Miscellaneous
An irreverent Christmas
John Waters, Kinsey Sicks visiting D.C. and Baltimore with holiday tour stops
John Waters
‘A John Waters Christmas’
Sunday at 7:30 p.m.
The Birchmere
3701 Mt. Vernon Ave.
Alexandria, Va.
Tickets: $45
Birchmere.comDec. 21 at 8 p.m.
Modell Performing Arts Center at the Lyric Theatre
140 W. Mt. Royal Ave.
Baltimore
$30-$80
ticketmaster.com
lyricoperahouse.com
dreamlandnews.comKinsey Sicks
‘Oy Vey in a Manger’
Tonight at 7:30 and 10 p.m.
Creative Alliance at the Patterson
3134 Eastern Ave.
Baltimore
$27
creativealliance.orgDec. 24-36
Theater J at the D.C. JCC
1529 16th St., N.W.
Washington
$60
boxofficetickets.com
kinseysicks.com

John Waters plays the Birchmere Sunday and closes his tour Dec. 21 at the Lyric in Baltimore. (Photo by Greg Gorman; courtesy John Waters)
They’re both gay, they’re both giving holiday show tours, they’re both playing D.C., they’re both also playing Baltimore, they’re both known for irreverent and raunchy humor and love lampooning societal norms — and without even knowing the Blade has paired them together for a roundup, one even mentions the other out of the blue during a phone interview this week.
Ben Schatz, who plays Rachel in the Kinsey Sicks (they’re at the Patterson tonight in Baltimore), makes a pun when describing their act.
“We’re not watered down at all,” Schatz says. “We might be John Water-ed down, but that’s it.”
Schatz admits Waters, who’ll be at the Birchmere Sunday then Baltimore’s Lyric on the 21st, is a comedic hero.
“Because he’s so unapologetic,” Schatz says. “He does what he thinks is funny and it attacks who it attacks. So many performers, they’re demographically based, they cater to a particular crowd. We just do the material we find interesting, funny, provocative and challenging and there’s almost nobody who isn’t bothered by some of it.”
There’s no ostensible connection to the two shows and interviewing Waters — on a very tight media blitz in mid-November — and Schatz, who wearily phones from Puerto Vallarta Monday night where he just landed and called at his publicist’s behest despite being “totally wiped out,” is a study in contrasts.
Both are happy to roll with whatever comes up. Sure, we get in several questions about their respective shows, but it’s also fun to dart around — especially with Waters — and try to excavate some topical gems that haven’t been covered ad nauseum. The man’s been interviewed so much, he has his own volume — just out — in the “Conversations with Filmmakers Series” from University Press of Mississippi. “John Waters Interviews,” edited by James Egan, covers the years 1965 to 2011 and, ironically, arrives at the Blade office the day the Waters interview is scheduled. We start with that.
“I’m very proud (of the book),” Waters says. “I haven’t read them. It’s like listening to your own voice when you do voiceovers on a film. I don’t do that either. But yes, I’m very proud to be part of that series. I have a lot of the other books they’ve done. I’m doing an event at USC. I don’t sign it because it’s not really my book to sign, but I am helping to promote it.”
And is its arrival today coincidental?
“I don’t believe in divine providence,” he says. “I believe in Divine, but I don’t believe in divine providence. I don’t really believe in karma either. I know so many wonderful people who have died unfairly and I know other people who are the biggest assholes you can imagine and they’re still doing great, so I don’t know. I do believe in fate. I believe in genes. I believe in mental health. But I don’t think life is fair at all. I mean basically it’s conspiring to get us from the moment we’re born.”
Waters, who’s said in other interviews that economic woes and lack of backing have kept him from filmmaking in recent years, is well into the holiday spirit even though, at the time of our conversation, it wasn’t yet Thanksgiving. It’s all part of his “Christmas obsession,” which he’s used as fodder for his annual “John Waters Christmas” tour the last near decade.
Christmas cards?
