‘A Wrinkle in Time’
Through July 20
Arena Stage
1101 Sixth St., S.W.
Tickets range from $59-$209
Arenastage.org

Currently at Arena Stage, talented out actor and singer Taylor Iman Jones is rekindling an old friendship with an adored character of fiction. 

Broadway vet Jones is starring as 13-year-old Meg Murry in “A Wrinkle in Time,” the world-premiere musical adaptation of Madeleine L’Engle’s same-titled book. 

For many readers, especially women, the classic 1962 young adult novel, was their first foray into sci-fi, particularly one with a female protagonist.

The story centers on Meg, an awkward schoolgirl whose physicist father has mysteriously disappeared. Now, Meg, her popular friend Calvin, and smart younger brother Charles Wallace are tasked with moving through time and space to find him. Along the way they encounter adventure and evil.

For Jones, 33, playing 13-year-old Meg feels freeing in ways. She says, “As you get older, you’re told to grow up, so I like letting go of some of that. To feel feelings in their rawest form and to tap back into that is fun. I like the spontaneity. There are highs and lows to revisit.”

Born and raised in the San Francisco Bay Area, Jones began piano lessons at just six and soon added band and plays to their pursuits. Following high school, she made a deep dive into California theater for seven years before making the big move to New York in 2017 where after just two months she was singing on Broadway. 

The determined and appealing Jones, who lives in New York with their partner, boasts an impressive bio. She has appeared on Broadway as Catherine Parr, Henry VIII’s sixth and final wife in Six, and in the original casts of “Head Over Heels” and “Groundhog Day.” She’s been seen in national tours of “Hamilton” and “American Idiot.”

WASHINGTON BLADE: It seems “A Wrinkle in Time” and Meg mean a lot to a lot of people. 

TAYLOR IMAN JONES: The book tells the story of a girl with so much undiscovered power who’s accomplishing things she never imagined that she could. 

BLADE: Can you relate?

JONES: Meg wears her emotions on her sleeve. I can certainly relate to that. I’m a Pisces. Sometimes being hyperemotional and very empathetic can feel like a burden, but as I’ve matured, I have realized that it’s not a bad quality. And it’s something I’ve learned to harness and to enjoy. I love that I can play a role like Meg in front of thousands of people.

BLADE: Was “Wrinkle in Time” a book you knew well?

JONES: Oh yeah, it’s a favorite book that lives in my heart and my mind. It’s one of the first books that taught me about the adventure of reading.

BLADE: And playing a favorite character must be a kick.

JONES: It really is. 

BLADE: Meg is a big part in a big show.  

JONES: This musical is huge. They’re traveling through space and meeting people on different planets. 20-person cast. 30 songs in the show. Quite the undertaking and I’m proud of us. I’m on stage for the entire musical and I sing four or five numbers. 

As a mezzo soprano I guess you’d say I have the luxury of being able to do a lot of musicals that span a lot of different genres: rock musical, pop musical, and standards. “A Wrinkle in Time” is contemporary musical theater. 

For me, singing is probably the least difficult part of the show. What’s harder for me is the way Meg experiences trauma; I need to be careful when I’m screaming and yelling.

BLADE: It seems mostly women have been involved in making this production happen (book by Lauren Yee; music and lyrics by Heather Christian; directed by Lee Sunday Evans; and choreography by Ani Taj.)

JONES: It’s true, the director, writer, etc., and most of our producers are all women. This doesn’t happen most of the time. For me it means new ideas and fresh energy, and pushing the limits of musical theater. 

It’s also created a wonderful space in which to work. It can be more generous, and understanding. And centering the story on a young girl is something we can all relate to. 

BLADE: Will “A Wrinkle in Time” resonate with queer theatergoers and their families?

JONES: I think so, especially on the heels of pride month. It’s truly a show for all ages about finding your inner strength and fighting for the things that you love; not letting evil win over the power of good, and not just for yourself but for those around you too.

This Fourth of July, celebrate more than independence: celebrate the power of LGBTQ+ homeownership. Explore resources, rights, and representation with GayRealEstate.com, the trusted leader in LGBTQ+ real estate for over 30 years.

Home is more than a house: it’s a symbol of freedom

As the fireworks light up the sky this Fourth of July, LGBTQ+ individuals and families across the country are not just celebrating the nation’s independence — they’re celebrating personal milestones of freedom, visibility, and the right to call a place their own.

For many in the LGBTQ+ community, owning a home represents more than stability — it’s a powerful act of self-determination. After generations of discrimination and exclusion from housing opportunities, more LGBTQ+ people are stepping into homeownership with pride and purpose.

Why homeownership matters to the LGBTQ+ community

While progress has been made, LGBTQ+ homebuyers still face unique challenges, including:

• Housing discrimination, even in states with legal protections
• Limited access to LGBTQ+ friendly realtors and resources
• Concerns about safety and acceptance in new neighborhoods
• Lack of representation in the real estate industry

That’s why the Fourth of July is a perfect time to reflect not just on freedom as a concept, but on how that freedom is expressed in the real world — through ownership, safety, and pride in where and how we live.

