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Notes from the stage

Gays, allies worked the region with memorable concerts in 2011

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Tori Amos at DAR Constitution Hall (Blade photo by Michael Key)

Washington is always a big concert town — most major tours have stops here — but this year was especially teeming with gay and gay-friendly big-name musical acts. There was such an abundance of options, some evenings — like July 31 when Dolly Parton was at Wolf Trap and Britney Spears was at the Verizon Center or Sept. 1 when Stevie Nicks was at Jiffy Lube (Nissan) and Olivia Newton-John was in Baltimore — music fans had to make tough choices.

I didn’t get to everything but did see a lot. Among the highlights:

Janet Jackson brought her “Up Close and Personal Tour” to DAR for two nights in March. Significantly scaled back from the previous “Rock Witchu Tour,” it was still a hits-packed extravaganza that followed her usual medley-heavy format. Glimpses of Michael — on duet “Scream” and in a childhood shot during “Together Again,” were especially poignant.

• A trim and svelte Jennifer Holliday (“Dreamgirls”) was here twice — she performed with the Gay Men’s Chorus of Washington June 4, then was back the next weekend to play Pride for a MIA Kelly Rowland. Her powerful, growl-heavy vocals were as solid as ever. She and the Chorus brought down the house with soulful covers of “Lean on Me” and “I Believe I Can Fly.” Rhianna was in Baltimore the same night.

• Gay crooner Michael Feinstein brought his booming baritone to the Kennedy Center in April for a delightful old-school-infused evening of standards, Sinatra and more.

• Also sporting a much-trimmer figure, Aretha Franklin played an odd-but-enjoyable Wolf Trap show June 21. That rainy, muggy night found the Queen ignoring all her trademark hits in favor of show tune covers (“As If We Never Said Goodbye” for one) and second-tier favorites (“Baby I Love You”). For long-time fans, it was a refreshing change of pace. First-timers were likely disappointed not to hear “Respect” and “Natural Woman.”

• Two local gay talents played cabaret shows at Signature Theatre in late July — Will Gartshore and Peter Fox and, while both good, were a study in contrasts. Gartshore’s booming voice carried an autobiographical show. Fox won the crowd over with his charm and unpretentiousness during a standards-heavy set.

• It was hard to tell how much of Dolly Parton’s “Better Days World Tour,” which stopped down at Wolf Trap in July, featured live singing but you have to give her this — at two-and-a-half hours, it was a generous evening that found the Blue Valley Songbird darting through covers (“River Deep Mountain High”), hits (“9 to 5,” “Islands in the Streams”), gospel, bluegrass and more.

• ‘90s hit-maker Joan Osborne was at the Birchmere in August with an unpredictable, eclectic 90-minute set. “Relish” classics (“One of Us” and “St. Theresa”) coalesced nicely with covers and lesser-known recent material.

• She doesn’t tear it up like she did in the old days, but what Stevie Nicks lacks in passion and grit, she’s made up for in pitch and finesse. Her “In Your Dreams Tour,” supporting her amazing 2011 new album (her first in a decade), found the Fleetwood Mac singer taking her time, giving her band plenty of chances to shine and balancing a wealth of cuts from the new album with trademark Mac and solo hits like barnburner “Edge of Seventeen” and “Rumors”-era wonder “Gold Dust Woman.”

• One of the year’s most exquisite musical moments was undoubtedly Patti LuPone’s simple one-woman cabaret show “Shoulda, Woulda, Coulda” at University of Maryland in early September. Wearing simple black, the stark stage featured only a Steinway grand, an adept accompanist, a vase of roses and LuPone’s undiminished talent. And with that kind of voice and interpretive skill, no other bells and whistles were needed. Knowledge of LuPone’s life and battles gave her cover of Sinatra’s “My Way” added subtext.

• Just weeks later, another Broadway legend — Audra McDonald — gave a similar show at the Kennedy Center. In fine voice, she focused on lesser-known (but hardly obscure) material and previewed her upcoming “Porgy and Bess.”

Loretta Lynn, who’d canceled in the spring, made it to the 9:30 club in mid-October. Prospects were dicey — she’d been off the road most of the year and lost her voice halfway through the night before — but she delivered brilliantly, shared her trademark self-deprecating wit with the crowd and after a few songs, just took requests pretty much the rest of the night.

Cyndi Lauper was back at the 9:30 club again this year just days after Lynn and tore through a ferocious 80-minute set on which she balanced smoldering blues classics from her latest album with fiery new arrangements of her trademark hits. The tour, albeit with an alternate set list, is out on DVD.

• Lesbian country singer Chely Wright sat on a bar stool two nights later at the Birchmere throughout a story-heavy set. It was as much “Storytellers” as concert but that worked — Wright, who just came out last year, has a lot to say. Occasionally long winded, the overall effect was greater appreciation for her life and songs.