“Oh God, yes,” Waters says. “I’ve been making my own for the last 25 or 30 years. And if I ever see anybody selling it on eBay, they get cut off. I send out a ton. About 2,000. I’m about half-way through signing them now. And I don’t believe in e-mail Christmas cards. I mean come on, you can’t mail your own cards at the post office? What’s up with that? And now they’re thinking of not even having mail on Saturdays? What’s that about?”
Waters says he gets a lot in return because people want to stay on his celebrated list. He keeps about 20 of the best each year, the rest are recycled.
There’s no tree in his house. He always puts lights up on the Divine statue and the electric chair — his trademark decorative accents — but not until about the week before Christmas. He’s busy touring his show until then.
And what does this self-professed Christmas fanatic think of others who take the holiday to extremes? He says it’s OK to leave Christmas decorations up all year as long as one uses a real tree.
“Because then it’s sure to look hideous,” he says. “I’ve never seen anbody do that with a live one, but I think it would be quite funny to have the needles everywhere on the floor in the dead of summer.”
And is it tacky to decorate before Thanksgiving? Is Waters offended by Christmas creep? He says he finds good taste far more obnoxious then creep or excess.
“It’s not so much the when, it’s the how,” he says. “If you decorate with no fun or make it too Hallmark-y, then I think yeah, you can do it too early. But if it’s done with humor or irony, I think you can do it anytime. … I hate those tacky decorations, those big inflatable ones although they’re kind of funny when you see them, like in Baltimore, people will go around and puncture them so you have the three wise men lying in a puddle on the lawn. I think that’s really great.”

The Kinsey Sicks also has Baltimore and Washington performances scheduled of its holiday show, ‘Oy Vey in a Manger.’ They’re at the Patterson tonight. From left are Trixie (Jeff Manabat), Winnie (Irwin Keller), Rachel (Ben Schatz) and Trampolina (Spencer Brown). (Photo by Maurice Molyneaux; courtesy the group)
Kinsey Sicks also brought its “Oy Vey” show to Theater J last year. Their silly storyline is built around the original manger being foreclosed upon and how Rachel and the other girls — Winnie, Trixie and Trampolina — handle the crisis. For those who haven’t seen the show, Schatz says it’s “the ‘Golden Girls’-meets John Waters-meets Comedy Central-meets the Manhattan Transfer,” with lots of Jewish (two members are Jews) and gay humor thrown in.
So how gay is it?
“Oh my God, are you kidding,” Schatz says. “This show is so gay it makes Richard Simmons look butch.”
And if the MPAA had a say, what would the rating be?
“Well, despite our best efforts, there is no full frontal nudity,” he says. “I think we’d get an ‘S’ for scandalous … We get very, very naughty. We have jokes that I will not repeat right now, but particularly in the holiday show, this is the kind of stuff the people on Fox News are campaigning about. We just came from Pittsburgh and it was a very old, very Christian sort of a crowd. And you could just tell they had this overwhelming sense that they were laughing in spite of themselves. Like they knew they should be appalled and offended but they seemed to love it anyway.”
And we just can’t let Waters go without asking about Edith Massey, the long-gone, but much-beloved Baltimore icon who was a staple of Waters’ early films (she died in 1984). Was she in on the joke? Did she understand her appeal?
“I don’t think it was a joke,” Waters says. “I think she was an outstanding comedian and she understood why people liked her. I don’t think it was a joke because she played amazing characters.”
But was it sort of a Mrs. Miller — the famously off-key singer whose recordings were so bad they became cult hits — appeal?
“I talk about her in my show and how much I wish she had done a Christmas album,” Waters says. “I can kind of see how somebody might think it’s the same kind of humor, but I don’t think I ever asked you to laugh at Edith. I think it was always us laughing with Edith.”
Schatz agrees humor takes finesse to pull off, walks a fine line many times and not just everything that gets a laugh deserves to be in a show.
The group members, who, like Waters, write their own material, says their show is “constantly devolving.”