Finding LGBTQ+ Friendly Neighborhoods

One of the top concerns for LGBTQ+ buyers is whether they’ll feel safe, accepted, and welcome in their new neighborhood. Thanks to evolving attitudes and stronger community support, many cities across the U.S. now offer inclusive, affirming environments.

Some of the best cities for LGBTQ+ home buyers include:

• Wilton Manors, Fla. – A vibrant LGBTQ+ hub with strong community ties
• Palm Springs, Calif. – A longtime favorite for LGBTQ+ homeowners
• Asheville, N.C. – Progressive and artsy, with growing LGBTQ+ visibility
• Portland, Ore. – Inclusive, eco-conscious, and diverse
• Philadelphia, PA – Rich in history and LGBTQ+ community leadership

When you work with an LGBTQ+ friendly realtor, you get insight into more than property values — you get a real perspective on where you’ll feel most at home.

Navigating the real estate process with confidence

Whether you’re a first-time gay homebuyer or preparing to sell your home as an LGBTQ+ couple, it’s essential to understand your rights and options. Here are a few key tips:

1. Work with a trusted LGBTQ+ real estate agent

Representation matters. A gay realtor, lesbian real estate agent, or LGBTQ+ friendly agent understands the unique concerns you may face and advocates for you every step of the way.

Use GayRealEstate.com to connect with LGBTQ+ real estate agents near you. For over 30 years, we’ve helped LGBTQ+ buyers and sellers find their ideal home and a professional who respects their identity.

2. Know your legal protections

While federal law (via the Fair Housing Act and Supreme Court rulings) prohibits housing discrimination based on sexual orientation or gender identity, enforcement can vary by state. Make sure to research:

• State-level housing discrimination laws
• Local LGBTQ+ protections and resources
• What to do if you experience discrimination during a transaction

3. Secure inclusive financing

While most lenders follow fair lending rules, it’s smart to seek out banks or credit unions with LGBTQ+ inclusive policies and a history of non-discriminatory lending practices.

4. Plan for the future as a family

For same-sex couples, especially unmarried partners, it’s vital to review how you’ll hold the title, designate beneficiaries, and plan your estate.

Ask your agent or attorney about:

• Joint tenancy with right of survivorship
• Living trusts
• Powers of attorney and healthcare proxies

Selling a home as an LGBTQ+ homeowner

If you’re listing your home, working with a gay-friendly real estate agent ensures your identity and story are honored — not hidden — in the process.

Highlight:

• Your community connections
• Your home’s role in creating a safe space
• Local LGBTQ+ resources to attract like-minded buyers

Showcasing the full value of your home includes sharing what it meant to live there authentically and safely.

Your home, your freedom

The Fourth of July reminds us that freedom isn’t just an abstract idea — it’s lived every day in the spaces where we find comfort, love, and belonging. For the LGBTQ+ community, the right to own and thrive in a home is part of the larger journey toward full equality.

At GayRealEstate.com, we believe every LGBTQ+ person deserves:

• A safe place to live
• A community that welcomes them
• An advocate in the home buying or selling process

Ready to make a move?

Whether you’re dreaming of your first home, upgrading with your partner, or selling a space that helped shape your identity, GayRealEstate.com is your trusted partner. With our nationwide network of gay realtors, lesbian real estate agents, and LGBTQ+ friendly professionals, we make your journey smooth, respectful, and informed.

Visit GayRealEstate.com to:

• Search LGBTQ+ friendly homes
• Connect with inclusive real estate agents
• Access free guides for buyers and sellers
• Protect your rights and get expert advice

This Fourth of July, celebrate more than independence — celebrate your freedom to live, love, and own with pride.

One of the most telling things about queer history is that so much of it has to be gleaned by reading between the lines.

There are the obvious tentpoles: the activism, the politics, the names and accomplishments of key cultural heroes. Without the stories of lived experience behind them, however, these things are mere information; to connect with these facts on a personal level requires relatable everyday detail — and for most of our past, such things could only be discussed in secret.

In recent decades, thanks to increased societal acceptance, there’s been a new sense of academic “legitimacy” bestowed upon the scholarship of queer history, and much has been illuminated that was once kept in the dark. The once-repressed expressions of our queer ancestors now allow us to see our reflections staring back at us through the centuries, and connect us to them in a way that feels personal.

One of the most effective formats for building that connection, naturally enough, is documentary filmmaking — an assertion illustrated by two new docs, each focused on figures whose lives are intertwined with the evolution of modern trans culture.

