We know Trump’s Cabinet members have no real experience in the jobs for which they have been confirmed. But we couldn’t have anticipated the royal fuck-up that occurred when the national security team put our national security, and our troops, in danger with their very casual chat, basically public, about classified plans to bomb Yemen. They could be the new Marx Brothers. For those who don’t know, the Marx Brothers, were a slapstick comedy act of Chico, Harpo, and Groucho. Their most famous movies are Duck Soup and Night at the Opera.  

Instead of using a sanctioned high-level email for classified material, they used Signal, a public messaging app. While known for its security and privacy, it has also been known to have been hacked. To top that off, National Security Adviser Mike Waltz inadvertently added a journalist to the chat. To make things more bizarre, it now appears one of the people on the chat, Steve Witkoff, a Trump negotiator, was in the Kremlin when he took the call, and Tulsi Gabbard, the DNI, was also out of the country, and apparently took the call on her private phone. Again, the Marx Brothers on steroids. 

I can imagine Trump’s bosom buddy, Vladimir Putin, calling him and saying; “Donald, my good friend, спаси́бо (thank you), for making my job so easy. I can now just listen in on your national security calls without any problem at all, again thanks!” Our idiot Secretary of Defense Pete Hegseth talked about the classified plans giving dates, times, aircraft, etc. These clowns are guilty of a massive breach of national security. Even if they didn’t do it on purpose, to help Putin, they are guilty of being morons of the first degree. All of them once castigated Hillary saying, “but her emails!”

Unless Trump and Musk are stopped, this will happen again, until we totally lose our democracy, unless the courts step in, and Republicans in the Senate take their lips off of Trump’s ass long enough to stand up for the Constitution. Knowing some, like Lindsey Graham (R-S.C.), who is permanently on his knees before Trump, I won’t hold my breath for the Senate as a whole, but in reality, we only need four of them to join with Democrats to stop some of what Trump and his Nazi sympathizing co-president are doing. 

Now Trump wants to take over the post office to control mailing of ballots, and has signed an Executive Order to make voting harder for millions of Americans. One bill in Congress, introduced by Rep. Chip Roy (R-Texas), the Safeguard American Voter Eligibility Act, or SAVE Act, could disenfranchise millions of women who have taken their husband’s name after marriage and their birth certificates won’t match the name they are using to vote. This is unconstitutional, but we will see if the courts, all the way to the Supreme Court, will stop this outrage. Then, Speaker of the House Mike Johnson (R-La.), says he can eliminate the federal courts he doesn’t like, by simply defunding them. We are truly in uncharted territory. 

While this is both crazy and frightening, I still have some faith things in the long run will work out. That our democracy, which survived a civil war, will survive. Clearly it will take time to rebuild our credibility around the world, and our allies may never again have the same trust in us. I haven’t been to Europe since Trump began his rampage and created havoc in the world, but will be going in June. I may just wear a T-shirt saying “Don’t blame me, I hate him as much as you do.” I will tell people half of our population thinks as they do, Trump has to go. It isn’t like he has the support of a majority of Americans, but had just enough support, from people who believed his bluster and lies, to get elected. The rest of us will continue to try to stop him, and try to reclaim our country. 

Even if we do, it will take time to rebuild the government, the trust of our allies, and even longer to rebuild our culture. To reclaim our belief in equality. Back to a time when white nationalists couldn’t stand in the town square proclaiming their hate, and a Nazi sympathizer couldn’t stand openly at the arm of our president. A time when racism, homophobia, and misogyny couldn’t be spouted openly in the public square. They have always existed, but once again we will not let people speak hate, without recrimination. Some think this is a pipe dream. But we have to try. I still believe if those of us who care act together, we will prevail.

Peter Rosenstein is a longtime LGBTQ rights and Democratic Party activist.

The name Alain Guiraudie might not be familiar to most Americans, but if you mention “Stranger by the Lake,” fans of great cinema (and especially great queer cinema) are sure to recognize it immediately as the title of the French filmmaker’s most successful work to date.

The 2013 thriller, which earned a place in that year’s “Un Certain Regard” section of the Cannes Film Festival and went on to become an international success, mesmerized audiences with its tense and erotically charged tale of dangerous attraction between two cruisers at a gay beach, one of whom may or may not be a murderer. Taut, mysterious, and transgressively explicit, its Hitchcockian blend of suspense, romance, and provocative psychological exploration made for a dark but irresistibly sexy thrill ride that was a hit with both critics and audiences alike.