“We’re constantly debating what should be in the show and tweaking it all the time,” he says. “Like right now, we have a Coach Sandusky joke. We were kind of debating if it was too over the top, but we said, ‘Let’s try it.’ I think people know we’re going to take chances and so not every single joke works, but that’s better than not taking enough chances … It’s really fun to see the audience reaction from the stage. Some people are laughing with shocked expressions, some people have their heads in their hands, some people don’t want to laugh but can’t help themselves, some people are almost looking up waiting for lightening bolts to come down from the sky. When you look at all that juxtaposed together and they don’t walk out, then you know you’ve done your job.”
Miscellaneous
LA-based TransLatin@ Coalition leads in time of attacks
Members of Congress ‘calling us a radical organization’
As ICE raids intensify across Southern California and anti-immigrant sentiment resurfaces in Orange County, transgender and immigrant communities are once again being targeted. These crackdowns go beyond enforcement — they’re designed to instill fear. At the same time, a coordinated right-wing smear campaign is attempting to discredit the very organizations working to keep these communities safe.
Last month, the TransLatin@ Coalition, a cornerstone in the fight for trans, queer, and immigrant rights in Los Angeles, was publicly named by members of Congress. But this was no recognition. It was a calculated attack.
“They’re calling us a radical organization,” said Bamby Salcedo, president and CEO of the TransLatin@ Coalition. “They’re spreading lies, saying we’re using government funding to abolish ICE and the police and to provide abortion access. We do believe in those things, but the funding we receive is used to serve our people.”
Now, that funding is being stripped away.
In the face of state violence, political backlash, and economic sabotage, TLC is responding the way it always has: by organizing, celebrating, and building a better world. Because when our communities are under attack, we show up — stronger, louder, and more united than ever.
Salcedo, herself a proud trans Latina immigrant, has spent decades fighting for those living at the margins. “I always say I am an intersection walking,” she said with a smile. “Our organization is made up of the people most impacted — and we are the ones leading the work.”
In Los Angeles County, roughly one-third of residents are immigrants, the majority of whom are Latino. Unsurprisingly, trans Latinas represent the largest segment within the local trans community.
Yet even within immigrant justice spaces, trans people are often sidelined.
“It’s a very hetero-centric space,” Salcedo said. “Most of the time, they don’t even consider the lives and experiences of trans and queer immigrants.”
The TransLatin@ Coalition is actively changing that. As a key member of a broad alliance of more than 100 immigrant-serving organizations across Los Angeles, including CHIRLA and the Filipino Workers Center, the TransLatin@ Coalition helped secure over $160 million in American Rescue Plan funds for immigrant housing, internet access, and legal services.
They also co-created the groundbreaking TGIE (Transgender, Gender-Nonconforming, Intersex Empowerment) initiative, which allocates $7 million in Los Angeles County’s annual budget to support trans-led service providers.
“We don’t just want symbolic policies,” said Salcedo. “We fight for resources. We analyze the budget. We make it real.”
Despite these victories, the TransLatin@ Coalition is now confronting devastating federal cuts.
“Our work has been defunded,” Salcedo said bluntly. “Multiple programs are gone. And we’re not alone — trans-led organizations across the country, especially in the South, are facing the same.”
She pointed to a broader backlash against anything associated with diversity, equity, and inclusion (DEI). “The private sector is pulling back. Philanthropy is scared. Even the same corporations that fund us during Pride are investing in our opposition the rest of the year. It’s hypocrisy.”
Rather than retreat, the TransLatin@ Coalition is calling for bold, collective action.
“Now’s the time for people to step up,” said Salcedo. “We have the strategy. We’re doing the work. But we need resources — and we need real solidarity, not just statements.”
To respond to the crisis and raise urgently needed funds, the TransLatin@ Coalition is organizing its Walk for Humanity on Saturday, Aug. 24. The event will begin at 9 a.m. in Silver Lake and march to Sunset and Western, featuring live performances, a resource fair, and a unified call for justice.
And yes — it will be joyful.
“This is a call for all people to stand in solidarity with one another,” said Salcedo. “We want to bring together 1,000 people, each raising $1,000. It’s going to be a beautiful day of community and resistance.”
In a surprise announcement, Salcedo also revealed she will debut her first single — a cumbia track inspired by the movement. “It’s about movement in both senses: our political movement, and moving our bodies,” she laughed. “We can’t let them take away our joy. Joy is how we survive.”
