N.W.), on Friday, Sept. 15 at 7:30 p.m. Tickets range from $39-276 and up. For more information, visit capitalonearena.
MGM National Harbor (101 MGM National Ave., Oxon Hill, Md.) has an impressive lineup of talent slated including famed Bollywood vocalist Shreya Ghoshal. She performs on Friday, Sept. 15 at 8:30 p.m. Tickets range from $80-281 and up, and details are available mgmnationalharbor.com.
Acclaimed Canadian alternative collective Arcade Fire and their “Infinite Content 2017 Tour” will play Capital One Arena on Saturday, Sept. 16 at 7:30 p.m. Tickets range from $26-230 and up.
Popular up and coming alternative popsters Young the Giant appears with Cold War Kids at Merriweather Post Pavilion (10475 Little Patuxent Parkway, Columbia, Md.) on Saturday, Sept. 16 at 6:30 p.m. Tickets range from $35-100. Details at merriweathermusic.com.
On Sept. 19-20, English pop heartthrob Ed Sheeran stops by the Capital One Arena for two sold-out shows.
R&B singer Brandy will appear at the Fillmore Silver Spring (8656 Colesville Rd., Silver Spring, Md.) on Wednesday, Sept. 20 at 8 p.m. The general admission tickets are priced at $45 with more information available at fillmoresilverspring.com.
Celebrating their 25th anniversary with their “Middle of Everywhere Tour,” pop trio Hanson will play at the Fillmore Silver Spring on Sunday, Sept. 24 at 8 p.m. for a sold-out show.
Pop diva Katy Perry brings “WITNESS: the Tour” to Capital One Arena on Monday, Sept. 25 at 7 p.m. Tickets range from $50-427 and up.
Veteran British popsters Saint Etienne perform at U Street Music Hall (1115 U St., N.W.) on Wednesday, Sept. 27 at 7 p.m. Tickets are $30. Details at ustreetmusichall.com.
As expected, the 9:30 Club (815 V Street, N.W.) has an impressive array of talent lined up for its hallowed stage this fall. The versatile electronic hip-hop visionary Thundercat plays a highly anticipated show on Friday, Sept. 29 at 9:30 p.m., with tickets at $25. More information is available at 930.com.
R&B/pop superstar Bruno Mars brings his electrifying “24K Magic World Tour” to Capital One Arena for two shows Sept. 29-30 at 8 p.m. Tickets range from $188 to as much as $1,180 and higher to see one of the biggest names in music.
One of the most acclaimed electronic groups around Crystal Castles return to the 9:30 Club for a Saturday, Sept. 30 show that begins at 9:30 p.m.Tickets are $30.
DAR Constitution Hall (18th and C streets N.W.) welcomes former One Direction star Harry Styles for a show on Sunday, Oct. 1 at 7 p.m. Tickets range from $57.70-97.50. For more details, visit dar.org/constitution-hall.
At the Kennedy Center (2700 F Street, N.W.) on Sunday, Oct. 1 is an intriguing show called “Orion’s Rise: A Special Performance” with Solange and the Sun Ra Arkestra. The show begins at 7 p.m. and tickets range from $49-169. More information is available at kennedy-center.org.
Mashrou’ Leila, a gay-led rock band from Lebanon, plays the Flex Stage room at the Birchmere on Sunday, Oct. 1 at 7:30 p.m. Tickets are $35. Details at birchmere.com.
Latino stars Enrique Iglesias and Pitbull team up for a show at Capital One Arena on Tuesday, Oct. 3 at 7:30 p.m. Tickets range from $39-309 and up.
Hot off a stellar new album, Kesha is back and better than ever with her “Rainbow Tour 2017.” She performs at the Fillmore Silver Spring on Friday, Oct. 6 at 8 p.m. It’s sold out.
Half of the Indigo Girls, lesbian folk-pop icon Emily Saliers brings her solo “Murmuration Nation Tour” to The Birchmere (3701 Mount Vernon Ave., Alexandria, Va.) on Wednesday, Oct. 11 at 7:30 p.m. Tickets are $29.50. Details at birchmere.com.
Foster the People, Young Thug and Galantis headline the 2017 All Things Go Fall Classic music and food festival at Union Market Oct. 6-8. Details at allthingsgofallclassic.com.
Local favorite Dave Grohl and his powerhouse rockers Foo Fighters have the honor of opening the new venue on the Waterfront, The Anthem (901 Wharf St., S.W.), for a historic show on Thursday, Oct. 12 at 8 p.m. Tickets begin at $100 although it may take some good fortune to find one for this sold-out show. More information is available at theanthemdc.com.
The inspirational transgender vocalist Laura Jane Grace and her cohorts in Against Me! perform Friday, Oct. 13 at the 9:30 Club for a 9:30 p.m.show, with tickets at $25.
