Drag
PHOTOS: Drag in rural Virginia
Performers face homophobia, find community
Drag artists perform for crowds in towns across Virginia. The photographer follows Gerryatrick, Shenandoah, Climaxx, Emerald Envy among others over eight months as they perform at venues in the Virginia towns of Staunton, Harrisonburg and Fredericksburg.
(Washington Blade photos by Landon Shackelford)



















Drag
Pattie Gonia calls out Hegseth’s anti-LGBTQ policies — while doing better pull-ups
Drag queen Pattie Gonia uses a viral instagram video to call out Hegseth’s exclusionary policies while doubling down on activism for LGBTQ rights and the environment.
Drag queen and environmental activist Pattie Gonia has gone viral after posting a video last week calling out Defense Secretary Pete Hegseth — and doing so while knocking out a set of pull-ups with cleaner form than his own, all while in full drag. The clip is a direct response to a separate viral video Hegseth himself posted days earlier, in which he performed less-than-perfect pull-ups that drew widespread mockery online.
“Hi Pete Hegseth, Pattie Gonia here, while you’re busy trying to take away the rights of queer people, I’m over here advocating for the rights of all people, including my right to do better pull-ups than you all with my balls tucked inside of me,” she declares in the now-viral Instagram clip, delivering the message in full drag garb with the theatricality she’s known for.
The video lands at a moment when Hegseth’s record on LGBTQ rights continues to draw scrutiny. Since being appointed by President Trump to lead the Pentagon, the Defense Secretary has pushed the twice impeached president toward a series of exclusionary shifts inside the department.
Hegseth’s efforts have included pressing for the rollback of DEI measures, pausing all gender-affirming care for service members, and blocking promotions for personnel with “a history of gender dysphoria.” He has also openly stated that transgender people should not serve in the military and drew controversy for formally renaming a ship previously dedicated to Navy veteran and LGBTQ icon Harvey Milk to USNS Oscar V. Peterson. Hegseth has long criticized the repeal of “Don’t Ask Don’t Tell,” framing the policy change as harmful to the armed forces. And in October, he courted further backlash after suggesting women could be barred from military service altogether, arguing that the government would hold personnel to the “highest male standard.”
Pattie’s viral moment is only the latest in her growing portfolio of environmental and queer activism. In August, she joined a team of climbers in Yosemite, helping raise a massive 66-foot-wide trans flag across the iconic El Capitan wall — a striking symbol of trans visibility in one of the most storied national parks in the country. Her drag name even riffs on Patagonia, the famed South American mountain range, blending outdoor culture with camp.
Last week, Pattie Gonia also made a bold statement at the Out 100 award celebration in Los Angeles, wearing a dress crafted from the same trans flag flown at El Capitan in Yosemite National Park. She attended the event alongside non-binary NSP agent SJ Joslin who was fired for her role in helping put up the flag.
Since the beginning of her drag career, Pattie has steadily expanded her influence beyond the stage. She co-founded the Outdoorist Oath, a nonprofit dedicated to helping BIPOC, LGBTQIA+ people and femmes build community in the outdoors through education and shared stewardship. She also launched the Queer Outdoor and Environmental Job Board, a free resource that supports queer people seeking work in environmental and nature-based industries, with the aim of diversifying fields where LGBTQ representation remains limited. Her fundraising efforts have generated over $2.7 million for LGBTQIA+, Black, Indigenous, and People of Color (BIPOC), and environmental nonprofits, underscoring her ability to mobilize huge audiences toward collective action.
Her recent projects also include a national tour of her environmental drag show, “SAVE HER!”, which blends performance art with climate messaging, and the release of a documentary TV series, “Go Gently,” co-created with Harry Potter’s Bonnie Wright (Ginny Weasley). The series follows their journey from Los Angeles to Portland, Oregon, where they explore sustainable living and meet with communities protecting the Earth in innovative ways.
Drag
Gottmik and Violet Chachki are bringing drag excellence across the country with ‘The Knockout Tour’
Tour ends in Nashville on Dec. 12
No conversation about legendary drag queens is complete without discussing Gottmik and Violet Chachki.
Audiences first met these iconic performers on “RuPaul’s Drag Race;” Violet sent waves throughout the fandom with her hard-fought victory during the show’s seventh installment, with her revolutionary style instantly cementing her as a truly historic ‘fashion queen.’ Gottmik, who had made waves in LA for years as a makeup artist before getting cast, was a fan-favorite finalist on season 13 before returning to raise money for Trans Lifeline during “All-Stars 9.” Both queens made headlines during their tenure on the show, but most of their hardcore fans know them for the jaw-dropping projects they took on afterward — often with one another. One of the most famous ‘Drag Duos’ today, whether it be hilarious podcasts or high-energy songs, these performers have remained constant collaborators amidst each other’s many individual ventures. Their careers are filled with so many legendary feats, but none are as ambitious as their latest international endeavor: “The Knockout Tour.”