When asked what more local leaders can do, Salcedo didn’t hesitate. “Elected officials are public servants. That means serving all people,” she said. “We may be a small population, but we are deeply impacted — and we contribute so much to this city.”
She pointed to data from LA’s most recent homelessness count, which identified over 2,000 trans and gender-expansive people experiencing homelessness. That number exists thanks in large part to years of advocacy demanding the city count and name trans lives. “We have the data now. There’s no excuse not to invest in our people.”
She also uplifted allies like Los Angeles County Supervisor Lindsey Horvath and newly appointed City Council member Isabel Urado, the first openly LGBTQ person to hold her seat. “They’ve seen our work and are fighting to invest in it,” Salcedo said. “We’re hopeful we’ll see another $10 million in city funding. But we need the community behind us.”
At the end of our conversation, I asked Salcedo what she would say to undocumented, queer, and trans Angelenos who are feeling afraid right now.
Her answer was clear, powerful, and full of love:
“You are a divine creation. You deserve to exist in this world. Walk your path with dignity, love, and respect — for yourself and for others. You belong. You are part of me. You are part of us.”
If standing with trans immigrants, resisting federal rollbacks, and dancing in the streets sounds like your kind of solidarity, join the TransLatin@ Coalition on Aug. 24. Because when we show up together, we protect each other. And when we dance together — we win.
Watch the full interview with Salcedo:
Miscellaneous
The dedicated life and tragic death of gay publisher Troy Masters
‘Always working to bring awareness to causes larger than himself’
Troy Masters was a cheerleader. When my name was called as the Los Angeles Press Club’s Print Journalist of the Year for 2020, Troy leapt out of his seat with a whoop and an almost jazz-hand enthusiasm, thrilled that the mainstream audience attending the Southern California Journalism Awards gala that October night in 2021 recognized the value of the LGBTQ community’s Los Angeles Blade.
That joy has been extinguished. On Wednesday, Dec. 11, after frantic unanswered calls from his sister Tammy late Monday and Tuesday, Troy’s longtime friend and former partner Arturo Jiminez did a wellness check at Troy’s L.A. apartment and found him dead, with his beloved dog Cody quietly alive by his side. The L.A. Coroner determined Troy Masters died by suicide. No note was recovered. He was 63.
Considered smart, charming, committed to LGBTQ people and the LGBTQ press, Troy’s inexplicable suicide shook everyone, even those with whom he sometimes clashed.
Troy’s sister and mother – to whom he was absolutely devoted – are devastated. “We are still trying to navigate our lives without our precious brother/son. I want the world to know that Troy was loved and we always tried to let him know that,” says younger sister Tammy Masters.
Tammy was 16 when she discovered Troy was gay and outed him to their mother. A “busy-body sister,” Tammy picked up the phone at their Tennessee home and heard Troy talking with his college boyfriend. She confronted him and he begged her not to tell.
“Of course, I ran and told Mom,” Tammy says, chuckling during the phone call. “But she – like all mothers – knew it. She knew it from an early age but loved him unconditionally; 1979 was a time [in the Deep South] when this just was not spoken of. But that didn’t stop Mom from being in his corner.”
Mom even marched with Troy in his first Gay Pride Parade in New York City. “Mom said to him, ‘Oh, my! All these handsome men and not one of them has given me a second look! They are too busy checking each other out!” Tammy says, bursting into laughter. “Troy and my mother had that kind of understanding that she would always be there and always have his back!
“As for me,” she continues, “I have lost the brother that I used to fight for in any given situation. And I will continue to honor his cause and lifetime commitment to the rights and freedom for the LGBTQ community!”
Tammy adds: “The outpouring of love has been comforting at this difficult time and we thank all of you!”

No one yet knows why Troy took his life. We may never know. But Troy and I often shared our deeply disturbing bouts with drowning depression. Waves would inexplicitly come upon us, triggered by sadness or an image or a thought we’d let get mangled in our unresolved, inescapable past trauma.
