Arts & Entertainment
Lady Bunny’s comedy special slays sacred COVID-19 cows
4 wigs, 12 costume changes and new song parodies
At a time where nothing seems certain, legendary drag queen Lady Bunny’s ignorance is our bliss.
“Oh, I’ve never seen it,” says Bunny, when the RuPaul Netflix vehicle “AJ and the Queen” came up as a topic during our interview.
Lack of first-hand knowledge didn’t stop the NYC-based DJ, actress, singer/songwriter, upcoming comedy special star, and creator of Wigstock from skewering “AJ” mercilessly, while co-hosting two recent Voss Events-presented digital drag benefits that raised funds for queens out of work because of COVID-19.
“Listen,” says Bunny, “I make jokes about ‘Drag Race,’ and I don’t watch that either. Honey, I don’t watch anything… I know Miss Vanjie said, ‘Miss Vanjie, Miss Vanjie, Miss Vanjie’ on her way out, in a way that was odd, but I don’t really know what else happened in that episode, or why she was eliminated, or why she said that.”
Bunny, whose television has not been hooked up for 10 months, admits, “Whenever you see me make a joke about pop culture, that is based on what I see other people talking about.” To compensate for this lack of firsthand information, “I will run it by friends who are more keyed into that kind of thing.”
With no boob tube at home and no burning desire to binge online (her flirtation with Netflix didn’t last past the free trial period), Bunny says she’s been spending her COVID-19 isolation period “trying to catch up on things I said I didn’t have time for before the quarantine, like filing taxes; and exercising, and dieting, so I don’t have that excuse, ‘Oh, I have to run here or run there.’ ”
Bunny is also devoting some of her spare time to long-planned personal projects, including a book she’s penning in partnership with her mother, and an autobiography. (“Just my life, before I forget it,” she says.)
And in a moment in time when there’s never been more spare time to sit around the house, hit a few keystrokes, press a button, and share your opinion on anything, everything, and often, nothing, with the world. That’s part of why Bunny says she’s “trying to stay off of social media a bit more, because I was hitting it hard during the first few months of COVID-19. But now, things seem to have turned sour, and it’s disconcerting.”
Known to those who follow her online as a steadfast supporter of Bernie Sanders (Bianca Del Rio often referred to Sanders as her “boyfriend” during the two Voss Events digital drag benefits they co-hosted), Bunny cited the trigger topics of social distancing and mask-wearing as among her reasons for dialing back on the sheer volume of postings and tweets. (She remains a presence on Facebook and Twitter—but these days, she’s just as likely to be writing about work from fellow artists as she is the presumptive Democratic presidential nominee.
“I realize people are scared, and I realize people are broke,” she says, of the COVID-19 tensions. “But I don’t understand the desire to lash out at people that aren’t observing the precautions that they decide to observe. It’s almost like they’re trying to prove they’re a better Democrat, because they dip their vegetables in Clorox water, and they wear masks everywhere. It’s just, like, I don’t understand what it is about a frightening, deadly pandemic that makes people want to scold others. If I walk down to the [NYC West Side] piers, as I do, almost every day, and I see people who don’t have masks on, and they’re coughing? Well then, I walk away from them. I don’t yell at them… At the end of the day, we are responsible for our own self-preservation. I mean, if someone who weighs 90 pounds and has a syringe sticking out of each eye tells me he wants to screw me without a condom, well, that situation may arise—but it’s up to me to say, ‘No,’ to protect myself.”
Asked how COVID-19 has impacted her creative output, Bunny noted, “All of my work involves dance floors and audiences—and we’re not gonna have either of those for many, many months. So basically, my paychecks have stopped, but my bills have not. So I’m in the same position that, you know, most drag queens or club employees are in.”
With little hope of audiences flocking to her bread and butter public gathering places any time soon, Bunny turned to what she does best: Parody songs, groovy dance segments, sketches, satire, insult humor, and raunchy jokes.
That brings us to the June 5 VossEvents.com debut of her downloadable ($9.99) comedy special, “C#ntagias,” in which, press materials note, “Demented drag diva Lady Bunny shamelessly interrupts your isolation in an attempt to give what may be your last laugh before the apocalypse.”
