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Progress in Pennsylvania

A mini trend of change as openly gay officials emerge

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Last year's Pride parade in Philadelphia (Photo by Ulises M.)

When Philadelphia attorney Brian Sims set his sights on a seat in Pennsylvania’s storied state House last September, the odds were stacked against him: Not only would he be a political newcomer, but he also was running as an openly gay man in the same state that once elected virulently homophobic former U.S. Sen. Rick Santorum.

Seven months later, however, he won his primary race to represent the 182nd District in the state House of Representatives, part of a mini trend of recent gay-supportive political changes that have some wondering if a progressive wave isn’t starting to emerge in the Keystone State.

John Campbell (Photo courtesy Campbell)

Supporters of the idea point to Sims, who is running unopposed in the November election, as well as to 24-year-old gay Harrisburg Treasurer John Campbell, who is helping the state’s capital city cope with its much publicized bankruptcy. Meanwhile, a state LGBT Equality Caucus is active, and members of the House State Government Committee recently killed efforts to amend the constitution to ban same-sex marriage.

Campbell, a college student who hopes to use tax reform to free Harrisburg from a $300 million debt pileup, believes Sims’ election could signal more positive change to come.

“All states that have passed a marriage equality bill have previously elected an openly gay legislator,” Campbell said, adding that having an out gay man in the state House would go far to personalize the issue of LGBT rights. “It really helps our argument that we are people too.”

Sims said LGBT supporters are making their presence known in the state. He pointed to widespread support among Pennsylvanians for a measure to add LGBT-friendly language to the state human relations act.

The legislation, House Bill 300, has stalled several times in committee.

“I’ve spent years traveling the state talking about LGBT rights and one of the things I like to tell people is the state is not as conservative as people think it is,” said Sims, adding that the state’s failure to pass LGBT-inclusive hate crimes and anti-bullying measures isn’t necessarily reflective of constituent sentiment.

Brian Sims (Blade file photo by Michael Key)

Sims, former board president of Equality Pennsylvania, is poised to become the state’s first openly gay legislator. He has a background of working with attorneys, legislators and community organizations on issues ranging from gender and pay inequity to environmental regulation. And though he didn’t make LGBT issues a campaign lynchpin, he plans to continue including LGBT matters alongside corporate income tax reform and other key issues as he moves forward, he said.

He said such matters increasingly reflect the interests and spirit of the state.

“The state is progressing — we are growing stronger by the minute,” he said. “I don’t necessarily know that our current laws and political structure really do reflect how forward-thinking the people in the state are.”

Opinions of Pennsylvania’s progress are as diverse as its record supporting gay and lesbian residents. The state has historically been a maverick on some fronts, among them the establishment of a state Council for Sexual Minorities in the mid ’70s, and the recent passage of the state’s 28th local LGBT-inclusive non-discrimination ordinance.

And in Philadelphia, home to what’s considered the nation’s oldest operating gay bookstore in Giovanni’s Room, a vibrant LGBT community thrives, according to Mark Segal, who has spent 37 years chronicling the community’s ups and downs as founder of Philadelphia Gay News.

“Society is moving at a brisk pace toward equality and I think this is happening everywhere. But you also have to look at history. Philadelphia is, in many ways, the birthplace of the LGBT movement,” he said, citing the city’s 47-year history of gay Fourth of July marches as an example.

But weak spots remain. For one, those local LGBT-inclusive non-discrimination ordinances are the result of lawmakers’ failure to pass state-level legislation, and are essentially, local attempts to patch up gaps in state law.

And even as President Obama announced his support for same-sex marriage, Pennsylvania Sen. Bob Casey (D) has remained conspicuously quiet on the issue.

“[Pennsylvanians’] reputation in general is one of being pretty safely in the middle, and what that means is sometimes they’re progressive, and sometimes they’re not,” said Ted Martin, executive director of Equality Pennsylvania. “It’s a place that doesn’t want to rush out too far nor does it like to be in the end.”

The head of the state’s main LGBT advocacy group said he believes Pennsylvania is growing more progressive, just very slowly.

He pointed to recent polls showing up to 51 percent of state residents support same-sex marriage and said lawmakers he encounters no longer insist they don’t have any gays in their district.

“Are we turning a corner, are we taking some steps forward? I like to think so,” he said. “We’re certainly starting to have a conversation we never had and that’s a good thing.”

That conversation comes at a sensitive moment in regional LGBT politics. Surrounded by states passing LGBT-friendly measures, Pennsylvania has increasingly become an ideological island, a fact that could have a damaging economic impact, some say.

“Many places that already permit same-sex marriage — New York, Maryland, D.C. and others — are geographically close to Pennsylvania,” Rep. Babette Josephs told Philadelphia magazine last week. “We will be losing valuable citizens to these other states because of our backward ways; the image of Pennsylvania will continue to be tarnished.”

But turning Pennsylvania into a more progressive state presents a significant challenge. For one, the state’s political landscape remains blue at the edges, anchored by liberal Philadelphia and Pittsburgh, with a rural, conservative center.

Moreover, that center enables a powerful Republican Party that keeps the General Assembly “in a 1950s bubble,” Segal said.

But Campbell believes that makes the state better poised than most to be a national example of change.

“If a battleground state is trending toward being more open and accepting, that should lead the way for other states to do the same,” Campbell said. “It’s important to show that even Pennsylvania can do it.”

