Arts & Entertainment
Previewing D.C.’s WorldPride Music Festival
Producer Jake Resnicow on unforgettable event with genres from disco to country
As WorldPride draws closer, Washington, D.C. is getting ready to celebrate on multiple levels. One major event is the Dreamland WorldPride Music Festival, to be held at RFK Stadium (2400 East Capitol St., N.E.) from June 6-7, 2025. This music festival will serve as the centerpiece of the city’s WorldPride celebration, coinciding with the 50th anniversary of D.C. Pride.
Local electronic dance music event promoter Club Glow is putting on the show, bringing in celebrated producer Jake Resnicow, to create a giant festival. Under the direction of Resnicow and Club Glow, the festival will feature a diverse, yet-to-be-named lineup featuring pop superstars, live performers, DJs, and plenty of local talent. The festival aims to showcase the vibrant spectrum of LGBTQ culture, with musical genres ranging from disco to country, bringing together performers from a range of backgrounds who resonate with Capital Pride’s values and with the attendees.
The Washington Blade conducted an exclusive interview with Jake Resnicow about the festival. The interview has been slightly condensed for clarity.
BLADE: What is your background and role in the nightlife scene?
RESNICOW: I’ve always been passionate about creating spaces where people can express themselves freely. My journey into live events began in 2010 with a Pride event on Governors Island. It was a transformative experience that showed me the power of live events to bring joy and build community. Since then, I’ve had the privilege of producing events like WorldPride at the Javits Center, where we raised over $500,000 for LGBTQ+ charities, as well as the first-ever Pride in Central Park. These events have been about more than just entertainment; they aim to support and uplift the LGBTQ+ community.
BLADE: How did you get involved in the WorldPride Festival with Capital Pride?
RESNICOW: After producing several Pride festivals and witnessing their impact, the opportunity to bring this energy to the largest stage feels like a culmination of a long-held vision. I’m truly honored to collaborate with Pete Kalamoutsos, Heather Church, and Matt Cronin — the driving force behind Project GLOW. Pete has been a leader in the dance music scene for over 25 years. He, Heather, and Matt have not only shaped the East Coast’s electronic music landscape but have also shown unwavering support for the LGBTQ+ community. Their commitment to elevating dance culture, especially through Project GLOW, is remarkable. Beyond the music, the team has incorporated community-focused initiatives, such as highlighting Washington, D.C.’s LGBTQIA+ community through dedicated stages and collaborating with local charities like Sasha Bruce Youthwork. Working with Pete, Heather, and Matt is like joining a dream team — they have an incredible vision and are passionate about making a difference. Together, we aim to create a historic WorldPride 2025 Music Festival that resonates with attendees and leaves a lasting legacy.
BLADE: What does this event mean to the LGBTQ nightlife community?
RESNICOW: WorldPride 2025 is more than just a music festival; it’s a space for celebration, reflection, and visibility. For the LGBTQ nightlife community, it’s an opportunity to come together, celebrate our identities, and amplify voices that have been historically marginalized. In a world where less than 1% of charting artists identify as LGBTQIA+, this festival is a platform to change that narrative. I’m particularly proud to serve on the board of Femme House, where we work to address this underrepresentation by providing resources and opportunities for queer musicians to thrive. This festival symbolizes a safe, inclusive environment where everyone feels seen, heard, and celebrated.
BLADE: What will the festival entail?
RESNICOW: The festival will offer a multi-day experience filled with music, art, and community engagement. Attendees can expect a blend of live performances, immersive activations, art installations, and wellness zones. To me, queer entertainment has evolved beyond nightlife; it’s now a cultural movement that intertwines art, music, fashion, and activism. This evolution has shaped how I approach my events, pushing me to create spaces that are not just safe and inclusive but also challenge and redefine what live entertainment can be. WorldPride 2025 is about creating something larger than a single event; it’s about fostering a movement that celebrates the full spectrum of the LGBTQ+ community. We aim to offer spaces for connection, self-expression, and reflection, incorporating elements that give back to the community and support causes that matter most to us.
BLADE: What are some elements and activations that are part of the festival?
RESNICOW: Beyond the music, there will be a variety of interactive experiences and spaces that celebrate LGBTQ+ culture. This includes art installations, wellness zones, educational areas, and spaces for community organizations to engage with festival-goers. Our goal is to create a holistic experience that goes beyond the traditional festival setup, offering attendees a place to connect, learn, and celebrate in diverse ways.
BLADE: How do WorldPride and the festival connect to the D.C. community?
RESNICOW: Washington, D.C. has a rich history of LGBTQ+ activism and culture, and this festival holds personal significance for me. Having attended Georgetown University, I feel a deep connection to this community and its legacy. WorldPride 2025 is my way of giving back, aiming to create a festival that resonates on a deeply personal level for all of us. I want to create a musical experience that the community will remember, one that celebrates our progress and inspires us for years to come. This event is designed to leave a lasting impression, not just as a festival but as a moment of unity and pride.
