Arts & Entertainment
Theater with a ‘Twist’
Puppets and drag queens come to life on region’s spring stages


Drag artist Joey Arias in ‘Arias with a Twist,’ coming to Washington in April. (Photo by Steven Menedez)
Spring is more than daffodils and cherry blossoms in D.C. It’s also time for exciting and eclectic theater, much of which holds special interest for LGBT audiences. Here’s a sampling of what’s in store.
At the Shakespeare Theatre Company, gay artistic director Michael Kahn is giving himself a 25th anniversary treat — he’s directing Eugene O’Neil’s “Strange Interlude” (March 27-April 29), something he’s longed to do for a years. The famously difficult play about love and deception focuses on Nina Leeds who after her fiancé is killed in World War I, spends the remainder of her life searching (unsuccessfully) for happiness. The cast includes Broadway vets Francesca Faridany and Robert Stanton, and reliably superb local favorites Tana Hicken and Ted van Griethuysen.
Also at the Shakespeare is “Petrushka” (March 16-25) by acclaimed gay puppeteer Basil Twist. Based on the classic ballet in which dancers portray puppets come to life, Twist’s version uses actual puppets animated by nine puppeteers employing Czech and Japanese techniques to dance this tragic tale of ill-fated love. His visual magic is set against the backdrop of a specially created two-piano version of Stravinsky’s original ballet score. (shakespeartheatre.org)
There’s a citywide Twist festival of sorts happening this spring. His underwater, puppet show “Symphonie Fantastique” (March 29-32) is coming to the Clarice Smith Performing Arts Center, followed by the Japanese-inspired “Dogugaeshi” (4/12-22) at the Studio Theatre. (claricesmithcenter.umd.edu; studiotheatre.org) And at Woolly Mammoth, he joins creative forces and takes a fantastic voyage with famed New York drag artist Joey Arias in “Arias with a Twist” (April 4-May 6). (woollymammoth.net)
The national tour of the Tony-winning revival of “The Normal Heart” (June 8-July 29) kicks off at Arena Stage. Written by Larry Kramer, the 1985 work is largely an autobiographical problem play dealing with hot button AIDS-related issues at the height of the crisis. Extraordinarily, this is first-ever local professional production. The D.C. run also coincides with the International AIDS Conference to be held in Washington in late July. (arenastage.org)
At Signature Theatre, gay artistic director Eric Schaeffer stages the premier production of “Brother Russia” (March 6-April 15), the musical story of a ragtag Russian theatrical company led by notorious mad monk Rasputin. Gay director Joe Calarco directs the Washington premiere of Yasmina Reza’s award-winning play “God of Carnage” (April 10-June 24), about two couples who totally lose it when they meet to discuss a playground fight between their sons. And Signature’s season ends with associate artistic director Matthew Gardiner (also gay) production of “Xanadu” (June 8-July 29), a campy musical sendup of Olivia Newton-John’s 1980 roller disco movie. (signature-theatre.org)
No Rules Theatre Company presents “Suicide Incorporated” (May 30-June 23), a “tragicomic story about a business that helps its customers to perfect their suicide notes, and the new employee who might have other motivations.” The production’s cast features gay actors Dylan Jackson, Adam Downs. Company co-founder Joshua Morgan, who is gay, directs. (norulestheatre.org)
Factory 449 presents “The Damned Things” (May 11-June 3), a modern day horror story of a woman imprisoned in a coffin-sized freezer by Lisa Hodsoll, Hunter Styles and Rick Hammerly, the company’s gay artistic producing director. (factory449.com) Hammerly is also playing a founding father in Ford’s Theatre’s production of the Broadway musical “1776” (March 9-May 19). (fordstheatre.org)
Local gay director John Moletress’ intriguingly named new companyforce/collision is premiering a large-scale dance/theater performance on the historic Washington Navy Yard titled “The Nautical Yards” (April 26-29). The 60-minute site-specific show chronicles the story of two lovers separated by war and sea. Moletress, who is staging the performance, says the production includes cross-dressing and gender playfulness. The company, he adds, maintains a gender-blind attitude toward casting and boats several lgbt performers in its core ensemble. (force-collison.org)
At MetroStage in Alexandria, gay actor and playwright Jay Alvarez will perform “Be Careful! The Sharks Will Eat You!” (April 4-22). The story of his family’s harrowing escape from Casto’s Cuba, Alvarez’s one man show is a tribute to his father. Also at MetroStage: “Lonely Planet” (May 10-June 17) by Steven Dietz. Set in the ‘80s, this two-person play (both gay) addresses the AIDS crisis with a nod to the Romanian and French absurdist Ionesco. (metrostage.org)
L’Enfant Café & Bar in Adams Morgan continues its bimonthly “Speakeasy.” Every other Sunday, the gay-owned café transforms into a cabaret where (for both dinner and late shows) New York drag performers sing — not lip sync — their hearts out. On March 11, Joey Arias (above-mentioned cabaret and drag performer) and his band fresh from a recent Carnegie Hall date, performs with original Scissor Sisters drummer Paddy Boom. And again on March 25, Arias is back for two more shows but this time with Peppermint, a hot young New York drag artist with a great voice. For April dates and specifics refer to Speakeasy’s website. (lenfant.com). Reservations are required.
Jeffrey Johnson’s popular pink-haired persona Galactica has a new ongoing gig. It’s a recurring happy hour show from 6-9 every second and fourth Friday of the month starting on March 23 at the very welcoming, gay-owned-and-run Black Fox in Dupont Circle. Galactica will both sing and lip sync (pinkhairedone.com).
Photos
PHOTOS: Montgomery County Pride in the Plaza
LGBTQ celebration held in downtown Silver Spring

