Arts & Entertainment
A melodic farewell
Locals lament closure of Dupont Circle record shop
Suzy and Jack Menase, owners of Melody Record Shop. (Blade photo by Michael Key)
With the rising popularity of downloading music from places like iTunes and online stores like Amazon, more and more record stores are closing, surrendering to the convenience of not having to leave the house to get both new and old albums.
Melody Records, an institution in Dupont Circle since the late ‘70s, is just another casualty in that unfortunate trend. Local gays are lamenting its impending closure. It was always popular with Blade readers — it won several “Best of Gay D.C.” awards in the early ‘00s, which still hang in the store above the new releases.
“Melody Records was one of my first discoveries when I moved to D.C. more than 11 years ago,” Michael Collins, a gay D.C. resident, says. “I stopped there about once a week, sometimes more often than that, and I seldom left empty handed.”
The owners, Suzy and Jack Menase, opened the store in 1977 before moving to Dupont two years later after having to vacate their previous location on E Street when developers wanted to redevelop the area.
“We just found Dupont Circle to be a busy area and thought it would be a good location for us,” Suzy Menase says.
They’ve been in the business so long, they’ve always tried to stay on top of things, and seen all the trends come and go, then come again.
“It’s been like a full circle. We started with vinyl and now we’re ending with vinyl,” Suzy says. “It’s neat to see young kids coming in … they’re not excited about CDs but they’re excited about vinyl.”
“I think the sound quality that they heard made it very attractive,” Jack Menase says.
The store has always held a wide selection of genres, including large sections of seemingly less popular genres such as opera, new age and more.
“The opera queens would squeal while the uber cool disco boys looked for the German imports of what would later be called ‘industrial’ in the specialty bins,” says Stephen Yasko, general manager of WTMD 89.7 in Baltimore.
The Menases have always worked to make sure they have a full selection with a little bit of something for everyone.
“If we don’t have it in stock, we order it for them,” Jack Menase says.
“With CDs, if you can’t sell something, you can return it,” Suzy says. “It’s not one person deciding what we carry.”
The Menases announced they were closing through a letter on their website, saying, “technology, the internet and the economy has taken its toll.”
“In the past two or three years, sales have been declining … we saw it coming, but we were just trying to hold on,” Suzy says. “We have such a strong, loyal customer base, we wanted to stay as long as possible.”
They both remember a time when there was an abundance of record stores in the D.C. area that all survived until the early 90s.
“One by one, everybody closed down,” Jack says.
Being in Dupont, the store automatically became a favorite spot for gay customers.
“Where else could you run across a copy of Ethel Merman’s disco album from the ’70s?” Collins says.
Also, Lambda Rising — a gay bookstore and staple of Dupont Circle — used to be next door.
“We were very sorry to see them go,” Jack says.
“Whoever came to them, whoever came to us went to them,” Suzy says. “They were great neighbors to have.”
Some music lovers continued to purchase CDs — at least in some genres — even into the digital music era.
“I loved Melody,” says Kevin Lees, a gay Washington resident. “I still typically buy classical and sometimes jazz in physical CD format for the copious liner notes and anytime I was looking for something in particular, I would always look at Melody first as my contribution to local stores in the face of Amazon. I’m surprised it lasted so long and that it outlasted Lambda Rising but sadly, the record store is clearly destined to be a thing of the past.”
There are a few members of the staff who have been working at the store for years, including a few who have been around for more than 10 years.
There are a lot of people who have been going to the store for years and some are even on a first-name basis with the Menases.
“They know my whole family and I know theirs,” Suzy says. “It’s not customers, they’re family.”
“I was heartbroken when I saw the going-out-of-business sign on the window,” Collins says. “What a regrettable loss for Dupont Circle and for all Washington music lovers.”
The shop is at 1623 Connecticut Ave., N.W. No firm closing date has been set. For now, it’s open seven days a week from 11 a.m. to 8 p.m.
Team DC, the umbrella organization for LGBTQ-friendly sports teams and leagues in the D.C. area, held its annual Night of Champions Awards Gala on Saturday, April 20 at the Hilton National Mall. The organization gave out scholarships to area LGBTQ student athletes as well as awards to the Different Drummers, Kelly Laczko of Duplex Diner, Stacy Smith of the Edmund Burke School, Bryan Frank of Triout, JC Adams of DCG Basketball and the DC Gay Flag Football League.