The always hilarious and thought-provoking Margaret Cho is back for a performance at Warner Theatre (513 13th Street, N.W.) on Saturday, Oct. 14 for her “Fresh Off The Bloat Tour.” Tickets are $27-58. Details at warnertheatredc.com.
Openly gay singer/actor Cheyenne Jackson will be at the Barns at Wolf Trap (1635 Trap Road, Vienna, Va.) on Sunday, Oct. 15 at 8 p.m. Tickets are $45-55. Details at wolftrap.org.
The return of LCD Soundsystem is one of the big musical stories of 2017, and they perform two nights at the Anthem Oct. 17-18 at 8 p.m. Tickets range from $61.75-81.75.
Queens of the Stone Age and British rockers Royal Blood team up for an exciting show at the Anthem on Friday, Oct. 20 at 8 p.m. Tickets range from $49.50-75.
The popular DJ and electronic producer Zedd is slated for a show at the Anthem on Saturday, Oct. 21 at 8 p.m. Tickets range from $41-76.
One of the most important bands currently recording is undoubtedly the War on Drugs, and they return to D.C. for a show at the Anthem on Monday, Oct. 23 at 7:30 p.m. Tickets range from $75-125.
Out comedian Suzanne Westenhoeffer plays the Birchmere on Friday, Oct. 27 at 7:30 p.m. Tickets are $45.
Shawn Colvin is celebrating her classic album “A Few Small Repairs” with a 20th Anniversary Tour that will stop at the Birchmere for two highly anticipated shows Oct. 30-31 at 7:30 p.m. Tickets are $62.50.
Maynard James Keenan and A Perfect Circle bring their dark and heavy rock to EagleBank Arena (4500 Patriot Cir., Fairfax, Va.) on Wednesday, Nov. 1 at 8 p.m. Tickets range from $40-276 and up with more information available at eaglebankarena.com.
The following night Fall Out Boy will also rock out EagleBank Arena. The emo rockers bring their “MANIA Tour” for Thursday, Nov. 2 show that begins at 7 p.m. Tickets range from $30-245 and up.
A cappella wonders Straight No Chaser bring their dynamic harmonies to DAR Constitution Hall for a Thursday, Nov. 2 show that begins at 7:30 p.m. Tickets are $62 and up.
Legendary singer/songwriter/pianist Tori Amos is always spectacular live and her latest tour in support of new album “Native Invader” should be no different. She’s playing at MGM National Harbor on Friday, Nov. 3 at 8 p.m., with tickets ranging from $54-216 and up.
Popular ‘90s-era alternative rockers the Breeders are back, and will play Lincoln Theatre (1215 U Street, N.W.) on Sunday, Nov. 4 at 8 p.m. Tickets are $35. Details at thelincolndc.com.
One of the more intriguing shows of the season promises to be the eclectic and uber-talented Flying Lotus in 3D at Echostage (2135 Queens Chapel Rd., N.E.) on Sunday, Nov. 5 at 7 p.m. Tickets are $45 and more information is available at echostage.com.
Seattle-based rapper Macklemore, known for his smash “Thrift Shop” and his touching “Same Love” with Ryan Lewis and Mary Lambert is appearing solo on “The Gemini Tour” at the Fillmore Silver Spring. The Saturday, Nov. 11 show begins at 8 p.m. and is sold out.
The always entertaining duo of openly gay sisters Tegan and Sara bring their “10th Anniversary Acoustic Tour” celebrating their album “The Con” to the Anthem on Saturday, Nov. 11 at 8 p.m. Tickets are in the $50.50-76 range.
Legendary dance/pop/R&B icon Janet Jackson is back after delaying her previously scheduled show to have her baby. The new mother brings her “State of the World Tour” to Capital One Arena on Thursday, Nov. 16 at 8 p.m., with tickets ranging from $37-337 and higher. She plays Baltimore on Saturday, Nov. 18.
The musically gifted St. Vincent is a must-see when she appears at the Anthem on Monday, Nov. 17 at 7:30 p.m. Tickets are $44-60.
R&B songstress Erykah Badu brings her chill groove to the Anthem on Saturday, Sept. 18 at 8 p.m. Tickets are $76-126.
One of the most anticipated shows of the fall is undoubtedly the one and only Lady Gaga, who brings her “Joanne World Tour” to Capital One Arena on Sunday, Nov. 19 at 7:30 p.m. Tickets range from $74-587 or more.
Diva extraordinaire Chaka Khan graces the stage of Warner Theatre on Friday, Nov. 24 at 8 p.m. Tickets range from $69-130.
Electro-wizard Diplo is at Echostage for a Saturday, Nov. 25 for a 9 p.m. show. Tickets are in the $40-50 range for what is certain to be an electrifying performance.
