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Queery: David Merrill

The Cherry DJ answers 20 gay questions

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David Merrill (Blade photo by Michael Key)

When asked why he gave up a 15-year computer science career to become a full-time DJ, Columbia Heights resident David Merrill has a simple answer: “Because I could.”

Merrill started spinning in college but soon his day job took over.

“When you’re working 60 to 70 hours a week, which is normal for that field, you don’t have the energy to be out spinning ‘til 4 in the morning,” he says. “I always wanted to do it and I was just finally at a point where I could.”

Listen for Merrill tonight at the “Boys on Fire” party from 9 p.m. to 3 a.m. at the Warehouse Loft (411 New York Ave., N.E.) where he’ll open for DJ Paulo. Though he’s attended Cherry each year for about 10 years, this is Merrill’s first time spinning and only his second circuit party. He also has monthly gigs at Code (first Saturday of each month at Green Lantern), Triple X (every third Friday at the Crucible) and a radio show called Club Queer. On Saturday night, he’ll be at Cobalt’s Raw event.

“I have very eclectic tastes,” he says. “The only hard-and-fast rule is if it makes me want to shake my ass, I’ll play it.”

He says tonight’s set will have elements of tribal, progressive and “acid house” grooves. He’ll spin about three hours. Go to cherryfund.org for details on all Cherry events. See page 33 for more information.

“Cherry is all about the music, all about the dancing,” he says. “You’re gonna see some amazing décor and there will be lots of hot guys half naked and that’s great, but like all great parties, it’s really about the music first and foremost. It’ll be some of the greatest music you ever hear in your life. DJ Paulo is amazing. It’s such an honor to open for him.”

Merrill grew up in Alexandria and has also lived in North Carolina and Florida at various times for school and career. He worked for years in Tampa doing computer work. He’s been back in Washington for about 10 years.

Though mum about his personal life, Merrill lives in Columbia Heights and enjoys dinner-and-a-movie evenings at home to relax. (Blade photos by Michael Key)

How long have you been out and who was the hardest person to tell?

I never really “came out” officially. My mother eavesdropped on a phone call from my boyfriend, who called on Christmas Eve to wish me a Merry Christmas, and she outed me to the rest of the family. My father threw me out of the house that very night. I was 15. Since I had nothing to lose, I have ever since then been completely out.

Who’s your LGBT hero?

I have so many, but I would have to say Harvey Milk really stands out. So much of what we have accomplished is due to his leadership and the influence that he, and his assassination, had on the gay rights movement.

What’s Washington’s best nightspot, past or present? 

That’s a hard one, and I know I might offend some current club owners but I have to say Tracks. But the lousiest nightclub can be heaven if a great DJ is playing. I don’t need lights and fog and lasers. Sure, they’re cool, but it’s all about the music for me.

Describe your dream wedding.

All of my family and friends on the roof of the Hay-Adams Hotel, across the street from the White House.

What non-LGBT issue are you most passionate about?

I’m passionate about all civil rights issues. Every person deserves to be treated with dignity and respect no matter their gender, orientation, religion, race or any other characteristic they might have.

What historical outcome would you change?

I’m going to say the constitutional compromise that left slavery not only legal, but officially enshrined in our Constitution. Slavery is America’s “original sin” and I have to wonder what America would be like today if we had started out without that millstone around our neck.

What’s been the most memorable pop culture moment of your lifetime?

The first time I saw “Rocky Horror Picture Show.” I was about 12 or 13 years old so for me at that age it was incredibly subversive and I’ve loved subversive art and theater ever since.

On what do you insist?

I insist on always doing my absolute best. There will always be someone who can run faster, or make more money, or whatever, but as long as I always work hard and do my very best, I can look in the mirror and be proud of myself.

What was your last Facebook post or Tweet?

I posted a quote from Dan Savage: “Hostile parents can’t make their gay kids straight, but they can make them dead.”

If your life were a book, what would the title be?

“Wrong Turns That Turn Out Right”

If science discovered a way to change sexual orientation, what would you do?

Drop it in the Gatoraid at a nearby locker room? OK, I wouldn’t really do that, but it’s a nice fantasy. I sure wouldn’t take it myself. I am very happy with who I am, thank you very much.

What do you believe in beyond the physical world? 

I don’t really know if there is a G-d in the Judeo-Christian sense, but I do believe that there is such a thing as sacred, and I try to find it in everyone.

What’s your advice for LGBT movement leaders?

I would just like to thank them for all the good work that they do, and encourage them to keep the faith, because our cause is just and we will prevail.

What would you walk across hot coals for?

I would do anything for my family.

What LGBT stereotype annoys you most?

I think the stereotype that we all cut hair or design interiors is ridiculous. Sure, lots of us are fabulous at those things, but lots more of us aren’t.

What’s your favorite LGBT movie?

“Angels in America.” I love the part where Hannah responds to Blanche DuBois — “I have always depended on the kindness of strangers”; “Well that’s a stupid thing to do.”

What’s the most overrated social custom?

Talking about the weather.

What trophy or prize do you most covet?

A great DJ can create a mood, really connect with a crowd of dancers, and take them on a musical and emotional journey. And when you’ve done that, when you have the crowd in the palm of your hand, you know it. You feel it. And THAT is the “prize” I work so hard to achieve. I live for that feeling. It’s why I’m a DJ.

What do you wish you’d known at 18?

