National
First openly gay U.S. House reading clerk relishes role
Joe Novotny ‘tremendously proud’ to take prominent position
Joe Novotny, the first openly gay U.S. House reading clerk, reads bills, resolutions and messages from the president to Congress. (DC Agenda photo by Michael Key)
It’s part of making history.
That’s part of the reason Joe Novotny enjoys his role as reading clerk for the U.S. House.
Just last week, he had the distinction of reading to House members Rep. Charlie Rangel’s (D-N.Y.) message announcing his intent to resign as chair of the Ways & Means Committee. That message, issued by Novotny, went through the media to reach people across the country.
Other milestones in which Novotny may soon take part could include the passage of health care reform — or the repeal of “Don’t Ask, Don’t Tell.”
“You just feel the energy when you walk out on the House floor,” Novotny told DC Agenda. “If there’s a vote, or even just a heated debate, if something’s happening — the feeling that you get from that room is probably unlike anything everywhere else that you could really describe.”
And yet, Novotny is making history simply by holding the job. The 34-year-old Chicago native is the first openly gay person to work as a reading clerk in the U.S. House. Charged with reading messages to lawmakers and having his performance broadcast across the world on C-SPAN, Novotny is one of the most visible figures in House proceedings.
“I’m tremendously proud,” he said. “I feel like it’s an opportunity to represent the community. When you think about the diversity in this House now — and the fact that we have the first woman speaker and we have the first African-American clerk of the House — this is sort of a Congress of firsts, so to be a part of that is a tremendous honor.”
As reading clerk for the House, Novotny is charged with reading messages to House members and ensuring legislative measures before the chamber are clearly articulated to lawmakers and the public. He also tracks changes to bills made on the House floor.
“As House reading clerk, you’re responsible for reading all the bills and resolutions that come up throughout the day — and so there are all these other letters that come and messages from the president, and so you are responsible essentially for reading and representing these people,” Novotny said.
Other duties for Novotny include delivering House-approved measures to the Senate and working with official reporters to transcribe remarks in case a House member wants them stricken down.
Novotny is one of two reading clerks for the House. The other reading clerk, Susan Cole, was appointed by Republican leadership. Novotny and Cole are under the jurisdiction of Lorraine Miller, the House clerk and chamber’s official record keeper.
U.S. House Speaker Nancy Pelosi appointed Novotny to his role in December, and he’s served in the position for six weeks. No newcomer to Capitol Hill, Novotny was a congressional page when he was 16. For 15 years, he was a staffer for the House Education & Labor Committee, most recently as chief clerk for the panel.
Now as someone who sits on the podium with the speaker or speaker pro-tempe as lawmakers debate bills, Novotny is one of the more visible figures in the House.
In a statement, Pelosi highlighted the importance of Novotny’s job and his qualifications for taking on the position.
“As reading clerk, Joe will be the voice of the House of Representatives and will play an integral role in the daily operations of Congress,” she said. “Joe brings his experience and professionalism from the Education & Labor Committee, and we are grateful for his service.”
Novotny said his sexual orientation hasn’t made his job any more difficult or impaired relationships with his colleagues.
“I’ve been very, very lucky that throughout my career on the Hill, I’ve always been met with people who have looked at me pretty much just at face value, and it’s never been an issue,” he said. “I’ve always been open about who I am and it’s always been met with understanding and respect.”
But one challenge Novotny has encountered in his new role is needing to recognize all 435 House members immediately.
“Basically you have to learn every single person by name and by sight,” he said. “If somebody’s coming up and you’re at the podium, you’re responsible for announcing who that member is as they’re voting at the end of the vote or announce their changes.”
Since his years at George Washington University, where he studied political communications, Novotny said he’s had an affinity for politics.
“I’ve always been fascinated by politics,” he said. “I think that people lose sight of the fact that politics is not just about policy, it’s about relationships.”
Novotny said people “use politics every day in our lives” in relationships with colleagues, loved ones and friends.
“So, I guess I’m fascinated by relationships that people have and how everybody uses politics in form or another,” he said.
