Arts & Entertainment
Album roundup: Gaga just so-so on new album ‘Chromatica’
Indigo Girls shine, Adam nails it and Perfume Genius — wtf?
Lady Gaga
Chromatica (**1/2 out of four)
Streamline/Interscope
Although Lady Gaga has never had an out-and-out bomb, she lost her footing a bit with her 2013 album “Artpop.”
Her fans point to its decent chart performance (it debuted at no. 1 and went platinum) and say that’s more perception than reality, but she was starting to experience a law of diminishing returns. The danceclub hits and outrageous fashion upon which she built her brand didn’t resonate the same way five years into her career.
She wisely recognized that and veered hard left making an album with Tony Bennett (of all people; 2014’s “Cheek to Cheek”), recapturing the pop culture zeitgeist with movie debut “A Star is Born” (pleasantly, she actually can act) and go mellow and subdued with her last studio album, 2016’s more singer/songwriter-oriented “Joanne.”
“Chromatica” (out May 29) is her official return to form. It all goes down breezily enough — it’s an easy, catchy listen — yet it’s also not quite the reclaiming of the pop diva throne she clearly intended it to be. It’s good, not great; her fans will love it and it will make a respectable chart dent but creatively she’s painted herself into a corner. While some of her unexpected (at the time) career swerves served her well and were well received, you can’t build a whole career on stunt casting — the meat dress! the Tony Bennett duets! “American Horror Story”! a “normal” album from kooky Gaga! Stuff like that only gets you so far then you’re kinda back where you were five years prior (albeit with an Oscar in tow).
Eventually you have to return to the business of doing what it is you supposedly do and a decade in to her admittedly impressive career, it feels like she’s reaching the bottom of her bag of creative tricks. “Chromatica” suggests to me we’ll look back on her in 50 years more as a Petula Clark (the singer of a decent string of era-defining standards)-type figure rather than a Bette Midler or, heck, even a Kelly Clarkson.
Gaga takes the “Confessions on a Dancefloor” approach here — there’s not a ballad in the batch. Track after track — first single “Stupid Love,” “Plastic Doll,” “Replay” and dozens more — are full of big, luscious, vaguely ’80s-tinged club beats courtesy of producer BloodPop (Justin Bieber, Britney Spears, et. al.), and melodies that take advantage of her impressive set of lungs. The lady can sing — nobody is arguing otherwise.
But it all gets a little samey sounding by the album’s end and a trio of orchestral interludes (dubbed “Chromatica,” “Chromatica II” and “Chromatica III”) sound like they were yanked off some poor man’s Ralph Vaughan Williams imitation attempt and tacked on for contrast and gravitas. They backfire though, sounding like ludicrous non sequiturs.
Lyrically there’s nothing terribly interesting happening but the guest spots — Ariana Grande on second single “Rain on Me,” K-pop girl group Blackpink on “Sour Candy” and Elton John on “Sine From Above” — work slightly better than you’d think. She doubles John’s vocal an octave above to pleasant effect. Glammy, campy (but fun!) final song “Babylon” had me picturing the “Queer as Folk” cast on the dancefloor.
Indigo Girls
Look Long (***1/2)
Rounder Records
It’s easy to take the Indigo Girls for granted. Although it’s been five years since their last studio album (2015’s “One Lost Day”), they keep busy with constant (pre-COVID-19) touring, regular solo outings from both members (Emily Saliers and Amy Ray, both lesbians) and even a live symphony album “Indigo Girls Live with the University of Colorado Symphony Orchestra” (2018).
Their new album “Long Look,” (May 22) however, is a pleasant reminder that not only are they greater vocally than the sum of their parts — their harmonies are truly heavenly — their songwriting is so assured and mature, they’re doing some of their best work now ages after aging (sadly) out of commercial relevance. John Reynolds, who also produced their 1999 album “Come On Now Social,” is back at the reins.
Standout cuts are the groovey, swampy opener “Shit Kickin,’” dance-around-the-campfire-esque “Howl at the Moon,” the plaintive title cut (in which they sound vocally as lovely as Emmylou Harris) and sonic curveball “Favorite Flavor.” Musically overall, this is Americana.
