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Out gay singer Wils drops new song about hookup culture

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Singapore pop artist Wils (Image courtesy of the artist)

Pop recording artist Wils, who was dropped by his record label after coming out as gay, has bounced back with a new single about the loneliness of the hookup lifestyle.

Wils, one of the first out gay professional singers from Singapore, this week released his latest pop track and music video,”Empty,” which provides a personal look into the often-underrepresented loneliness that pervades the search for love amidst hookup culture. A pensive song that personalizes some of the hardest parts of looking for love when the surrounding culture emphasizes casual sex and downplays meaningful connection, it springs from the singer’s intention to create art with the purpose of letting audiences feel like they belong.

Of the new single, Wils says, “Sometimes the biggest challenge we have to face is the internal struggle we have with ourselves. ‘Empty’ is about facing that loneliness when we’re looking for love outside of ourselves instead of within ourselves.”

Wils’ built his musical career in Singapore, where a law named section 377A of the Penal code criminalizes sex between consenting adult men. Same-sex couples in Singapore are also forbidden from adopting children and are not protected from workplace discrimination. The singer achieved viral international success with his breakout single “Hola,” but when he used another single, “Open Up Babe,” which debuted on Billboard Pride, to come out as gay in March, his Asian record label dropped him. They also closed all his social media accounts – causing him to lose his 400k+ followers – as retaliation for his coming out. Wils subsequently released “Open Up Babe” independently, along with a video for the song starring his boyfriend.

“Empty” is Wils’ first release since this life-changing shift.

According to his press bio, Wils “is a pop recording artist who, as one of the first out gay professional singers from Singapore, imagines a world where LGBTQ people around the world see themselves represented in the media.”

“Growing up, I used to hide my sexuality because I felt like being gay was wrong,” the singer elaborated. “I didn’t feel like I belonged and I never knew how to find my community. It was terrifying to grow up hiding like that. I hope that LGBTQ-inclusive media and art will help others that feel underrepresented understand that it’s okay to be gay.”

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Madonna announces release date for new album

‘Confessions II’ marks return to the dance floor

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Pop icon Madonna on Wednesday announced that her 15th studio album will be released on July 3.

Titled “Confessions II,” the new album is a sequel to 2005’s “Confessions on a Dance Floor,” an Abba and disco-infused hit. 

The new album reunites Madonna with producer Stuart Price, who also helmed the original “Confessions” album. It’s her first album of new material since 2019’s “Madame X.”

“We must dance, celebrate, and pray with our bodies,” Madonna said in a press release. “These are things that we’ve been doing for thousands of years — they really are spiritual practices. After all, the dance floor is a ritualistic space. It’s a place where you connect — with your wounds, with your fragility. To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people,” continued the statement. “Sound, light, and vibration reshape our perceptions. Pulling us into a trance-like state. The repetition of the bass, we don’t just hear it but we feel it. Altering our consciousness and dissolving ego and time.”

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PHOTOS: Denali at Pitchers

‘Drag Race’ alum performs at Thirst Trap

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Denali performs at the Thirst Trap Thursday drag show at Pitchers DC on April 9. (Washington Blade photo by Michael Key)

Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.

(Washington Blade photos by Michael Key)

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In an act of artistic defiance, Baltimore Center Stage stays focused on DEI

‘Maybe it’s a triple-down’

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Last year, Baltimore Center Stage refused to give up its DEI focus in the face of losing federal funding. They've tripled down. (Photo by Ulysses Muñoz of the Baltimore Banner)

By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.

Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.

“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.

The rest of this article can be found on the Baltimore Banner’s website.

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