It’s that fascination with politics that lead him to take a position as staffer on the House Education & Labor Committee under the supervision of Chairman George Miller. Novotny said leaving his old job to become reading clerk was “bittersweet” because Miller is “such a great boss.”
“The thing about him is that he’s a little informal, and he likes to just be called by his first name,” Novotny said. “It’s never Mr. Chairman or congressman. He likes to be called George. So when you have that kind of relationship from the get go, you can really — you establish this great relationship.”
In 2007, Novotny was working for the committee when it sent the Employment Non-Discrimination Act to the House floor. Lawmakers in that chamber later approved the bill.
“That was really a very, very proud moment for me to be a part of that, and actually, seeing that pass the House floor in the last Congress was great,” he said.
In a statement, Miller congratulated Novotny for landing his new position, recalling the former committee staffer’s years of service on the panel.
“Joe was an incredibly valuable asset to my staff for nearly 15 years,” Novotny said. “His unparalleled integrity and dedication helped our committee advance major policies that are making a difference in the lives of working families. I know Joe will bring the same level of enthusiasm, expertise and steadfast commitment of service to his new role as House reading clerk.”
Vice President JD Vance and his wife, second lady Usha Vance, will visit Hungary next week.
An announcement the White House released on Thursday said the Vances will be in Budapest, the Hungarian capital, from April 7-8.
JD Vance “will hold bilateral meetings with” Hungarian Prime Minister Viktor Orbán. The announcement further indicates the vice president “will also deliver remarks on the rich partnership between the United States and Hungary.”
The Vances will travel to Hungary less than a week before the country’s parliamentary elections take place on April 12.
Orbán, who has been in office since 2010, and his Fidesz-KDNP coalition government have faced widespread criticism over its anti-LGBTQ crackdown.
The Associated Press notes polls indicate Orbán is trailing Péter Magyar and his center-right Tisza party.
President Donald Trump removed Attorney General Pam Bondi from her post Thursday, following growing criticism over how she and the Department of Justice handled a range of issues, including matters related to sex offender and Trump ally Jeffrey Epstein.
Trump announced Bondi’s removal on Truth Social, where he also said Todd Blanche will serve as acting head of the Justice Department.
“Pam Bondi is a great American patriot and a loyal friend, who faithfully served as my attorney general over the past year,” Trump wrote on the platform. “Pam did a tremendous job overseeing a massive crackdown on crime across our country, with murders plummeting to their lowest level since 1900.”
Trump was seen as recently as Wednesday with the now-former attorney general at a Supreme Court hearing on citizenship.
The decision contrasts with Trump’s previous public praise of Bondi, the 87th U.S. attorney general and former 37th attorney general of Florida, who served in that role from 2011-2019 before joining the Trump-Vance administration. He has frequently lauded her loyalty and said he speaks with her often. Bondi was also one of president’s defense lawyers during his first impeachment trial.
Privately, however, Trump had grown frustrated that Bondi was not “moving quickly enough” to prosecute critics and political adversaries he wanted to face criminal charges, according to multiple sources. The New York Times reported that her inability to charge former FBI Director James B. Comey and New York Attorney General Letitia James with any crimes is a large factor in the president’s choice to fire her from the government’s primary law enforcement agency.
The move comes as Trump has sought to minimize public turmoil within his administration, avoiding the perception of a revolving-door Cabinet that defined his first term.
Lee Zeldin, a former Republican congressman from New York who unsuccessfully ran for governor, has emerged as a leading contender to lead the Justice Department. He has been one of Trump’s most reliable allies.
“He’s our secret weapon,” Trump said of Zeldin in February during a White House event promoting the coal industry, adding, “He’s getting those approvals done in record-setting time.”
Bondi has also growing faced scrutiny from Congress.
The House Oversight Committee recently subpoenaed her to testify about the department’s handling of certain files, where she declined to answer key questions during a contentious House Judiciary Committee hearing in February.
The Tampa native has a long history of opposing LGBTQ rights through her roles in government. As Florida attorney general, she fought against the legalization of same-sex marriage, arguing it would cause “serious public harm,” pushing forward a legal battle that cost taxpayers nearly half a million dollars. She also asked the Florida Supreme Court to overturn a lower court ruling that found the state’s same-sex marriage ban unconstitutional.