St. Vincent, who eschews labels but believes in gender and sexual “fluidity,” plays Anthem on Monday, Nov. 27. Tickets are $44-149.
Rap mogul JAY-Z is set to rock the Capital One Arena on Wednesday, Nov. 29 at 8 p.m. on his “4:44 Tour.” Tickets range from $50-356 and higher.
The influential duo of Amanda Palmer and Brian Viglione, the Dresden Dolls, are back for a show at the 9:30 Club on Tuesday, Nov. 31 at 9:30 p.m. Tickets are $35.
Longtime favorite pop-folk troubadour Dar Williams is back at the Birchmere Dec. 8-9 at 7:30 p.m. Tickets are $25 for a concert that will also include readings and discussions from her new book, “What I Found in a Thousand Towns.”
As fall winds to an end, there are worse ways to get into the holiday mood than by seeing the A Pentatonix Christmas Tour at the Anthem on Sunday, Dec. 17 at 7 p.m. Tickets range from $59.50-149.50 for a chance to see the a cappella supergroup.
And as has become an annual event, gay shock- and schlockmeister John Waters returns to the Birchmere for his Christmas show on Thursday, Dec. 21 at 7:30 p.m. Tickets are $55.
Movies
Theater classic gets sapphic twist in provocative ‘Hedda’
A Black, queer portrayal of thwarted female empowerment
It’s not strictly necessary to know anything about Henrik Ibsen when you watch “Hedda” – the festival-acclaimed period drama from filmmaker Nia DaCosta, now streaming on Amazon Prime Video after a brief theatrical release in October – but it might help.
One of three playwrights – alongside Anton Chekhov and August Strindberg – widely cited as “fathers of “modern theater,” the Norwegian Ibsen was sharply influenced by the then-revolutionary science of of psychology. His works were driven by human motivations rather than the workings of fate, and while some of the theories that inspired them may now be outdated, the complexity of his character-driven dramas can be newly interpreted through any lens – which is why he is second only to Shakespeare as the most-frequently performed dramatist in the world.
Arguably his most renowned play, “Hedda Gabler” provides the basis for DaCosta’s movie. The tale of a young newlywed – the daughter of a prominent general, accustomed to a life of luxury and pleasure – who feels trapped as the newly wedded wife of George Tesman, a respected-but-financially-insecure academic, and stirs chaos in an attempt to secure a future she doesn’t really want. Groundbreaking when it premiered in 1891, it became one of the classic “standards” of modern theater, with its title role coveted and famously interpreted by a long list of the 20th century’s greatest female actors – and yes, it’s been adapted for the screen multiple times.
The latest version – DaCosta’s radically reimagined reframing, which moves the drama’s setting from late-19th-century Scandinavia to England of the 1950s – keeps all of the pent-up frustration of its title character, a being of exceptional intelligence and unconventional morality, but adds a few extra layers of repressed “otherness” that give the Ibsen classic a fresh twist for audiences experiencing it more than a century later.
Casting Black, openly queer performer Tessa Thompson in the iconic title role, DaCosta’s film needs go no further to introduce new levels of relevance to a character that is regarded as one of the theater’s most searing portrayals of thwarted female empowerment – but by flipping the gender of another important character, a former lover who is now the chief competition for a job that George (Tom Bateman) is counting on obtaining, it does so anyway.
Instead of the play’s Eilert Lövborg, George’s former colleague and current competition for lucrative employment, “Hedda” gives us Eileen (Nina Hoss), instead, who carries a deep and still potent sexual history – underscored to an almost comical level by the ostentationally buxom boldness of her costume design – which presents a lot of options for exploitation in Hedda’s quest for self-preservation; these are even further expanded by the presence of Thea (Imogen Poots), another of Hedda’s former flings who has now become enmeshed with Eileen, placing a volatile sapphic triangle in the middle of an already delicate situation.
Finally, compounding the urgency of the story’s precarious social politics, DaCosta compresses the play’s action into a single evening, the night of Hedda and George’s homecoming party – in the new and expensive country house they cannot afford – as they return from their honeymoon. There, surrounded by and immersed in an environment where bourgeois convention and amoral debauchery exist in a precarious but socially-sanctioned balance, Hedda plots a course which may ultimately be more about exacting revenge on the circumstances of a life that has made her a prisoner as it is about protecting her husband’s professional prospects.