We survived because we shared our pain without judgment or shame. We may have argued – but in this, we trusted each other. We set everything else aside and respectfully, actively listened to the words and the pain within the words.
Listening, Indian philosopher Krishnamurti once said, is an act of love. And we practiced listening. We sought stories that led to laughter. That was the rope ladder out of the dark rabbit hole with its bottomless pit of bullying and endless suffering. Rung by rung, we’d talk and laugh and gripe about our beloved dogs.
I shared my 12 Step mantra when I got clean and sober: I will not drink, use or kill myself one minute at a time. A suicide survivor, I sought help and I urged him to seek help, too, since I was only a loving friend – and sometimes that’s not enough.
(If you need help, please reach out to talk with someone: call or text 988 Suicide and Crisis Lifeline. They also have services in Spanish and for the deaf.)
In 2015, Troy wrote a personal essay for Gay City News about his idyllic childhood in the 1960s with his sister in Nashville, where his stepfather was a prominent musician. The people he met “taught me a lot about having a mission in life.”
During summers, they went to Dothan, Ala., to hang out with his stepfather’s mother, Granny Alabama. But Troy learned about “adult conversation — often filled with derogatory expletives about Blacks and Jews” and felt “my safety there was fragile.”
It was a harsh revelation. “‘Troy is a queer,’ I overheard my stepfather say with energetic disgust to another family member,” Troy wrote. “Even at 13, I understood that my feelings for other boys were supposed to be secret. Now I knew terror. What my stepfather said humiliated me, sending an icy panic through my body that changed my demeanor and ruined my confidence. For the first time in my life, I felt depression and I became painfully shy. Alabama became a place, not of love, not of shelter, not of the magic of family, but of fear.”
At the public pool, “kids would scream, ‘faggot,’ ‘queer,’ ‘chicken,’ ‘homo,’ as they tried to dunk my head under the water. At one point, a big crowd joined in –– including kids I had known all my life –– and I was terrified they were trying to drown me.
“My depression became dangerous and I remember thinking of ways to hurt myself,” Troy wrote.
But Troy Masters — who left home at 17 and graduated from the University of Tennessee at Knoxville — focused on creating a life that prioritized being of service to his own intersectional LGBTQ people. He also practiced compassion and last August, Troy reached out to his dying stepfather. A 45-minute Facetime farewell turned into a lovefest of forgiveness and reconciliation.
Troy discovered his advocacy chops as an ad representative at the daring gay and lesbian activist publication Outweek from 1989 to 1991.
“We had no idea that hiring him would change someone’s life, its trajectory and create a lifelong commitment” to the LGBTQ press, says Outweek’s co-founder and former editor-in-chief Gabriel Rotello, now a TV producer. “He was great – always a pleasure to work with. He had very little drama – and there was a lot of drama at Outweek. It was a tumultuous time and I tended to hire people because of their activism,” including Michelangelo Signorile, Masha Gessen, and Sarah Pettit.
Rotello speculates that because Troy “knew what he was doing” in a difficult profession, he was determined to launch his own publication when Outweek folded. “I’ve always been very happy it happened that way for Troy,” Rotello says. “It was a cool thing.”
Troy and friends launched NYQ, renamed QW, funded by record producer and ACT UP supporter Bill Chafin. QW (QueerWeek) was the first glossy gay and lesbian magazine published in New York City featuring news, culture, and events. It lasted for 18 months until Chafin died of AIDS in 1992 at age 35.
The horrific Second Wave of AIDS was peaking in 1992 but New Yorkers had no gay news source to provide reliable information at the epicenter of the epidemic.
“When my business partner died of AIDS and I had to close shop, I was left hopeless and severely depressed while the epidemic raged around me. I was barely functioning,” Troy told VoyageLA in 2018. “But one day, a friend in Moscow, Masha Gessen, urged me to get off my back and get busy; New York’s LGBT community was suffering an urgent health care crisis, fighting for basic legal rights and against an increase in violence. That, she said, was not nothing and I needed to get back in the game.”