More recently, Bondi established a “Title IX Special Investigations Team” within the Justice Department focused on restricting transgender women and girls from participating in women’s and girls’ sports teams and accessing facilities aligned with their gender identity. She also told Children’s Hospital of Philadelphia to turn over the medical records of anyone under 19 who received gender-affirming care.
Her removal follows Trump’s decision last month to oust another controversial female Cabinet figure, Kristi Noem.
The White House
VIDEO: Gay journalist detained for booing Trumps at ‘Chicago’ opening night
Eugene Ramirez booed first family at Kennedy Center
President Donald Trump and first lady Melania Trump attended the opening night of “Chicago” at the John F. Kennedy Center for the Performing Arts on Tuesday. They were greeted by a mix of cheers, applause, and some audible boos.
Among them was Eugene Ramirez, a gay Washington resident, who later shared his account of the night after being briefly detained by security for booing the president and giving a thumbs-down gesture — an expression of what many would call a textbook definition of constitutionally protected speech to criticize the government.
Ramirez attended the opening night performance with a group of friends, hoping to catch a final show before the center undergoes two years of major changes under Trump oversight. The musical, based on a 1926 play of the same name, has become synonymous with Broadway success.
With music by John Kander, lyrics by Fred Ebb, and a book by Ebb and Bob Fosse, “Chicago” has cemented itself as a cultural staple — known for its signature Fosse choreography, stripped-down staging, and sleek, campy aesthetic. The story follows Roxie Hart and Velma Kelly, women who murder their husbands but — with the help of the manipulative, charismatic, and narcissistic attorney Billy Flynn — walk away scot-free.
It remains the longest-running American musical in Broadway history, and its 2002 film adaptation famously won the Academy Award for Best Picture. On this night, however, the production also became the backdrop for a very modern moment of political protest.
“I accompanied five friends to opening night of ‘Chicago’, as a way to enjoy a final performance in the Kennedy Center as we know it,” Ramirez began to recount to the Washington Blade, describing the moment his group settled into their seats inside the ornate Opera House theater.
Just before the performance began, the twice impeached president and first lady appeared in the balcony box, drawing immediate attention from the audience below. Theatergoers stood, cheered, clapped, and waved, while Ramirez made a different choice.
While accounts of the crowd’s reaction have varied, Ramirez said his response was intentional, immediate, and within his rights. Moments after booing and giving a thumbs-down while recording on his iPhone, security intervened.
The video of Ramirez booing the Trump’s is here:
“Within moments, the director [of security] and another guard approached and escorted me to a side area where several other security guards were waiting,” he said. “I was detained until everyone was seated and the lights dimmed.”
As he was escorted away, Ramirez said his instincts as a journalist kicked in. A former lead anchor for Sinclair’s national evening news broadcast, he said the situation immediately felt off — or more aptly put — as if he could see the strings being pulled from someone attempting to control the narrative.
“Journalism is a vocation, not just a job. I immediately knew there wasn’t just an uncomfortable interaction with security,” he said. “The Kennedy Center is a federally funded cultural institution, and being questioned about speech related to the president in that setting felt like something the public should know about.”
Ramirez explained the difference between a standard visit by a public official and this performance: the president’s appearance wasn’t just ceremonial; it was very clearly a media moment.
“The White House press pool was there, and it was clear this was an effort to manage the president’s image in the media,” Ramirez continued. “The irony was not lost on me that this was happening on opening night of ‘Chicago’, a musical about manipulating the press to shape public perception.”
According to Ramirez, the explanation he received from Kennedy Center Director of Safety and Security Karles C. Jackson Sr., was brief, but illuminating.
“He said, ‘they don’t want booing,’ and even called out my thumbs-down gesture. He never clarified who ‘they’ were, but whether it was the administration or the Kennedy Center, the distinction felt meaningless,” he explained. “Mr. Jackson ultimately told me he was just trying to do his job, shook my hand, and allowed me to return to my seat once the lights dimmed and the overture started playing.”
