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Coming attractions

Gay themes in both indie and mainstream fall film fare

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Nicole Kidman as Charlotte Bless in Lee Daniel’s steamy ‘The Paperboy.’ (Photo courtesy the Karpel Group)

The LGBT fall film calendar gets off to an exciting start with the D.C. release of “How to Survive A Plague” on Sept. 28.

The inspirational documentary by first–time filmmaker David France tells the story of two coalitions — ACT UP (the AIDS Coalition to Unleash Power) and TAG (the Treatment Action Group) — and how they changed medical and political history. France, a journalist who has been covering the AIDS crisis for 30 years, draws on archival footage, much of it shot by the activists themselves, to tell the stories of the brave men and women who banded together to fight the plague.

The film examines how they saved the lives of millions of people by battling apathetic government bureaucrats and politicians, developing shocking outreach strategies to spur a complacent media into action, exposing greedy pharmaceutical companies and educating a scared and ignorant populace.

Lee Daniels, the openly gay director of “Precious,” returns to the big screen with “The Paperboy.” Based on the novel by Pete Dexter and set in the swamplands of Florida in 1969, The Paperboy offers a provocative, sexually charged tale of desire, ambition, prejudice and crime.

The film centers on two brothers returning to their hometown. Jack Jansen (Zac Efron) has been kicked out of college and is now working as a paperboy for his father, the local newspaper publisher. Miami journalist Ward Jansen (Matthew McConaughey) comes home to prove the innocence of death row inmate Hillary Van Welter (John Cusack). Ward’s investigation reveals of tangled web of sexual tension, mixed motives and shadowy facts.

The cast is rounded out by Nicole Kidman as vampy death-row groupie Charlotte Bless, David Oyelowo as Ward’s hotshot writing partner Yardley Acheman, and Macy Gray as Anita, the family maid. The film’s producers hint that a central plot twist involves a character’s emerging sexuality, but are tight-lipped about which character comes out. They do, however, confirm the tabloid rumors that Zac Efron dances in his underwear and frequently appears shirtless. It opens Oct. 5.

On a lighter note, “For a Good Time, Call …,” helmed by openly gay director Jamie Travis, is a comic look at two Manhattan women who get involved in the phone sex industry. Estranged college friends Katie Steele (Ari Graynor) and Lauren Powell (Lauren Miller, who also co-wrote the script with Katie Anne Nayton) are reintroduced by their gay mutual friend Jesse (Justin Long) when both face a housing emergency.

Katie is initially shocked when she overhears her new roommate talking to one of her clients, but quickly sees dollar signs. The two establish their own company, and are quickly raking in the cash as they resume their friendship — and possibly more. The film includes cameos by Seth Rogan, Ken Marino and Kevin Smith as three clients. It’s in theaters now.

“Keep the Lights On”  is a drama about a closeted lawyer (Zachary Booth) and a documentary filmmaker (Thure Lindhardt) and their mercurial relationship. It opens Sept. 21 in D.C. at West End Cinema.

“Diana Vreeland: the Eye Has to Travel” is a documentary about the former Vogue editor. It opens Sept. 21.

And speaking of documentaries, details are still be worked out, but former Log Cabin president-turned-documentarian Patrick Sammon is finalizing details for a screening of his first film about the life of Alan Turing (called “Codebreaker”), the gay World War II-era legend. It’s tentatively slated for an October opening and a November wider release in 20-30 U.S. cities.

Other LGBT releases expected this fall include:

  • “Pitch Perfect,” a battle-of-the-sexes comedy about the rivalry between two college a cappella singing groups (Oct. 5).
  • “Bear City 2,” a sequel to the popular movie that takes the cast of bears and chasers from their New York City lairs to the wilds of Provincetown. It will be screened as part of Reel Affirmations in D.C. on Nov. 4.
  • “Gayby,” about the problems that ensue when frustrated single Jenn asks her gay best friend Matt to help her conceive a child the old-fashioned way. It’s also in Reel Affirmations. Look for it Nov. 3.

Speaking of Reel Affirmations, D.C.’s annual international LGBT film festival, the 21st festival is scheduled for Nov. 1-4 and the selection committee is currently hard at work finalizing the schedule. In the meantime, RA XTRA offers monthly film screenings. September’s screening, a double feature of “Cloudburst” and “Men To Kiss,” will be held on Sept. 20 at the Carnegie Institute for Science.

“Cloudburst” is a romantic road movie about two lesbians (played by Oscar winners Olympia Dukakis and Brenda Fricker) who flee their nursing home in Maine and drive to Nova Scotia in an attempt to be legally married. “Men To Kiss” is about Ernst and Tobias, a gay couple in Berlin whose lives are upset when Ernst’s old friend Uta draws them into her schemes.

The Chesapeake Film Festival in nearby Easton and Oxford, Md., is Sept. 21-23 and includes two LGBT-themed films — “Trans” and “Queen of Country” (both screening Sept. 22 at the Academy Art Museum). Visit chesapeakefilmfestival.com for details.

The D.C. Shorts Film Festival continues through this weekend. It, too, has LGBT content in several films. Visit dcshorts.com for details.

The fall film season comes to a spectacular close with the much-anticipated release of the cinematic adaptation of the hit Broadway musical “Les Miserables” (Dec. 14). Based on the classic Victor Hugo novel with music by Claude-Michel Schonberg, lyrics by Alain Boublil and screenplay by William Nicholson, the epic movie traces the decades-long battle between escaped convict Jean Valjean and obsessed police inspector Javert. The all-star cast includes Hugh Jackman, Russell Crowe, Anne Hathaway, Amanda Seyfried, Sacha Baron Cohen and Helena Bonham Carter.

