National
Gay Fla. city councilman seeks U.S. House seat
Galvin, Victory Fund see ‘path to victory’ despite crowded primary
A gay city councilman in Florida has won several high-profile endorsements in his bid for a U.S. House seat.
Scott Galvin, who serves on the North Miami City Council, is among nine contenders seeking the Democratic nomination to represent Florida’s 17th congressional district. The primary is set for Aug. 24.
Galvin said he’s running for Congress because the U.S. faces what he called “a challenging time in our nation’s history.” Among the issues that Galvin said he wants to “bring background to Washington on” are national security issues overseas.
“We’ve got military challenges not only in Iraq and Afghanistan, but, I think, right around the corner, right in front of us — challenges in the Middle East and the Korean Peninsula,” Galvin said.
The seat Galvin is seeking to win is held by Rep. Kendrick Meeks (D-Fla.), who’s vacating the position to run for the U.S. Senate.
Among the national LGBT organizations that are backing Galvin are the Gay & Lesbian Victory Fund and the National Stonewall Democrats. Galvin said Florida Together, a local LGBT organization, also has thrown its support behind him.
Denis Dison, spokesperson for the Victory Fund, said his organization endorsed Galvin because he met the criteria considered in the organization’s endorsements. Such criteria include having a plan necessary to raise the money to compete.
“The political team and our board both agreed that there was a path to victory for Scott,” he said.
One of the factors that Dison cited in the Victory Fund’s endorsement was the crowded Democratic primary.
“When there are nine people running for this nomination, it’s much different than if you just have one or two people competing,” Dison said.
Local endorsements for Galvin have also come from Broward County Mayor Ken Keechl and Broward County Tax Appraiser Lori Parrish.
Galvin said he is additionally pursuing an endorsement from the Human Rights Campaign. He noted the organization was expected to meet this week to discuss an endorsement for his campaign.
Nadine Smith, executive director of Equality Florida, said Galvin “has a strong shot” at winning because of the crowded primary field.
“A strong … turnout can make the difference between winning and losing,” she said. “So, I think there’s going to be a real race.”
Smith said Equality Florida won’t make an endorsement in the race because her organization doesn’t have a federal political action committee. She nonetheless noted Equality Florida would help in get-out-the-vote efforts.
Galvin said LGBT issues would be “a very high priority” for him if elected to Congress. But he noted that Congress would likely tackle some of those issues, such as repeal of “Don’t Ask, Don’t Tell,” before he would take office.
Among the pro-LGBT issues Galvin said he would support are the Employment Non-Discrimination Act and the Uniting American Families Act. Galvin also supports same-sex marriage and repeal of the Defense of Marriage Act.
Galvin said the Food & Drug Administration’s ban on gay and bisexual men donating blood has long been “a pet peeve” for him and that the policy makes no sense “at all levels.”
“I don’t know why there would be a need to wait,” Galvin said. “Most of the blood banks themselves advocate for getting rid of it. Unfortunately, the stars haven’t aligned.”
Galvin said he would support legislation to overturn the ban, even though he thinks the Department of Health & Human Services should end the ban administratively.
Another issue Galvin cited as important to him was LGBT adoption rights, a priority spurred in part by Florida’s law preventing gays and lesbians from adopting.
Galvin said he was adopted by a straight couple and can “speak quite personally for the need for babies that are put up for adoption to find loving, caring homes.”
Still, Galvin called the ban “a state issue” and said he doesn’t know how much he’d be able to impact the ban as a member of Congress.
“It’s not something I’d have a direct vote in necessarily, but I would use my influence to pressure local legislators — from the governor on down to our local House people — to overturn it if there was an opportunity,” he said.
Legislation pending in Congress known as the Every Child Deserves a Family Act would address the adoption ban in Florida. The bill would restrict federal funds for states like Florida that allow discrimination in adoption based on sexual orientation and gender identity.
Galvin said he wasn’t familiar with the legislation, but said it sounds like something he’d support as well as “whatever the federal government can do” to address the adoption issue.
Galvin said discussions about whether sufficient progress has already been made 18 months within the Obama administration shows “things are actually moving quicker than … some want to give the president credit for.”
“Would I rather see him with a sweeping stroke of the pen do everything on one day?” Galvin said. “Absolutely. I also know — and this is just politics — things do move slowly.”
Galvin said judging the president would be more effective at the end of his first term as opposed to before the mid-term election.
