Arts & Entertainment
Album roundup: Gaga just so-so on new album ‘Chromatica’
Indigo Girls shine, Adam nails it and Perfume Genius — wtf?
Lady Gaga
Chromatica (**1/2 out of four)
Streamline/Interscope
Although Lady Gaga has never had an out-and-out bomb, she lost her footing a bit with her 2013 album “Artpop.”
Her fans point to its decent chart performance (it debuted at no. 1 and went platinum) and say that’s more perception than reality, but she was starting to experience a law of diminishing returns. The danceclub hits and outrageous fashion upon which she built her brand didn’t resonate the same way five years into her career.
She wisely recognized that and veered hard left making an album with Tony Bennett (of all people; 2014’s “Cheek to Cheek”), recapturing the pop culture zeitgeist with movie debut “A Star is Born” (pleasantly, she actually can act) and go mellow and subdued with her last studio album, 2016’s more singer/songwriter-oriented “Joanne.”
“Chromatica” (out May 29) is her official return to form. It all goes down breezily enough — it’s an easy, catchy listen — yet it’s also not quite the reclaiming of the pop diva throne she clearly intended it to be. It’s good, not great; her fans will love it and it will make a respectable chart dent but creatively she’s painted herself into a corner. While some of her unexpected (at the time) career swerves served her well and were well received, you can’t build a whole career on stunt casting — the meat dress! the Tony Bennett duets! “American Horror Story”! a “normal” album from kooky Gaga! Stuff like that only gets you so far then you’re kinda back where you were five years prior (albeit with an Oscar in tow).
Eventually you have to return to the business of doing what it is you supposedly do and a decade in to her admittedly impressive career, it feels like she’s reaching the bottom of her bag of creative tricks. “Chromatica” suggests to me we’ll look back on her in 50 years more as a Petula Clark (the singer of a decent string of era-defining standards)-type figure rather than a Bette Midler or, heck, even a Kelly Clarkson.
Gaga takes the “Confessions on a Dancefloor” approach here — there’s not a ballad in the batch. Track after track — first single “Stupid Love,” “Plastic Doll,” “Replay” and dozens more — are full of big, luscious, vaguely ’80s-tinged club beats courtesy of producer BloodPop (Justin Bieber, Britney Spears, et. al.), and melodies that take advantage of her impressive set of lungs. The lady can sing — nobody is arguing otherwise.
But it all gets a little samey sounding by the album’s end and a trio of orchestral interludes (dubbed “Chromatica,” “Chromatica II” and “Chromatica III”) sound like they were yanked off some poor man’s Ralph Vaughan Williams imitation attempt and tacked on for contrast and gravitas. They backfire though, sounding like ludicrous non sequiturs.
Lyrically there’s nothing terribly interesting happening but the guest spots — Ariana Grande on second single “Rain on Me,” K-pop girl group Blackpink on “Sour Candy” and Elton John on “Sine From Above” — work slightly better than you’d think. She doubles John’s vocal an octave above to pleasant effect. Glammy, campy (but fun!) final song “Babylon” had me picturing the “Queer as Folk” cast on the dancefloor.
Indigo Girls
Look Long (***1/2)
Rounder Records
It’s easy to take the Indigo Girls for granted. Although it’s been five years since their last studio album (2015’s “One Lost Day”), they keep busy with constant (pre-COVID-19) touring, regular solo outings from both members (Emily Saliers and Amy Ray, both lesbians) and even a live symphony album “Indigo Girls Live with the University of Colorado Symphony Orchestra” (2018).
Their new album “Long Look,” (May 22) however, is a pleasant reminder that not only are they greater vocally than the sum of their parts — their harmonies are truly heavenly — their songwriting is so assured and mature, they’re doing some of their best work now ages after aging (sadly) out of commercial relevance. John Reynolds, who also produced their 1999 album “Come On Now Social,” is back at the reins.
