Living
Show time for Shi-Queeta
Local drag whirlwind celebrates one year of success at Howard
Cast members of the upcoming Howard Theatre show surround Shi-Queeta-Lee. (Washington Blade photo by Michael Key)
‘Drag Salute to the Divas’
‘Waiting to Exhale/Steel Magnolias’ mash-up
Howard Theatre
620 T St., N.W.
8 p.m. (doors at 6)
$20 in advance; $25 at door
thehowardtheatre.com
Washington is fortunate to have an outstanding drag scene with performers at several of the area’s gay clubs. The Howard Theatre’s “Drag Salute to the Divas” bolsters this performance art to the level of a full-scale stage production.
“I’m elevating the drag community here to take it to the next level at the Howard Theatre,” Shi-Queeta-Lee, local celebrity drag queen and director of “Salute,” says. “It’s a venue that gives much more space and opportunity to flaunt our talent — much more stage production, with background dancers. It gives us a chance to have props and dancers and make a bigger production.”
The Howard has hosted seven of the “Drag Salute to the Divas” shows, and they have all sold out. The upcoming performance on Monday night is the one-year anniversary show, and is a mash-up musical of “Steel Magnolias” and “Waiting to Exhale.”
The Howard Theatre (Washington Blade photo by Michael Key)
Prior to the 1968 riots in D.C., the Howard Theatre was a regal, prestigious institution for black performers, including many of the greats like Duke Ellington and Ella Fitzgerald. The Howard also hosted a number of drag performers, so “Drag Salute to the Divas” marks the return of this tradition to the newly renovated space.
“They had drag there during the 1950s. I’m the first drag queen to bring back drag to the Howard. Some older people have told me, ‘Oh I used to see drag there,’” Shi-Queeta says. “They mostly just remember that the queens were larger than life and would sing live. I’ve been researching people, trying to find pictures. I found one individual, who was a drag performer (named) ‘Running Water.’”
Shi-Queeta has had difficulty finding much concrete information on The Howard’s past drag performers, especially since Running Water’s death last year.
Shi-Queeta, aka Jerry VanHook, mainly uses her own income from doing drag to budget the show. She’s had an impressive career with frequent live performances at local clubs like Town and Nellie’s Sports Bar, as well as television appearances on “Ugly Betty,” “The Wire” and “America’s Got Talent.”
The production scale of “Salute” is affordable but professional, utilizing the Howard Theatre’s giant television screen to embellish the sets with visual art.
“She does a fabulous job of bringing in a very loyal following. Her productions are always elaborate,” Jennifer Vinson, director of marketing at The Howard, says. “For the last show, ‘The Wiz Twisted,’ she bought and installed a yellow brick road. Toto was hot pink and purple — it was just amazing.”
In addition to great sets, Shi-Queeta has celebrity performers to bring some extra star power to the show. She attributes many of her celebrity connections to her past television appearances and work as a coordinator for Miss America pageants in Maryland, Rhode Island, Massachusetts and New Hampshire. Broadway veteran Sheryl Lee Ralph was in “The Wiz Twisted” with her.
“I had such a wonderful time working with Shi-Queeta-Lee,” Ralph says. “The two of us Lees turned Oz and ‘The Wiz’ inside out. Can’t wait to do the next show.”
Shi-Queeta met Ralph after she was cast on the TV One show “R&B Divas.” Ralph, who starred on the show, has been active in HIV/AIDS outreach through the organization “Divas Simply Singing,” and was impressed by Shi-Queeta’s own HIV/AIDS activism.
“”Divas Simply Singing” has different celebrities come in and perform to raise money for HIV/AIDS. With me being HIV-positive, [Sheryl] said she would be part of ‘The Wiz’ with me at The Howard,” Shi-Queeta says. “I was involved with the ‘Makes Us Stronger’ organization for HIV/AIDS, so she liked what I was doing for the community.”
Porcelin St. Clair (left) and Shi-Queeta-Lee (Washington Blade photo by Michael Key)
Despite Shi-Queeta’s celebrity connections, she laments that she has never been a contestant on “RuPaul’s Drag Race.” In fact, no D.C. drag queen has ever been on the show, no matter how flourishing the drag scene is here.
“There are so many talented individuals in D.C. I’ve tried out five times. I don’t understand what it is about our drag here that isn’t popular with them.” Shi-Queeta says. “With so many of the people being cast from L.A., I think they just don’t want to spend the money to send people over.”
Shi-Queeta says her productions are bridge builders between various drag factions here.