Other acts that played the region this year included Lady Gaga, Kathy Griffin, Kylie Minogue, Scissor Sisters, Blondie, Indigo Girls, k.d. lang, Dave Koz (twice!), Pink Martini (twice!), Melissa Etheridge, Ani DiFranco, John Waters, Catie Curtis, Kate Clinton and more.

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Theater

D.C. theater scene has something for everyone this holiday season

‘Nutcracker,’ ‘A Christmas Carol,’ and much more

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Michael Russotto in ‘A Christmas Carol: A Ghost Story of Christmas’ at Olney Theatre Center. (Photo by Teresa Castracane Photography)

With its familiar music, yuletide imagery, and storytelling, theater can be a big part of the holidays. Add to that making memories and theater tickets wrapped as presents under the tree, and it’s a seasonal no brainer.

Folger Theatre presents “Resplendent Joy: Christmas Traditions from Spain and Portugal” (Dec. 5-14); the marvelous Folger Consort will perform early Spanish Christmas carols and traditional holiday music from early modern Spain and Portugal: folger.edu/resplendent

At Round House Theatre, playwright Sam Holcroft’s “Rules for Living” (Dec. 3-Jan. 4) makes its U.S. premiere. The darkly funny holiday comedy was a hit in London and is now hoping to repeat that success with a version tailored for the states. The seven-person cast includes versatile actors Naomi Jacobson and real-life spouse John Lescault. Ryan Rillette directs. roundhousetheatre.org

Theatre J presents “Chanukah in the Dark” (Dec. 6-21), an hour-long play ideal for ages five and up. “When the lights go out during Chanukah, Max and family begin sharing songs, stories, and traditions — only to discover the lights they needed and the miracles they searched for were in their midst all along.”  edcjcc.org

The Cathedral Choral Society’s “Joy of Christmas” (Dec. 13-14) presents a wonderful program of carols and beloved holiday favorites at the festively decorated National Cathedral. The program features Seraph Brass, organist Edward Hewes, Carillonneur Edward M. Nassor, percussionist Mary La Blanc of “The President’s Own” U.S. Marine Band, and the Eastern Concert Choir from Eastern Senior High School. Cathedralchoralsociety.org 

With “The Holiday Show,” (Dec. 13, 14, and 20), the Gay Men’s Chorus returns to entertain audiences with its annual and most popular show. 

This year the holiday extravaganza is bigger than ever at historic Lincoln Theatre with new, soulful arrangements of favorite holiday carols: “The reindeer will be high-kicking and the snowflakes will sparkle. Songs include “O Holy Night,” “Rudolph the Red Nosed Reindeer,” “Let It Snow,” “We Wish You the Merriest,” and “Go Tell It on the Mountain.’” gmcw.org

At Olney’s intimate Mulitz-Gudelsky Theatre Lab, out actor Michael Russotto is back for the holiday season in his solo show “Christmas Carol: A Ghost Story of Christmas” (through Dec. 28). The talented Russotto portrays nearly 50 different characters from the Charles Dickens classic, that proves “funnier and far more relevant than you might imagine.” Olneytheatre.org

Also on holiday offer in the DMV are a jolly bunch of musical chestnuts as well as reliable Christmas crowd-pleasers.

Included on the roster is Olney Theatre’s production of Jerry Herman’s “Hello, Dolly!” (through Jan. 4) starring the mega-talented Nova Y. Payton. Based on the play “The Matchmaker” by famed gay playwright Thornton Wilder, the musical has proved a vehicle for many a diva including Carol Channing, Pearl Bailey, Bette Midler, and Barbra Streisand. Now Payton dons the mantle and the buzz is good.

Another beloved musical is “Fiddler on the Roof” (through Jan. 25), the story of Tevye, a poor Jewish milkman, his family and their tight-knit community who honor tradition while contending with pogroms in Czarist Russia. Currently being performed intimately in the round at Signature Theatre in Arlington and directed by Joe Calarco, the large cast features actors Douglas Sills, Chrisopher Bloch, and terrific out actor Jake Loewenthal as the poor tailor Motel Kamzoil, all singing Broadway favorites like “Sunrise, Sunset” “If I Were a Rich Man” and “Matchmaker.” sigtheatre.org  

At Shakespeare Theatre Company’s Harman Hall is Frank Loesser’s “Guys and Dolls” (through Jan. 4). Based on tales from famed American journalist Damon Runyon, the show focuses on two overlapping love stories set in Depression-era Times Square. The terrific score includes songs like “Luck Be a Lady,” “Sit Down, You’re Rockin’ the Boat,” “A Bushel and a Peck,” and more songs you’ll know. Directed by Francesca Zambello and choreographed by Joshua Bergasse. 