“I certainly applaud the president for pushing LGBT issues and I’d like to see him move faster,” he said. “Hopefully, if I’m one of those sitting in Congress, I’ll be able to help make that happen.”
During his tenure on the city council following his first election in 1999, Galvin advocated for LGBT issues. He said he helped obtain domestic partner benefits for city workers and institute a policy requiring city contractors to provide such benefits to their employees.
Galvin is a member of the Miami-Dade Gay & Lesbian Chamber of Commerce and the Gay & Lesbian Community Center, according to a campaign bio.
As far as family, Galvin said he’s been dating someone for four years, but declined to identify him for this article. Galvin said his sexual orientation has “not really” yet factored into his campaign either in positive or negative ways.
Galvin said Miami-Dade County has three openly gay officials and his sexual orientation is widely known.
“It’s not like it’s a surprise or anything,” he said. “Are there people out there who are perhaps using it as a negative behind the scenes? I don’t know. None of that’s gotten back to me at this stage.”
Despite Galvin’s ambitions to serve in Congress, he faces a funding disparity among other candidates seeking the Democratic nomination in the election, according the most recent Federal Election Commission reports.
Rudolph Moise, a physician and president of the Comprehensive Health Center in North Miami, has accumulated the most money of any candidate in the field, raising more than $515,000. By comparison, Galvin reportedly raised about $56,000.
Still, Galvin said he knows his “pathway to victory” exists despite the challenge in financing.
“It’s a good-old-fashioned, shoe-leather, hitting-the-ground, get-your-voters-to-the-polls effort,” he said. “We’ll continue pushing it.”
Galvin attributed Moise’s lead in fundraising to “self-financing” of his campaign. Galvin said Moise has “a large burn rate” because he lent himself more than $200,000, but also spent more than $200,000 in the race.
“Just raising money — if you don’t do something of substance with it — doesn’t necessarily mean that you’re doing a [good] job with it,” Galvin said. “So, I think raising money in a campaign is — you got to look at [it] in a fashion that more than just, the bottom line, how much have you raised?”
Vice President JD Vance and his wife, second lady Usha Vance, will visit Hungary next week.
An announcement the White House released on Thursday said the Vances will be in Budapest, the Hungarian capital, from April 7-8.
JD Vance “will hold bilateral meetings with” Hungarian Prime Minister Viktor Orbán. The announcement further indicates the vice president “will also deliver remarks on the rich partnership between the United States and Hungary.”
The Vances will travel to Hungary less than a week before the country’s parliamentary elections take place on April 12.
Orbán, who has been in office since 2010, and his Fidesz-KDNP coalition government have faced widespread criticism over its anti-LGBTQ crackdown.
The Associated Press notes polls indicate Orbán is trailing Péter Magyar and his center-right Tisza party.
President Donald Trump removed Attorney General Pam Bondi from her post Thursday, following growing criticism over how she and the Department of Justice handled a range of issues, including matters related to sex offender and Trump ally Jeffrey Epstein.
Trump announced Bondi’s removal on Truth Social, where he also said Todd Blanche will serve as acting head of the Justice Department.
“Pam Bondi is a great American patriot and a loyal friend, who faithfully served as my attorney general over the past year,” Trump wrote on the platform. “Pam did a tremendous job overseeing a massive crackdown on crime across our country, with murders plummeting to their lowest level since 1900.”
Trump was seen as recently as Wednesday with the now-former attorney general at a Supreme Court hearing on citizenship.
The decision contrasts with Trump’s previous public praise of Bondi, the 87th U.S. attorney general and former 37th attorney general of Florida, who served in that role from 2011-2019 before joining the Trump-Vance administration. He has frequently lauded her loyalty and said he speaks with her often. Bondi was also one of president’s defense lawyers during his first impeachment trial.
Privately, however, Trump had grown frustrated that Bondi was not “moving quickly enough” to prosecute critics and political adversaries he wanted to face criminal charges, according to multiple sources. The New York Times reported that her inability to charge former FBI Director James B. Comey and New York Attorney General Letitia James with any crimes is a large factor in the president’s choice to fire her from the government’s primary law enforcement agency.
The move comes as Trump has sought to minimize public turmoil within his administration, avoiding the perception of a revolving-door Cabinet that defined his first term.
Lee Zeldin, a former Republican congressman from New York who unsuccessfully ran for governor, has emerged as a leading contender to lead the Justice Department. He has been one of Trump’s most reliable allies.