 

 

 

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Silky Nutmeg Ganache talks sex and dating, gender, politics, weight loss journey

‘RuPaul’s Drag Race All Stars’ semifinalist grew up in Bible Belt

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Silky Nutmeg Ganache (Photo courtesy of Silky Nutmeg Ganache)

Uncloseted Media published this interview on July 7.

By SPENCER MACNAUGHTON, ISABEL STOKES, and BELLA SAYEGH | After appearing on the 11th season of “RuPaul’s Drag Race,” the first season of “Canada’s Drag Race: Canada vs. the World,” the sixth season of “RuPaul’s All Stars” and now the 11th season of “All Stars,” Silky Nutmeg Ganache, known by many as the Reverend, is undoubtedly a legend.

Born and raised in Moss Point, Miss., Ganache bears all in this episode of “UNCLOSETED with Spencer Macnaughton.” She speaks about her relationship with gender, her 100-pound weight loss, what it’s like living as a queer person of color in a red state and why she’s calling on allies to stand up for the trans community.

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Photos

PHOTOS: Crush Dance Bar

Patrons enjoy a night out at popular LGBTQ venue

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(Washington Blade photo by Landon Shackelford)

Patrons enjoyed a night out at the popular LGBTQ venue Crush Dance Bar on Friday, July 3.

(Washington Blade photos by Landon Shackelford)

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Theater

‘My Favorite Sociopath’ debuts at Shepherdstown’s CATF

Gay playwright Aurin Squire’s take on D.C. journalism in the ‘90s

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Playwright Aurin Squire. (Photo by Yilong Liu)

‘My Favorite Sociopath’
Contemporary American Theater Festival
July 10-Aug. 2
Shepherdstown, W.Va.
Catf.org

Discernment. It’s a thing some people have, explains playwright Aurin Squire, especially when you’re gay or Black in America (Squire is both).

“You instinctively know when the mob is teaming up for the best interests of the powers that be. You can feel it in the air.”

In his sharp new satire “My Favorite Sociopath,” Squire writes about life experiences but set in a different time and place: It’s the 1990s, early days of the 24-hour news cycle, and three ambitious journalism students are pursuing success in D.C.

And now, Squire’s play, along with other new works, are making their world premieres at the annual Contemporary American Theater Festival (CATF) at Shepherd University in historic, queer-friendly Shepherdstown, W.Va. (just a 90-minute drive from D.C.).

“All of my plays are queer in some way,” says Squire, 46. “This one touches on harmless and dangerous lies. The characters are on the spectrum sexually, and it’s interesting how all that falls out.”

And he’s given it a lot of thought. 

“Already as a kid, it seemed to me that the rage against rap music and sex was coming from closeted people resisting their own urges and temptations. For me, it was interesting to see a witch hunt led by witches. Queer people can always call out a lie.”

Since September, Squire has also been working with a TV show about the tech industry set in Silicon Valley. He says, “It seems the general flow of the tech industry is that humanity and civilization is finished and it’s just about accumulating as many goods as possible before everything collapses. In fact, those who are profiting actually agree. But for those who disagree, they believe the solution is to build bigger gates, but activists believe we can stop this” 

Yet, he’s learned from folks associated with the show. “Many say the quickest way to divorce yourself from any responsibility or regulations — smash and grab. Otherwise, you have to stop and think and regulate your desires for greed and power”

Squire possesses a penchant for pithy titles. He laughs, explaining the first thing he wrote as a student at Juilliard was “Obama-ology,” the comedy with contemporary message. While a lot of people liked the name, it didn’t necessarily vibe with the author. He concedes that he chooses names based on “easy to remember” and titles that won’t be easy to lose as a file. 

Another is “Defacing Michael Jackson,” a coming-of-age dramedy set in rural Florida in 1984, specifically Squire’s native town Opa-locka, Miami, a fantastical place famed for its fanciful Moorish revival architecture.

Living in the shadow of exotic structures, he wasn’t particularly fazed. Squire says “It wasn’t until returning to visit after my freshman year at Northwestern University in Chicago that I realized how weird it was: When you grow up in a place, you take surroundings for granted no matter how over the top.”  

Now based in New York (where for two happy years, 2017-2019, he shared digs with drag king Murry Hill), Squire returns frequently to Miami to be with family, but this summer has been filled with both work and travel.

Currently, he’s in Shepherdstown with CATF shaping up “My Favorite Sociopath.” Later this summer he will travel to South Africa for research, followed by a silent writing retreat in Santa Fe, N.M. 

Much of Squire’s work reflects the Latino, African, Caribbean, African-American, and Jewish cultures he grew up around in South Florida.

When asked if today’s winds of anti-multiculturalism worry him, he replies, “No, because that’s going to pass. Most people don’t like, people are seeing the negative results of it, and the young people coming up despise it. White male gamers were tricked momentarily through the algorithms into voting against their own interests and they’re now seeing how it’s not working out for them. 

“Conservatives always try to stop progress and eventually they always lose. It’s just a question of where we’ll be in the middle of the end of civilization before that happens. I’d like to hope we can turn the ship around before then.” 

In addition to “My Favorite Sociopath,” CATF summer season features three other world premieres (Lisa D’Amour’s comedy “The Smoker,” “Refugee Rhapsody” by Yussef El Guindi, “Best Line Wins: A Play Inspired by the Improvised Lives of Elaine May & Mike Nichols” by Beth Kander) and “¡VOS!” by Christina Pumariega.

CATF runs from July 10-Aug. 2 in three venues on the Shepherd University campus: Frank Center, Marinoff Theater, and Studio 112.

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