Arts & Entertainment
Social Calendar
friday, jan. 22
A GaySpirits event is being held this weekend in Annandale, Va. It’s a spiritual retreat for gay men who’ve avoided religion because many faiths condemn them. GaySpirits creators say gay men have “unique spiritual giftedness.” The events will take place at Little River U.C.C., located at 8410 Little River Turnpike, tonight from 7 to 9:30 p.m. and on Saturday from 9 a.m. to 6:30 p.m. Cost is $70. For more information, visit gayspirits.com or call 301-580-2953.
The Capital Area Gay & Lesbian Chamber of Commerce has a women’s business luncheon today from noon to 1:30 p.m. at the Beacon Hotel, located at 1615 Rhode Island Ave., N.W. Visit caglcc.org for more information on this and other Chamber events.
Apex, a gay dance club located at 1415 22nd St., N.W. in Dupont Circle, is having a Hawaiian-themed “Aloha Dance Party” tonight. Grass skirts and leis will be given out and tiki bar drink specials will run all night. Cover is $6. Visit apex-dc.com for more information.
Trans-themed Pulitzer- and Tony-winning play “I Am My Own Wife” by gay playwright Doug Wright, will be performed tonight at 8 p.m. at Signature Theatre in Arlington, Va. The play runs through March 7. Tickets are $69. Visit signature-theatre.org for more information.
Standup comedian and reality show star Kathy Griffin, who’s amassed a large throng of gay fans to her celebrity-skewing humor, is at D.A.R. Constitution Hall tonight and Saturday at 8 p.m. Tickets are $58. Tickets to both shows were still available at press time. Visit livenation.com or ticketmaster.com for tickets.
Gay District meets tonight. The group was formerly known as the Twenties Group but has expanded its age range for gay, bi, trans and questioning men from 18 to 35. The group meets for weekly discussion from 8:30 to 9:30 every Friday at St. Margaret’s Church located at 1830 Connecticut Ave. Members dine afterwards then go dancing. The group is changing its contact information but for now, those interested can visit the group on Facebook under the name “GD: Gay District.”
saturday, jan. 23
Adventuring Outdoors Group, a gay hiking group, is joining the Chrysalis Arts and Culture Group, another local gay social outfit, for a trip to Gettysburg today. A moderate 6-mile hike is planned with some steep passages. Those interested should bring beverages, lunch, hiking shoes and about $12 for transportation fees. The groups will meet at 9 a.m. at the Grosvenor-Strathmore Metro Station. For more information, contact Craig at 202-462-0535 or [email protected].
D.C. Lambda Squares, a local gay square dancing outfit, has a community dance today with guest caller Jeremy Butler from Virginia Beach. The dance will be held from 7 to 10 p.m. at Sligo Middle School in Silver Spring, Md. Cost is $10. For more information about this or other club affairs, visit dclambdasquares.org.
Several local gay social groups are joining D.C. Icebreakers, a local gay ice skating group, tonight for a large social event at the Kettler Capitals Iceplex in Ballston. Skating will run from 8 to 9 p.m. with a social to follow at Bailey’s Pub and Grill. Other groups slated to join the Icebreakers are Zoom Urban Lesbian Excursions, NOVA Gay & Lesbian Professionals, D.C. Lesbian Singles, Burgundy Crescent Volunteers, NOVA Dynamic Lesbian Singles, the Mixed Ladies Arlington Pool League and Social Cheverly. For more information, visit dcicebreakers.org.
Capital Area Rainbowlers Association has several LGBT bowling leagues running from January through April. A group meets in Alexandria at the AMF Alexandria Lanes at 10:30 a.m. Visit carabowling.org for more information about this and other CARA leagues. The leagues are social and bowlers of all ability levels are welcome.
