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Events: Jan. 29 to Feb. 6, 2010

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friday, jan. 29

Apex has a “Let There Be Snow” party tonight. A 1 a.m. “snow storm” will feature prizes and surprises. Cover is $6; $2 drinks are available from 9 to 11 p.m. and open bar is from 11 to midnight. Apex, a gay dance club, is located at 1415 22nd St., N.W. in Dupont Circle. Visit apex-dc.com for more information.

A new Friday night drag show at Ziegfeld’s has started with a new hostess. The Ladies of Illusion hosted by Kristina Kelly has performances every Friday at 11 p.m. and 1 a.m.

Town counts down the top 25 music videos of the ‘00s tonight. Doors open at 10 p.m. Town is located at 2009 8th St., N.W. Visit towndc.com for more information.

Bet Mishpachah, a gay synagogue located at the D.C. JCC at 16th and Q streets, N.W., holds Ereve Shabbat services every Friday at 8:30 p.m. followed by an Oneg Shabbat social. Morning services are held on the second and fourth Saturdays of each month at 10 a.m. followed by Kiddush luncheon. Straights are welcome. Visit www.betmish.org for more information.

Homo/Sonic queer dance party is tonight from 9 p.m. to 3 a.m. at Black Cat, located at 1811 14th St., N.W. Cover is $10.

Gay District meets tonight. The group was formerly known as the Twenties Group but has expanded its age range for gay, bi, trans and questioning men from 18 to 35. The group meets for weekly discussion from 8:30 to 9:30 every Friday at St. Margaret’s Church located at 1830 Connecticut Ave. Members dine afterwards then go dancing. The group is changing its contact information but for now, those interested can visit the group on Facebook under the name “GD: Gay District.”

saturday, jan. 30

Wicked Jezebel performs tonight at 7 and 11 p.m. at Town. Cover is $15; proceeds go to Mautner Project. Town is located at 2009 8th St., N.W. The D.C. Kings, a drag king troupe, will also perform. Circuit DJ Hector Fonseca spins upstairs. Visit towndc.com for more information.

The Miss Freddie’s Beach Bar drag pageant is tonight. Show starts at 9 p.m. The winner will represent the bar at various events, such as Capital Pride, throughout the year. Those wishing to compete must apply beforehand. Applications are available now at the bar. Cover is $10. Call 703-685-0555 for more information. Freddie’s is located at 555 S. 23rd St. in Crystal City, Va.

sunday, jan. 31

Proceeds from tonight’s 8 p.m. performance of “Rent” at Church Street Theater will go to Doctors Without Borders to support relief efforts in Haiti. Tickets are $50. Visit keegantheatre.com for tickets.

Dignity Washington, a local gay Catholic group, celebrates Mass for the LGBT community every Sunday at 6 p.m. at St. Margaret’s, located at 1820 Connecticut Ave., N.W. Call 202-546-2245 for more information or visit dignitywashington.org.

monday, feb. 1

D.C. Center has a volunteer night tonight from 6:30 to 9 p.m., but not at its new location. The event will be held at 1810 S St., N.W. Visit thedccenter.org for more information.

Metropolitan Community Church of Washington, the District’s largest mostly gay church, has an HIV-positive support group for people of faith every Monday at the church. For more information, contact Matt Senger at 202-546-2159 or e-mail him at [email protected]. MCC-DC is located at 474 Ridge St., N.W. Visit mccdc.com for more information about the church.

Nellie’s Sports Bar, 900 U St., N.W., holds “Pokerface,” a Texas hold ‘em poker night every Monday at 8 p.m. It’s free to play and prizes are awarded. Visit nelliessportsbar.com for more information.

Freddie’s Beach Bar, located at 555 S. 23rd St. in Crystal City, Va., has disco trivia every Monday at 8 p.m.

tuesday, feb. 2

The D.C. Center’s Crystal Meth Working Group meets tonight at 7 p.m. at the Center’s new location at 1810 14th St., N.W. For more information, visit thedccenter.org.

D.C.’s HIV Working Group assembles safer sex kits with its “packing parties” every Tuesday at EFN Lounge. Those who volunteer their time get drink discounts. The events are held from 7 to 10:30 p.m. at Motley Bar, located above EFN, which is at 1318 9th St., N.W. Visit fighthivindc.com for more information.