At 18 I was on the street, off and on, living in empty lots. If I had known that things would eventually work out for me, it would have saved me so much fear and worry about the future. Life for me has just gotten better and better. At 18 the future looked really bleak.

Why Washington?

I love Washington! There are so many things to do, places to go, museums to visit and great restaurants. You could never do it all.

 

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Theater

Reggie White relishing first season as artistic director of Woolly Mammoth

First five shows a reminder that ‘pressure is a privilege’

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Reggie D. White (Photo by Ambe J. Williams)

Madly talented and preternaturally energetic, Reggie D. White, 38, is about to launch his first season as artistic director of D.C.’s boundary-pushing Woolly Mammoth Theatre Company.

White brings a lot to the job. As actor, playwright, and director, his varied resume includes a 2019 Broadway acting debut in Matthew López’s Tony Award–winning play “The Inheritance,” his semi-autobiographic play “Fremont Ave.” that opened to acclaim last season at Arena Stage, and a number of exciting regional directing credits.

A longtime admirer of Woolly, the out theater-maker was selected from a pool of candidates before receiving the offer last November and starting work in January. His season of five world premieres kicks off with gay playwright Steve Yockey’s “Venus” (Sept. 9-Oct. 4), a darkly funny study of modern relationships told through two lesbians looking back on their first encounter.

White was introduced to Woolly Mammoth as a pre-law student at Cal State Hayward in the San Francisco Bay Area, long before he foresaw a life in the arts. “As part of a random theater history course, I was assigned to write a paper on a counterculture company called Woolly Mammoth,” he recalls “Strange name. I was like what the hell is that?” 

Nineteen-year-old White was intrigued. Research acquainted him with Howard Shalwitz who co-founded Woolly in 1980, and the company’s commitment to living playwrights and new work. He also learned how theater could be used as a tool for difficult conversations and shape the way people thought about social issues by employing imagination and rigor. 

“Never in a million years did young me envision that one day I’d be Woolly’s third artistic director in its 46-year history,” says White. “It’s kind of serendipitously insane.” 

WASHINGTON BLADE: Was there a moment when the enormity of the job hit you?

REGGIE D. WHITE: After I’d signed my contract and finished all the paperwork, I got my keys and sat in the theater by myself in the dark and thought about what an incredible honor it is to be trusted with what happens in this beautiful space [in D.C.’s Penn Quarter]. I might have cried. Sometimes I have to pinch myself to remember it’s real. 

BLADE: Are you curating the upcoming 2026–2027 season? 

WHITE: Yes, I am.  It’s very rare that an incoming artistic director gets to program their first season, but I was lucky in terms of time. After being hired late last year, I asked Woolly’s managing director Kimberly E. Douglas, if she thought it would be crazy if I programmed the season. She warned me it would be hard. 

I invoked tennis legend Billie Jean King’s maxim “pressure is a privilege” and got to work. 

These plays [dubbed White’s “first five”] represent both the kind of theater that Woolly can do really well and speak directly to my voice as curator and how I want to contribute to the larger theatrical conversation in the DMV. 

Getting here has meant a lot of late nights. But I knew the juice would be worth the squeeze.

BLADE: As a queer artistic director, what makes you unique? 

WHITE: When I was playing in “Inheritance” on Broadway, after a performance, U.S. Supreme Court Justice Sotomayer came backstage to meet the cast. She spoke about how her lens on the world as a Puerto Rican woman shapes her decisions. Similarly, because I’m a queer Black man I see through a lens that shapes my work.

I know I’m not the only queer artistic director in town. For me, it influences how I make editorial decisions. Out of this season’s five plays there are explicitly queer characters in four [“Venus,” “Chanukkah Spectacular,” “Ten Grand,” and “Love I Awethu Further”] and I’m directing two [“Venus,” “Ten Grand”].

BLADE: Will we see familiar faces?

WHITE: Every show this season will feature a Woolly Mammoth company member in its cast. Our company also includes designers and directors who we’ll include. I’m invested in continuing to provide a showcase for their work. 

BLADE: How do you think queer audiences will receive the season? 

WHITE: Very well, I think. For queer people who’ve had to navigate the world subversively and solve problems in unique ways, I think it will be especially interesting. I find theater a potent place for questions.

Like all artistic directors. I’ll show up for the job in my own way. I’m just excited that I’ve been invited to bring the fullness of myself to the role.

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PHOTOS: Amsterdam Pride Canal Parade

Annual LGBTQ celebration held in Dutch city during World Pride

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A scene from the 2026 Amsterdam Pride Canal Parade. (Washington Blade photo by Michael Key)

Editor’s note: International News Editor Michael K. Lavers and Photo Editor Michael Key are on assignment in the Netherlands through Aug. 10.

AMSTERDAM — The 2026 Amsterdam Pride Canal Parade was held on Saturday, Aug. 1.

(Washington Blade photos by Michael Key and Michael K. Lavers)

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PHOTOS: Lambda Legal in the Pines

Fundraiser held at ‘Normal Heart’ house

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A scene from the 'Lambda Legal in the Pines' fundraiser on July 25. (Photo by Santiago Felipe)

The LGBTQ organization Lambda Legal held its annual “Lambda Legal in the Pines” fundraiser on Saturday, July 25. The event was held at a house on Fire Island featured in Ryan Murphy’s 2014 HBO film, “The Normal Heart.”

Organizers say over $500,000 was raised to support Lambda Legal’s national litigation and advocacy work.

(Photos by Santiago Felipe)

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