In the decade since, he’s continued to create masterful films in Europe, becoming a favorite not only at Cannes but other prestigious international festivals. His movies, each in their own way, have continued to elaborate on similar themes about the intertwined impulses of desire, fear, and violence, and his most recent work – “Misericordia,” which began a national rollout in U.S. theaters last weekend – is no exception; in fact, it draws all the familiar threads together to create something that feels like an answer to the questions he’s been raising throughout his career. To reach it, however, he concocts a story of small town secrets and hidden connections so twisted that it leaves a whole array of other questions in its wake.

It centers on Jérémie (Félix Kysyl), an unemployed baker who returns to the woodsy rustic village where he spent his youth for the funeral of his former boss and mentor. Welcomed into the dead man’s home by his widow, Martine (Catherine Frot), the visitor decides to extend his stay as he revisits his old home town and his memories. His lingering presence, however, triggers jealousy and suspicion from her son – and his own former school chum – Vincent (Jean-Baptiste Durand), who fears he has ulterior motives, while his sudden interest in another old acquaintance, Walter (David Ayala), only seems to make matters worse. It doesn’t take long before circumstances erupt into a violent confrontation, enmeshing Jérémie in a convoluted web of danger and deception that somehow seems rooted in the unspoken feelings and hidden relationships of his past.

The hard thing in writing about a movie like “Misericordia” is that there’s really not much one can reveal without spoiling some of its mysteries. To discuss its plot in detail, or even address some of the deeper issues that drive it, is nearly impossible without giving away too much. That’s because it’s a movie that, like “Stranger by the Lake” and much of Guiraudie’s other work, hinges as much on what we don’t know as what we do. Indeed, in its earlier scenes, we are unsure even of the relationships between its characters. We have a sense that Jérémie is perhaps a returning prodigal son, that Vincent might be his brother, or a former lover, or both, and that’s just stating the most obvious ambiguities. Some of these cloudy details are made clear, while others are not, though several implied probabilities emerge with a little skill at reading between the lines; it hardly matters, really, because as the story proceeds, new shocks and surprises come our way which create new mysteries to replace the others – and it’s all on shaky ground to begin with, because despite his status as the film’s de facto protagonist, we are never really sure what Jérémie’s real intentions are, let alone whether they are good or bad.

That’s not sloppy writing, though – it’s carefully crafted design. By keeping so much of the movie’s “backstory” shrouded in loaded silence, Guiraudie – who also wrote the screenplay – reminds us that we can never truly know what is in someone else’s head (or our own, for that matter), underscoring the inevitable risk that comes with any relationship – especially when our passions overcome our better judgment. It’s the same grim theme that was at the dark heart of “Stranger,” given less macabre treatment, perhaps, but nevertheless there to make us ponder just how far we are willing to place ourselves in danger for the sake of getting what – or who – we desire.

As for who desires what in “Misericordia,” that’s often as much of a mystery as everything else in this seemingly sleepy little village. Throughout the film, the sparks that fly between its people often carry mixed signals. Sex and hostility seem locked in an uncertain dance, and it’s as hard for the audience to know which will take the lead as it is for the characters – and if the conflicting tone of the subtext isn’t enough to make one wonder just how sexually adventurous (and fluid) these randy villagers really are beneath their polite and provincial exteriors, the unexpected liaisons that occur along the way should leave no doubt.

Yet for all its murky morality and guilty secrets, and despite its ominous motif of evil lurking behind a wholesome small-town surface, Guiraudie’s pastoral film noir goes beyond all that to find a surprisingly humane layer rising above it all, for which the town’s seemingly omnipresent priest (Jacques Develay) emerges to assert in the film’s third act – though to reveal more about that (or about him) would be one of those spoilers we like to avoid.

There’s a clue to be found, however, in the film’s very title, which in Catholic tradition refers to the merciful compassion of God for the suffering of humanity, but can be literally translated simply as “mercy.” Though it spends much of its time illuminating the sordid details of private human behavior, and though the journey it takes is often quite harrowing, “Misericordia” has an open heart for all of its broken, stunted, and even toxic characters; Guiraudie treats them not as heroes or villains, but as flawed, confused, and entirely relatable human beings. In the end, we may not know all of their dirty secrets, we feel like we know them – and in knowing them can find a share of that all-forgiving mercy for even the worst of them.