“I’m Your Venus,” now streaming on Netfllix, bookends an iconic documentary from the past: “Paris is Burning (1990), Jennie Livingston’s seminal portrait of New York City’s ballroom scene of the ‘80s. In that film, a young trans woman named Venus Xtravagana delivered first-person confessionals for the camera that instantly won the hearts of audiences — only for them to break with the shattering revelation that she had been murdered before the film’s completion.

That 1988 murder was never solved, but Venus — whose surname was Pellagatti before she joined the House of Xtravaganza – was never forgotten; four decades later, her family (or rather, families) want some answers, and filmmaker Kimberly Reed follows her biological siblings — Joe, Louie, and John, Jr. — as they connect with her ballroom clan in an effort to bring closure to her loss; with the help of trans advocates, they succeed in getting her murder case re-opened, and work to achieve a posthumous legal name change to honor her memory and solidify her legacy.

It’s a remarkably kind and unapologetically sentimental chronicle of events, especially considering the brutal circumstances of Venus’ killing — a brutal death by strangling, almost certainly perpetrated by a transphobic “john” who left her body hidden under a mattress in a seedy hotel — and her decision to leave her birth family for a chosen one. As to the latter, there are no hard feelings among her blood relatives, who assert — mostly convincingly — that they always accepted her for who she was; one senses that a lot of inner growth has contributed to the Pallagatti clan’s mission, which admittedly sometimes resembles an attempt at making amends. For the murder itself, it’s best to leave that part of the story unspoiled — though it’s fair to say that any answers which may or may not have been found are overshadowed by the spirit of love, dignity, and determination that underscore the search for them, however performative some of it might occasionally feel. Ultimately, Venus is still the star of the show, her authentic and unvarnished truth remaining eloquent despite the passage of more than 40 years.

Perhaps more layered and certainly more provocative, documentarian Zackary Drucker’s “Enigma” (now streaming on HBO/Max) delves further back into trans history, tracing the parallel lives of two women — trans pioneer and activist April Ashley and self-styled European “disco queen” Amanda Lear — whose paths to fame both began in Paris of the 1950s, where they were friends and performers together at Le Carrousel, a notorious-and-popular drag cabaret that attracted the glitterati of Europe.

Ashley (who died at 86 in 2021) was a former merchant seaman from Liverpool whose “underground” success as a drag performer funded a successful gender reassignment surgery and led to a career as a fashion model, as well as her elevation-by-wedding into British high society — though the marriage was annulled after she was publicly outed by a friend, despite her husband’s awareness of her trans identity at the time of their marriage. She went on to become a formidable advocate for trans acceptance, and for environmental organizations like Greenpeace, who would earn an MBE for her efforts, and wrote an autobiography in which she shared candid stories about her experiences and relationships as part of the “exotic” Parisian scene from which she launched her later life.

The other figure profiled by “Enigma” — and possibly the one to which its title most directly refers — is Amanda Lear, who also (“allegedly”) started her rise to fame at Le Carrousel before embarking on a later career that would include fashion modeling, pop stardom, and a long-term friendship with surrealist painter Salvador Dalí. A self-proclaimed “disco queen” whose success in Europe never quite spread to American culture (despite highly public associations with musical icons like David Bowie and Roxy Music), Lear’s trajectory has taken her in a different direction than Ashley’s. In the film’s extensive live interview segments, she repeatedly denies and discredits suggestions of her trans identity, sticking to a long-maintained script in which any and all details of her origins are obscured and denied as a matter of course.

At times, it’s almost amusing to observe her performative (there’s that word again) denials, which occasionally approach a kind of deliberate “camp” absurdity in their adamance, but there’s also a kind of grudging respect that’s inspired by the sheer doggedness with which she insists on controlling the narrative — however misguided it may seem to those of us on the outside. Debate about her gender-at-birth has continued for decades, even predating Ashley’s book, so the movie’s “revelations” are hardly new, nor even particularly controversial — but her insistence on discrediting them provides sharp contrast with the casual candor of Ashley’s elegantly confident persona, underscoring the different responses to transphobia that would direct the separate lives of both these former (alleged) friends.

For what it’s worth, Lear sent an email to the Washington Post, calling the movie “a pathetic piece of trash” and denying not just her trans identity but any friendship or association with Ashley, despite ample photographic and anecdotal evidence to the contrary — and while it might come across as callous or desperate for her to maintain the presumed façade, it’s a powerful testament to the power of cultural bullying to suppress the truth of queer existence; the contrast between the life each of these women chose to live speaks volumes, and makes “Enigma” into one of the most interesting — and truthful — trans documentaries to emerge thus far.

While neither film presents a comprehensive or definitive view of trans experience (is such a thing even possible, really?), both offer a perspective on the past which both honors the truth of queer existence and illustrates the ways in which the stigma imposed by mainstream prejudice can shape our responses to the identity through which we are perceived by the public.

That makes them both worth your attention, especially when our queer history — and the acknowledgement of trans existence itself — is at risk or being rolled right back up into the closet.