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Queery: David Merrill

The Cherry DJ answers 20 gay questions

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David Merrill (Blade photo by Michael Key)

When asked why he gave up a 15-year computer science career to become a full-time DJ, Columbia Heights resident David Merrill has a simple answer: “Because I could.”

Merrill started spinning in college but soon his day job took over.

“When you’re working 60 to 70 hours a week, which is normal for that field, you don’t have the energy to be out spinning ‘til 4 in the morning,” he says. “I always wanted to do it and I was just finally at a point where I could.”

Listen for Merrill tonight at the “Boys on Fire” party from 9 p.m. to 3 a.m. at the Warehouse Loft (411 New York Ave., N.E.) where he’ll open for DJ Paulo. Though he’s attended Cherry each year for about 10 years, this is Merrill’s first time spinning and only his second circuit party. He also has monthly gigs at Code (first Saturday of each month at Green Lantern), Triple X (every third Friday at the Crucible) and a radio show called Club Queer. On Saturday night, he’ll be at Cobalt’s Raw event.

“I have very eclectic tastes,” he says. “The only hard-and-fast rule is if it makes me want to shake my ass, I’ll play it.”

He says tonight’s set will have elements of tribal, progressive and “acid house” grooves. He’ll spin about three hours. Go to cherryfund.org for details on all Cherry events. See page 33 for more information.

“Cherry is all about the music, all about the dancing,” he says. “You’re gonna see some amazing décor and there will be lots of hot guys half naked and that’s great, but like all great parties, it’s really about the music first and foremost. It’ll be some of the greatest music you ever hear in your life. DJ Paulo is amazing. It’s such an honor to open for him.”

Merrill grew up in Alexandria and has also lived in North Carolina and Florida at various times for school and career. He worked for years in Tampa doing computer work. He’s been back in Washington for about 10 years.

Though mum about his personal life, Merrill lives in Columbia Heights and enjoys dinner-and-a-movie evenings at home to relax. (Blade photos by Michael Key)

How long have you been out and who was the hardest person to tell?

I never really “came out” officially. My mother eavesdropped on a phone call from my boyfriend, who called on Christmas Eve to wish me a Merry Christmas, and she outed me to the rest of the family. My father threw me out of the house that very night. I was 15. Since I had nothing to lose, I have ever since then been completely out.

Who’s your LGBT hero?

I have so many, but I would have to say Harvey Milk really stands out. So much of what we have accomplished is due to his leadership and the influence that he, and his assassination, had on the gay rights movement.

What’s Washington’s best nightspot, past or present? 

That’s a hard one, and I know I might offend some current club owners but I have to say Tracks. But the lousiest nightclub can be heaven if a great DJ is playing. I don’t need lights and fog and lasers. Sure, they’re cool, but it’s all about the music for me.

Describe your dream wedding.

All of my family and friends on the roof of the Hay-Adams Hotel, across the street from the White House.

What non-LGBT issue are you most passionate about?

I’m passionate about all civil rights issues. Every person deserves to be treated with dignity and respect no matter their gender, orientation, religion, race or any other characteristic they might have.

What historical outcome would you change?

I’m going to say the constitutional compromise that left slavery not only legal, but officially enshrined in our Constitution. Slavery is America’s “original sin” and I have to wonder what America would be like today if we had started out without that millstone around our neck.

What’s been the most memorable pop culture moment of your lifetime?

The first time I saw “Rocky Horror Picture Show.” I was about 12 or 13 years old so for me at that age it was incredibly subversive and I’ve loved subversive art and theater ever since.

On what do you insist?

I insist on always doing my absolute best. There will always be someone who can run faster, or make more money, or whatever, but as long as I always work hard and do my very best, I can look in the mirror and be proud of myself.

What was your last Facebook post or Tweet?

I posted a quote from Dan Savage: “Hostile parents can’t make their gay kids straight, but they can make them dead.”

If your life were a book, what would the title be?

“Wrong Turns That Turn Out Right”

If science discovered a way to change sexual orientation, what would you do?

Drop it in the Gatoraid at a nearby locker room? OK, I wouldn’t really do that, but it’s a nice fantasy. I sure wouldn’t take it myself. I am very happy with who I am, thank you very much.

What do you believe in beyond the physical world? 

I don’t really know if there is a G-d in the Judeo-Christian sense, but I do believe that there is such a thing as sacred, and I try to find it in everyone.

What’s your advice for LGBT movement leaders?

I would just like to thank them for all the good work that they do, and encourage them to keep the faith, because our cause is just and we will prevail.

What would you walk across hot coals for?

I would do anything for my family.

What LGBT stereotype annoys you most?

I think the stereotype that we all cut hair or design interiors is ridiculous. Sure, lots of us are fabulous at those things, but lots more of us aren’t.

What’s your favorite LGBT movie?

“Angels in America.” I love the part where Hannah responds to Blanche DuBois — “I have always depended on the kindness of strangers”; “Well that’s a stupid thing to do.”

What’s the most overrated social custom?

Talking about the weather.

What trophy or prize do you most covet?

A great DJ can create a mood, really connect with a crowd of dancers, and take them on a musical and emotional journey. And when you’ve done that, when you have the crowd in the palm of your hand, you know it. You feel it. And THAT is the “prize” I work so hard to achieve. I live for that feeling. It’s why I’m a DJ.

What do you wish you’d known at 18?