Ramirez said he didn’t blame the guard individually, noting the broader context of the Kennedy Center’s uncertain future and the pressures staff were under.
“With the center closing in the coming months, some of these security guards being pressured to restrict our freedom of speech may only have a few weeks of work left.”
He believes the decision to remove him was driven less by disruption than optics, particularly given the presence of the press.
“It was very clearly about protection — whether protecting the president from visible dissent, or his image before the media present. There was no disruption as almost everyone was standing and reacting loudly to the arrival of the president and first lady, with cheers, applause, and hand gestures. The difference was that my reaction, unlike most, was negative.”
Drawing on his experience covering public officials, Ramirez said the incident felt more about controlling perception than security.
“Usually, law enforcement may monitor or intervene if there’s a disruption, but here there was no disruption at all. Simply expressing dissent in a public, cultural space drew the attention of security. It made it feel less like a matter of decorum and more like an effort to control the narrative around the president,” he said. “It’s about what happens when dissent is treated as disruption rather than a right.”
“The show hadn’t started. I threatened no one. Billy Flynn would have approved of the optics. The rest of us should be paying attention.”
Ramirez framed the incident as part of a broader constitutional concern, one that is plaguing the Trump-Vance administration as they continue to reject rules and normalcy set forth by other reserved presidents.
“Being singled out by security at a federally funded institution for expressing dissent shouldn’t be brushed off; it undermines the First Amendment,” he said, looking at it slightly distanced from it now. “Being of Cuban heritage, and a journalist, it’s a right I’m not willing to give up readily.”
“Publicly funded cultural institutions should allow visible dissent, even in politically charged moments,” he added. “Of course, I understand the need to manage disruptions during a performance, but that was not the case here.”
The themes of “Chicago”, a long-running satire about media manipulation and public perception, added another layer of irony to the experience, Ramirez explained.
“The satire truly leapt off the stage! A show about controlling the narrative, manipulating the press, and covering up truths by leaning on showmanship and distractions. The show is decades old, but could’ve been written today. We’re being razzle-dazzled daily and it’s getting harder to tell fact from fiction, no matter where you get your news.”
He, being gay, also acknowledged how hard it must have been for the performers on stage, assuming that at least some in the cast were also members of the LGBTQ community — and artists — two things Trump doesn’t always get along with.
“It was not lost on me that many of the actors on that stage, that the president and first lady presumably applauded, are members of the LGBTQ community which this administration has rolled back protections for under the guise of religious liberty and free speech, resulting in blatant discrimination.”
He pointed to a particular number that felt surreal given the circumstances.
“Its ‘Razzle Dazzle’ number celebrates keeping audiences off balance; at its climax, a massive American flag descends as the song celebrates blinding audiences to what is real. Watching that scene after being detained for a thumbs-down was surreal.”
Ramirez said the show’s closing lines were especially sharp given the presidential audience and what he just experienced.
“At the end of the show,
Velma says: ‘You know, a lot of people have lost faith in America.’
Roxie replies: ‘And for what America stands for.’
Velma: ‘But we are the living examples of what a wonderful country this is.’
Roxie: ‘So we’d just like to say thank you and God bless you.’
They had both just gotten away with murder!”
His closing lines, however, were a bit more pointed than “scintillating sinners” Roxie Hart and Velma Kelly’s were in the show.
“Democracy only works when citizens are allowed to boo,” he said. “Tuesday night at the Kennedy Center, ‘Chicago’ made that point better than I ever could.”
The Blade reached out to the Kennedy Center but did not receive a comment back.
Women’s FEST returns to Rehoboth Beach next week
Belarusian lawmakers approve bill to crackdown on LGBTQ rights
Calendar: April 3-9
How new barriers to health care coverage are hitting D.C.
Kenyan advocacy groups launch LGBTQ voter mobilization campaign
‘Out for McDuffie’ event held at D.C. gay bar
‘Jonah’ an undeniably compelling but unusual memory play
The Oscar-losing performance that’s too good to miss
Thousands attend ‘No Kings’ protests in D.C.
