Arts & Entertainment
Queery: Angel McNatt
The She Scenes Entertainment co-founder answers 20 gay questions
Angel McNatt (Blade photo by Michael Key)
She Scenes Entertainment is having its three-year anniversary party Saturday from 8 p.m. to 2 a.m. and co-founder Angel McNatt is excited about the event/clothing line company branching into new areas.
Saturday’s party, to be held at Argana (2147 P Street, N.W.), will feature performances by Lower Case Letters, DSCA and D-Ron and DDM. Tickets are $10 in advance or $15 at the door (visit sweetsceneent.com for details). McNatt expects a diverse crowd as Ashley Head, a local entrepreneur with Natural International talent Agency, is co-hosting. Another arm of McNatt’s company — Loverboi Apparel — is having the launch of a new T-shirt line called Cocky Edition that will be unveiled Saturday. And it’s just the start of what McNatt and co-owners Sharee Brown and Tia Gaymon hope will be a big year of expansion for the company. Though they’re all black lesbians, they hope the company is mor than that.
“We’re trying to diversify all the time,” McNatt says. “D.C. is so segregated. It’s like a subculture within a subculture and we’re trying to break that out so it’s not all black people. Saturday’s concert should be a good mixed crowd. With Ashley along, there’ll be lots of gay boys as well.”
McNatt works in property management by day — which she has been doing for years and still enjoys — but started She Scenes three years ago with Brown, her ex, and Gaymon, who has event planning background. Their first event — a fashion show at the Washington Convention Center — drew about 800 people according to McNatt and they felt they’d hit a nerve. Eventually they’d like to quit their day jobs and do She Scenes full time.
McNatt, 29, grew up in Washington but now lives in Hyattsville, Md., and works in Bethesda. She graduated from American University and still has family here. She’s single and enjoys working out, reading and attending happy hour and nightlife events in her free time. She and her team are working on more fashion shows and are hoping to launch an LGBT swimwear line this year. (Blade photo by Michael Key)
How long have you been out and who was the hardest person to tell?
I’ve been out for 13 years now and the hardest person to tell was my grandmother at that time. However, now she is totally accepting over it.
Who’s your LGBT hero?
Ellen Degeneres
What’s Washington’s best nightspot, past or present?
U Street, Dupont and Adam’s Morgan corridor.
Describe your dream wedding.
My dream wedding would be a destination wedding on the sand, on a beach. The attire would be extremely relaxed; white or tan linen, no shoes. Small ceremony of close friends, family and associates. Large reception, with open invitation plus one; live band, open bar and a sushi option is a must.
What non-LGBT issue are you most passionate about?
World hunger and homelessness — it really doesn’t have to be this way.
What historical outcome would you change?
George Bush becoming president.
What’s been the most memorable pop culture moment of your lifetime?
The life and legacy of Michael Jackson. The impact that he had globally was and still is phenomenal.
On what do you insist?
I insist that the U.S. government has something to do with the 9-11 events. I’m not a radical, but come on people.
What was your last Facebook post or Tweet?
“Picking out an outfit for my 3rd year anniversary on January 21, 2012 at Argana (formerly Pasha) at 2147 P street NW Washington, DC…Purchase online tickets at http://concertedition.
If your life were a book, what would the title be?
“Life in the fast lane — What will slow me down?”
If science discovered a way to change sexual orientation, what would you do?
I would leave the country and find a small island in the middle of nowhere to live on. A person’s sexual orientation is something they naturally have a connection with. Contrary what some may be believe, it’s not a choice; you are who you are and attempting to tamper with that changes who we are as people and what we “allegedly” stand for as a country.
What do you believe in beyond the physical world?
I believe that an acquired sense and acknowledgement of spirituality is the ultimate key to success and self preservation.
What’s your advice for LGBT movement leaders?
The fight is never over as long as you continue to believe in what you’re supporting, your sincerity and efforts will always prevail ultimately paving the way for those who don’t have the courage to stand up for themselves.
What would you walk across hot coals for?
I would walk across hot coals for overall equality across the nation. I believe that the abolition of different classes (economic and social) would serve as a platform to end world hunger, crime, financial deficits and constraints.
What LGBT stereotype annoys you most?
That women or men are gay because the opposite sex didn’t do their job.
What’s your favorite LGBT movie?
Spike Lee’s independent film “She Hate Me”
What’s the most overrated social custom?
I think that having to say excuse me when you burp or pass gas in so overrated, more so in American culture. Flatulence is natural and most people do it in their sleep.
What trophy or prize do you most covet?
All of my competitive trophies, which include basketball, football (yes I said football), soccer, basketball, track and even Bible Study. Among them all my Punt, Pass and Kick trophy is what I covet the most. It was the last year that they had both men and women completing against each other on a regional and national level. The competition is sponsored by the NFL and I was interviewed by the retired Charles Mann.
What do you wish you’d known at 18?