It’s worth mentioning that it’s also a movie with a lot of humor, brimming with comically absurd character moments that somehow remind us of our own foibles even as we laugh at theirs. The cast, led by the opaquely sincere Kysyl and the delicately provocative Frot, forge a perfect ensemble to create the playful-yet-gripping tone of ambiguity – moral, sexual, and otherwise – that’s essential in making Guiraudie’s sly and ultimately wise observations about humanity come across.

And come across they do – but what makes “Misericordia” truly resonate is that they never overshadow its deliciously depraved story, nor dilute the finely orchestrated tension his film maintains to keep your heart pounding as you take it all in.

To tell the truth, we already want to watch it again.

Editor’s note: International News Editor Michael K. Lavers will be on assignment in Argentina and Uruguay through April 12.

Argentina has undergone significant changes in its economic and social policies since President Javier Milei’s inauguration in December 2023. These changes have had a significant impact on various sectors of society, especially retirees and the LGBTQ community.

Mercedes Caracciolo, a 79-year-old sociologist and lesbian activist, shared her experience with the Washington Blade on how the new measures have affected her quality of life.

“Since Milei’s arrival in government, which began with a brutal devaluation, I am more careful in my spending than I was before,” she said.

Although Caracciolo has additional income from rental properties, she recognizes the situation is much more critical for those who exclusively depend on a pension.

With more than 7 million people receiving pensions, many find themselves “scratching the poverty line” due to the loss of purchasing power. The libertarian government’s economic policies have drastically affected their welfare, leading to a wave of protests across the country.

The reduction of social programs and the lack of LGBTQ-specific public policies have deepened the difficulties that seniors already face. The loss of economic stability particularly affects those who have historically lived on the margins, with fewer job opportunities and limited access to a decent retirement. Many older LGBTQ people, who have spent their lives unable to form traditional families, now find themselves without a support network and with an increasingly less present State.

The advance of conservative discourses has also generated a climate of insecurity and fear.

“There is no more sense of security and stability in old age,” Graciela Balestra, a psychologist who is the president of Puerta Abierta a la Diversidad, the first home for LGBTQ seniors in Argentina, explained. “Many LGBTQ+ retirees fear that there are fewer and fewer rights. They see what is happening in Argentina and globally with the advance of the right wing, and they feel that what they worked so hard to achieve is in jeopardy.”

In addition to economic difficulties, the LGBTQ community has faced additional challenges.

Caracciolo noted many supportive spaces have had their government subsidies reduced or eliminated, weakening community networks essential to the well-being of LGBTQ seniors.

“Community networks are also weakened because many of them require state support for certain types of expenses,” she noted.

Balestra warned about the psychological impact.

“Obviously it impacted mental health. There is much more anxiety, there is fear. People who say ‘I’m afraid they’ll kill me’ or ‘I’m afraid to show myself,'” she said. “Before, they used to walk down the street holding hands with their partner, and now they don’t do it anymore. A lot of hopelessness.”

For Balestra, the concern goes beyond the LGBTQ community.

“The economic issue, the rights issue, the fear that something similar to the dictatorship will return. All of this is very scary. And besides, the hopelessness of believing that this is going to continue, that it is not going to change even in the next elections,” she said.

Civil society organizations have denounced an “adjustment” in policies related to gender and diversity that Milei’s government has undertaken. Pride marches in Argentina have become a stage for protests against the president’s policies, especially over his speeches that activists consider hateful towards the LGBTQ community.

Balestra stresses the fear is not only individual, but collective.

“Human rights no longer exist anywhere, women no longer have the place they used to have, they are once again objectified, machismo is on the rise again,” she said. “This brings a lot of despair to older people.”

Despite the climate of uncertainty, Balestra emphasizes resistence forces are still in force.

“We continue working, as always,” she said. “For 25 years at Puerta Abierta we have been doing reflection groups, cultural workshops, social meetings, all with respect to being able to make LGBT people aware of their rights. We never stop meeting, but lately we are talking more and more about these things that we had already left a little behind. The issue of coming out, fear, visibility. Now we have to talk about it again.”