COVID-19-themed humor is front and center. Along with four signature sky-high wigs and 12 costume changes over the course of the 35-minute show, the press release further promises “brand new song parodies from artists as varied as Lizzo, Justin Bieber, and Madonna.” Gender-blending provocateur Christeene christeenemusic.com duets with Bunny on a pandemically updated version of Peggy Lee’s “Is That All There Is,” and Bunny will perform her timely parody of the RuPaul song, “Sissy That Walk.”
Currently available via Bunny’s YouTube channel, the video for “Sissy That Cough” finds our quarantined gal noting:
If I forget to use Lysol
I’ll end up in the hospital
I’m climbing up my fucking walls.
Those walls aren’t a problem, at least not in the video, which sees Bunny singing and dancing around an empty white space that is occasionally populated by, right on cue when the lyric comes in, bats she’s worried will:
Fly, fly, fly,
Uh-oh
From Wuhan Chi, Chi, Chi.
Bunny claims sole responsibility for crafting the lyrics to “Cough”—but overall writing credit for “C#ntagias” is shared with Beryl Mendelbaum, the Facebook drag persona of Bruce Jope, described by Bunny as “a fascinating character who hung out with everyone from Divine to Holly Woodlawn to Cher, back in the day.”
There’s a reason for that. Long before the character of Beryl burst onto the scene, Jope and his late partner, Francis Toohey founded the magazine Hit Parade (1978-1983, first based in Boston, then NYC). It chronicled, with gusto, the sort of culture and mind frame that drew people like RuPaul and Lady Bunny to NYC.
Mendelbaum, says Bunny, brings to their past collaborations (including stage shows “Clowns Syndrome” and “Trans-Jester!) an ability “to write as an older, Jewish retiree kleptomaniac, which is her online [Facebook] character. And I thought, if she can write in the voice of someone who she is not, maybe she can write for me, a potty-mouthed, southern, over-the-hill showgirl!”
Skits also play a part in “C#ntagias.” One of them, notes, Bunny, “was inspired by three emails I got claiming they had activated my computer’s camera when I was on a porn site, and I needed to send them $2,000 via Bitcoin or they were going to send this footage to all of my email contacts. So I started writing a reply, not that I even thought they were a real person, because I’m not the biggest porn fan, and so I came up with some stuff that was pretty funny. I sent it off to Beryl and we finished off the skit… She has a way of either pulling back or taking things in a different direction if I become too preachy, too vulgar, too whatever. She’s kind of like half writer, half director.”
For more information on Lady Bunny’s comedy special, available for digital download as of June 5, visit vossevents.com/digital. For Bunny and Beryl, see ladybunny.net and @BERYLMENDELBAUMFANS, respectively.
Arts & Entertainment
A reign defined by commitment and human impact
Nicole Murray Ramirez defined era in International Imperial Court System
Writing about the reign of Nicole Murray Ramirez and the close leadership of King Father Terry Sidie requires far more than listing achievements, because what has been built over these years cannot be reduced to titles, ceremonies, or public recognition. It must be understood as the result of a sustained vision rooted in service, memory, solidarity, and the real ability to build bridges within and beyond the LGBTQ community.
At this point, looking back and assessing this period means acknowledging that this was not just another chapter in the history of the International Imperial Court System. It was a time shaped by far-reaching initiatives, a clear commitment to concrete causes, and a style of leadership that moved confidently between symbolic representation and public action. In that context, Nicole Murray Ramirez’s announcement that her reign will conclude in February 2027, along with the coronation of the person who will assume the throne as the new Queen Mother of the Americas, should not be read simply as the end of an era, but as a moment to fully recognize what has been built while also understanding that a new chapter is about to begin.
One of the most defining aspects of this reign has been its understanding that visibility alone is not enough. Visibility matters, but it only becomes meaningful when it leads to action, support, and measurable change. That has been a consistent strength of the work led by Nicole Murray Ramirez alongside key figures such as Terry Sidie.