That life is too short and that what most people hold high or place value on really isn’t as important as family and friends. Although truly nice to have and lots of it, money can truly be the root of all evil.
Why Washington?
Why not? I was born and raised here. It’s the capitol of the United States; politically, economically and socially driven. The District has an incredible amount of accessibility to entertainment, museums, restaurants and economical stability (hey I can only speak for myself). Its thriving subculture seems to be ever changing.
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Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more
Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’
From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.
Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”
The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.
“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”
Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.
Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.
As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.
(Washington Blade photos by Michael Key)
It’s been a year filled with drama and music, re-imaginings and new works. There was a lot on offer in 2025, and much to enjoy. Here are 10 now-closed productions that come to mind.
On Valentine’s Day at Folger Theatre on Capitol Hill, out actor Holly Twyford served as narrator for “The Love Birds” a Folger Consort work that melds medieval music with a world-premiere composition by acclaimed composer Juri Seo and readings from Geoffrey Chaucer’s “A Parlement of Foules”
Standing behind a podium, Twyford beautifully read Chaucer’s words (translated from Middle English and backed by projected slides in the original language), alternating with music played on old and new instruments.
While Mosaic Theater’s “A Case for the Existence of God,” closed in mid-December, it’s proving a production not soon forgotten. Precisely staged by Danilo Gambini, and impressively acted by Lee Orsorio and Jaysen Wright, the soul-searching two hander by out playwright Samuel D. Hunter, tells the story of two men who form an unlikely friendship based on single-fatherhood, a specific sadness, and hope.
The action unfolds in a small office in southern Idaho, where the pair discuss the perplexing terms of a mortgage loan while delving deep into their lives and backgrounds. Nothing is left off the table.
Shakespeare Theatre Company’s spring production of “Uncle Vanya” gave audiences something both fresh yet enduring. Staged by STC’s artistic director Simon Godwin, the production put an impeccably pleasing twist on Russian playwright Anton Chekhov’s classic. It ranks among the very best area productions of the year.
Featuring a topnotch cast led by Hugh Bonneville (TV’s “Downton Abbey”) in the title role, the play was set on an unfinished stage cluttered with costume racks and assorted props, all assembled by crew uniformed in black and actors in street clothes. Throughout the drama tinged with comedy, the actors continued to assist with ever increasingly period set changes accompanied by an underscore of melancholic cello strings. It was innovative and wonderful.
GALA Hispanic Theatre’s production of Manuel Puig’s “Kiss of the Spider Woman” was an intimate and affecting piece of theater. Staged by José Luis Arellano, it starred out actors Rodrigo Pedreira and Martín Ruiz as two very different men whose paths cross as convicts in an Argentine prison.
Arena Stage scored with a re-imagined and updated take on the widely liked musical “Damn Yankees.” Directed by Sergio Trujillo, the Broadway bound production has been “gently re-tooled for its first major revival in the 21st century,” moving the action from the struggling Washington Senators baseball team to the turn-of-the-century Yankees lineup. Ana Villafañe’s charmingly seductive Lola and a chorus of fit ball players made for a good time.
Also at Arena, out playwright Reggie D. White’s new work “Fremont Ave.” was very well received. A semi-autobiographical glimpse into home and the many definitions of that idea specifically relating to three generations of Black men, the work boasts a third act with a deeply queer storyline to boot.
Before his smash hit “Hamilton” transformed Broadway, Lin-Manuel Miranda wrote “In the Heights,” a seminal musical set against the vicissitudes of an upper Manhattan bodega. Infused with hip-hop, rap, and pop ballads, the romance/dramedy takes place over a lively few days in the vibrant, close-knit Latin neighborhood, Washington Heights.
Signature Theatre’s exciting take on “In the Heights” featured a talented cast including out actor Ángel Lozado as the bodega owner who figures prominently in the barrio and the action.
Studio Theatre’s recent production of lesbian playwright Paula Vogel’s newest work “The Mother Play,” a drama with humor, is about a well put together alcoholic mother and her two gay children living under difficult circumstances in the less glitzy parts of suburban Maryland. With nuanced performances and smart direction, the production was terrific.
Keegan Theatre surpassed expectations with its production of “Lizzie” a punk rock opera about Miss Borden, the fabled axe wielding title character. Performed by a super all-female cast, they belted a score that hits hard on subjects like money, queerness, and strained (to say the least) family relationships.
Round House Theatre impressed autumn audiences with “The Inheritance,” a two-part drama sensitively staged by out director Tom Story and acted by a mostly queer cast that included young actor Jordi Bertrán Ramírez in a breakout performance.
Penned by out playwright Matthew López, the epic work inspired by E.M. Forster’s novel “Howards End,” explores themes of love, legacy, and the AIDS crisis through the lives of three generations of gay men in New York City.
Prior to opening, Story commented that with the production’s predominately queer cast you get actors who “really understand the situation, the humor, and the struggle. It works well.” And he was right.
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