DJ Joe Hickerson spins at Town tonight. Town is located at 2009 8th St., N.W. Cover is $8 from 10 to 11 p.m. at $12 thereafter.
sunday, jan. 24
Dignity Washington, a local gay Catholic group, celebrates Mass for the LGBT community every Sunday at 6 p.m. at St. Margaret’s, located at 1820 Connecticut Ave., N.W. Call 202-546-2245 for more information or visit dignitywashington.org.
monday, jan. 25
Gay Oscar-winning “Milk” screenwriter Dustin Lance Black speaks at the D.C. Jewish Community Center tonight at 8 p.m. Tickets are $20 in advance or $25 at the door. The JCC is located at 1529 16th St., N.W. Visit washingtondcjcc.org/gloe for tickets.
The D.C. Center’s Elder Think Tank, an intergenerational LGBT group that provides education, advocacy and services to the local aging gay community, meets tonight at the Center’s new location at 1810 14th St., N.W. The group meets the fourth Monday of each month. Visit thedccenter.org for more information.
Metropolitan Community Church of Washington, the District’s largest mostly gay church, has an HIV-positive support group for people of faith every Monday at the church. For more information, contact Matt Senger at 202-546-2159 or e-mail him at [email protected]. MCC-DC is located at 474 Ridge St., N.W. Visit mccdc.com for more information about the church.
Nellie’s Sports Bar, a gay bar located at 900 U St., N.W., holds “Pokerface,” a Texas hold ‘em poker night every Monday at 8 p.m. It’s free to play and prizes are awarded. Visit nelliessportsbar.com for more information.
Freddie’s Beach Bar, located at 555 S. 23rd St. in Crystal City, Va., has disco trivia every Monday at 8 p.m.
tuesday, jan. 26
D.C.’s HIV Working Group assembles safer sex kits with its “packing parties” every Tuesday at EFN Lounge. Those who volunteer their time get drink discounts. The events are held from 7 to 10:30 p.m. at Motley Bar, located above EFN, which is at 1318 9th St., N.W. Visit fighthivindc.com for more information.
Poz, a bar night for HIV-positive men and men open to dating HIV-positive men regardless of their own HIV status, is held every Tuesday night from 7 p.m. to midnight at Motley Bar, located above EFN Lounge at 1318 19th St., N.W. The event is organized by HIV-positive party promoter Jacob Pring. Visit the group’s Facebook page at facebook.com/pozdc for more information.
Cobalt has “Flashback,” a retro night, every Tuesday at 10 p.m. Rail vodka drinks are free from 10 to 11 p.m. Cobalt is at the corner of 17th and R streets, N.W.
wednesday, jan. 27
Pop diva Mariah Carey brings her “Angels Advocate Tour” to D.A.R. Constitution Hall tonight at 7:30 p.m. She’s touring to support her latest album, 2009’s “Memoirs of an Imperfect Angel.” The tour shares a moniker with Carey’s upcoming remix album, set to drop in March. Tickets are $249.25. Visit livenation.com or ticketmaster.com for tickets.
The National Gay and Lesbian Task Force has weekly volunteer nights every Wednesday from 6 to 7:30 p.m. at its offices located at 1325 Massachusetts Ave., N.W., Suite 600. Volunteers fold and stuff letters for the gay rights organization. Pizza is provided. For more information, contact Ezra Towne at [email protected].
Ladies First night is tonight and every Wednesday at Fab Lounge, located at 1805 Connecticut Ave., N.W. For more information, visit myspace.com/ladiesfirst.
thursday, jan. 28
D.C. Lambda Squares, a local gay square dancing group, meets every Thursday for square dancing. Those who’ve taken the group’s “Mainstream” and “Plus” classes dance on the first and third Thursdays. “Plus” and “Advanced” classes are on the second and fourth Thursdays. For more information about the group or to find out when beginner classes are available, visit dclambdasquares.org.
Special Agent Galactica, the drag alter ego of Ganymede Arts’ Jeffrey Johnson, performs a cabaret act tonight called “Galactica and the Chocolate Factory” at 7:30 and 8:30 p.m. at ACKC, located at 1529 14th Street, N.W. ACKC, located next to Universal Gear, has a new coffee bar that will be open during the show. Admission is free. Visit ganymedearts.org for more information.
friday, jan. 29
A new Friday night drag show at Ziegfeld’s has started with a new hostess. The Ladies of Illusion hosted by Kristina Kelly has performances every Friday at 11 p.m. and 1 a.m.