“We’re no different than other cities, we’re just more divided than other cities. We have the white drag shows, black drag shows, transsexual shows,” Shi-Queeta says. “What I’m doing with the shows at the Howard is reaching out to the different girls in the community, that’s my goal. I’m trying to build the bridge between the different drag communities here in D.C.”
During its first year, Shi-Queeta’s show has saluted a wide array of divas from many eras, encouraging involvement from all kinds of drag queens. The divas impersonated include Cher, Lauryn Hill, Patti LaBelle, Dolly Parton, Erykah Badu, Missy Elliot, Beyoncé, Toni Braxton and Diana Ross. Shi-Queeta herself specializes in impersonating Tina Turner, but also has fun doing Mary J. Blige, Rihanna and Whitney Houston.
Other local drag queens have applauded “Drag Salute to the Divas” and Shi-Queeta Lee’s work ethic, including Ba’Naka Deveraux, who regularly performs at Cobalt and Town. Ba’Naka, also known as Dustin Schaad, had to withdraw from performing as Adele in one of the past productions, but hopes to perform with Shi-Queeta at The Howard sometime in the future.
“Shi-Queeta puts her all into everything she does, to the point of exhaustion at times. I think her pure will and tenacity is what really drives the shows,” Ba’Naka says. “I give Shi-Queeta a lot of props for creating venues and places for drag queens to entertain; she opens up the door for other girls to work with her. I think it’s really awesome that she not only looks out for herself but also for her community. She’s always doing something charitable.”
Correction — An earlier version of this story should have said that Sheryl Lee Ralph will not be in the “Steel Magnolias”/”Waiting to Exhale” mash-up. The Blade regrets the error.
Dear Michael,
I’ve been dating Mark for three years, living together for two, and I’m not sure he’s for me. We get along great but I’m questioning how attracted I am to him.
I was never crazy about him physically but he was such a sweet and smart guy that I wanted to date him.
Sex was never mind-blowing and the longer we’ve been together the more this is bothering me. I wonder if I could find someone who appeals to me more, physically.
On the plus side, I like him a lot. He has good values, shares my religious faith, which is hard to find in another gay guy, is responsible and has a good work ethic. Also, I just have fun with him and he’s always interested to hear what’s on my mind. He’s an all-around decent guy.
As I’m writing this, I’m thinking that he seems great and that I’m a fool for even questioning our relationship. But all my friends are always talking about the amazing sex they are having, and then I think I’m missing out on a key part of life because my sex life is comparatively lackluster.
I don’t want to settle. But how likely am I to find another guy who is as all-around a good catch as Mark, but with more sexual chemistry?
Michael replies:
I don’t think the right approach is to wonder about your chances for of finding someone better. Anyone you find will have things you aren’t crazy about.
For example, you might find someone whom you’re wildly attracted to sexually, but they’ll bore you or annoy you, or have values you don’t respect.
I understand that you aren’t wildly sexually attracted to Mark. The truth is that it’s extremely unlikely that you would remain wildly sexually attracted to anyone for that long. People tend to get used to each other over time. Sex can remain great, but more from closeness and love than heat and sizzle.
I work with people all the time who wonder if there is someone “better” out there. And I tell them, they’re never going to get through all the possibilities before they die. Instead, how about thinking if the guy you are with is someone you’d like to go with on this journey through life?
Mark’s attributes that you mention sound wonderful to me. After more than 30 years working with folks on relationships, and being in my own 30+ year relationship, I have learned a thing or two about what creates a relationship that is satisfying and good. A decent, kind guy with admirable values is an excellent start.
The question is, can you live with your sex life not being on an orgasmically hot mind-blowing level? I hope the answer is yes, because sex with anyone you pick is not likely to stay in that sort of realm for long.
Another point to consider: I don’t think you should get too caught up in what your friends are telling you. They may be having amazing sex, but are they all having it with the same long-term partner? As I mentioned, long-term sex can be great, but the excitement tends to be replaced by caring connection over time.
I’ll generalize here for a moment: Because so many gay men have many sexual partners, the kind of sex you have with someone new, whom you’re tremendously attracted to, tends to be glorified among gay men as the gold standard of sex. But it’s not realistic for sex with a long-term partner.
This glorification is a big problem: It leaves gay men who are not having torrid sex with lots of guys feeling like there is something wrong with the sex they are having, that they are missing out on something super fantastic. Just like you are feeling.
If you want a lifetime of ongoing hot sex, I don’t think you should be looking for a relationship. If you are willing to accept sex being a not-always fantastic, but perhaps consistently loving, often good, and occasionally great part of life with a kind decent guy, then Mark might just be the right partner for you after all.