A core aspect of WorldPride 2025 is its commitment to giving back. The festival will support the nonprofit Capital Pride Alliance, which serves the needs of the LGBTQ+ community year-round. We’re building on the legacy of our previous events, where we raised substantial funds for LGBTQ+ causes. This isn’t just about a single weekend of celebration; it’s about creating lasting change. Additionally, based on the overwhelming presale response, we’re on track to potentially set a new world record for the largest Pride festival ever. This reflects not only the excitement for the event but also the strength and unity of our community. We’re striving to make the festival a historic moment that has a meaningful, positive impact on both the local D.C. community and the LGBTQ+ community at large.
Galleries
BMA celebrates enduring influence of Henri Matisse
Exhibit features iconic works juxtaposed with gay artist’s paintings inspired by French legend
The Baltimore Museum of Art is on a roll.
After landing the coveted Amy Sherald “American Sublime” exhibit (through April 5) when the National Portrait Gallery attempted to censor her work, the BMA is debuting a breathtaking and thought-provoking new exhibit, “To See This Light Again” featuring master works by Henri Matisse paired with new paintings by Louis Fratino, who is inspired by the French modernist legend.
Fratino, who’s gay, was born in Annapolis and studied at Baltimore’s Maryland Institute College of Art. As an art student, he found himself spending lots of time in the BMA’s Matisse galleries, the largest collection of his works in the world, encompassing more than 1,600 paintings, drawings, and illustrations. At just 33, Fratino has enjoyed a “meteoric” rise in the art world, according to BMA Director Asma Naeem, who introduced Fratino at an event previewing the exhibit last week. This is Fratino’s first major U.S. exhibition, but he was featured in the 2024 Venice Biennale and his paintings can be found at the Rhode Island School of Design Museum, the Whitney Museum of American Art, and elsewhere.
The exhibit aims to explore Matisse’s lasting influence by juxtaposing his works with Fratino’s.
“It’s the idea that art manifests a kind of attention or a vision for your life, that it can be a beautiful life despite certain circumstances that may be happening around you,” Fratino said in a statement released by the BMA. “In Matisse’s case, he lived through the First and Second World Wars. Painting can confirm that life is beautiful and that it’s worth looking at.”
The influences are apparent, from the use of light and pattern to the choice to focus on everyday objects and subjects. And the exhibit is unabashedly queer with male couples depicted in a couple of paintings. Fratino told the Blade that as an out gay man, it was important to embrace that visibility.
He describes a “joy of looking” at the male form, just as Matisse portrayed female figures that often celebrated the tradition of painting nudes.
In “Tom,” Fratino captured his subject in casual repose that includes a bowl and spoon in the foreground. It is presented alongside Matisse’s iconic “Large Reclining Nude.” Tom’s checkered shirt echoes the blue and white grid background of the Matisse work and both figures are holding casual, relaxed poses.
“Fratino and Matisse: To See This Light Again” runs through Sept. 6 at the Baltimore Museum of Art (artbma.org.)
For Matisse lovers, the BMA has another exhibit debuting March 29 titled, “Matisse in Vence: The Stations of the Cross” featuring more than 80 drawings revealing how the artist “shaped his late‑career masterpiece, the Stations of the Cross mural, for the Chapel of the Rosary in Vence, France.”
Books
Laverne Cox, Liza Minnelli among authors with new books
A tome for every taste this reading season
Spring is a great time to think about vacations, spring break, lunch on the patio, or an afternoon in the park. You’ll want to bring one (or all!) of these great new books.
So let’s start here: What are you up for? How about a great new novel?
If you’re a mystery fan, you’ll want to make reservations to visit “Disaster Gay Detective Agency” by Lev AC Rosen (Poisoned Pen Press, June 2). It’s a whodunit featuring a group of gay roommates, one of whom is a swoony romantic. Add a mysterious man who disappears and a murder, of course, and you’ve got the novel you need for the beach.
Don’t discount young adult books, if you want something light to read this spring. “What Happened to Those Girls” by Carlyn Greenwald (Sourcebooks Fire, June 30) is a thriller about mean girls and a camping trip that goes terribly, bloodily wrong. Meant for teens ages 14 and up, young adult books are breezier and lighter fare for the busy grown-up reader.
If you loved “Boyfriend Material” and “Husband Material,” you’ll be eager for the next installment from author Alexis Hall. “Father Material” (Sourcebooks Casablanca, June 2) takes Luc and Oliver to the next step. First was dating. Then was marriage. Is it time for the sound of pitter-patter on the kitchen floor?