(Washington Blade photos by Michael Key)
The 2024 National Cannabis Festival was held at the Fields at RFK Stadium on April 19-20.
(Washington Blade photos by Michael Key)
Covering the @NatlCannaFest at RFK Stadium for @WashBlade . Stop by the LGBTQ+ booth and pick up a paper if you are here. pic.twitter.com/is7hnsaPns
— Michael Patrick Key (@MichaelKeyWB) April 20, 2024
Theater
‘Amm(i)gone’ explores family, queerness, and faith
A ‘fully autobiographical’ work from out artist Adil Mansoor
‘Amm(i)gone’
Thorough May 12
Woolly Mammoth Theatre
641 D St., N.W.
$60-$70
Woollymammoth.net
“Fully and utterly autobiographical.” That’s how Adil Mansoor describes “Amm(i)gone,” his one-man work currently playing at Woolly Mammoth Theatre.
Both created and performed by out artist Mansoor, it’s his story about inviting his Pakistani mother to translate Sophocles’s Greek tragedy “Antigone” into Urdu. Throughout the journey, there’s an exploration of family, queerness, and faith,as well as references to teachings from the Quran, and audio conversations with his Muslim mother.
Mansoor, 38, grew up in the suburbs of Chicago and is now based in Pittsburgh where he’s a busy theater maker. He’s also the founding member of Pittsburgh’s Hatch Arts Collective and the former artistic director of Dreams of Hope, an LGBTQ youth arts organization.
WASHINGTON BLADE: What spurred you to create “Amm(i)gone”?
ADIL MANSOOR: I was reading a translation of “Antigone” a few years back and found myself emotionally overwhelmed. A Theban princess buries her brother knowing it will cost her, her own life. It’s about a person for whom all aspirations are in the afterlife. And what does that do to the living when all of your hopes and dreams have to be reserved for the afterlife?
I found grant funding to pay my mom to do the translation. I wanted to engage in learning. I wanted to share theater but especially this ancient tragedy. My mother appreciated the characters were struggling between loving one another and their beliefs.
BLADE: Are you more director than actor?
MANSOOR: I’m primarily a director with an MFA in directing from Carnegie Mellon. I wrote, directed, and performed in this show, and had been working on it for four years. I’ve done different versions including Zoom. Woolly’s is a new production with the same team who’ve been involved since the beginning.
I love solo performance. I’ve produced and now teach solo performance and believe in its power. And I definitely lean toward “performance” and I haven’t “acted” since I was in college. I feel good on stage. I was a tour guide and do a lot of public speaking. I enjoy the attention.
BLADE: Describe your mom.
MANSOOR: My mom is a wonderfully devout Muslim, single mother, social worker who discovered my queerness on Google. And she prays for me.
She and I are similar, the way we look at things, the way we laugh. But different too. And those are among the questions I ask in this show. Our relationship is both beautiful and complicated.
BLADE: So, you weren’t exactly hiding your sexuality?
MANSOOR: In my mid-20s, I took time to talk with friends about our being queer with relation to our careers. My sexuality is essential to the work. As the artistic director at Dreams of Hope, part of the work was to model what it means to be public. If I’m in a room with queer and trans teenagers, part of what I’m doing is modeling queer adulthood. The way they see me in the world is part of what I’m putting out there. And I want that to be expansive and full.
So much of my work involves fundraising and being a face in schools. Being out is about making safe space for queer young folks.
BLADE: Have you encountered much Islamophobia?
MANSOOR: When 9/11 happened, I was a sophomore in high school, so yes. I faced a lot then and now. I’ve been egged on the street in the last four months. I see it in the classroom. It shows up in all sorts of ways.
BLADE: What prompted you to lead your creative life in Pittsburgh?
MANSOOR: I’ve been here for 14 years. I breathe with ease in Pittsburgh. The hills and the valleys and the rust of the city do something to me. It’s beautiful, it’ affordable, and there is support for local artists. There’s a lot of opportunity.
Still, the plan was to move to New York in September of 2020 but that was cancelled. Then the pandemic showed me that I could live in Pittsburgh and still have a nationally viable career.
BLADE: What are you trying to achieve with “Amm(i)gone”?
MANSOOR: What I’m sharing in the show is so very specific but I hear people from other backgrounds say I totally see my mom in that. My partner is Catholic and we share so much in relation to this.
I hope the work is embracing the fullness of queerness and how means so many things. And I hope the show makes audiences want to call their parents or squeeze their partners.
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