It took Troy about two years to launch the bi-weekly newspaper LGNY (Lesbian and Gay New York) out of his East Village apartment. The newspaper ran from 1994 to 2002 when it was re-launched as Gay City News with Paul Schindler as co-founder and Troy’s editor-in-chief for 20 years.

“We were always in total agreement that the work we were doing was important and that any story we delved into had to be done right,” Schindler wrote in Gay City News.
Though the two “sometimes famously crossed swords,” Troy’s sudden death has special meaning for Schindler. “I will always remember Troy’s sweetness and gentleness. Five days before his death, he texted me birthday wishes with the tag, ‘I hope you get a meaningful spanking today.’ That devilishness stays with me.”
Troy had “very high EI (Emotional Intelligence), Schindler says in a phone call. “He had so much insight into me. It was something he had about a lot of people – what kind of person they were; what they were really saying.”
Troy was also very mischievous. Schindler recounts a time when the two met a very important person in the newspaper business and Troy said something provocative. “I held my breath,” Schindler says. “But it worked. It was an icebreaker. He had the ability to connect quickly.”
The journalistic standard at LGNY and Gay City News was not a question of “objectivity” but fairness. “We’re pro-gay,” Schindler says, quoting Andy Humm. “Our reporting is clear advocacy yet I think we were viewed in New York as an honest broker.”
Schindler thinks Troy’s move to Los Angeles to jump-start his entrepreneurial spirit and reconnect with Arturo, who was already in L.A., was risky. “He was over 50,” Schindler says. “I was surprised and disappointed to lose a colleague – but he was always surprising.”
“In many ways, crossing the continent and starting a print newspaper venture in this digitally obsessed era was a high-wire, counter-intuitive decision,” Troy told VoyageLA. “But I have been relentlessly determined and absolutely confident that my decades of experience make me uniquely positioned to do this.”
Troy launched The Pride L.A. as part of the Mirror Media Group, which publishes the Santa Monica Mirror and other Westside community papers. But on June 12, 2016, the day of the Pulse Nightclub shooting in Orlando, Fla., Troy said he found MAGA paraphernalia in a partner’s office. He immediately plotted his exit. On March 10, 2017, Troy and the “internationally respected” Washington Blade announced the launch of the Los Angeles Blade.

In a March 23, 2017 commentary promising a commitment to journalistic excellence, Troy wrote: “We are living in a paradigm shifting moment in real time. You can feel it. Sometimes it’s overwhelming. Sometimes it’s toxic. Sometimes it’s perplexing, even terrifying. On the other hand, sometimes it’s just downright exhilarating. This moment is a profound opportunity to reexamine our roots and jumpstart our passion for full equality.”
Troy tried hard to keep that commitment, including writing a personal essay to illustrate that LGBTQ people are part of the #MeToo movement. In “Ending a Long Silence,” Troy wrote about being raped at 14 or 15 by an Amtrak employee on “The Floridian” traveling from Dothan, Ala., to Nashville.
“What I thought was innocent and flirtatious affection quickly turned sexual and into a full-fledged rape,” Troy wrote. “I panicked as he undressed me, unable to yell out and frozen by fear. I was falling into a deepening shame that was almost like a dissociation, something I found myself doing in moments of childhood stress from that moment on. Occasionally, even now.”
From the personal to the political, Troy Masters tried to inform and inspire LGBTQ people.
Richard Zaldivar, founder and executive director of The Wall Las Memorias Project, enjoyed seeing Troy at President Biden’s Pride party at the White House.
“Just recently he invited us to participate with the LA Blade and other partners to support the LGBTQ forum on Asylum Seekers and Immigrants. He cared about underserved community. He explored LGBTQ who were ignored and forgotten. He wanted to end HIV; help support people living with HIV but most of all, he fought for justice,” Zaldivar says. “I am saddened by his loss. His voice will never be forgotten. We will remember him as an unsung hero. May he rest in peace in the hands of God.”
Troy often featured Bamby Salcedo, founder, president/CEO of TransLatina Coalition, and scores of other trans folks. In 2018, Bamby and Maria Roman graced the cover of the Transgender Rock the Vote edition.