(Michael Radkowsky, Psy.D. is a licensed psychologist who works with couples and individuals in D.C., Maryland, Virginia, New York, and all PSYPACT states. He can be found at michaelradkowsky.com. All identifying information has been changed for reasons of confidentiality. Have a question? Send it to [email protected].)
Real Estate
Does Pride decor resemble Trump’s design aesthetic?
Glitter, gold, and rejecting the idea that a home should be understated
Interior design is often a balancing act between taste, personality, and restraint. Sometimes, however, restraint leaves the building entirely. Such is the case when the colorful exuberance of gay Pride-inspired decorating collides with the famously excessive decorating style associated with the current occupant of the White House. The result can be a fascinating study in maximalism, spectacle, and unapologetic visual overload.
Donald Trump’s personal decorating style has long been a subject of debate among designers and critics. Admirers see luxury and grandeur. Critics see something else: a dizzying display of gold leaf, marble, mirrors, crystal, and oversized furnishings that often crosses the line from elegant into what many designers would call tacky. More is rarely enough. If one chandelier sparkles, three are better. If a room has gold accents, why not make every available surface gold? (See Oval Office and ballroom rendition for details.)
In many ways, this excess shares common ground with certain Pride celebrations. Pride has never been about blending into the background. It celebrates visibility, self-expression, individuality, and joy. Rainbow colors, dramatic costumes, glitter, flamboyant artwork, and bold statements have long been part of Pride culture. Yet there is an important difference. Pride’s extravagance is often playful, self-aware, and rooted in personal expression, while Trump’s aesthetic has frequently been criticized for equating luxury with sheer quantity and visual intensity.
Combining these influences creates an interior that could best be described as “glamorous chaos.”
Imagine entering a living room in which gold-trimmed mirrors stretch from floor to ceiling. Crystal chandeliers hang above a bright rainbow velvet sectional. Marble floors gleam beneath metallic furniture that appears determined to reflect every available light source. Pride flags become framed artwork surrounded by ornate gold moldings. A room designed this way doesn’t whisper. It shouts.
Color is central to the concept. Pride-inspired interiors often embrace the full spectrum of colors. Trump’s style, meanwhile, traditionally favors cream, gold, black, and glossy finishes. Combining them means introducing vivid jewel tones against a backdrop of faux-palatial luxury. Emerald green chairs, ruby-red draperies, sapphire-blue accent walls, and gold-trimmed furniture can coexist in a way that feels deliberately theatrical.
The key word is theatrical.
Many professional designers spend years learning how to create visual balance. A Pride-meets-Trump interior intentionally ignores many of those rules. Pattern competes with pattern. Shine competes with shine. Artwork competes with furniture. The eye rarely gets a chance to rest. For some homeowners, that sounds exhausting. For others, it sounds like the perfect party.
Lighting offers another opportunity to embrace excess. Crystal chandeliers, mirrored lamps, illuminated shelves, and color-changing LED lighting can transform a room into something resembling a cross between a luxury hotel lobby and a Pride festival. The goal is not subtlety. The goal is spectacle.
A dining room inspired by this combination might feature a massive glass table, gold dining chairs, rainbow floral arrangements, mirrored walls, and enough crystal accessories to keep a polishing cloth busy year-round. Critics would call it gaudy. Fans would call it fabulous.
Artwork becomes particularly important. Pride-themed pieces featuring LGBTQ+ history, activism, and culture can provide meaning beneath the decorative excess. Without these personal and cultural elements, the room risks becoming little more than a collection of expensive looking, but not necessarily expensive, objects. Pride design can work best when it reflects identity and community rather than simply displaying color for color’s sake.
While normally a haven for restful sleep, bedrooms can take a similar approach. Plush velvet fabrics, oversized tufted headboards, metallic and mirrored finishes, colorful accent lighting, and dramatic artwork create a space that feels more like a boutique hotel suite than a traditional bedroom. Again, the challenge is avoiding the temptation to add one more decorative element to an already crowded visual landscape.
What makes this design combination interesting is that both aesthetics reject the idea that a home should be understated. Both embrace visibility. Both invite attention. Both encourage occupants to take up space unapologetically. Yet where Pride design often celebrates authenticity and self-expression, Trump’s decorating style is frequently criticized for prioritizing conspicuous luxury over cohesion and refinement.
The result is an interior style that many people would consider delightfully outrageous and others would consider a decorating nightmare. Either way, nobody is likely to forget it.
In the end, a Pride-inspired interpretation of Donald Trump’s famously over-the-top aesthetic would be colorful, glittering, excessive, and impossible to ignore. It would break nearly every rule of minimalist design while embracing the philosophy that if something is worth doing, it is worth overdoing. Whether one sees that as fabulous or tacky may depend entirely on how much gold leaf and rainbow velvet one can tolerate in a single room.
