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Colby Jansen makes non-porn debut with short film, ‘Matt’

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Patrick Wallace and Colby Jansen in “Matt” (Image courtesy of Getzel Moshiko Productions)

Adult entertainment star Colby Jansen has just made his non-porn acting debut.

The adult performer stars alongside actor Patrick Wallace in the 12-minute short “Matt.” It made the rounds at several LGBTQ film festivals over the past year before being posted online last week. It can also be viewed via streaming service Dekkoo.

The short film was created by writer/director Ori Ravid, who partially funded the project via a Kickstarter campaign. It focuses on a one-night hook up between a young twink and an older daddy, both of whom are called Matt.

The short explores the sometimes-awkward dynamic between sexual partners when one has a lot of experience and the other does not.

Ravid, who graduated from NYU with a degree in Film and Television Production, says he first had the idea for the movie a few years ago.

“I found out that someone I had a huge crush on was dating someone significantly older than him,” the filmmaker says, “so I arranged a sleepover with someone in my neighborhood who was significantly older than me out of, yes, jealousy, but also curiosity.

“I wanted to know what a 45-year-old could possibly get out of someone emotionally who was 25. Turns out that I was really just insecure with myself in a lot of ways and I’ve done a full 180-degree turn on that thinking since then, but that was the inception of the idea.

“I reached out to Colby because, as someone familiar with his work, I knew he could act and would be a ‘dream daddy’ to cast. I emailed him the script and he agreed to do it pretty much immediately.”

On the subject matter, he has said, “I wanted to portray a gay hook-up that feels realistic and also free of melodrama – something that I feel like is rarely done and if I had seen in my informative years could have made me feel better about myself sexually once I got older.

“I’ve had a lot of straight people tell me how relatable it is for them after watching it too, which isn’t something I was necessarily expecting but am super happy is the case.”

Patrick Wallace and Colby Jansen in “Matt” (Image courtesy of Getzel Moshiko Productions)

As for Jansen, he told the online outlet Queerty that the project was “really refreshing” after his adult entertainment work.

“I had an absolute blast with Ori, Patrick and the rest of the crew,” Jansen says. “It was challenging to really focus on acting and get my tone, inflection, facial expressions and timing down. And I believe it really has helped me in the acting part of my ‘other’ kind of acting.”

“I’m still working as an adult actor,” he reassures his fans. “I still have my OnlyFans and I’m making content with men and women now and I still work for major studios. As long as people keep booking me, I want to keep working!”

Actor Patrick Wallace plays Younger Matt.

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PHOTOS: Petal Release Party

Tiara-Missou hosts drag show at Spark Social

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Labianna performs at the Petal Release Party and Drag Show at Spark Social on Friday. (Washington Blade photo by Landon Shackelford)

The Petal Release Party and Drag Show was held at Spark Social on Friday, July 31. Performers included Tiara-Missou, Labianna and Darcy de la Cuadra.

(Washington Blade photos by Landon Shackelford)

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Celebrity News

Madonna headlines World Pride Music Festival in Amsterdam

Kylie Minogue made surprise appearance alongside gay icon

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Kylie Minogue with Madonna at the World Pride Music Festival in Amsterdam on Aug. 2, 2026. (Photo courtesy of Cejlon Studio)

AMSTERDAM — Madonna on Sunday headlined the final night of the World Pride Music Festival in Amsterdam.

The gay icon took the stage shortly before 2:30 a.m. local time (8:30 p.m. ET on Saturday) during Club Confessions, a set that MISTR, a telehealth platform that offers free access to PrEP, Doxy PEP, STI testing, and long-term HIV care, organized.

“Mother is here and this is gay heaven,” said Madonna when she took the stage inside Amsterdam’s AFAS Live concert hall that can hold up to 6,000 people.

Stuart Price, who produced Madonna’s 2005 “Confessions on a Dance Floor” album and “Confessions II,” which debuted on July 2, DJed the set.

Kylie Minogue made a surprise appearance. She and Madonna performed a new remix of “Love Sensation” from “Confessions II.”

(Washington Blade video by Michael K. Lavers)

“Throughout my career, I’ve always supported efforts to fight HIV and AIDS, and that fight begins with education and access,” said Madonna in a MISTR press release. “With MISTR, (CEO) Tristan (Schukraft) is expanding access to HIV prevention and sexual healthcare for everyone. Through this work, he’s helping preserve and strengthen LGBTQ+ spaces while investing in the communities and culture that have long sustained us.”

Minogue in an Instagram post thanked Madonna, Price, Schukraft, and MISTR.

