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Capital Pride Festival wows with surprise appearances

Harris speaks, Symone struts as celebrations return

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Symone performs at the 2022 Capital Pride Festival. Sunday’s Capital Pride Festival brought tens of thousands to Pennsylvania Avenue and it wasn’t 100 degrees for a change. (Blade photo by Michael Key)

Amid a roster of weekend Pride festivities in the nation’s capital that ended with a much-anticipated performance from pop band DNCE, Vice President Kamala Harris marched onto the Capital Pride Festival stage Sunday afternoon — as the crowd roared in surprise — to stress the importance of queer rights and rebuke white supremacy.

“No one should fear going to a nightclub for fear that a terrorist might try to take them down,” she said in reference to the Pulse nightclub shooting of 2016 in Orlando, Fla. “No one should fear going to a Pride celebration because of the white supremacists,” she added.

Harris also referenced recent legislation in southern states like Texas and Florida that inhibits children’s self-expression.

“Our children in Texas and Florida shouldn’t fear who they are,” she said.

Harris was joined on stage by second gentleman Douglas Emhoff and RuPaul’s Drag Race season 13 winner Symone.

The Washington Blade scored an exclusive interview with Symone after the vice president’s remarks.

Symone, who stood about six feet tall in a pair of beige-colored stilettos and a bejeweled turquoise leotard that she would later exchange for a blood orange-and-fuschia layered frill mini-dress, mentioned that Capital Pride was her first Pride event of the season.

“It feels great to be back amongst family,” she said. “It feels good to see all the love and excitement.”

Drawing on about a year since her win on “Drag Race,” the drag queen — affectionately known by her fans as the “Ebony Enchantress” — said that her drag has evolved into the special moments outside of her performances where she can “take care of people [around her].”

“I can finally give back to my mom,” she said.

With regards to her artistic approach to the art form, Symone emphasized that drag is a form of self-expression that allows her to be the most authentic part of herself and to say what she wants to say.

In her season, she celebrated Black culture and Black beauty by draping her head with sculptural braided Black hairstyles and giving nods to streetstyle, including through an outfit that included a meters-long durag.

In one of her season’s runway categories, she strutted in a white gown and fascinator with the phrase, “Say their names” emblazoned on the back. This was in protest of police brutality.

When looking to the future of her profession, Symone is gleeful because she says that more people will become comfortable with drag because it exists to “give joy, laughter, and love.”

“I think what people have left out is that [drag] is art at the end of the day,” she said. “It has always been this art form to play with.”

Her statement echoed one that Harris made earlier: “No one should fear who they love.”

After the interview, Symone returned to Capital Pride’s stage in a waist-length curly black wig to dance to Diana Ross’s “I’m Coming Out” and Beyonce’s “Apeshit,” all while exposing her slender, toned, and glossed legs that brought gasps from some audience members.

Symone’s performance and Harris’s speech were part of the last leg of events that ended a festival that saw hundreds of LGBTQ-friendly organizations, bars and clubs, and food vendors staff booths on Pennsylvania Avenue.

The National Association for the Advancement of Colored People was in attendance for the first time and gave out T-shirts that read “Black Pride” and encouraged passersby to contact their senators to pass the Equality Act — legislation that prohibits discrimination based on gender and sexual orientation. The Equality Act was passed in the U.S. House of Representatives in 2021 and has been stalled in the U.S. Senate since.

“We want to make sure that our [leaders] are doing what we need them to do,” said Annalise Setorie, director of partnerships at the NAACP. Setorie is also chair of the LGBTQ taskforce.

“[The NAACP] fights for all the rights of Black people so we are here to support and uplift the Black queer community,” she added. 

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District of Columbia

Dr. Fauci receives Harvey Milk Award, reflects on legacy of love and public health

The legendary public health leader was honored by a D.C. LGBTQ synagogue for his lifetime of compassionate service and advocacy.

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Dr. Anthony Fauci (Washington Blade file photo by Lou Chibbaro, Jr.)

A buzz of anticipation filled Cafritz Hall on Wednesday evening. Though a few seats remained empty, the atmosphere suggested a pop star might be moments from taking the stage. But the spotlight wasn’t reserved for a chart-topping performer—it was focused on a different kind of icon.

Dr. Anthony Fauci, the former director of the National Institute of Allergy and Infectious Diseases (NIAID), stepped forward to receive the Harvey Milk Chesed Award—an honor recognizing compassion, courage, and a lifetime of public service.

The Harvey Milk Chesed Award was established by Bet Mishpachah in 1998 in honor of civil rights leader Harvey Milk. Milk, a member of the San Francisco Board of Supervisors and one of the first openly gay elected officials in the United States, was assassinated in 1978 following his public advocacy for LGBTQ rights. Bet Mishpachah gives out the award annually to an individual who has made “outstanding contributions to the LGBTQ+ and Jewish communities that exemplify the virtue of chesed, or ‘lovingkindness.’”