Standout cuts are the groovey, swampy opener “Shit Kickin,’” dance-around-the-campfire-esque “Howl at the Moon,” the plaintive title cut (in which they sound vocally as lovely as Emmylou Harris) and sonic curveball “Favorite Flavor.” Musically overall, this is Americana.
Topics are lyrically varied. “Feel This Way Again” is an urge to teens to savor emotions, album closer “Sorrow and Joy” is a well-crafted examination of ‘80s-era politics and it varies outward from there. Only occasionally (the chorus of “Flavor” or the slightly cloying “Country Radio”) do things feel a tad forced.
Perfume Genius
Set My Heart on Fire Immediately (*1/2)
Matador
Perfume Genius (aka Michael Hadreas) is back with his fifth album (it dropped mid-May) and while it’s more accessible (which isn’t saying much) than his previous efforts — some tracks actually feel like songs — it’s still a tough listen and something you have to be in the mood for.
Atmospherically, there’s a lot here to appreciate — the dreamy, ethereal “Whole Life,” the gauzy, fuzzy rock guitars on “Describe,” the retro organ underpinnings of “One More Try” and so on. One senses here that no instrumental choice or sonic effect was chosen haphazardly; Hadreas (38 and gay) and producer Blake Mills (who returns after 2017’s “No Shape”) took obvious care and mood and texture, to them, is everything (it certainly trumps melody and tempo).
The degree to which you like this album will be proportional to how much avant garde you can stomach. I tried to just close my eyes and savor it on its own terms but I also couldn’t wait for it to be over. The too-precious-by-half, whispery falsetto vocals on “Jason,” the plodding, uncategorizable “Your Body Changes Everything” and the sonic whiplash of “Some Dream,” which sounds like silly nonsense, had me itching to go put on some Jonas Brothers.
In fairness, though, could this be one of those magical albums that just needs time to seep into your pores? An album you endure on the first listen but can’t get enough of three months later? It’s a fair question, but I’m going with no. Texture solely for the sake of texture — and that’s what this feels like — just isn’t enough for me.
Adam Lambert
Velvet (***1/2)
Empire Distribution
An album you might have missed (somehow I did) that dropped in late March is the new Adam Lambert project “Velvet,” the gay “American Idol” runner-up’s fourth.
Lambert here manages to hit that sonic sweet spot where the production sounds both retro yet uber contemporary. There’s a funky, groovy, ’70s/Stax vibe here but also a 2020-kind of top coat on everything that sounds utterly of the moment.
Stylistically it’s still varied. “Superpower” is slutty and all attitude, “Loverboy” is a neo-disco shuffle, “Comin’ in Hot” is slinky and skanky and “Love Don’t” is a gritty rocker. “Ready to Run” has rock swagger and gospel organ accents. First single “Roses,” a duet with Nile Rodgers (of Chic) has lovely hooks and atmosphere to spare. It’s a romantic kiss-off to a lover who offers gestures but little else.
There are only a handful of slow songs, a straightforward piano ballad (“Closer to You”) and closer “Feel Something,” the album’s only pensive, moody moment.
Only occasionally and fleetingly does Lambert fumble — a weak chorus on “New Eyes,” a couple spots where the hooks aren’t quite enough to undergird the swagger and energy, but even then, Lambert’s shimmering whale of a voice — his calling card — is enough to sustain pleasure throughout. This is my summer car album for sure.
The Mayor’s Office of LGBTQ Affairs will host “Black LGBTQ+ History Preservation Committee Public Meeting” on Wednesday, July 16 at 6 p.m. at 899 North Capitol St., N.E.
Mayor’s Office of LGBTQ Affairs and the Black LGBTQ+ History Preservation Committee will discuss their upcoming grant project. Attendees will have the opportunity to ask questions and network with committee members. Attendance is free and more details are available on Eventbrite.
Theater
Exciting lineup on tap for theater festival in Shepherdstown, W.Va.
Queer artists play prominent roles in various productions
Contemporary American Theater Festival
Through Aug. 3
Shepherdstown, W.Va.