The cast includes Julie Benko, Lamont Brown, and Holly Twyford as General Matilda B. Cartwright, which is reason enough to buy a ticket. shakespearetheatre.org 

And for hardcore traditionalists there’s the Washington Ballet’s “The Nutcracker” (through Dec. 29) with its balletic magic at the charming gilded Warner Theatre. The beloved production of Tchaikovsky’s ballet, here set in 1882 Georgetown, features a retinue of agile partiers, children, soldiers, rats, and notable figures from American history.  washingtonballet.org

And last but hardly least, historic Ford’s Theatre presents “A Christmas Carol” (through Dec. 31), an enduring Washington tradition since I was youngish. Conceived by Michael Baron, this charming Dickens’ moneymaker again spotlights Craig Wallace as miserly Ebenezer Scrooge who after a night of ghostly visits, rediscovers Christmas joy. Fords.org

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Drag

Pattie Gonia calls out Hegseth’s anti-LGBTQ policies — while doing better pull-ups

Drag queen Pattie Gonia uses a viral instagram video to call out Hegseth’s exclusionary policies while doubling down on activism for LGBTQ rights and the environment.

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Screenshot of Pattie Gonia's viral video now has over 600k likes and 31k shares. (Screenshot courtesy of Pattie Gonia Instagram)

Drag queen and environmental activist Pattie Gonia has gone viral after posting a video last week calling out Defense Secretary Pete Hegseth — and doing so while knocking out a set of pull-ups with cleaner form than his own, all while in full drag. The clip is a direct response to a separate viral video Hegseth himself posted days earlier, in which he performed less-than-perfect pull-ups that drew widespread mockery online.

“Hi Pete Hegseth, Pattie Gonia here, while you’re busy trying to take away the rights of queer people, I’m over here advocating for the rights of all people, including my right to do better pull-ups than you all with my balls tucked inside of me,” she declares in the now-viral Instagram clip, delivering the message in full drag garb with the theatricality she’s known for.

The video lands at a moment when Hegseth’s record on LGBTQ rights continues to draw scrutiny. Since being appointed by President Trump to lead the Pentagon, the Defense Secretary has pushed the twice impeached president toward a series of exclusionary shifts inside the department.

Hegseth’s efforts have included pressing for the rollback of DEI measures, pausing all gender-affirming care for service members, and blocking promotions for personnel with “a history of gender dysphoria.” He has also openly stated that transgender people should not serve in the military and drew controversy for formally renaming a ship previously dedicated to Navy veteran and LGBTQ icon Harvey Milk to USNS Oscar V. Peterson. Hegseth has long criticized the repeal of “Don’t Ask Don’t Tell,” framing the policy change as harmful to the armed forces. And in October, he courted further backlash after suggesting women could be barred from military service altogether, arguing that the government would hold personnel to the “highest male standard.”

Pattie’s viral moment is only the latest in her growing portfolio of environmental and queer activism. In August, she joined a team of climbers in Yosemite, helping raise a massive 66-foot-wide trans flag across the iconic El Capitan wall — a striking symbol of trans visibility in one of the most storied national parks in the country. Her drag name even riffs on Patagonia, the famed South American mountain range, blending outdoor culture with camp.

Last week, Pattie Gonia also made a bold statement at the Out 100 award celebration in Los Angeles, wearing a dress crafted from the same trans flag flown at El Capitan in Yosemite National Park. She attended the event alongside non-binary NSP agent SJ Joslin who was fired for her role in helping put up the flag.

Since the beginning of her drag career, Pattie has steadily expanded her influence beyond the stage. She co-founded the Outdoorist Oath, a nonprofit dedicated to helping BIPOC, LGBTQIA+ people and femmes build community in the outdoors through education and shared stewardship. She also launched the Queer Outdoor and Environmental Job Board, a free resource that supports queer people seeking work in environmental and nature-based industries, with the aim of diversifying fields where LGBTQ representation remains limited. Her fundraising efforts have generated over $2.7 million for LGBTQIA+, Black, Indigenous, and People of Color (BIPOC), and environmental nonprofits, underscoring her ability to mobilize huge audiences toward collective action.

Her recent projects also include a national tour of her environmental drag show, “SAVE HER!”, which blends performance art with climate messaging, and the release of a documentary TV series, “Go Gently,” co-created with Harry Potter’s Bonnie Wright (Ginny Weasley). The series follows their journey from Los Angeles to Portland, Oregon, where they explore sustainable living and meet with communities protecting the Earth in innovative ways.

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Photos

PHOTOS: Remove the Regime rally and march

Dropkick Murphys, Earth to Eve perform on steps of Lincoln Memorial

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The Dropkick Murphys perform at the Remove the Regime rally outside of the Lincoln Memorial in Washington, D.C. on Saturday, Nov. 22. (Washington Blade photo by Michael Key)

The Remove the Regime rally and march was held on Saturday, Nov. 22.

(Washington Blade photos by Michael Key)

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