The Jose Nicole Terry Scholarship and Educational Fund reflects that commitment. Reaching $400,000 is significant, but what matters most is what that represents in terms of opportunity and access.
This leadership also prioritized historical memory through initiatives like the National LGBTQ Wall of Honor at the Stonewall Inn and the recognition of Jose Julio Sarria.
Efforts such as the Harvey Milk postage stamp, the USNS Harvey Milk, and multiple recognitions for Sarria reflect a sustained commitment to public recognition and justice.
International outreach, financial support to global causes, advocacy for transgender communities, and engagement with organizations beyond national borders further define this period.
The expansion into Canada and the opening of a new chapter that includes Puerto Rico highlight the evolving nature of this leadership. The upcoming June coronation marks an important step in that direction.
Acknowledging that the reign was not perfect does not weaken its legacy. It reinforces its authenticity.
This was not an individual effort. It was collective work supported by a broad network.
As the transition toward Feb. 5, 2027, continues, what remains is a legacy built on action, commitment, and responsibility.
Theater
Diverse cast tackles ‘Aguardiente’ at GALA Hispanic Theatre
Best friends rediscover their Caribbean heritage in new musical
‘Aguardiente: Where Magic Transcends Borders’
Through May 24
GALA Hispanic Theatre
3333 14th St., N.W.
$25–$65
Galatheatre.org
(surtitles in English and Spanish)
With its latest musical offering “Aguardiente: Where Magic Transcends Borders,” GALA Hispanic Theatre has cast its net wide in gathering a blend of talent including the production’s diverse 18-person cast.
Commissioned by GALA, the spanking new musical is about best friends Alberto and Alejandro (two New York writers from Puerto Rico and Colombia respectively). Together, within a short timeline under unrelenting pressure, they struggle to write the project musical of their dreams.
Along the way, the friends rediscover their Caribbean heritage through cumbia, bomba, currulao, and the magical realism of García Márquez.
Offstage, the work has been created by Luis Salgado (book), and Daniel Alejandro Gutiérrez (music), also respectively from Puerto Rico and Colombia. Multiple Helen Hayes Award-winning Salgado is directing and choreographing the GALA production.
In the role of Alejandro, out actor Sebastián Treviño is making his GALA debut opposite Samuel Garnica who plays librettist Alberto. Alejandro is the music composer who doesn’t come from a musical background. He’s simply a lover of Latin music.
Is Alejandro recognizably similar to Gutiérrez?
“Oh yeah,” says Treviño, 36. “Like Gutiérrez, Alejandro doesn’t necessarily follow musical theater rules and etiquette, and it’s his uniqueness that brings a spark to their partnership.
“I got to know him and Luis [Salgado] while touring with ‘On Your Feet!’ in 2022. You really get to know people by spending endless hours together on a bus.”
Language and voice are intertwined for Treviño, and fortunately for the amiable New York-based actor, he enjoys the challenge of a new way of speaking. To play Alejandro, it helps to sound Colombian.
As a native of Monterrey, Mexico, Spanish and Mexican dialects are Treviño’s first languages. He attended American school starting in kindergarten, consequently acquiring flawless English; and because his mother is Colombian, he is familiar with that accent too.
GALA Spanish speaking patrons can be a tough crowd. For instance, when a Mexican actor is playing a Cuban character, they know at once. And while they may embrace the performance and the production, there sometimes remains a niggling dislike for what feels a vocal inaccuracy.
“Since I’ve arrived in D.C., I’ve been practicing my Colombian accent at restaurants and other places. When a Spanish speaking server asks if I’m from Colombia, I know I’m doing something right.”
“Aguardiente” (translates as “Firewater”) is composed of several layers of reality. He explains: “First it’s us creating the show, the work, and all of those pressures and limitations that the industry places on Latino centered projects; and then there’s the fantasy layer.”
A talented tenor, his lengthy bio includes Mexico City (“Wicked,” “Rent”), Off Broadway (“Kowalski”) and North American national tours (“On Your Feet!”).