Montgomery County Pride in the Plaza was held on Sunday, June 29 at Veterans Plaza in Silver Spring, Md.
(Washington Blade photos by Michael Key)























The fifth annual Fredericksburg Pride march and festival was held on Saturday, June 28. A march through the streets of downtown Fredericksburg, Va. was followed by a festival at Riverfront Park.
(Washington Blade photos by Michael Key)



















India
Anaya Bangar challenges ban on trans women in female cricket teams
Former Indian cricketer Sanjay Bangar’s daughter has received support

Anaya Bangar, the daughter of former Indian cricketer Sanjay Bangar, has partnered with the Manchester Metropolitan University Institute of Sport in the U.K. to assess her physiological profile following her gender-affirming surgery and undergoing hormone replacement therapy.
From January to March 2025, the 23-year-old underwent an eight-week research project that measured her glucose levels, oxygen uptake, muscle mass, strength, and endurance after extensive training.
The results, shared via Instagram, revealed her metrics align with those of cisgender female athletes, positioning her as eligible for women’s cricket under current scientific standards. Bangar’s findings challenge the International Cricket Council’s 2023 ban on transgender athletes in women’s cricket, prompting her to call for a science-based dialogue with the Board of Control for Cricket in India and the ICC to reform policies for transgender inclusion.
“I am talking with scientific evidence in my hand,” Bangar said in an interview posted to her Instagram page. “So, I hope, this makes an impact and I will be hoping to BCCI and ICC talking with me and discussing this further.”
On Nov. 21, 2023, the ICC enacted a controversial policy barring trans women from international women’s cricket. Finalized after a board meeting in Ahmedabad, India, the regulation prohibits any trans player who has experienced male puberty from competing, irrespective of gender-affirming surgery or hormone therapy. Developed through a 9-month consultation led by the ICC’s Medical Advisory Committee, the rule aims to safeguard the “integrity, safety, and fairness” of women’s cricket but has drawn criticism for excluding athletes like Canada’s Danielle McGahey, the first trans woman to play internationally. The policy, which allows domestic boards to set their own rules, is slated for review by November 2025.
Bangar shared a document on social media verifying her participation in a physiological study at the Manchester Metropolitan University Institute of Sport, conducted from Jan. 20 to March 3, 2025, focused on cricket performance. The report confirmed that her vital metrics — including haemoglobin, blood glucose, peak power, and mean power — aligned with those of cisgender female athletes. Initially, her fasting blood glucose measured 6.1 mmol/L, slightly above the typical non-diabetic range of 4.0–5.9 mmol/L, but subsequent tests showed it normalized, reinforcing the study’s findings that her physical profile meets female athletic standards.
“I am submitting this to the BCCI and ICC, with full transparency and hope,” said Bangar. “My only intention is to start a conversation based on facts not fear. To build space, not divide it.”
In a letter to the BCCI and the ICC, Bangar emphasized her test results from the Manchester Metropolitan University study. She explained that the research aimed to assess how hormone therapy had influenced her strength, stamina, haemoglobin, glucose levels, and overall performance, benchmarked directly against cisgender female athletic standards.
Bangar’s letter to the BCCI and the ICC clarified the Manchester study was not intended as a political statement but as a catalyst for a science-driven dialogue on fairness and inclusion in cricket. She emphasized the importance of prioritizing empirical data over assumptions to shape equitable policies for trans athletes in the sport.
Bangar urged the BCCI, the world’s most influential cricket authority, to initiate a formal dialogue on trans women’s inclusion in women’s cricket, rooted in medical science, performance metrics, and ethical fairness. She called for the exploration of eligibility pathways based on sport-specific criteria, such as haemoglobin thresholds, testosterone suppression timelines, and standardized performance testing. Additionally, she advocated for collaboration with experts, athletes, and legal advisors to develop policies that balance inclusivity with competitive integrity.