“It pains me to know that my dear, beautiful and amazing friend Troy is no longer with us … He always gave me and many people light,” Salcedo says. “I know that we are living in dark times right now and we need to understand that our ancestors and transcestors are the one who are going to walk us through these dark times… See you on the other side, my dear and beautiful sibling in the struggle, Troy Masters.”
“Troy was immensely committed to covering stories from the LGBTQ community. Following his move to Los Angeles from New York, he became dedicated to featuring news from the City of West Hollywood in the Los Angeles Blade and we worked with him for many years,” says Joshua Schare, director of Communications for the City of West Hollywood, who knew Troy for 30 years, starting in 1994 as a college intern at OUT Magazine.
“Like so many of us at the City of West Hollywood and in the region’s LGBTQ community, I will miss him and his day-to-day impact on our community.”

(Photo by Richard Settle for the City of West Hollywood)
“Troy Masters was a visionary, mentor, and advocate; however, the title I most associated with him was friend,” says West Hollywood Mayor John Erickson. “Troy was always a sense of light and working to bring awareness to issues and causes larger than himself. He was an advocate for so many and for me personally, not having him in the world makes it a little less bright. Rest in Power, Troy. We will continue to cause good trouble on your behalf.”
Erickson adjourned the WeHo City Council meeting on Monday in his memory.
Masters launched the Los Angeles Blade with his partners from the Washington Blade, Lynne Brown, Kevin Naff, and Brian Pitts, in 2017.

“Troy’s reputation in New York was well known and respected and we were so excited to start this new venture with him,” says Naff. “His passion and dedication to queer LA will be missed by so many. We will carry on the important work of the Los Angeles Blade — it’s part of his legacy and what he would want.”
AIDS Healthcare Foundation President Michael Weinstein, who collaborated with Troy on many projects, says he was “a champion of many things that are near and dear to our heart,” including “being in the forefront of alerting the community to the dangers of Mpox.”
“All of who he was creates a void that we all must try to fill,” Weinstein says. “His death by suicide reminds us that despite the many gains we have made, we’re not all right a lot of the time. The wounds that LGBT people have experienced throughout our lives are yet to be healed even as we face the political storm clouds ahead that will place even greater burdens on our psyches.”
May the memory and legacy of Troy Masters be a blessing.
Veteran LGBTQ journalist Karen Ocamb served as the news editor and reporter for the Los Angeles Blade.
Miscellaneous
Los Angeles Blade publisher Troy Masters dies at 63
Longtime advocate for LGBTQ equality, queer journalism
Troy Masters, publisher of the Los Angeles Blade, died unexpectedly on Wednesday Dec. 11, according to a family member. He was 63. The cause of death was not immediately released.
Masters is a well-respected and award-winning journalist and publisher with decades of experience, mostly in LGBTQ media. He founded Gay City News in New York City in 2002 and relocated to Los Angeles in 2015. In 2017, he became the founding publisher of the Los Angeles Blade, a sister publication of the Washington Blade, the nation’s oldest LGBTQ newspaper.
His family released a statement to the Blade on Thursday.
“We are shocked and devastated by the loss of Troy,” the statement says. “He was a tireless advocate for the LGBTQ community and leaves a tremendous legacy of fighting for social justice and equality. We ask for your prayers and for privacy as we mourn this unthinkable loss. We will announce details of a celebration of life in the near future.”
The Blade management team released the following statement on Thursday:
“All of us at the Los Angeles Blade and Washington Blade are heartbroken by the loss of our colleague. Troy Masters is a pioneer who championed LGBTQ rights as well as best-in-class journalism for our community. We will miss his passion and his tireless dedication to the Los Angeles queer community.
“We would like to thank the readers, advertisers, and supporters of the Los Angeles Blade, which will continue under the leadership of our local editor Gisselle Palomera, the entire Blade family in D.C. and L.A., and eventually under a new publisher.”
Troy Masters was born April 13, 1961 and is survived by his mother Josie Kirkland and his sister Tammy Masters, along with many friends and colleagues across the country. This is a developing story and will be updated as more details emerge.

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