Arts & Entertainment
Social Agenda
friday, jan. 15
Mid-Atlantic Leather Weekend, one of the largest gay leather gatherings in the world, is this weekend in Washington at the Washington Plaza Hotel. The event is sold out but some spillover hotels have rooms available and some events are open to the public. Visit leatherweekend.com for more information.
Gay District meets tonight. The group was formerly known as the Twenties Group but has expanded its age range for gay, bi, trans and questioning men from 18 to 35. The group meets for weekly discussion from 8:30 to 9:30 every Friday at St. Margaret’s Church located at 1830 Connecticut Ave. Members dine afterwards then go dancing. The group is changing its contact information but for now, those interested can visit the group on Facebook under the name “GD: Gay District.”
The D.C. Cowboys are having a new event starting tonight called Brodeo at Remington’s. It will feature country, western, disco and club music, performances, giveaways, Jell-O shots, an auction and the Cowboys. Proceeds benefit the group, which uses funds to facilitate its ability to provide free entertainment for HIV and AIDS charity groups. For more information, visit dccowboys.org. Remington’s is at 639 Pennsylvania Ave., S.E.
saturday, jan. 16
A new gay-owned gallery called Industry Gallery opens tonight from 6 to 8 p.m. with “Round the Corner,” the debut solo U.S. exhibition of Jerusalem-born artist Shlomo Harush. Visit industrygallerydc.com for more information. The gallery will be open Wednesdays through Saturdays from 11 a.m. to 5 p.m.
Town has two events tonight. DJ Brett Henrichsen spins upstairs (Town’s regular DJ Wess is downstairs). And monthly party “WTF?” is also tonight with a special Mexican installment. Doors open at 10 p.m. Town is located at 2009 Eighth Street, N.W. Visit towndc.com for more information.
Blowoff, a monthly party featuring gay DJs/remixers Bob Mould and Rich Morel, is tonight at the 9:30 club, located at 815 V Street, N.W. starting at 11:30 p.m. Visit blowoff.us for more information.
sunday, jan. 17
Reaction, the closing night party for Mid-Atlantic Leather Weekend, is tonight from 10 p.m. to 5 a.m. at the 9:30 club, located at 815 V Street, N.W., with music by DJ David LaSalle and entertainment by German retro singer Myke Lowe. Tickets are $35 in advance or $45 at the door. They’re available at the Leather Rack or ticketfly.com.
monday, jan. 18
Metropolitan Community Church of Washington, the District’s largest mostly gay church, has an HIV positive support group for people of faith every Monday at the church. For more information, contact Matt Senger at 202-546-2159 or e-mail him at [email protected]. MCC-DC is located at 474 Ridge Street, N.W. Visit mccdc.com for more information about the church.
Freddie’s Beach Bar, located at 555 S. 23rd Street in Crystal City, Va., has disco trivia every Monday at 8 p.m.
tuesday, jan. 19
A remembrance event for Martin Luther King Jr. is being held tonight by the GLBT Arts Consortium from 7 to 9 p.m. at Capitol Hill Presbyterian Church at 4th and Independence Ave., S.E. near the Eastern Market and Capitol South Metro stations. The event is free and open to the public.
D.C.’s HIV Working Group assembles safer sex kits with its “packing parties” every Tuesday at EFN Lounge. Those who volunteer their time get drink discounts. The events are held from 7 to 10:30 p.m. at Motley Bar, located above EFN, which is at 1318 9th St., N.W. Visit fighthivindc.com for more information.
Poz, a bar night for HIV-positive men and men open to dating HIV-positive men regardless of their own HIV status, is held every Tuesday night from 7 p.m. to midnight at Motley Bar, located above EFN Lounge at 1318 19th St., N.W. The event is organized by HIV-positive party promoter Jacob Pring. Visit the group’s Facebook page at facebook.com/pozdc for more information.
Hollaback, a social club and support group for trans people, presented by Alpha Drugs, is tonight at 1638 R St., N.W., Suite 260. To RSVP, call Dee Curry at 202-290-0324.
Cobalt has “Flashback,” a retro night, every Tuesday at 10 p.m. Cobalt is at the corner of 17th and R streets, N.W.
wednesday, jan. 20
The National Gay and Lesbian Task Force has weekly volunteer nights every Wednesday from 6 to 7:30 p.m. at its offices located at 1325 Massachusetts Ave., N.W., Suite 600. Volunteers fold and stuff letters for the gay rights organization. Pizza is provided. For more information, contact Ezra Towne at [email protected].