Sumptuously realized into a glowing and nostalgic pageant of bad behavior in the upper-middle-class, “Hedda” scores big by abandoning Ibsen’s original 19th-century setting in favor of a more recognizably modern milieu in which “color-blind” casting and the queering of key relationships feel less implausible than they might in a more faithful rendering. Thompson’s searingly nihilistic performance – her Hedda is no dutiful social climber trying to preserve a comfortable life, but an actively rebellious presence sowing karmic retribution in a culture of hypocrisy, avarice, and misogyny – recasts this proto-feminist character in such a way that her willingness to burn down the world feels not only authentic, but inevitable. Tired of being told she must comply and cooperate, she instead sets out to settle scores and shift the balance of power in her favor, and if her tactics are ruthless and seemingly devoid of feminine compassion, it’s only because any such sentimentality has long been eliminated from her worldview. Valued for her proximity to power and status rather than her actual possession of those qualities, in DaCosta’s vision of her story she seems to willingly deploy her position as a means to rebel against a status quo that keeps her forever restricted from the self-realized autonomy she might otherwise deserve, and thanks to the tantalizingly cold fire Thompson brings to the role, we are hard-pressed not to root for her, even when her tactics feel unnecessarily cruel.
As for the imposition of queerness effected by making Eilert into Eileen, or the additional layers of implication inevitably created by this Hedda’s Blackness, these elements serve to underscore a theme that lies at the heart of Ibsen’s play, in which the only path to prosperity and social acceptance lies in strict conformity to social norms; while Hedda’s race and unapologetic bisexuality feel largely accepted in the private environment of a party among friends, we cannot help but recognize them as impediments to surviving and thriving in the society by which she is constrained, and it makes the slow-bubbling desperation of her destructive character arc into a tragedy with a personal ring for anyone who has ever felt like an outsider in their own inner circle, simply by virtue of who they are.
Does it add anything of value to Ibsen’s iconic work? Perhaps not, though the material is certainly rendered more expansive in scope and implication by the inclusion of race and sexuality to the already-stacked deck of class hierarchy that lies at the heart of the play; there are times when these elements feel like an imposition, a “what-if?” alternate narrative that doesn’t quite gel with the world it portrays and ultimately seems irrelevant in the way it all plays out – though DaCosta’s ending does offer a sliver of redemptive hope that Ibsen denies his Hedda. Still, her retooling of this seminal masterwork does not diminish its greatness, and it allows for a much-needed spirit of inclusion which deepens its message for a diverse modern audience.
Anchored by Thompson’s ferocious performance, and the electricity she shares with co-star Hoss, “Hedda” makes for a smart, solid, and provocative riff on a classic cornerstone of modern dramatic storytelling; enriched by a sumptuous scenic design and rich cinematography by Sean Bobbitt, it may occasionally feel more like a Shonda Rhimes-produced tale of sensationalized scandal and “mean-girl” melodrama than a timeless masterwork of World Theatre, but in the end, it delivers a powerful echo of Ibsen’s classic that expands to accommodate a whole century’s worth of additional yearning.
Besides, how often do we get to see a story of blatant lesbian attraction played out with such eager abandon in a relatively mainstream movie? Answer: not often enough, and that’s plenty reason for us to embrace this queered-up reinvention of a classic with open arms.
Out & About
Delaware beaches ring in holidays with tree lightings
Festivities in Rehoboth preceded by a sing-along
The Rehoboth Beach annual tree lighting at the bandstand will take place at 7 p.m. on Friday, Nov. 28. Festivities are preceded by a sing-along by Clear Space Theatre beginning at 6:30 p.m.
And if you’re not tired of tree lightings at the beach, check out the annual Dewey Beach tree lighting along Rt. 1 at Fifer’s market on Saturday, Nov. 29. Festivities start at 5:30 p.m. and include local businesses offering food and drinks along with the lighting.
Out & About
DC Center announces annual Thanksgiving program
‘Our food programs are about more than just meals’
The DC Center for the LGBT Community will launch its “Annual Thanksgiving Food Program” on Thursday, Nov. 27.
This program, alongside several ongoing initiatives, will ensure that D.C.’s queer community has nourishment, dignity, and connection year-round. Beyond the Thanksgiving holiday, the Center continues its commitment to food access through several vital programs.
The Free Food Pantry, supported by Wegmans Food Market, provides shelf-stable essentials, available to anyone in need. The Food Rescue Program, in partnership with Food Rescue DC, offers ready-to-eat meals while helping to prevent food waste. In collaboration with Hungry Harvest and MicroHabitat, the Fresh Produce Program distributes seasonal fruits and vegetables weekly through a simple lottery registration. Additionally, the Farmers Market Program, in partnership with Food For Health and AHF, brings locally sourced produce directly to the community each month, promoting healthy eating and supporting local growers.
“Our food programs are about more than just meals, they’re about nourishment, connection, and care,” said Kimberley Bush, executive director of the DC LGBTQ+ Community Center. “In these uncertain times, we are proud to stand with our community and ensure that every person, regardless of circumstance, feels seen, supported, and fed, because everyone deserves a place at the table.”
For more information about the Thanksgiving Program or ongoing food initiatives, please visit thedccenter.org or email [email protected].
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