Poz, a bar night for HIV-positive men and men open to dating HIV-positive men regardless of their own HIV status, is held every Tuesday night from 7 p.m. to midnight at Motley Bar, located above EFN Lounge at 1318 19th St., N.W. The event is organized by HIV-positive party promoter Jacob Pring. Visit the group’s Facebook page at facebook.com/pozdc for more information.

Cobalt has “Flashback,” a retro night, every Tuesday at 10 p.m. Rail vodka drinks are free from 10 to 11 p.m. Cobalt, a gay bar and dance club, is at the corner of 17th and R streets, N.W.

wednesday, feb. 3

An HIV/AIDS support group, presented by Alpha Drugs, is tonight at a new location at 1810 14th St., N.W. Dinner will be served but reservations are required. To RSVP, call 301-735-2805 or 301-674-8901.

The D.C. Center has LGBT career development with Washington-specific information today from 3 to 4:30 p.m. at the Center’s new location at 1810 14th St., N.W.

The National Gay and Lesbian Task Force has weekly volunteer nights every Wednesday from 6 to 7:30 p.m. at its offices located at 1325 Massachusetts Ave., N.W., Suite 600. Volunteers fold and stuff letters for the gay rights organization. Pizza is provided. For more information, contact Ezra Towne at [email protected].

Ladies First night is tonight and every Wednesday at Fab Lounge, located at 1805 Connecticut Ave., N.W. For more information, visit myspace.com/ladiesfirst.

thursday, feb. 4

Gay-fronted band Magnetic Fields play GW’s Lisner Auditorium tonight in Washington at 8 p.m. Tickets are $35. Visit ticketmaster.com for tickets.
Gays & Lesbians Opposing Violence (GLOV) meets tonight at 7 p.m. at the D.C. Center at 1810 14th St., N.W. Visit thedccenter.org for more information.

D.C. Lambda Squares, a local gay square dancing group, meets every Thursday for square dancing. Those who’ve taken the group’s “Mainstream” and “Plus” classes dance on the first and third Thursdays. “Plus” and “Advanced” classes are on the second and fourth Thursdays. For more information about the group or to find out when beginner classes are available, visit dclambdasquares.org.

friday, feb. 5

Lesbian rock/dance party HottBoxx returns to Phase 1 tonight from 10 p.m. to 2 a.m. and will happen the first Friday of every month. Doors open at 9. Phase is located at 525 8th Street, S.E. Cover is $5.

A dance party featuring the music of Prince, Madonna and Michael Jackson is tonight at 9:30 club, located at 815 V St., N.W. Visit 930.com for more information.

Queer Shabbaton, an urban retreat for LGBT Jews and allies, is this weekend, beginning today at 5 p.m. and continuing through Sunday at the D.C. Jewish Community Center located at 16th and Q streets. The event, which has been held successfully three times in New York, is coming to Washington for the first time this weekend. It features workshops, services, opportunity for networking, yoga and meditation, kosher food and more with several high profile Jewish LGBT speakers. Admission ranges from $80 to $140. For more information, visit nehirim.org/qsdc.

saturday, feb. 6

D.C. Metro LGBT IT Professionals meets today from 10 to 11 a.m. at SteamCafe at 17th and R Streets, N.W.

Gay singer/songwriters Tom Goss and Matt Alber play two shows tonight at the DeLaski Theater, located at 1700 Kalorama Road, N.W., in Adams Morgan. Shows are at 5 and 8 p.m. Tickets are $20. Visit tomgossmusic.com/store for tickets. Goss is based in Washington and is touring on his latest album “Back to Love.” Alber, who lives in Los Angeles, became an online sensation last year for his poignant video “End of the World.”

To submit your event for Social Agenda, e-mail [email protected].

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HRC releases ‘Queer Renaissance Syllabus’

Beyoncé’s hit album inspired curriculum

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Beyoncé performs at FedEx Field in Landover, Md., on Aug. 6, 2023. The Human Rights Campaign has released a curriculum that her "Renaissance" album inspired. (Washington Blade photo by Isabelle Kravis)

In a move aimed at celebrating the beauty, brilliance and resilience of the LGBTQ community, the Human Rights Campaign unveiled the “Queer Renaissance Syllabus” that Beyoncé’s “Renaissance” album inspired. 