Bet Mishpachah, a gay synagogue located at the D.C. JCC at 16th and Q streets, N.W., holds Ereve Shabbat services every Friday at 8:30 p.m. followed by an Oneg Shabbat social. Morning services are held on the second and fourth Saturdays of each month at 10 a.m. followed by Kiddush luncheon. Straights are welcome. Visit betmish.org for more information.
saturday, jan. 30
The Miss Freddie’s Beach Bar drag pageant is tonight. Show starts at 9 p.m. The winner will represent the bar at various events, such as Capital Pride, throughout the year. Those wishing to compete must apply beforehand. Applications are available now at the bar. Cover is $10. Call 703-685-0555 for more information. Freddie’s is located at 555 S. 23rd St. in Crystal City, Va.
Sports
US wins Olympic gold medal in women’s hockey
Team captain Hilary Knight proposed to girlfriend on Wednesday
The U.S. women’s hockey team on Thursday won a gold medal at the Milan Cortina Winter Olympics.
Team USA defeated Canada 2-1 in overtime. The game took place a day after Team USA captain Hilary Knight proposed to her girlfriend, Brittany Bowe, an Olympic speed skater.
Cayla Barnes and Alex Carpenter — Knight’s teammates — are also LGBTQ. They are among the more than 40 openly LGBTQ athletes who are competing in the games.
The Olympics will end on Sunday.
Movies
Radical reframing highlights the ‘Wuthering’ highs and lows of a classic
Emerald Fennell’s cinematic vision elicits strong reactions
If you’re a fan of “Wuthering Heights” — Emily Brontë’s oft-filmed 1847 novel about a doomed romance on the Yorkshire moors — it’s a given you’re going to have opinions about any new adaptation that comes along, but in the case of filmmaker Emerald Fennell’s new cinematic vision of this venerable classic, they’re probably going to be strong ones.
It’s nothing new, really. Brontë’s book has elicited controversy since its first publication, when it sparked outrage among Victorian readers over its tragic tale of thwarted lovers locked into an obsessive quest for revenge against each other, and has continued to shock generations of readers with its depictions of emotional cruelty and violent abuse, its dysfunctional relationships, and its grim portrait of a deeply-embedded class structure which perpetuates misery at every level of the social hierarchy.
It’s no wonder, then, that Fennell’s adaptation — a true “fangirl” appreciation project distinguished by the radical sensibilities which the third-time director brings to the mix — has become a flash point for social commentators whose main exposure to the tale has been flavored by decades of watered-down, romanticized “reinventions,” almost all of which omit large portions of the novel to selectively shape what’s left into a period tearjerker about star-crossed love, often distancing themselves from the raw emotional core of the story by adhering to generic tropes of “gothic romance” and rarely doing justice to the complexity of its characters — or, for that matter, its author’s deeper intentions.
Fennell’s version doesn’t exactly break that pattern; she, too, elides much of the novel’s sprawling plot to focus on the twisted entanglement between Catherine Earnshaw (Margot Robbie), daughter of the now-impoverished master of the titular estate (Martin Clunes), and Heathcliff (Jacob Elordi), a lowborn child of unknown background origin that has been “adopted” by her father as a servant in the household. Both subjected to the whims of the elder Earnshaw’s violent temper, they form a bond of mutual support in childhood which evolves, as they come of age, into something more; yet regardless of her feelings for him, Cathy — whose future status and security are at risk — chooses to marry Edgar Linton (Shazad Latif), the financially secure new owner of a neighboring estate. Heathcliff, devastated by her betrayal, leaves for parts unknown, only to return a few years later with a mysteriously-obtained fortune. Imposing himself into Cathy’s comfortable-but-joyless matrimony, he rekindles their now-forbidden passion and they become entwined in a torrid affair — even as he openly courts Linton’s naive ward Isabella (Alison Oliver) and plots to destroy the entire household from within. One might almost say that these two are the poster couple for the phrase “it’s complicated.” and it’s probably needless to say things don’t go well for anybody involved.