Topics are lyrically varied. “Feel This Way Again” is an urge to teens to savor emotions, album closer “Sorrow and Joy” is a well-crafted examination of ‘80s-era politics and it varies outward from there. Only occasionally (the chorus of “Flavor” or the slightly cloying “Country Radio”) do things feel a tad forced.
Perfume Genius
Set My Heart on Fire Immediately (*1/2)
Matador
Perfume Genius (aka Michael Hadreas) is back with his fifth album (it dropped mid-May) and while it’s more accessible (which isn’t saying much) than his previous efforts — some tracks actually feel like songs — it’s still a tough listen and something you have to be in the mood for.
Atmospherically, there’s a lot here to appreciate — the dreamy, ethereal “Whole Life,” the gauzy, fuzzy rock guitars on “Describe,” the retro organ underpinnings of “One More Try” and so on. One senses here that no instrumental choice or sonic effect was chosen haphazardly; Hadreas (38 and gay) and producer Blake Mills (who returns after 2017’s “No Shape”) took obvious care and mood and texture, to them, is everything (it certainly trumps melody and tempo).
The degree to which you like this album will be proportional to how much avant garde you can stomach. I tried to just close my eyes and savor it on its own terms but I also couldn’t wait for it to be over. The too-precious-by-half, whispery falsetto vocals on “Jason,” the plodding, uncategorizable “Your Body Changes Everything” and the sonic whiplash of “Some Dream,” which sounds like silly nonsense, had me itching to go put on some Jonas Brothers.
In fairness, though, could this be one of those magical albums that just needs time to seep into your pores? An album you endure on the first listen but can’t get enough of three months later? It’s a fair question, but I’m going with no. Texture solely for the sake of texture — and that’s what this feels like — just isn’t enough for me.
Adam Lambert
Velvet (***1/2)
Empire Distribution
An album you might have missed (somehow I did) that dropped in late March is the new Adam Lambert project “Velvet,” the gay “American Idol” runner-up’s fourth.
Lambert here manages to hit that sonic sweet spot where the production sounds both retro yet uber contemporary. There’s a funky, groovy, ’70s/Stax vibe here but also a 2020-kind of top coat on everything that sounds utterly of the moment.
Stylistically it’s still varied. “Superpower” is slutty and all attitude, “Loverboy” is a neo-disco shuffle, “Comin’ in Hot” is slinky and skanky and “Love Don’t” is a gritty rocker. “Ready to Run” has rock swagger and gospel organ accents. First single “Roses,” a duet with Nile Rodgers (of Chic) has lovely hooks and atmosphere to spare. It’s a romantic kiss-off to a lover who offers gestures but little else.
There are only a handful of slow songs, a straightforward piano ballad (“Closer to You”) and closer “Feel Something,” the album’s only pensive, moody moment.
Only occasionally and fleetingly does Lambert fumble — a weak chorus on “New Eyes,” a couple spots where the hooks aren’t quite enough to undergird the swagger and energy, but even then, Lambert’s shimmering whale of a voice — his calling card — is enough to sustain pleasure throughout. This is my summer car album for sure.
Virginia Pride 2024 was held at Bon Secours Training Center in Richmond, Va. on Saturday, September 14.
(Washington Blade photos by Michael Key)
Pumpkin spice is back on the menu, the mercury in the thermometer is dropping, and Washington’s trees are starting to (slowly) fade into lighter hues of yellow and orange. This, along with a slew of new LGBTQ events across the District indicates that fall has un-officially begun.
JR.’s is transforming into East High from Disney Channel’s “High School Musical” for a special live drag show: HIGHBALL MUSICAL! Local drag queens, including Citrine, Baphomette, NuNu Paris, and more will take over the legendary bar from Sept. 8-14. Showtimes are at 9 p.m. on Sept. 13, with two performances on Sept. 14 at 5 p.m. and 9 p.m. Tickets are available at the door for $10. The show is for adults 21 and up. For more information visit JR.’s instagram at jrs_bar_dc.