Curated by Justin Calhoun, Leslie Hall and Chauna Lawson of the HRC’s Historically Black Colleges and Universities Program, the syllabus includes a variety of academic articles, essays, films and other media rooted in Black queer and feminist studies. Each piece is directly inspired by the tracks on Beyoncé’s Billboard 200-topping dance album, “Renaissance.”

Beyoncé’s album “Renaissance” stands as a cultural milestone, celebrating the Black queer roots of dance music while shedding light on overlooked Black queer artists. Inspired by her late-Uncle Johnny, the album not only garnered critical acclaim but also shed light on the often marginalized contributions of Black queer artists. Winning four Grammys and yielding chart-topping hits like “Break My Soul” and “Cuff It,” the album sparked discussions about economic impact and cultural representation.

Amid its success, legislative challenges arose, with Florida and Texas enacting bans on DEI initiatives in public colleges. Recognizing the album’s transformative potential, HRC developed the “Queer Renaissance Syllabus” to leverage its impact for education and activism.

Tailored for educators, youth-serving professionals, DEI practitioners, higher education leaders and admirers of Beyoncé’s artistry, the syllabus aims to encourage meaningful discussions, enrich lesson plans, and explore innovative ways to honor the vibrancy and significance of LGBTQ individuals and their culture.

With six themes anchoring the syllabus, ranging from “intersectionality and inclusivity” to “social justice and activism,” it provides a comprehensive exploration of various facets of LGBTQ experiences and expressions. Fan-favorite tracks from the album are paired with scholarly readings, offering insights into empowerment, self-acceptance and the transformative power of artistic expression. The syllabus also reinforces HRC’s efforts to highlight, amplify and re-center Black and queer voices.

By providing links to articles, books, podcasts and interviews, each associated with a song from the album, it celebrates the rich cultural heritage and contributions of the Black queer community.

The concluding section of the syllabus includes Beyoncé’s tribute to O’Shea Sibley, a young Black queer person who was murdered in Brooklyn, N.Y., last July while voguing to “Renaissance” songs at a gas station. HRC also includes a statement that condemns hate crimes.

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Movies

Neo-noir ‘Femme’ offers sexy, intense revenge fantasy

A work of real and thrilling cinematic vision

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George MacKay and Nathan Stewart-Jarrett star in ‘Femme.’ (Photo courtesy of Utopia)

They say “revenge is sweet,” and it must be true. Why else would so many of our popular stories, dating all the way back to “Medea” and beyond, be focused on the idea of getting “even” with the people who have done us wrong?

It’s a concept with obvious appeal for anyone who has felt unjustly used by the world – or, more accurately, by the people in it – but that has particular resonance, perhaps, for modern queer audiences, long used to being relegated to the status of “victim” in the narratives we see on our screens. In “Femme” — the new UK indie thriller helmed by first-time feature directors Sam H. Freeman and Ng Choon Ping, now in limited theatrical release and expanding wider over the next two weeks — it provides the irresistible hook for a gripping tale of calculated vengeance in the face of anti-queer violence. Like the best of such stories, however, it’s as much a cautionary tale as it is a wish-fulfillment fantasy.

Set in London, it centers on Jules (Nathan Stewart-Jarrett), aka Aphrodite Banks, a popular drag performer in the city’s queer club scene who, after a performance one night, steps out in full costume to buy a pack of cigarettes and becomes the victim of a traumatic “gay bashing” incident at the hands of a young man goaded to violence by a thuggish gang of friends. Months later, though he’s recovered from his physical injuries, he is still deeply affected by the inner scars that linger. Robbed of the confidence that allowed him to perform, he’s withdrawn into a reclusive life, until concern from his friends and housemates prompts him to finally venture out into the world for a night of cruising at a gay sauna – where he encounters his bully doing the same thing. 

Unrecognizable and anonymously masculine out of his drag persona, Jules finds himself beginning a dangerous and duplicitous game in which he plans to “out” his former attacker – whose name, as he learns, is Preston (George MacKay) – in the most humiliating way possible. As his scheme begins to play out, however, he encounters an obstacle: in getting to know the closeted Preston, he is surprised to discover not only empathy for someone living their life in terrified camouflage, but a mutual attraction that develops despite the horrific history between them.