“I am releasing my report and story publicly not for sympathy, but for truth. Because inclusion does not mean ignoring fairness, it means measuring it, transparently and responsibly,” said Bangar in a letter to the BCCI. “I would deeply appreciate the opportunity to meet with you or a representative of the BCCI or ICC to present my findings, discuss possible policy pathways, and work towards a future where every athlete is evaluated based on real data, not outdated perceptions.”
Before her transition, Bangar competed for Islam Gymkhana in Mumbai and Hinckley Cricket Club in the U.K., showcasing her talent in domestic cricket circuits. Her father, Sanjay Bangar, was a dependable all-rounder for the Indian national cricket team from 2001 to 2004, playing 12 test matches and 15 One Day Internationals. He later served as a batting coach for the Indian team from 2014 to 2019, contributing to its strategic development.
Cricket in India is a cultural phenomenon, commanding a fanbase of more than 1 billion, with more than 80 percent of global cricket viewership originating from the country.
The International Cricket Council, the sport’s governing body, oversees 12 full member nations and more than 90 associate members, with the U.S. recently gaining associate member status in 2019 and co-hosting the 2024 ICC Men’s T20 World Cup. The BCCI generated approximately $2.25 billion in revenue in the 2023–24 financial year, primarily from the Indian Premier League, bilateral series, and ICC revenue sharing. The ICC earns over $3 billion from media rights in India alone for the 2024–27 cycle, contributing nearly 90 percent of its global media rights revenue, with the BCCI receiving 38.5 percent of the ICC’s annual earnings, approximately $231 million per year.
Women’s cricket in India enjoys a growing fanbase, with over 300 million viewers for the Women’s Premier League in 2024, making it a significant driver of the sport’s global popularity. The International Cricket Council oversees women’s cricket in 12 full member nations and over 90 associate members, with the U.S. fielding a women’s team since gaining associate status in 2019 and competing in ICC events like the 2024 Women’s T20 World Cup qualifiers. The BCCI invests heavily in women’s cricket, allocating approximately $60 million annually to the WPL and domestic programs in 2024–25, while contributing to the ICC’s $20 million budget for women’s cricket development globally. India’s media market for women’s cricket, including WPL broadcasting rights, generated $120 million in 2024, accounting for over 50 percent of the ICC’s women’s cricket media revenue.
“As a woman, I feel when someone says that they are women, then they are, be trans or cis. A trans woman is definitely the same as a cis woman emotionally and in vitals, and specially, when someone is on hormone replacement therapy. Stopping Anaya Bangar from playing is discrimination and violation of her rights. It is really sad and painful that every transwoman need to fight and prove their identity everywhere,” said Indrani Chakraborty, an LGBTQ rights activist and a mother of a trans woman. “If ICC and BCCI is stopping her from playing for being transgender, then I will say this to be their lack of awareness and of course the social mindsets which deny acceptance.”
Chakraborty told the Blade that Bangar is an asset, no matter what. She said that the women’s cricket team will only benefit by participation, but the discriminating policies are the hindrance.
“Actually the transgender community face such discrimination in every sphere. In spite of being potent, they face rejection. This is highly inhuman. These attitudes is regressive and will never let to prosper. Are we really in 2025?,” said Chakraborty. “We, our mindset and the society are the issues. We, as a whole, need to get aware and have to come together for getting justice for Anaya. If today, we remain silent, the entire community will be oppressed. Proper knowledge of gender issues need to be understood.”
The BCCI and the International Cricket Council have not responded to the Blade’s repeated requests for comment.
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