Local Drag star Cake Pop! is opening a pop-up bar of her own. The queen will take over the top floor of LGBTQ sports bar Pitchers, creating her own POP! BAR. The opening party on Sept. 12 will include drink specials, music, and live performances from “RuPaul’s Drag Race” queen Denali, local drag queens Venetian, Aquarius Moon, You’neek Nu’york, and many more. Doors open at 7 p.m. and performances start at 10 p.m. For tickets and more details on the pop-up experience visit popbardc.com.
Do you think you have the hairiest chest in D.C.? Or are you a fan of a man with some fur? Then head to Uproar Lounge on Sept. 13 to compete in their Hairiest Chest Competition. The competition starts at 8 p.m. and goes until 1 a.m. with drinks and music pumping. For more information, visit uproarloungedc on Instagram.
On Sept. 15, Kiki is holding a Glitter and Grades: Drag, Dance, and Donate fundraiser. The LGBTQ bar will collect funds to purchase supplies for local LGBTQ teachers as drag queens, strong drinks, and dancing will be had. The fundraiser is from 4-8 p.m. with a suggested entry donation of $5.
Brat summer may be ending, but that doesn’t mean the brat attitude (and parties) must end. Bunker is hosting a cya brat party on Sept. 20 from 10 p.m.-4 a.m. The night will have Charli XCX-themed performances by drag artists trevHER and Venetian with DJ Miscalculated playing all your favorite Charli tracks. There is a $10 cover after 11 p.m. with $5 drink specials all night.
Do polka music and beer steins fill you with glee? Then put on your lederhosen and get ready for some traditional Oktoberfest festivities. Red Bear Brewery is hosting OktoBEARfest on Sept. 21 from 11 a.m.-12 a.m. The festivities include a stein holding competition, live polka music, and a Lederhosen & Dirndl contest. For more information, visit Red Bear Brewery’s website at redbear.beer.
On Saturday, Sept. 21 Shakers is hosting Drag Queen Tara Hoot’s Family Fun Story Time for kids of all ages. Tara Hoot will bring “tales, twirls, and fun.” Doors open at 12 p.m. and will last until 2 p.m. Free snacks and drinks for children will be given out. For more information visit Shakers’s Instagram page at shakersdc.
DC Rawhides, a local organization dedicated to creating inclusive dance spaces for same-sex couples and the LGBTQ community, is hosting its bi-monthly country-western dance event. All are welcome to attend, learn to do-si-do and line dance—no experience necessary. A valid ID and a $10 donation will get you in the door. The last dance of September is on Saturday, the 21st, and the first October event is on the 5th, from 7-11 p.m. at the North Hall in Eastern Market. For more details, visit dcrawhides.com.
On Sept. 24, Crush dance bar will hold a local politics Meet and Greet night, offering a chance to talk to candidates and nominees for the DC Council, DC State Board of Education, and other positions on the ballot. The event starts at 7 p.m. and is sponsored by the Blade and Team Rayceen.
Do you want to learn how to dance? Do you like ballet but have never felt like you belong in a dance class? Robert “Bambi” Woofter is calling all to come to their monthly Party & Prance dance class at Trade bar on Sept. 24. Come learn how to dance from an inaugural member of The Kennedy Center’s Dance Council, and teacher of dance at American University, George Washington University, and Dance Place for free. The class starts at 6:30 and goes until 7:30 p.m. For more information visit hausofbambi.com.
Starting Wednesday, Sept. 25, Shakers will host its second annual MX Shakers Competition Drag Show. Eleven new drag queens will compete for the crown of MX Shakers with host Tatianna (from season 2 of “RuPaul’s Drag Race” and season 2 of “Drag Race All Stars.”) Every Wednesday for eight weeks, queens will perform to stay on the stage with the ultimate prize of hosting a gig of their own.
The D.C. Drag Awards 2024 winner for best party DEEP CVNT is hosting its first collaboration with Xunt to put on DEEP XUNT! Xunt, a trans DJ collective in the District is working with party host GirliePop to host a trans celebratory mini-ball. The party starts at 9 p.m. at Trade on Sept. 26 with trans DJs, trans-inspired categories, and trans-centered vibe. All are encouraged to dress up and walk in the ball. For more information visit deepcvntparty on Instagram.