Ladies First night is tonight and every Wednesday at Fab Lounge, located at 1805 Connecticut Ave., N.W. For more information, visit myspace.com/ladiesfirst.
An HIV/AIDS support group, presented by Alpha Drugs, is tonight at 1638 R St., N.W., Suite 260. Dinner will be served but reservations are required. To RSVP, call 301-735-2805 or 301-674-8901.
The D.C. Center has career development for LGBT job seekers today from 3 to 4:30 p.m. Trained counselors will offer support for job searching, interviewing skills, resume writing, etc. The program has been adapted to meet the needs of the local gay community and the D.C. job market. The Center recently moved to its new location at 1804/1810 14th St., N.W., previous home of the Lesbian Services Program and Austin Center of Whitman-Walker Clinic. Visit thedccenter.org for more information.
thursday, jan. 21
D.C. Lambda Squares, a local gay square dancing group, meets every Thursday for square dancing. Those who’ve taken the group’s “Mainstream” and “Plus” classes dance on the first and third Thursdays. “Plus” and “Advanced” classes are on the second and fourth Thursdays. For more information about the group or to find out when beginner classes are available, visit dclambdasquares.org.
friday, jan. 22
A GaySpirits event is being held this weekend in Annandale, Va. It’s a spiritual retreat for gay men who’ve avoided religion because many faiths condemn them. GaySpirits creators say gay men have “unique spiritual giftedness.” The events will take place at Little River U.C.C., located at 8410 Little River Turnpike, tonight from 7 to 9:30 p.m. and on Saturday from 9 a.m. to 6:30 p.m. Cost is $70. For more information, visit gayspirits.com or call 301-580-2953.
saturday, jan. 23
Adventuring Outdoors Group, a gay hiking group, is joining the Chrysalis Arts and Culture Group, another local gay social outfit, for a trip to Gettysburg today. A moderate 6-mile hike is planned with some steep passages. Those interested should bring beverages, lunch, hiking shoes and about $12 for transportation fees. The groups will meet at 9 a.m. at the Grosvenor-Strathmore Metro Station. For more information, contact Craig at 202-462-0535 or [email protected].
D.C. Lambda Squares, a local gay square dancing outfit, has a community dance today with guest caller Jeremy Butler from Virginia Beach. The dance will be held from 7 to 10 p.m. at Sligo Middle School in Silver Spring, Md. Cost is $10. For more information about this or other club affairs, visit dclambdasquares.org.
Several local gay social groups are joining D.C. Icebreakers, a local gay ice skating group, tonight for a large social event at the Kettler Capitals Iceplex in Ballston. Skating will run from 8 to 9 p.m. with a social to follow at Bailey’s Pub and Grill. Other groups slated to join the Icebreakers are Zoom Urban Lesbian Excursions, NOVA Gay & Lesbian Professionals, D.C. Lesbian Singles, Burgundy Crescent Volunteers, NOVA Dynamic Lesbian Singles, the Mixed Ladies Arlington Pool League and Social Cheverly. For more information, visit dcicebreakers.org.
The LGBTQ+ Victory Fund National Champagne Brunch was held at Salamander Washington DC on Sunday, April 19. Gov. Andy Beshear (D-Ky.) was presented with the Allyship Award.
(Washington Blade photos by Michael Key)
The umbrella LGBTQ sports organization Team D.C. held its annual Night of Champions Gala at the Georgetown Marriott on Saturday, April 18. Team D.C. presented scholarships to local student athletes and presented awards to Adam Peck, Manuel Montelongo (a.k.a. Mari Con Carne), Dr. Sara Varghai, Dan Martin and the Centaur Motorcycle Club. Sean Bartel was posthumously honored with the Most Valuable Person Award.
(Washington Blade photos by Michael Key)
Television
‘Big Mistakes’ an uneven – but worthy – comedic showcase
In the years since “Schitt’s Creek” wrapped up its six season Emmy-winning run, nostalgia for it has grown deep – especially since the still painfully recent loss of its iconic leading lady, Catherine O’Hara, whose sudden passing prompted a social media wave of clips and tributes featuring her fan-favorite performance as the deliciously daft Moira Rose. Revisiting so many favorite scenes and funny moments from the show naturally reminded us of just how much we loved it, even needed it during the time it was on the air; it also reminded us of how much we miss it, and how much it feels now like something we need more than ever.