Gottmik made time to speak with the Los Angeles Blade during one of his rare breaks before the next stop on their tour. He dug into tour life with his best friend and the death-defying stunts that fill each show, as well as what it means to bring such unique artistry to some of the most conservative counties across the country. Gottmik spoke about their ongoing mission of using this platform to inspire others to live as their most authentic selves — all while looking completely immaculate, of course!
“The second I was on ‘Drag Race,” we started touring together … and it just clicked!” said Gottmik, discussing how effortlessly he and Violet became best friends post-“Drag Race.” Fans have grown to adore their dynamic over the years, with the duo’s podcast “No Gorge” highlighting how each’s biting fashion sense and deep appreciation for the most niche gay slang make them such a perfect friendship match. It’s why, despite many people warning them against taking on such a big professional opportunity with a friend, it was never a question that the pair would do this tour together. “[‘The Knockout Tour’] works because, no matter how we get there, we have the same end goal: pushing the needle forward in the Drag space, breaking down barriers, and slaying together!”
“This is drag at an extremely high level,” Gottmik gushed when describing what fans can expect at a “Knockout” show. “We have multiple aerial [stunts], these crazy props that we’re climbing on, and it’s just so wild! It’s drag in a theatrical burlesque, rock and roll style that you’ve [never seen].” In many ways, this aesthetic is a perfect fusion of the pair; Violet is a premier burlesque performer specializing in aerial work, and Gottmik has always embodied a grunge-filled perfection in his trademark drag style. These queens are bombastic and dramatic in the best way, unabashedly showing off the unique flairs that make them some of the most distinct performers working today. It’s a pairing that inspires not only awe but a sense of effortless confidence — a confidence that Gottmik knows many of his fans need right now.
Hateful rhetoric has steadily grown across the U.S. in recent years, with certain areas becoming hotbeds of the conservative discrimination that Gottmik has always faced as a transgender man (the performer uses he/him pronouns when out of drag and she/her when in drag.) Despite this, Gottmik emphasized that it was never a question that their tour would stop in these areas — in fact, they made a point to. “We are two queer entertainers with a platform, and it’s important that we visit [those places] and share our stories and inspire people in towns who don’t get to see shows like this … to inspire them to be themselves.”
Gottmik is especially passionate about using his platform for good because he knows how much of his large fanbase is young trans kids, just like he once was. “The ones who are growing up and figuring themselves out, and then are looking at their TVs and [seeing] their government call them crazy … it’s important for me to use my platform to show them [representation] that I didn’t get to see in the media.” He clarified that, yes, audiences are going to come to the show and see a punk rock-and-roll Goddess oozing confidence onstage — but being that person didn’t come easy. It took years of self-discovery for Gottmik to recognize his transgender identity, and it was the love and support of a found queer family that helped him become the creative powerhouse audiences know him as now. Each “Knockout Tour” show brings audiences into this intimate journey, showcasing the incredible authenticity that Gottmik has spent years developing while reminding attendees that this is all possible in their own lives.

Throughout the interview, Gottmik painted a riveting image of “The Knockout Tour” — the shows themselves, and the queer community who made it all possible. He detailed the shocking stunts fans will see onstage, the incredible music he and Violet perform each show, and the years of hard work that created these two performers that so many fans love. At the root of it all, though, is representation.
A representation of not only Violet and Gottmik’s many talents, though of course these queens’ immense expertise is the bedrock of this entire tour. But the vital image of two queer people who refuse to dull themselves just because others said they should. Of a transgender artist who stands proudly in the face of discrimination and who uses his art to inspire others to do the same. “We’re [showing] the whole world that we’re not going anywhere, and you can’t change us,” explained Gottmik, as the interview came to an end. “We create an amazing queer safe space that is really special for so many people … and it’s just really cool that [we get] to create that space for everyone every [show].” It’s a kind of space that’s hard to come by nowadays. And it’s one that Gottmik and Violet Chachki are determined to bring to thousands of queer artists just like them internationally with this tour.
The third annual D.C. Drag Awards ceremony was held at Trade on Sunday, July 20. Crystal Edge, Evry Pleasure and Cake Pop! served as the emcees. Click here to see a full list of winners.
(Washington Blade photos by Michael Key)

















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