Clocked, a new trans-centered comedy show, is coming to As You Are bar on Friday, Sept. 27. Headliners include New York City comic Charlie Girard, founder of Queers Can’t Take a Joke (an LGBTQ stand-up comedy class); local comic Bixby, a graduate of the first Queers Can’t Take a Joke cohort; and Grace Wynter, a writer’s assistant for FX’s English Teacher. Other queer comics will also take the stage at 8 p.m. Tickets are $15 and available at the door.
Thomas Circle’s Green Lantern will host its monthly District Underwear Party on Oct. 4 from 10 p.m. to 3 a.m. Dance in a jock, thong, or whatever you feel hot and comfortable in as DJ Zyon plays music to get you moving. There is a $10 cover that includes a clothes check.
Join Flashy for a celebration of Indigenous People’s Day and the 11th anniversary of Flashy, Flash’s iconic holiday party on Oct. 13. Dance the night away with music from TWiN and Sean Morris on the first floor, while a soon to be announced Grammy-nominated DJ/Producer spins on the rooftop. The party kicks off at 10 p.m. and goes until 4 a.m. Tickets are $40 online ahead of time and $50 at the door. This is a 21 and up event. Tickets can be purchased on Eventbrite.
The Washington Blade’s annual Best Of LGBTQ DC party returns on Oct. 17 at 6 p.m. at Crush. Come out to celebrate our Local Hero and winners in 70 categories. Some winners will perform at the party.
Have you picked your Halloween costume yet? If not, start thinking now. Crush is hosting a special exorcism-themed Altar Call partyon Oct. 31. The dance bar will host a night of spooky queer fun, culminating with a costume contest where one lucky (and best dressed) patron will win $1,000.
“Something for everyone.” It’s a tired tagline, but in the case of this fall’s DMV theater season, it happens to be pretty much true. And a lot of the work is queer, directly or tangentially. Here’s a sliver of what’s already opened and what’s in store.
Theater J jumps into the new season with “How to Be a Korean Woman” (through Sept. 22), Sun Mee Chomet’s comic and heartfelt telling of searching for her birth family in Seoul, South Korea. edcjcc.org
Woolly Mammoth Theatre opens with “The Comeuppance” (through Oct. 6), the latest work from Tony-winning out playwright Branden Jacobs-Jenkins.
“On the night of their 20th high school reunion, the self-proclaimed “Multi-Ethnic Reject Group” reconnects while they pregame in Prince George’s County, Md. But amid the flow of reminiscing, an otherworldly presence forces these former classmates to face the past head-on and reckon with an unknowable future.” Woollymammoth.net
Signature Theatre kicks off with the D.C. premiere of Eboni Booth’s Pulitzer-winning play “Primary Trust” (through Oct. 20). Booth’s contemporary humor-filled tender tale of self-discovery and connection is followed by Signature’s big musical “A Funny Thing Happened on the Way to the Forum” (Oct. 29-Jan. 12), Stephen Sondheim’s classic Roman-set musical comedy staged by Signature’s out artistic director Matthew Gardiner. Sigtheatre.org
GALA Hispanic Theatre’s season opener, Gustavo Ott’s “The 22+ Weddings of Hugo” (through Sept. 29), is based on a true story. Performed in Spanish with easy-to-follow English surtitles, Ott’s raucous tale seeks to cover the various scenarios immigrants experience through many weddings. The cast features out actors Carlos Castillo as Hugo, a quiet postal clerk, and Victor Salinas who plays Elmar, a gay writer seeking refuge. José Zayas directs. Galatheatre.org.
Mosaic Theater Company at Atlas Performing Arts Center presents “Lady Day at Emerson’s Bar and Grill” (through Oct. 6), a play with music about jazz legend/queer icon Billie Holiday starring Roz White. Mosaic’s out artistic director Reginald L. Douglas directs. Mosaictheater.org
Ford’s Theatre presents “Mister Lincoln” (Sept. 20-Oct. 13), a “witty and revelatory” one-man show starring Scott Bakula (stage and screen actor famous for TV’s “Quantum Leap”). Fords.org
ExPats Theatre (also housed at Atlas) opens with “Marlene” (Sept. 28 through Oct. 20) featuring Karin Rosnizeck as the legendary Dietrich, a great star who famously defied social and gender conventions while dazzling the world with her glamorous career. Expatstheate.com
There’s a lot on offer at George Mason University’s Center for Arts this autumn, not least of all “An Evening with Lea Salonga” (Saturday, Sept. 28).