He says his “Aguardiente” solo specifically feels like ‘80s Latin rock. Also, he enjoys a fun medley number where they’re playing around with “Tropipop” (Colombian pop), classic Broadway sounds, and there’s even a Beatles moment.
In this show, we meet two determined friends, one is holding an American passport because he’s Puerto Rican, while the other, a Colombian, struggles to secure a visa.
“It’s not a stretch for me to relate to that. I’m here on a working visa, so I know all about the stress and costs that comes with that,” says Treviño.
“So much reflects their own story. That includes the setbacks and obstacles faced when trying to build something from very little, and writing about themes that aren’t considered mainstream to white American audiences.”
At just eight years old, Treviño saw “A Chorus Line” at Mont Tecnológico de Monterrey, the same college that he’d later attend. He remembers, “Seated in the second row, the young actors were rock stars to me. When I asked my father who loved the arts if one day I could perform onstage, he said yes, instantly his son’s new dream.”
Looking forward, is there a role he yearns to play? Treviño ponders the trite query with some seriousness before answering “I think it’s yet to be written.”
Books
New books reveal style trends for a more enlightened century
Guidelines that hint about gendering clothing are out
Books about Fashion and Style
By various authors
c.2026, various publishers
$19.95 – $29.95
Don’t look now, but your legs are showing.
It’s OK, it’s almost summertime and you want to show both skin and style. So how about a few hints for looking your best? Check out these great books and get stylin’.
Who says there are rules about fashion? Wearing white before Memorial Day is OK; socks with sandals not so much? Fine, but in “Bending the Rules: Fashion Beyond the Binary” by Camille Benda with Gwyn Conaway (Princeton Architectural Press, $29.95), you’ll see that any guidelines that hint about gendering clothing are oh-so-last century.
Along with lively, fun narrative, there are lots of photos in this book, ads for how clothing used to be worn along male-female lines, and short biographies of some of today’s best designers. Here, you can check out prom dresses from the 1950s and new haute couture gowns practically right off the runway – and see how one parallels with the other. The timeline reaches back centuries, so you get a nice idea of where certain kinds of clothing originated and how it’s relevant today – making what’s inside here perfect for browsing.
Pick up this book, in fact, and you might also pick up some ideas for filling your closet and creating your very own style.
The fashion you wear on your body isn’t all you’ll find in “Pretend to Be Fancy: A Field Guide to Style and Sophistication” by Whitney Marston Pierce (Chronicle Books, $19.95). You’ll also read about other nice things you can have.
So you’re not a pinky-in-the-air kind of person, whatever. You can easily hang with those who are, once you read and absorb this book.
Tongue-tied at fancy soirees? Not anymore, there are tips for talking here. What do you know about canapes, hors d’oeuvres, and the kind of foods you don’t get at the corner c-store? How do you make a charcuterie that everyone will Ooooooh over? And how do you give a gift for the person whose taste seems scads better than yours? That’s all in here, along with what to drink, how to dress, and how to make every corner of your home look like something right out of a high-end magazine.
Will this book make you chic? Possibly, yes. Will it help you get invited to all the best parties? Maybe, but for sure, it’ll make you laugh, it’ll make you feel fabulous, look fabulous, and live your best life with the surroundings you deserve. Out May 5, so put it on your list.
But let’s say you need more ideas. You have questions or thorny issues with fashion that you really need answering. That’s when you ask for a talented fashionista at your local bookstore or library, that knowledgeable someone knows books and knows how to get what you need to be your most dazzling, best-dressed, finest-appointed self in a home you can be proud of, with comfortable furniture that will be the envy of everyone who sees it.
In the meantime, grab the above titles, because these books got legs.
A reign defined by commitment and human impact
Ukrainian MPs advance new Civil Code without protections for same-sex couples
Gay ICE detainee freed after 150 days in detention
How do you vote a child out of their future?
Under new extremism laws, LGBTQ Russians must fight to survive
Republicans attach five anti-LGBTQ riders to State Department funding bill
Tennessee’s trans data bill a frightening omen
Bill seeks to block global gag rule expansion
New Zealand blood donation rules shift