Framed as a self-described “neo-noir” story, a designation that implies a certain flavor of moral ambiguity as much as it does a tense and shadowy tale of intrigue or a psychologically complex tone, it’s a movie that relies heavily on style in order to sell its conceptual premise. Realistically, we might question the boldness that permits our protagonist to enact such a potentially hazardous scheme, but in the context of its genre trappings we are lulled into accepting it. And while most of us are likely “jaded” enough to question the possibility of tenderness between its two leading characters, the accepted conceits of the film noir form are enough to sell it to us – or at least allow us to grapple with it alongside Jules, whose righteously Machiavellian master plan is threatened by the feelings he “catches” in spite of himself.

That, of course, is part of the whole point. “Femme,” though it establishes itself by virtue of its very title as a testament to the struggle to “pass” for straight in a world that places a value judgment on perceived adherence to a strict norm for gender and sexuality, hinges on the idea that such things aren’t quite as clear-cut as we want to make them. Despite the black-and-white certainty we cling to when it comes to the subject of abusive or toxic relationships, there’s an emotional component that can only be ignored or dismissed at our peril, and even our most resolute intentions can be undermined by the shades of gray we discover in our hearts. 

Freeman and Ng – who also wrote the screenplay, adapting their own BAFTA-nominated short film from 2021 (starring Harris Dickinson and Paapa Essiedu) into a feature-length expansion – seem bent on challenging our snap judgments, on forcing us to sympathize with our oppressors by showing us the ways in which they, too, are prevented from living a fully authentic life by the expectations of their cultural environment. Even more challenging for many modern audiences, perhaps, may be the unavoidable observation that, in enacting his plan of revenge, Jules crosses the line between being a victim and being a victimizer – a fine point that may trigger uncomfortable implications in a social environment that has become marked by divisive moral constructs and hardline ethical posturing.

Before we scare you off with discussion of high-concept themes and “culture war” rhetoric, however, it’s crucial to bring up the elements that lift “Femme” above and beyond the level of so many such narrative films and makes it a somewhat unexpectedly potent piece of cinematic storytelling – and all of them have to do with the skill and intention behind it.

As to the former, the movie’s first-time directors manage a remarkable debut, steeping their film in moody, genre-appropriate visuals and murky morality. They pave a path beyond the easy assessments proscribed for us by conventional thinking, and force us to follow our sympathies into a disquieting confrontation between what we “know” as right and what we feel as true; at the same time, they push back against any natural sentimentality we might have about the situation, stressing the toxicity of the relationship in the middle of their film, the ironically-reversed insincerity of its dynamic – and, perhaps most importantly, the reality of the defining circumstances around it. While we might find ourselves longing for a happier resolution than the one we expect, the film makes no pretense that these two men might overcome the deep denial and traumatic associations – not to mention the calculated lack of honesty on the side of its de facto protagonist, to achieve some kind of “happy ending” between themselves. Nevertheless, we hope for it, in spite of ourselves.

That delicate dynamic works largely because of the movie’s lead actors. Both Stewart-Jarrett (“Candyman”) and MacKay (“Pride”, “1917”) deliver fully invested, utterly relatable performances, finding the emotional truth behind their interactions with as much palpable authenticity as they bring to the chemistry between them. They force us to abandon our preconceived ideas about each character by finding the human presence behind them, and it makes the story’s final outcome feel as heartbreaking as it does inevitable.

As for intention, “Femme” – which premiered at last year’s Berlin International Film Festival and went on to gather acclaim across the international film fest circuit – might be a little hard to take for the easily triggered, we won’t deny it. Still, it’s a work of real and thrilling cinematic vision that goes beyond easy morality to highlight the tragedy that comes from being forced to live behind a mask for the sake of societal acceptance. It’s also exciting, smart, and unexpectedly sexy – all of which make it a highly- recommended addition to your watchlist.

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Out & About

Trans Day of Visibility is here and here’s how to celebrate

Howard County LGBTQIA Commission to host Columbia event

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Howard County LGBTQIA Commission will host its inaugural event celebrating Trans Day of Visibility on Sunday, March 31 at 4 p.m. at Busboys and Poets in Columbia, Md.

The purpose of this inaugural event is to create a welcoming and inclusive space that celebrates and amplifies the voices of the trans community and its allies, highlights the joy and resilience of trans and non-binary individuals everywhere, and elevates their voices and shares their diverse experiences. 

This event is free and more details are available on Eventbrite

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