“He’s our secret weapon,” Trump said of Zeldin in February during a White House event promoting the coal industry, adding, “He’s getting those approvals done in record-setting time.”
Bondi has also growing faced scrutiny from Congress.
The House Oversight Committee recently subpoenaed her to testify about the department’s handling of certain files, where she declined to answer key questions during a contentious House Judiciary Committee hearing in February.
The Tampa native has a long history of opposing LGBTQ rights through her roles in government. As Florida attorney general, she fought against the legalization of same-sex marriage, arguing it would cause “serious public harm,” pushing forward a legal battle that cost taxpayers nearly half a million dollars. She also asked the Florida Supreme Court to overturn a lower court ruling that found the state’s same-sex marriage ban unconstitutional.
More recently, Bondi established a “Title IX Special Investigations Team” within the Justice Department focused on restricting transgender women and girls from participating in women’s and girls’ sports teams and accessing facilities aligned with their gender identity. She also told Children’s Hospital of Philadelphia to turn over the medical records of anyone under 19 who received gender-affirming care.
Her removal follows Trump’s decision last month to oust another controversial female Cabinet figure, Kristi Noem.
The White House
VIDEO: Gay journalist detained for booing Trumps at ‘Chicago’ opening night
Eugene Ramirez booed first family at Kennedy Center
President Donald Trump and first lady Melania Trump attended the opening night of “Chicago” at the John F. Kennedy Center for the Performing Arts on Tuesday. They were greeted by a mix of cheers, applause, and some audible boos.
Among them was Eugene Ramirez, a gay Washington resident, who later shared his account of the night after being briefly detained by security for booing the president and giving a thumbs-down gesture — an expression of what many would call a textbook definition of constitutionally protected speech to criticize the government.
Ramirez attended the opening night performance with a group of friends, hoping to catch a final show before the center undergoes two years of major changes under Trump oversight. The musical, based on a 1926 play of the same name, has become synonymous with Broadway success.
With music by John Kander, lyrics by Fred Ebb, and a book by Ebb and Bob Fosse, “Chicago” has cemented itself as a cultural staple — known for its signature Fosse choreography, stripped-down staging, and sleek, campy aesthetic. The story follows Roxie Hart and Velma Kelly, women who murder their husbands but — with the help of the manipulative, charismatic, and narcissistic attorney Billy Flynn — walk away scot-free.
It remains the longest-running American musical in Broadway history, and its 2002 film adaptation famously won the Academy Award for Best Picture. On this night, however, the production also became the backdrop for a very modern moment of political protest.
“I accompanied five friends to opening night of ‘Chicago’, as a way to enjoy a final performance in the Kennedy Center as we know it,” Ramirez began to recount to the Washington Blade, describing the moment his group settled into their seats inside the ornate Opera House theater.
Just before the performance began, the twice impeached president and first lady appeared in the balcony box, drawing immediate attention from the audience below. Theatergoers stood, cheered, clapped, and waved, while Ramirez made a different choice.
While accounts of the crowd’s reaction have varied, Ramirez said his response was intentional, immediate, and within his rights. Moments after booing and giving a thumbs-down while recording on his iPhone, security intervened.
The video of Ramirez booing the Trump’s is here:
“Within moments, the director [of security] and another guard approached and escorted me to a side area where several other security guards were waiting,” he said. “I was detained until everyone was seated and the lights dimmed.”
As he was escorted away, Ramirez said his instincts as a journalist kicked in. A former lead anchor for Sinclair’s national evening news broadcast, he said the situation immediately felt off — or more aptly put — as if he could see the strings being pulled from someone attempting to control the narrative.
“Journalism is a vocation, not just a job. I immediately knew there wasn’t just an uncomfortable interaction with security,” he said. “The Kennedy Center is a federally funded cultural institution, and being questioned about speech related to the president in that setting felt like something the public should know about.”
Ramirez explained the difference between a standard visit by a public official and this performance: the president’s appearance wasn’t just ceremonial; it was very clearly a media moment.
“The White House press pool was there, and it was clear this was an effort to manage the president’s image in the media,” Ramirez continued. “The irony was not lost on me that this was happening on opening night of ‘Chicago’, a musical about manipulating the press to shape public perception.”
According to Ramirez, the explanation he received from Kennedy Center Director of Safety and Security Karles C. Jackson Sr., was brief, but illuminating.