Tony-winning singer and actress Lea Salonga headlines the 2024 ARTS by George! benefit concert, performing songs from a four-decade career on Broadway and in animated movie hits. Born in the Philippines, Salonga originated the lead role of Kim in Miss Saigon, and she was the first Asian cast member to perform the role of Eponine in Les Misérables on Broadway.
Other promising one-day-only GMU entertainments include Ballet Hispánico (Oct. 5) and Mark Morris Dance Group and Music Ensemble (Oct. 19). cfa.gmu.edu
Creative Cauldron in Falls Church presents “Sondheim Tribute Revue” (Oct. 3-27) a celebratory salute to musical giant Stephen Sondheim with eight performers singing 20 titles from the gay composer’s brilliant songbook including “Company,” “Follies,” “Into the Woods,” “A Little Night Music,” “Sweeney Todd,” and the recent Tony Award Winner, “Merrily We Roll Along,” and more. Creativecauldron.org
Olney Theatre explores what makes a president great with “Eisenhower: This Piece of Ground,” Sept. 27-Oct. 20. And for Disney fans, don’t miss “Frozen,” Oct. 24-Jan. 5. Olneytheatre.org
The Kennedy Center offers laughs and nostalgia with “Clue” (Sept.17 through Oct. 6), a whodunit based on the fan-favorite 1985 Paramount movie and inspired by the classic Hasbro board game. Next up is “The 25th Annual Putnam County Spelling Bee” (Oct. 11 – 20).
Other Kennedy Center treats include “An Evening with David Sedaris” (Oct. 15). The gay humorist is slated to share his inimitable brand of satire and hilarious observations, and then it’s out sound healing artist Davin Youngs with “The Reset” (Oct. 28), his take on a “sound bath” including improvisational singing, looping devices, and healing instruments. Kennedy-center.org
Fall is the best time at the beach, so plan a weekend in Rehoboth and visit the phenomenal Clear Space Theatre. “Venus in Fur” runs Sept. 19-29 followed by “Sweeney Todd” Oct. 11-27; and “Shrek” runs Nov. 8-10. Clearspacetheatre.org
Fall cabaret will be in full swing at the Gay Men’s Chorus of Washington, D.C., as soloists share heart-warming stories and songs about their travel adventures (Oct. 19 at 2, 5, and 8 p.m.). And, of course, no holiday season is complete without the Chorus’s annual holiday celebration set for Dec. 7, 14, and 15. Gmcw.org
Folger Theatre presents Shakespeare’s “Romeo and Juliet” (Oct. 1-Nov. 10) staged by inspiring out director Raymond O. Caldwell. A large, versatile cast features Cole Taylor and Caro Rayes Rivera as the star-crossed lovers, and a host of familiar local faces including Luz Nicolas, Deirdra LaWan Starnes, and out actor Fran Tapia as Lady Capulet. folger.edu
Studio Theatre serves up “Summer, 1976,” (opening Nov. 13), a memory play by Pulitzer Prize-winning playwright David Auburn (“Proof”). Directed by Vivienne Benesch, the two-hander features longtime D.C. favorites Kate Eastwood Norris and out actor Holly Twyford playing disparate women whose unlikely friendship and ensuing connection changes the course of their lives. Studiotheatre.org
And on Wednesday, Dec. 4, Strathmore in North Bethesda presents “A Swingin’ Little Christmas,” a fun takeoff on kitschy, classic ‘50s and ‘60s holiday specials, featuring out TV star Jane Lynch (“Glee,” “The Marvelous Mrs. Maisel”) alongside Kate Flannery (“The Office”), Tim Davis (“Glee’s” vocal arranger), and The Tony Guerrero Quintet. Strathmore.org
PHOTOS: Virginia Pride
Bye-bye Brat summer, hello fall nightlife
D.C.’s canvases of artistic expression
A busy season underway in local theater scene
Fall brings diverse array of new restaurants to D.C.
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