While there is more than enough material in “Wuthering Heights” that might easily be labeled as “problematic” in our contemporary judgments — like the fact that it’s a love story between two childhood friends, essentially raised as siblings, which becomes codependent and poisons every other relationship in their lives — the controversy over Fennell’s version has coalesced less around the content than her casting choices. When the project was announced, she drew criticism over the decision to cast Robbie (who also produced the film) opposite the younger Elordi. In the end, the casting works — though the age gap might be mildly distracting for some, both actors deliver superb performances, and the chemistry they exude soon renders it irrelevant.
Another controversy, however, is less easily dispelled. Though we never learn his true ethnic background, Brontë’s original text describes Heathcliff as having the appearance of “a dark-skinned gipsy” with “black fire” in his eyes; the character has typically been played by distinctly “Anglo” men, and consequently, many modern observers have expressed disappointment (and in some cases, full-blown outrage) over Fennel’s choice to use Elordi instead of putting an actor of color for the part, especially given the contemporary filter which she clearly chose for her interpretation for the novel.
In fact, it’s that modernized perspective — a view of history informed by social criticism, economic politics, feminist insight, and a sexual candor that would have shocked the prim Victorian readers of Brontë’s novel — that turns Fennell’s visually striking adaptation into more than just a comfortably romanticized period costume drama. From her very opening scene — a public hanging in the village where the death throes of the dangling body elicit lurid glee from the eagerly-gathered crowd — she makes it oppressively clear that the 18th-century was not a pleasant time to live; the brutality of the era is a primal force in her vision of the story, from the harrowing abuse that forges its lovers’ codependent bond, to the rigidly maintained class structure that compels even those in the higher echelons — especially women — into a kind of slavery to the system, to the inequities that fuel disloyalty among the vulnerable simply to preserve their own tenuous place in the hierarchy. It’s a battle for survival, if not of the fittest then of the most ruthless.
At the same time, she applies a distinctly 21st-century attitude of “sex-positivity” to evoke the appeal of carnality, not just for its own sake but as a taste of freedom; she even uses it to reframe Heathcliff’s cruel torment of Isabella by implying a consensual dom/sub relationship between them, offering a fragment of agency to a character typically relegated to the role of victim. Most crucially, of course, it permits Fennell to openly depict the sexuality of Cathy and Heathcliff as an experience of transgressive joy — albeit a tormented one — made perhaps even more irresistible (for them and for us) by the sense of rebellion that comes along with it.
Finally, while this “Wuthering Heights” may not have been the one to finally allow Heathcliff’s ambiguous racial identity to come to the forefront, Fennell does employ some “color-blind” casting — Latif is mixed-race (white and Pakistani) and Hong Chau, understated but profound in the crucial role of Nelly, Cathy’s longtime “paid companion,” is of Vietnamese descent — to illuminate the added pressures of being an “other” in a world weighted in favor of sameness.
Does all this contemporary hindsight into the fabric of Brontë’s epic novel make for a quintessential “Wuthering Heights?” Even allowing that such a thing were possible, probably not. While it presents a stylishly crafted and thrillingly cinematic take on this complex classic, richly enhanced by a superb and adventurous cast, it’s not likely to satisfy anyone looking for a faithful rendition, nor does it reveal a new angle from which the “romance” at its center looks anything other than toxic — indeed, it almost fetishizes the dysfunction. Even without the thorny debate around Heathcliff’s racial identity, there’s plenty here to prompt purists and revisionists alike to find fault with Fennell’s approach.
Yet for those looking for a new window into to this perennial classic, and who are comfortable with the radical flourish for which Fennell is already known, it’s an engrossing and intellectually stimulating exploration of this iconic story in a way that exchanges comfortable familiarity for unpredictable chaos — and for cinema fans, that’s more than enough reason to give “Wuthering Heights” a chance.
Crimsyn and Tatianna hosted the new weekly drag show Clash at Trade (1410 14th Street, N.W.) on Feb. 14, 2026. Performers included Aave, Crimsyn, Desiree Dik, and Tatianna.
(Washington Blade photos by Michael Key)













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