That, perhaps more than anything else, is why the arrival of “Big Mistakes” – the new Netflix series starring, co-created and co-written by Dan Levy – felt so welcome. We knew it wouldn’t be the Roses, but it seemed cut from the same cloth, and it had David Rose (or at least someone who seemed a lot like him) in the middle of a comically dysfunctional family dynamic, complete with a mother who gets involved in town politics and a catty sibling rivalry with his sister, and still nebbish-ly uncomfortable in his own gay shoes. Only this time, instead of running a charmingly pretentious boutique, he’s the pastor of the local church, and instead of a collection of kooky small town neighbors to contend with, there are gangsters.
As it turns out, it really does feel cut from the same cloth, but the design is distinctly different. Set in a fictional New Jersey suburb, it centers on Nicky (Levy) and his sister Morgan (Taylor Ortega) – he openly gay with an adoring boyfriend (Jacob Gutierrez), yet still obsessive about keeping it all invisible to his congregation, and she drudging aimlessly through life as an underpaid schoolteacher after failing to achieve her New York dreams of show biz success – who inadvertently become enmeshed in a shady underworld when a gesture for their dead grandmother’s funeral goes horribly awry.
They’re surrounded by a crew of equally compromised characters. There’s their mother Linda (Laurie Metcalf), whose campaign to become the town’s mayor only intensifies her tendency to micromanage her children’s lives; Yusuf (Boran Kuzum), the Turkish-American mini-mart operator who pulls them into the criminal conspiracy yet is himself a victim of it; Max (Jack Innanen), Morgan’s live-in boyfriend, who pushes her for a deeper commitment and is willing to go to couples’ therapy to prove it; Annette, his mother (Elizabeth Perkins), who lends her society standing toward helping Linda’s campaign against a misogynistic opponent (Darren Goldstein); and Ivan (Mark Ivanir), the seemingly ruthless crime boss who enslaves the siblings into his network but may really be just another slave himself. It’s a well-fleshed out assortment of characters that helps our own loyalties shift and adapt, generating at least a degree of empathy – if not always sympathy – that keeps everyone from coming off as a merely “black-and-white” caricature of expectations and typecasting.
To be sure, it’s an entertaining binge-watch, full of distinctive characters – all inhabiting familiar, even stereotypical roles in the narrative – who are each given a degree of validation, both in writing and performance, as the show unspools its narrative. At the same time, it makes for a fairly bleak overall view of humanity, in which it’s difficult to place our loyalties with anyone without also embracing a kind of “dog eat dog” morality in which nobody is truly innocent – but nobody is completely to blame for their sins, anyway.
In this way, it’s a show that lets us off the hook in the sense that it places the idea of ethical guilt within a framework of relative evils, as it permits us to forgive our own trespasses by accepting its “lovably” amoral characters, each of whom has their own reasons and justifications for what they do. We relate, but we can’t quite shake the notion that, if all these people hadn’t been so caught up in their own personal dramas, none of them would have ended up in the compromised morality that they’re in.
However, it’s not some bleak morality play that Levy and crew undertake; rather, it’s more an egalitarian fantasy in which even “bad” choices feel justified by inevitability. Everybody’s motivations make enough sense to us that it’s hard to judge any of the characters for making the choices – however unwise – that they do. In a system where everyone is forced to compromise themselves in order to achieve whatever dream of self-fulfillment they may have, how can anybody really blame themselves for doing what they have to do to survive?
Of course, all things considered, this is more a relatable comedy than it is a morality play. As a comedy of errors, it all works well enough on its own without imposing an ideology on it, no matter how much we may be tempted to do so. Indeed, what is ultimately more to the point is how well this pseudo-cynical exercise in the normalization of corruption – for that is what it really about, in the end – succeeds in letting us all off the hook for our compromises.
In the end, of course, maybe all that analysis is too deep a dive for a show that feels, in the end, like it’s meant to be mostly for fun. Indeed, despite its focus on being dragged into the shady side of life, the arc of its messaging seems to be less about a moralistic urge toward making the “right” choice than it is a candid recognition that all of us are compromised from the outset, often by choices we only force upon ourselves, and that’s a refreshing enough bit of honesty that we can easily get on board.
It helps that the performances are on point, especially the loony and wide-eyed fanaticism of Metcalf – surely the MVP of any project in which she is involved – and the directly focused moral malleability of Ortega; Levy, of course, is Levy – a now-familiar persona that can exist within any milieu without further justification than its own queer relatability – and, in this case, at least, that’s both the icing on the cake and substance that defines it. That’s enough to make it an essential view for fans, queer or otherwise, of his distinctive “brand,” even if he – or the show itself – doesn’t quite satisfy in the way that “Schitt’s Creek” was able to do.
Seriously, though, how could it?
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