Maybe something even lighter? Then how about a book of essays – like “The Terrible, Horrible, No Good, Very Bad Gay” bycomedian and writer Eliot Glazer (Gallery Books, Aug. 11). It’s a book of essays on being gay today, the irritations, the joys, and fitting in. Be aware that these essays may contain a bit of spice – but isn’t that what you want for your reading pleasure anyhow, hmmm?
But okay, let’s say you want something with a little more heft to it. How about a biography?
Look for “Transcendant” by Laverne Cox (Gallery Books, June 9), or “Kids, Wait Till You Hear This” by Liza Minnelli (Grand Central Publishing, March 10), and “Every Inch a Lady” by Audrey Smaltz with Alina Mitchell (Amistad, July 14). Keep your eyes open for “Without Prejudice: My Life as a Gay Judge” by Harvey Brownstone (ECW Press, May 26) or “The Double Dutch Fuss” by Phill Branch (Amistad, June 2).
Then again, maybe you want some history, or something different.
So here: look for “Queer Saints: A Radical Guide to Magic, Miracles, and Modern Intercession” by Antonio Pagliarulo (Weiser, June 1) for a little bit of faith-based gay. Music lovers will want “Mighty Real: A History of LGBTQ Music, 1969-2000” by Barry Walters (Viking, May 12). Activists will want “In the Arms of Mountains: A Memoir of Land, Love, and Queer Resistance in Red America” byformer Idaho state Sen. Cole Nicole LeFavour (Beacon Press, May 26).
And if these books aren’t enough, then be sure to check with your favorite bookseller or librarian. They’ll have exactly what you’re in the mood to read. They’ll find what you need for that patio, beach towel, or easy chair.
Music & Concerts
Gaga, Cardi B, and more to grace D.C. stages this spring
Shake off your winter doldrums at a local concert
D.C. shakes off its winter blues this spring as the music scene pops off. We all know the big star is coming: Lady Gaga will perform at Capital One Arena on March 23. But plenty of other stars, big and small, will grace D.C. stages, including many LGBTQ and ally artists.
March
3/15, 9:30 Club, St. Lucia – Indie electronic music project known for its synth-pop sound, which blends ‘80s influences with electronic and indie rock elements.
3/31, Lincoln Theatre, Perfume Genius – Indie/pop singer/songwriter Mike Hadreas, also known as Perfume Genius, has toured with a full band, but he is stripping things back for this tour.
April
4/8, Capital One, Cardi B. Cardi B, from New York, unapologetic and proud, is the first solo female artist to win the Grammy Award for Best Rap Album. This year, she’s on her Little Miss Drama Tour, in support of her second studio album, “Am I the Drama?”
4/13, Lincoln Theatre, The Naked Magicians. Australia’s The Naked Magicians are two performers who deliver live magic and laughs while wearing nothing but a top hat and a smile.
4/18, Capital One, Florence and the Machine. Longstanding indie rock back from Great Britain, much-loved for lead singer Florence’s powerful vocals. On their Everybody Scream Tour.
4/16, Capital One, Demi Lovato. Singer/songwriter from Texas, who came out as nonbinary, is traveling on her “It’s Not That Deep Tour.”
4/21, The Anthem, Calum Scott. Platinum-selling gay singer/songwriter Calum Scott released his latest project, Avenoir, last year. Scott rose to fame in 2015 after competing on Britain’s Got Talent, where he performed a cover of Robyn’s hit “Dancing on My Own“.
4/26, Atlantis, Caroline Kingsbury. American queer pop musician from Los Angeles. She released her debut album in 2021, and has two additional EPs. She’s played Lollapalooza 2025 and All Things Go 2025, as well as gone on a co-headlining U.S. tour with MARIS. Shock Treatment is her latest EP.
4/26, Anthem, Raye. This bisexual artist, known for her current chart-topping “”Where Is My Husband!” single, blends pop, jazz, R&B, and more.
4/30, Union Stage, Daya. This bisexual singer/songwriter is on her “Til Every Petal Drops Tour,” touring the album of the same name that was released last year.
May
5/1, The Anthem, Joost Klein. Eurovision comes to D.C. in Joost Klein: Originally a Youtuber, he was selected to represent the Netherlands at Eurovision in 2024 with his song “Europapa.” He released a new album on New Year’s Day.
5/1, Fillmore, MIKA. MIKA is on his Spinning Out Tour. Born in Beirut and raised in both Paris and London, MIKA sings in multiple languages and has co-hosted Eurovision.
5/7, 9:30 Club, COBRAH. Clara Christensen, is a Swedish singer, songwriter, record producer, and club queen, making electronic dance music.
5/19, Atlantis, Grace Ives. New York-born singer/songwriter, known for her high-energy synth/electronic, bedroom-pop-style music.
June
6/2, The Anthem, James Blake. English crooner got big from his self-titled debut album in 2011. He won two Grammys and just released his 7th album,Trying Times, in March.
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