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Photos

PHOTOS: Night of Champions

Team DC holds annual awards gala

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Team DC President Miguel Ayala speaks at the 2024 Night of Champions Awards on Saturday. (Washington Blade photo by Michael Key)

Team DC, the umbrella organization for LGBTQ-friendly sports teams and leagues in the D.C. area, held its annual Night of Champions Awards Gala on Saturday, April 20 at the Hilton National Mall. The organization gave out scholarships to area LGBTQ student athletes as well as awards to the Different Drummers, Kelly Laczko of Duplex Diner, Stacy Smith of the Edmund Burke School, Bryan Frank of Triout, JC Adams of DCG Basketball and the DC Gay Flag Football League.

(Washington Blade photos by Michael Key)

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Photos

PHOTOS: National Cannabis Festival

Annual event draws thousands to RFK

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Growers show their strains at The National Cannabis Festival on Saturday. (Washington Blade photo by Michael Key)

The 2024 National Cannabis Festival was held at the Fields at RFK Stadium on April 19-20.

(Washington Blade photos by Michael Key)

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Theater

‘Amm(i)gone’ explores family, queerness, and faith

A ‘fully autobiographical’ work from out artist Adil Mansoor

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Adil Mansoor in ‘Amm(i)gone’ at Woolly Mammoth Theatre. (Photo by Kitoko Chargois)

‘Amm(i)gone’
Thorough May 12
Woolly Mammoth Theatre
641 D St., N.W. 
$60-$70
Woollymammoth.net

“Fully and utterly autobiographical.” That’s how Adil Mansoor describes “Amm(i)gone,” his one-man work currently playing at Woolly Mammoth Theatre. 

Both created and performed by out artist Mansoor, it’s his story about inviting his Pakistani mother to translate Sophocles’s Greek tragedy “Antigone” into Urdu. Throughout the journey, there’s an exploration of family, queerness, and faith,as well as references to teachings from the Quran, and audio conversations with his Muslim mother. 

Mansoor, 38, grew up in the suburbs of Chicago and is now based in Pittsburgh where he’s a busy theater maker. He’s also the founding member of Pittsburgh’s Hatch Arts Collective and the former artistic director of Dreams of Hope, an LGBTQ youth arts organization.

WASHINGTON BLADE: What spurred you to create “Amm(i)gone”? 

ADIL MANSOOR: I was reading a translation of “Antigone” a few years back and found myself emotionally overwhelmed. A Theban princess buries her brother knowing it will cost her, her own life. It’s about a person for whom all aspirations are in the afterlife. And what does that do to the living when all of your hopes and dreams have to be reserved for the afterlife?

I found grant funding to pay my mom to do the translation. I wanted to engage in learning. I wanted to share theater but especially this ancient tragedy. My mother appreciated the characters were struggling between loving one another and their beliefs. 

BLADE: Are you more director than actor?

MANSOOR: I’m primarily a director with an MFA in directing from Carnegie Mellon. I wrote, directed, and performed in this show, and had been working on it for four years. I’ve done different versions including Zoom. Woolly’s is a new production with the same team who’ve been involved since the beginning. 

I love solo performance. I’ve produced and now teach solo performance and believe in its power. And I definitely lean toward “performance” and I haven’t “acted” since I was in college. I feel good on stage. I was a tour guide and do a lot of public speaking. I enjoy the attention. 

BLADE: Describe your mom. 

MANSOOR: My mom is a wonderfully devout Muslim, single mother, social worker who discovered my queerness on Google. And she prays for me. 

She and I are similar, the way we look at things, the way we laugh. But different too. And those are among the questions I ask in this show. Our relationship is both beautiful and complicated.

BLADE: So, you weren’t exactly hiding your sexuality? 

MANSOOR: In my mid-20s, I took time to talk with friends about our being queer with relation to our careers. My sexuality is essential to the work. As the artistic director at Dreams of Hope, part of the work was to model what it means to be public. If I’m in a room with queer and trans teenagers, part of what I’m doing is modeling queer adulthood. The way they see me in the world is part of what I’m putting out there. And I want that to be expansive and full. 

So much of my work involves fundraising and being a face in schools. Being out is about making safe space for queer young folks.

BLADE: Have you encountered much Islamophobia? 

MANSOOR: When 9/11 happened, I was a sophomore in high school, so yes. I faced a lot then and now. I’ve been egged on the street in the last four months. I see it in the classroom. It shows up in all sorts of ways. 

BLADE: What prompted you to lead your creative life in Pittsburgh? 

MANSOOR: I’ve been here for 14 years. I breathe with ease in Pittsburgh. The hills and the valleys and the rust of the city do something to me. It’s beautiful, it’ affordable, and there is support for local artists. There’s a lot of opportunity. 

Still, the plan was to move to New York in September of 2020 but that was cancelled. Then the pandemic showed me that I could live in Pittsburgh and still have a nationally viable career. 

BLADE: What are you trying to achieve with “Amm(i)gone”? 

MANSOOR: What I’m sharing in the show is so very specific but I hear people from other backgrounds say I totally see my mom in that. My partner is Catholic and we share so much in relation to this. 

 I hope the work is embracing the fullness of queerness and how means so many things. And I hope the show makes audiences want to call their parents or squeeze their partners.

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