At 18 I was on the street, off and on, living in empty lots. If I had known that things would eventually work out for me, it would have saved me so much fear and worry about the future. Life for me has just gotten better and better. At 18 the future looked really bleak.

Why Washington?

I love Washington! There are so many things to do, places to go, museums to visit and great restaurants. You could never do it all.

 

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Photos

PHOTOS: Gay Day at the Zoo

Smithsonian marks International Family Equality Day

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Gay Day at the Zoo (Washington Blade photo by Michael Key)

The DC Center for the LGBTQ Community, SMYAL and Rainbow Families sponsored Gay Day at the Zoo on Sunday at the Smithsonian National Zoo. The Smithsonian marked International Family Equality Day with special exhibits and an event space.

(Washington Blade photos by Michael Key)

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Photos

PHOTOS: Taste of Point

Annual fundraiser held for LGBTQ youth scholarship, mentorship organization

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Taste of Point DC (Washington Blade photo by Michael Key)

The Point Foundation held its annual Taste of Point fundraiser at Room & Board on May 2.

(Washington Blade photos by Michael Key)

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Theater

Miss Kitty tackles classical mythology in ‘Metamorphoses’

Folger production seen through the lens of the African diaspora

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Miss Kitty (Photo by Sarah Laughland Photography)

‘Metamorphoses’
May 7-June 16
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu

Miss Kitty’s words are thoughtful and measured, occasionally punctuated by flamboyant flourishes and uplifting proclamations. Her tried and tested tagline is “live in fierce not fear.” 

She describes herself as “AMAB (assigned male at birth), nonbinary, genderqueer, transfemme” as well as “chanteuse, noble blacktress, and dancer.” 

Currently, Miss Kitty is testing her talents in Mary Zimmerman’s “Metamorphoses” at Folger Theatre on Capitol Hill. 

At 90 minutes, “Metamorphoses,” is made up of interwoven vignettes from classical mythology including the tales of Midas and his daughter, Alcyone and Ceyx, and Eros and Psyche. 

“It’s all stories that relate to the human condition: the follies, the happiness, the love, the loss,” Miss Kitty explains. “And a thorough knowledge of mythology isn’t a requirement for enjoyment.” 

The language is contemporary and with its 11-person ensemble cast – comprised exclusively of Black or indigenous people of color – they’re adding their own spin to its present-day feel, she adds. 

In Zimmerman’s famously staged premiere production, the actors performed in and around a pool of water. At Folger, director Psalmayene 24 has ditched actual aquatics; instead, he suggests the element by introducing Water Nymph, a new character constructed around Miss Kitty. 

Water Nymph doesn’t speak, but she’s very visible from the opening number and throughout the play on stage and popping up in unexpected places around the venue. 

“It’s a lot of dancing; I haven’t danced the way Tony Thomas is choreographing me in a very long time. At 40, can she still make theater with just my body as her instrument?

The name “Miss Kitty” was born over a decade ago. 

Miss Kitty recalls, “She was still presenting as male and going by her dead name. Someone commented that with the wig she was wearing for a part, she looked like Eartha Kitt whom she deeply admires.”

Her penchant for illeism (referring to oneself in third person) isn’t without good reason. She explains, “It’s to reiterate that however she might look, she’s always there; and if you misgender, she will let you know.”

Initially, the moniker was a drag persona at Capital Pride or the occasional fabulous cabaret performance at a nightclub.

But as time passed, she realized that Miss Kitty was something she couldn’t take off. She had always been a part of her. 

“She’s helped me to grow and flourish; she’s given me the strength that I never would have had before. I’m so proud of myself for realizing that before it was too late.” 

Bringing Miss Kitty into her theatrical career presented some concerns. Would theater folks be open to the new her, especially those she’d worked with before? 

Not always, but she’s found new companies who’ve welcomed Miss Kitty with open arms including Avant Bard, Spooky Action Theater, and now Folger. 

Last fall, Miss Kitty appeared in Spooky Action’s Agreste (Drylands), a stunning queer story penned by gay Brazilian playwright Newton Moreno. 

After being invited to audition and reading the script, Miss Kitty was determined to be a part of the production. 

A work dealing with love and being trans, and transphobia, and how people can turn on a dime once they learn the truth about someone, resonated deeply with the actor. 

“The play speaks to the idea that if people just let people be who they are and love who they want to love we’d all be a lot happier,” she says. 

For her sublime efforts, Miss Kitty nabbed a Helen Hayes Award nomination in the Outstanding Lead Performer category (winner to be determined on Monday, May 20 during a ceremony at The Anthem). 

It’s her first time nominated and first time attending. She’s thrilled. 

Miss Kitty grew up in Oxen Hill, Md., and now lives near Washington Harbor. Her entry into performance was through music followed by high school plays. She graduated from Catholic University with a degree in music/concentration in musical theater, and from there dove directly into showbiz. 

Looking back, Miss Kitty says, “being a person of color AND queer can be a double whammy of difficulty. You have to live in light and do the things you’re afraid to do. That’s the game changer.” 

Presenting “Metamorphoses” through the lens of the African diaspora (the cast also includes Jon Hudson Odom and Billie Krishawn, among others) helps us to realize that every story can be universal, especially for marginalized people — South Asian, Native American, or fully queer perspectives, she says.  

“Having an all-Black ensemble opens all new worlds for everyone.”

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