Catf.org
As a queer Latino freelance costume designer, Christopher Vergara’s work has taken him from Broadway to a multitude of regional outposts and companies worldwide. Over the last decade, he’s lent his prodigious talents to theater, opera, TV, and film, and beyond.
Currently the native New Yorker is costuming playwright Mark St. Germain’s new two-hander “Magdalene,” now making its world premiere at the annual Contemporary American Theater Festival (CATF) at Shepherd University in historic, queer-friendly Shepherdstown, W.Va. (just a 90-minute drive from D.C.).
“Magdalene”is the story of Peter reconnecting with the banished Mary Magdalene and discussing their widely divergent memories of Christ. At 90 minutes without costume changes, it may not sound like a big job, but Vergara applies his usual meticulous consideration.
“It’s not the Bible pageant you might see at church,” he says. As a costume designer, Vergara approaches all new works by delving deep into the script with collaborators.
“I like to do what I call a visual dramaturgy, to read the script and take it in aiming to arrive at a sort of truth, not necessarily historically accurate.
“Without being period, I get to what their world was like in some way. And because the play’s conversation is contemporary, I’m inspired by both old and new lines and fabrics. It’s speaking to us now but set in a different time.”
Born and raised in New York, Vergara learned to sew at the side of his Panamanian grandmother. “Growing up I was enthralled. She had an amazing Singer machine that could sew through steel. But it was always a covert thing. Boys shouldn’t be sewing.”
He put his skills to use at Valparaiso University in Indiana where while majoring in music he found a well-paying and flexible job in the costume shop. After graduation he returned to New York and entered a Juilliard apprentice program concentrating on a costume track and a busy career has ensued. His vast résumé includes Broadway shows like “Here Lies Love” and the revival of “The Color Purple”among numerous others; he was associate designer for a production of “Ben-Hur” in Rome that featured a cast of more than 200 with 1,000 costumes.
Vergara is enjoying his introduction to CATF. “Initially I was feeling a little apprehensive. I’d never been to West Virginia before, but when I saw all the Pride flags lining the main street in Shepherdstown, any misgivings were dispelled,” he says.
CATF also presents “Happy Fall: A Queer Stunt Spectacular” by Lisa Sanaye Dring with Rogue Artists Ensemble. Based on true life events, it’s the story of queer Hollywood stuntmen navigating the dangers of exposing their love. Living up to the “spectacular” bit in the title, the guys’ story is told through video, puppetry, illusions, and live stunts.
The playwright says “I’m queer so I’m interested in queerness, and I’ve also been interested in masculinity for some time. I lived in LA for 10 years so the play is a love letter to Hollywood and the weirdness of the industry.”
Also, of interest to Sanaye Dring is the interracial and intergenerational relationship at the play’s center: Clay is a white man in his late 40s and Felix is mid-20s and Asian (played Aubrey Deeker and Glenn Morizio, respectively).
Her transition from actor (including commercials and some TV) to playwright can be traced back to her one-woman show titled “Death Play,” a work spurred by the passing of her parents and grandmother. “It wasn’t easy. I hadn’t anticipated just how emotionally difficult that five-week run would be. It was after that when people started asking me to write plays and direct.”
CATF Artistic Director Peggy McKowen describes this year’s festival as being “about understanding the things that make us unique, but also the things that make us similar,” adding that it also explores “questioning who are as people and how we fit into our community.”
Here are the other new works in the festival’s exciting lineup.
West Virginia-born playwright Cody LeRoy Wilson’s “Did My Grandfather Kill My Grandfather?”It recounts the unlikely journey of his blended family from Vietnam to Plum Run, W. Va.
In “Kevin Kling: Unraveled” NPR commentator Kevin Kling tells the story of finding his way as a disabled artist. With humor, he reflects the life challenges he has surmounted, including a congenital birth disorder and partial paralysis from a near-fatal motorcycle accident.