Valerie M. Blake is a licensed associate broker in D.C., Maryland, and Virginia with RLAH @properties. Call or text her at 202-246-8602, email her at [email protected] or follow her on Facebook at TheRealst8ofAffairs.
Ragtops rock! For drivers looking to carve their own lane, the world already has enough sensible crossovers, minivans, and pickups. These three convertibles trade practicality for sunshine, wind, and the occasional wild-hair day.
BMW Z4
$58,000
MPG: 25 city/33 highway
0 to 60 mph: 5.2 seconds
Trunk space: 10.0 cu. ft.
PROS: Strong engines. Uber comfy. Stylish.
CONS: Expensive. Final year of production.
Act fast, Bimmer fans, this is the last year the BMW Z4 roadster will be produced. Along with the entry-level xDrive30i and high-performing M40i, there is a Final Edition model.
Since 2002, the Z4 has expertly balanced performance, comfort, and style. The long hood and short rear deck still look fantastic. The stance is athletic. And with the top down, this car gains an extra dose of drama.
Under the hood, BMW offers turbo power that feels eager rather than overwhelming. Acceleration is brisk. The steering precise. The chassis composed.
Upgrading to the premium models lets you scoot from 0 to 60 mph in just 3.9 seconds. But—ka-ching!—the MSRP soars to $79,000.
Available in manual or automatic transmissions, this convertible can sprint through mountain roads on Saturday and soothingly devour highway miles on Sunday.
As for the interior, it blends luxury and functionality. Materials feel expensive. Controls are easy to use. And the seats are supportive.
For me, other ragtops may be more party hearty, but the Z4 is low-key, impeccably tailored and still the center of attention. Think suave James Bond versus sparkling RuPaul.
MAZDA MX-5 MIATA
$32,000
MPG: 26 city/35 highway
0 to 60 mph: 5.5 seconds
Trunk space: 5.0 cu. ft.
PROS: Nimble. Lightweight. Affordable.
CONS: So-so power. Wind noise. Limited space
For decades, the Mazda MX-5 Miata has followed a simple formula: Keep it light, keep it balanced and make every drive feel special. The result: Automotive comfort food that never gets old.
Many vehicles grow larger every year, but the Miata has remained Lilliputian in a way that feels rebellious. You sit low. The controls are user-friendly. Visibility is excellent.
No, the engine power won’t blow you away. But this beachcomber isn’t about brute force. It’s about how the Miata makes you feel wonderfully alive, whether tootling along city streets or a winding road.
Inside, the dashboard is sparse but echoes a traditional sports car. Large analog tachometer and analog speedometer. And while the 8.8-inch infotainment display is dinky, it works nicely.
Alas, storage is limited. The cabin is snug. And taller drivers may wish for a bit more room.
Yet somehow even those compromises feel almost charming. This ride knows exactly what it is and refuses to apologize. Sort of like showing up to Pride wearing what makes you happy rather than chasing trends.
MINI COOPER
$27,000
MPG: 28 city/39 highway
0 to 60 mph: 7.9 seconds
Trunk space: 5.2 cu. ft.
PROS: Playful styling. Fun handling. Extra stowage.
CONS: Ride can be firm. Not a speed demon.
Mini Coopers approach life with a wink and a grin. Rounded headlights. Compact dimensions. Cheerful styling. It all works to create a vehicle that looks like it’s having fun before you’ve even started the engine.
Driving this ragtop is equally entertaining. The steering is quick, and the chassis feels eager to please. Overall performance is lively rather than blistering.
The cabin leans heavily into Mini’s playful design language. Circular elements appear throughout. Details feel intentionally quirky. Many modern interiors seem created by committees that fear excitement. This cabin feels designed by someone who enjoys color, personality and perhaps spontaneous dance breaks.
Unlike the BMW Z4 and Mazda Miata, the Mini offers a small rear seat. “Small” is doing some heavy lifting there, but the extra space adds flexibility. It may not be enough room to comfortably squeeze in friends, but you can easily stow a few bags here.
To me, driving this convertible feels like attending the world’s friendliest block party. People notice it. People smile. Sometimes people even wave.
Buttigieg says false police report temporarily separated him from his children
11 years after Obergefell, marriage equality remains under scrutiny
Federal officials launch Title IX probe into Md. schools over trans athletes
Comings & Goings
‘Leviticus’ demonizes homophobia for gripping queer horror yarn
Abelardo de la Espriella elected Colombia’s next president
Capital Pride draws tens of thousands to D.C.
British Prime Minister Keir Starmer to resign
PHOTOS: Capital Pride Festival and Concert