Madonna appeared at The Abbey in West Hollywood, Calif., in April. Madonna in June celebrated Pride month with a pop-up performance in New York’s Times Square.

Jake Resnicow and Insomniac produced the World Pride Music Festival that also featured Bebe Rexha and Paris Hilton, among others.

“Pride has always been about bringing our community together,” said Resnicow. “At a moment when too many people are being told to hide or make themselves smaller, gathering openly, joyfully, and without apology matters more than ever. I couldn’t be prouder of what this festival brought to life in Amsterdam — one dance floor, completely free.”

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Theater

Reggie White relishing first season as artistic director of Woolly Mammoth

First five shows a reminder that ‘pressure is a privilege’

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Reggie D. White (Photo by Ambe J. Williams)

Madly talented and preternaturally energetic, Reggie D. White, 38, is about to launch his first season as artistic director of D.C.’s boundary-pushing Woolly Mammoth Theatre Company.

White brings a lot to the job. As actor, playwright, and director, his varied resume includes a 2019 Broadway acting debut in Matthew López’s Tony Award–winning play “The Inheritance,” his semi-autobiographic play “Fremont Ave.” that opened to acclaim last season at Arena Stage, and a number of exciting regional directing credits.

A longtime admirer of Woolly, the out theater-maker was selected from a pool of candidates before receiving the offer last November and starting work in January. His season of five world premieres kicks off with gay playwright Steve Yockey’s “Venus” (Sept. 9-Oct. 4), a darkly funny study of modern relationships told through two lesbians looking back on their first encounter.

White was introduced to Woolly Mammoth as a pre-law student at Cal State Hayward in the San Francisco Bay Area, long before he foresaw a life in the arts. “As part of a random theater history course, I was assigned to write a paper on a counterculture company called Woolly Mammoth,” he recalls “Strange name. I was like what the hell is that?” 

Nineteen-year-old White was intrigued. Research acquainted him with Howard Shalwitz who co-founded Woolly in 1980, and the company’s commitment to living playwrights and new work. He also learned how theater could be used as a tool for difficult conversations and shape the way people thought about social issues by employing imagination and rigor. 

“Never in a million years did young me envision that one day I’d be Woolly’s third artistic director in its 46-year history,” says White. “It’s kind of serendipitously insane.” 

WASHINGTON BLADE: Was there a moment when the enormity of the job hit you?

REGGIE D. WHITE: After I’d signed my contract and finished all the paperwork, I got my keys and sat in the theater by myself in the dark and thought about what an incredible honor it is to be trusted with what happens in this beautiful space [in D.C.’s Penn Quarter]. I might have cried. Sometimes I have to pinch myself to remember it’s real. 

BLADE: Are you curating the upcoming 2026–2027 season? 

WHITE: Yes, I am.  It’s very rare that an incoming artistic director gets to program their first season, but I was lucky in terms of time. After being hired late last year, I asked Woolly’s managing director Kimberly E. Douglas, if she thought it would be crazy if I programmed the season. She warned me it would be hard. 

I invoked tennis legend Billie Jean King’s maxim “pressure is a privilege” and got to work. 

These plays [dubbed White’s “first five”] represent both the kind of theater that Woolly can do really well and speak directly to my voice as curator and how I want to contribute to the larger theatrical conversation in the DMV. 

Getting here has meant a lot of late nights. But I knew the juice would be worth the squeeze.

BLADE: As a queer artistic director, what makes you unique? 

WHITE: When I was playing in “Inheritance” on Broadway, after a performance, U.S. Supreme Court Justice Sotomayer came backstage to meet the cast. She spoke about how her lens on the world as a Puerto Rican woman shapes her decisions. Similarly, because I’m a queer Black man I see through a lens that shapes my work.

I know I’m not the only queer artistic director in town. For me, it influences how I make editorial decisions. Out of this season’s five plays there are explicitly queer characters in four [“Venus,” “Chanukkah Spectacular,” “Ten Grand,” and “Love I Awethu Further”] and I’m directing two [“Venus,” “Ten Grand”].

BLADE: Will we see familiar faces?

WHITE: Every show this season will feature a Woolly Mammoth company member in its cast. Our company also includes designers and directors who we’ll include. I’m invested in continuing to provide a showcase for their work. 

BLADE: How do you think queer audiences will receive the season? 

WHITE: Very well, I think. For queer people who’ve had to navigate the world subversively and solve problems in unique ways, I think it will be especially interesting. I find theater a potent place for questions.

Like all artistic directors. I’ll show up for the job in my own way. I’m just excited that I’ve been invited to bring the fullness of myself to the role.

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