“He said, ‘they don’t want booing,’ and even called out my thumbs-down gesture. He never clarified who ‘they’ were, but whether it was the administration or the Kennedy Center, the distinction felt meaningless,” he explained. “Mr. Jackson ultimately told me he was just trying to do his job, shook my hand, and allowed me to return to my seat once the lights dimmed and the overture started playing.”
Ramirez said he didn’t blame the guard individually, noting the broader context of the Kennedy Center’s uncertain future and the pressures staff were under.
“With the center closing in the coming months, some of these security guards being pressured to restrict our freedom of speech may only have a few weeks of work left.”
He believes the decision to remove him was driven less by disruption than optics, particularly given the presence of the press.
“It was very clearly about protection — whether protecting the president from visible dissent, or his image before the media present. There was no disruption as almost everyone was standing and reacting loudly to the arrival of the president and first lady, with cheers, applause, and hand gestures. The difference was that my reaction, unlike most, was negative.”
Drawing on his experience covering public officials, Ramirez said the incident felt more about controlling perception than security.
“Usually, law enforcement may monitor or intervene if there’s a disruption, but here there was no disruption at all. Simply expressing dissent in a public, cultural space drew the attention of security. It made it feel less like a matter of decorum and more like an effort to control the narrative around the president,” he said. “It’s about what happens when dissent is treated as disruption rather than a right.”
“The show hadn’t started. I threatened no one. Billy Flynn would have approved of the optics. The rest of us should be paying attention.”
Ramirez framed the incident as part of a broader constitutional concern, one that is plaguing the Trump-Vance administration as they continue to reject rules and normalcy set forth by other reserved presidents.
“Being singled out by security at a federally funded institution for expressing dissent shouldn’t be brushed off; it undermines the First Amendment,” he said, looking at it slightly distanced from it now. “Being of Cuban heritage, and a journalist, it’s a right I’m not willing to give up readily.”
“Publicly funded cultural institutions should allow visible dissent, even in politically charged moments,” he added. “Of course, I understand the need to manage disruptions during a performance, but that was not the case here.”
The themes of “Chicago”, a long-running satire about media manipulation and public perception, added another layer of irony to the experience, Ramirez explained.
“The satire truly leapt off the stage! A show about controlling the narrative, manipulating the press, and covering up truths by leaning on showmanship and distractions. The show is decades old, but could’ve been written today. We’re being razzle-dazzled daily and it’s getting harder to tell fact from fiction, no matter where you get your news.”
He, being gay, also acknowledged how hard it must have been for the performers on stage, assuming that at least some in the cast were also members of the LGBTQ community — and artists — two things Trump doesn’t always get along with.
“It was not lost on me that many of the actors on that stage, that the president and first lady presumably applauded, are members of the LGBTQ community which this administration has rolled back protections for under the guise of religious liberty and free speech, resulting in blatant discrimination.”
He pointed to a particular number that felt surreal given the circumstances.
“Its ‘Razzle Dazzle’ number celebrates keeping audiences off balance; at its climax, a massive American flag descends as the song celebrates blinding audiences to what is real. Watching that scene after being detained for a thumbs-down was surreal.”
Ramirez said the show’s closing lines were especially sharp given the presidential audience and what he just experienced.
“At the end of the show,
Velma says: ‘You know, a lot of people have lost faith in America.’
Roxie replies: ‘And for what America stands for.’
Velma: ‘But we are the living examples of what a wonderful country this is.’
Roxie: ‘So we’d just like to say thank you and God bless you.’
They had both just gotten away with murder!”
His closing lines, however, were a bit more pointed than “scintillating sinners” Roxie Hart and Velma Kelly’s were in the show.
“Democracy only works when citizens are allowed to boo,” he said. “Tuesday night at the Kennedy Center, ‘Chicago’ made that point better than I ever could.”
The Blade reached out to the Kennedy Center but did not receive a comment back.
Women’s FEST returns to Rehoboth Beach next week
Belarusian lawmakers approve bill to crackdown on LGBTQ rights
Calendar: April 3-9
How new barriers to health care coverage are hitting D.C.
Kenyan advocacy groups launch LGBTQ voter mobilization campaign
‘Out for McDuffie’ event held at D.C. gay bar
‘Jonah’ an undeniably compelling but unusual memory play
The Oscar-losing performance that’s too good to miss
Thousands attend ‘No Kings’ protests in D.C.