The program began promptly at 7 p.m. at Bet Mishpachah, Washington’s LGBTQ egalitarian synagogue, and featured a diverse lineup of speakers, including rabbis, physicians, professors, synagogue members, and past recipients of the Harvey Milk Chesed Award. While each speaker highlighted different facets of Dr. Fauci’s career – from his leadership during public health crises to his engagement with Jewish and LGBTQ communities- a unifying theme emerged: his unwavering commitment to doing what’s right, even in the face of political opposition, including from presidents.

Fauci, who was director of the NIAID from 1984 to 2022, was at the forefront of understanding and combating some of the deadliest diseases known to humanity, including tuberculosis, Zika, and HIV/AIDS. As the HIV/AIDS epidemic escalated and frustration with federal inaction mounted, Fauci took an unconventional step for a high-ranking public health official: He began engaging directly with the activists demanding change. That simple act of listening, he later explained, shaped his understanding of what patients truly needed — even when it meant defying the prevailing wisdom of the medical establishment.

“I developed long-term friendships with the activists,” Fauci said in a 2023 interview with PBS’ American Masters. “We were sort of like soldiers in the same war.”

This spirit of solidarity echoed throughout the night’s speakers, beginning with Barry Friedman, who delivered welcoming remarks to the crowd. Friedman began his introduction with a Hebrew phrase that, at first glance, might not seem to align with a man devoted to the rigor of medical science. But as he explained, it was a phrase Fauci exemplified.

“Lo tukhal l’hitaleim,” Friedman read from his notes, explaining that this message was hailed in his youth as the “11th commandment” by his mother. “You must not remain indifferent,” he translated.

Fauci, Friedman explained, remained steadfast in the principles of medicine while also showing deep compassion for those living with HIV and AIDS. He advocated for changes to drug trial protocols—convincing researchers to allow patients to “parallel track” experimental treatments, even when doing so went against past medical norms. This shift helped extend lives and alleviate symptoms in those most affected by the disease.

As the night continued, speaker after speaker reflected on the extraordinary achievements Fauci helped bring about—not just through scientific breakthroughs, but by listening to the people who were so often ignored. Fauci credited activists like Larry Kramer for ensuring the needs of HIV/AIDS patients could not be overlooked.

One of those speakers, Jeff Levi, an emeritus professor at the Milken Institute School of Public Health at George Washington University, former deputy director of the White House Office of National AIDS Policy, and a close friend of Fauci, led a panel discussion where the two expanded on stories from Fauci’s 2024 bestselling book “On Call: A Doctor’s Journey in Public Service.” During the panel, Fauci reflected on how his Jesuit Catholic upbringing helped shape a moral compass that transcended religious, cultural, and political boundaries in his public health work, and how he was able to navigate such a difficult time in medical history.

While it’s nearly impossible to calculate how many lives Fauci has helped save, the numbers point to an extraordinary legacy. Millions of LGBTQ people owe their survival in part to his efforts to understand how HIV spread, how it progressed, and how its symptoms could be mitigated. In addition, more than 25 million people worldwide- mostly in sub-Saharan Africa- have benefited from PEPFAR, the President’s Emergency Plan for AIDS Relief, which Fauci played a key role in creating.

Following the panel, Fauci took questions from the audience, reflecting on both his legacy and the enduring power of public advocacy.

“The gay community wasn’t afraid to speak up in the 1980s,” he told one audience member, who asked about the parallels between HIV/AIDS and the COVID-19 pandemic, and what people could do now to offset some of the… less than factual ‘information’ being presented as truth from the Trump administration. “And we can’t be afraid to speak up now.”

When asked what message he hopes young LGBTQ doctors will take from his life’s work, Fauci paused, then offered a heartfelt answer. “I don’t want to sound too melodramatic, but we need to love each other.”

As the crowd filtered out of the hall and only a handful of Fauci admirers lingered in line for a signed book, the Blade caught up with the evening’s honoree. Asked how it felt to receive the Harvey Milk Chesed Award, Fauci’s response was characteristically humble.

“It was a terrific honor to be given an award by this community,” he said with a warm smile—an understated close to an evening that celebrated a lifetime of extraordinary impact.

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District of Columbia

Mayor joins ribbon-cutting for opening of D.C. LGBTQ seniors home

Mary’s House for Older Adults operates facility for 15 senior

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Mary’s House is located at 401 Anacostia Rd., S.E. in the city’s Fort Dupont neighborhood. (Washington Blade photo by Lou Chibbaro, Jr.)

Close to 100 people joined D.C. Mayor Muriel Bowser, two members of the D.C. Council, and other city officials for a ribbon-cutting ceremony marking the official opening of Mary’s House for Older Adults, the city’s first home dedicated to LGBTQ seniors.