And finally, playwright Lisa Loomer’s “Side Effects May Include…,” a work that takes audiences on a frightening and complex trip into the world of psychiatry as a mother tries to help her son on his journey to wellness.
CATF runs through Aug. 3 in three varied venues on the Shepherd University campus: Frank Center, Marinoff Theater, and Studio 112.
Friday, July 11
“Center Aging Friday tea Time” will be at 2 p.m. in person at the DC Center for the LGBT Community’s new location at 1827 Wiltberger St., N.W. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more details, email [email protected].
Women in Their Twenties and Thirties will be at 8 p.m. on Zoom. This is a social discussion group for queer women in the Washington, D.C. area and a great way to make new friends and meet other queer women in a fun and friendly setting. For more details, visit the DC Center’s website.
Go Gay DC will host “LGBTQ+ Happy Hour” at 7 p.m. at Firefly. This event is ideal for making new friends, professional networking, idea-sharing, and community building. This event is free and more details are available on Eventbrite.
Saturday, July 12
Go Gay DC will host “Family Fun Story Time” at 12 p.m. at Freddie’s Beach Bar & Restaurant. Join award-winning drag queen Tara Hoot for songs, stories, bubbles, puppets and dancing. It’s the feel-good event you didn’t know you needed. This event is perfect for kids and kids at heart. Attendance is free and more details are available on Eventbrite.
Miss Capital Pride will host “DC Drag brunch on Rooftop – Penthouse” at 12 p.m. at MXDC Cocina Mexicana. Guests will experience a Mexican brunch infused with Baby Shank’s signature dishes, complemented by delicious margaritas and mimosas, all within the beautiful and spacious atmosphere of MXDC. There will also be outstanding performances by glamorous drag queens and celebrated celebrity impersonators, featuring Taylor Swift, Lady Gaga, Beyoncé, Britney Spears, Nicki Minaj, Ariana Grande, Whitney Houston, Cher, and many more. Tickets cost $30.65 and are available on Eventbrite.
Sunday, July 13
The National Portrait Gallery will host “Stormé at Stonewall” at 1:30 p.m. This is a gallery talk with LJ Roberts and Charlotte Ickes. This exhibition is a light-box portrait of activist Stormé DeLarverie, who is said to have thrown the first brick at Stonewall—the uprising credited with launching the modern LGBTQ+ rights movement in 1969. Roberts created this unconventional portrait in response to DeLarverie’s absence in mainstream narratives about the history of the Stonewall rebellion. Attendance is free and more details are available on Eventbrite.
Monday, July 14
“Center Aging Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more details, email [email protected].
Genderqueer DC will be at 7 p.m. in person at the DC Center for the LGBT Community. This is a support group for people who identify outside of the gender binary, whether you’re bigender, agender, genderfluid, or just know that you’re not 100% cis. For more details, visit genderqueerdc.org or Facebook.
Tuesday, July 15
Center Bi+ Roundtable will be at 7 p.m. on Zoom. This is an opportunity for people to gather in order to discuss issues related to bisexuality or as bi individuals in a private setting.Visit Facebook or Meetup for more information.
Wednesday, July 16
Job Club will be at 6 p.m. on Zoom. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.
Thursday, July 17
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga with Charles M. will be at 7 p.m. on Zoom. This is a free weekly class focusing on yoga, breath work, and meditation. For more details, visit the DC Center for the LGBT Community’s website.
Lit Lovers: Book Club for Seniors will be at 2 p.m. on Zoom. The book selection for July is “Rubyfruit Jungle” by Rita Mae Brown. For more details, visit the DC Center’s website.
Poly Discussion Group will be at 7 p.m. on Zoom. This is an inclusive, welcoming, virtual safer space to talk about all things polyamorous — the rapturous, the confused, the pure YIKES, we want to hear them all. For more details, email [email protected].
Help preserve Black LGBTQ history
Exciting lineup on tap for theater festival in Shepherdstown, W.Va.
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