Located at 401 Anacostia Rd., S.E. in the city’s Fort Dupont neighborhood, the three-story house includes 15 single-occupancy residential units and more than 5,000 square feet of communal living space.

Imani Woody, the Mary’s House President, CEO, and founder, said construction of the new house, which is located on the site of the house she grew up in, was completed in January and residents began moving in in March. She said there is now a waiting list for those interested in living there.

Bowser and Woody were among nine city officials and community leaders who spoke at the event in a large outdoor courtyard behind the house that’s part of Mary’s House grounds.

“You are providing housing,” Bowser told Woody in her remarks at the event. “You are providing a solution to the epidemic of loneliness. You are providing a vehicle for Washingtonians to stay in Washington,” the mayor said. “And you are showing that a woman with an idea who cannot be stopped can deliver for D.C.”

Bowser called Mary’s House a model for senior housing that she said could be brought to other parts of the city.

Woody thanked the mayor and the D.C. Council for providing city funding to support Mary’s House.

“This house is amazing,” she told the gathering. “It houses 15 people. But the concept is more than 15 people,” she said. “This is a place for residents of Washington, D.C., LGBTQ+ same-gender-loving to have a safe space.” 

Among the others participating in the event were Japer Bowles, director of the  Mayor’s Office of LGBTQ Affairs, and D.C. Council members Robert White (D-At-Large) and Wendell Felder (D-Ward 7).

Felder, who noted that Mary’s House is located in Ward 7, which he represents, called the ward a “welcoming community” that absolutely has welcomed Mary’s House.

“Mary’s House represents more than just bricks and mortar,” he told the gathering. “It’s a testament to what we can achieve when we commit to justice, inclusion and community. It recognizes that our elders, especially those in the LGBTQ+ and same-gender-loving communities, in a diverse space that honors their full identity and provides not only shelter but affirmation and belonging.”

Woody said each of the 15 individual units or suites at Mary’s House includes a sleeping area, living room, bathroom, and kitchenette with a sink, microwave and refrigerator but no stove. The Mary’s House website says the shared communal areas of the house include a “fully equipped kitchen, separate dining area and living room.”

It says the communal area also includes a computer room, arts and crafts room, an exercise room, laundry facilities, community meeting space, a “tranquil quiet room for relaxation,” and an outdoor terrace with seating.

Woody points out that Mary’s House, which is a nonprofit operation, is not an assisted living facility.

The website statement adds, “Through health and wellness programs, connections to community services, and advocacy efforts, Mary’s House for Older Adults endeavors to ensure that all elders, regardless of identity, can enjoy fulfilling and secure lives in their golden years.”

Further information about Mary’s House, including the availability of space to live, can be obtained at MarysHouseDC.org or at 240-972-2500.

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Opening of Pride exhibition at Smithsonian’s African art museum postponed until 2026

Exhibition initially planned to open before WorldPride

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National Museum of African Art (Photo by Melissa Kopka/Bigstock)

An exhibition of the works of art from LGBTQ African artists at the Smithsonian Institution’s National Museum of African Art was abruptly postponed due to “our current budgetary situation,” a museum spokesperson told the Washington Post.

The exhibition is entitled, “Here: Pride and Belonging in African Art.”

The Post, which broke the story about LGBTQ exhibition’s postponement on May 6, reports that the museum denied that the postponement was brought about by the Trump-Vance administration’s executive order restricting certain content at Smithsonian museums or the current political climate.

“This exhibition was on a very ambitious schedule to meet WorldPride, and we did not have enough time to secure all the private sector funds we had hoped to due to shifts in the fundraising environment,” the Post quoted Smithsonian spokesperson Jennifer Mitchell as saying.

Mitchell was referring to plans to open the exhibition in late May to coincide with the WorldPride events, which are scheduled to take place in D.C. from May 17-June 6.

The Post reports that the exhibition is now expected to open in February 2026 and to close at its originally scheduled closing time in August 2026.

The National Museum of African Art’s website describes the LGBTQ exhibition as consisting of “artists across Africa and the diaspora whose artworks connect to their identities and experiences as LGBTQ+ people.” It says those people are “featured as the first continental and diasporic survey of its scale and scope outside of Africa.”

The website statement adds, “The show assembles artists whose work has implicitly or explicitly challenged local and global legacies of homophobia and bigotry, offering images of alternative futures as well as celebrations of intimacy, faith, family, and joy.”

The Post reported that Mitchell “declined to say whether donors had withdrawn their support, explaining that she could not comment on private donors relations.”

Sources familiar with the Smithsonian have pointed out that private donors, including corporations, are the main source of funding for specific Smithsonian exhibitions. The federal government, with funds approved by Congress, traditionally has covered costs supporting the museum buildings, infrastructure, and upkeep.

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