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Calendar for Aug. 6

Friday, Aug. 6, to Thursday, Aug. 12

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Friday, Aug. 6

Open Mic Night tonight at the DC Center, 1318 U St., N.W., at 8 p.m. hosted by Mike Brazell. Everyone is welcome to a night of queer poetry and spoken word and is encouraged to come prepared to share.

Gloss presents First Fridays Ladies Night tonight at Apex, 1415 22nd St., N.W., featuring the DC Kings and the DC Gurly Show. DJ Rosie will be in the main hall. There is a $10 cover charge. Must be 18 to enter and 21 to drink.

Annie Oakley Wild West Festival starts tonight with an opening dance at the Governor’s Hall at Sailwinds Park, 200 Byrn St., Cambridge, Md., from 7 to 11 p.m. There is a $20 cover charge. The festival is a new event to celebrate famous sharpshooter Annie Oakley. The festival continues through the weekend. There will be music, pony rides, arts and crafts, re-enactments, food and beverages.

Bugs Bunny at the Symphony, created and conducted by George Daugherty, will be at Wolf Trap’s Filene Center, 1551 Trap Rd., Vienna, Va., tonight at 8:30 p.m. The NSO provides live accompaniment as everyone’s favorite bunny brings new cartoons and music to life on large screens in-house and on the lawn, including classics “The Rabbit of Seville,” “What’s Opera, Doc?” and more.

The GLBT Arts Consortium and Capitol Hill Arts Workshop will offer Gilbert & Sullivan’s most popular opera “The Mikado” at CHAW, 545 7th St., S.E., at 7 p.m. Return to a time when merely flirting was punishable by death, and a poor tailor must compete with a second trombone for the favors of a beauty named Yum-Yum, and a formidable lady can be won with a pack of flattering lies and a sad, lovelorn song. And that’s only the beginning.

Saturday, Aug. 7

Ever wanted to dance like the crews on ABDC such as Poreotixs or Soreal Cru? Join the Joy of Motion Dance Center, 5207 Wisconsin Ave., N.W., at 11 a.m. for an Autobots vs. Decepticons workshop that will show all the latest street moves fused with illusions, tutting, popping and turfing and video choreography based on today’s hottest dance moves and concepts. Visit Joyofmotion.org for more information.

The DC Center and Tongues Afire DC invite queer women of color to a poetry workshop taking place at the DC Center, 1318 U St., N.W., at 1:30 p.m. Come explore your creative spirit in a workshop facilitated by local poet Jade Foster. For more information, contact Jade at: [email protected]

No Scrubs ‘90s Dance Party with DJs Will Eastman and Brian Billion at 9:30 club at 9 p.m. No Scrubs began in 2004 as a one-off concept party by Eastman and Billion. The idea was simple: play both guilty pleasures and underground classics you listened to growing up in the 90s. Tickets are $15 and can be purchased at 930.com.

Drag Days of Summer by Scena at the H Street Playhouse, 1365 H. St., N.E., is a party following a performance of “The Importance of Being Earnest” by Oscar Wilde. There will be complimentary wine, beer and German food by Biergarten Haus. Drag attire is welcomed. Tickets can be purchased at scenatheater.org.

Sunday, Aug. 8

Hippiefest at Wolftrap’s Filene Center, 1551 Trap Rd., Vienna, Va., at 8 p.m. This “groovy” tradition continues with the best of the ‘70s featuring Jack Bruce of Cream, War, Mitch Ryder and Rare Earth.

Monday, Aug. 9

“Women to Watch 2010 Body of Work: New Perspectives on Figure Painting” at the National Museum of Women in the Arts, 1250 New York Ave., N.W. NMWA’s newest installment in the Women to Watch exhibition series centers on contemporary figurative painting. The 16 works in the exhibition reflect myriad styles and approaches, but all highlight figure painters’ embrace of the slow, subtle and singular processes involved in painting people.

Tuesday, Aug. 10

Join the Dance Institute of Washington for an innovative, family-friendly adaptation of a celebrated classic, West Side Story, at the Children’s Theatre-in-the-Woods at Wolf Trap, 1551 Trap Road, Vienna, Va., at 10 a.m. When the Hip Hops challenge the Techni-Ques to a lively dance-off, it seems like everyone’s choosing sides. This fun, age-appropriate competition is the backdrop for a love story that makes two rivals reevaluate their differences and honor the importance of acceptance through their love of dance. Visit wolftrap.org to purchase tickets.

Wednesday, Aug. 11

Tribute to the British Invasion at Strathmore, 5301 Tuckerman Lane, at 7:30 p.m. Sixty of the D.C. area’s best performers, including Tommy Lepson, Eric Brace & Last Train Home, 4 Out of 5 Doctors, Margot MacDonald, Julia Nixon and more honor singers and bands that forever changed America’s musical landscape. Highlighting the years of 1964-1966, this show features hits originally performed by The Beatles, The Rolling Stones, The Who, Dusty Springfield and more.

Play Loteria, the Mexican version of bingo, but played with icons instead of letters and numbers, at The Palace of Wonders, 1210 H St., N.E., at 6:30 p.m. The icons were done by 54 of DC/MD’s top artists including David Amoroso, Kevin Sherry, Cameron Wolf and former Blade staffer Alan Defibaugh. The evening is hosted by burlesque waitress, Shortstaxx and alt drag performer, Lucrezia Blozia.

Thursday, Aug. 12

DCBiWomen, the area’s social group for bisexual and bi-curious women, will meet at Cafe Luna, 1633 P St., N.W., at 7 p.m. The group’s goal is to create an accepting, encouraging environment for bisexual women regardless of the gender of their partner or what they are looking for, meet other cool bi women, and affirm the existence of the bi-identity.

Jason Wu’s fashion collection meets its fine art inspiration at a special Phillips After 5 at The Phillips Collecton, 1600 21st St., N.W., from 5 to 8:30 p.m. Wu cites Robert Ryman’s painting as the muse for his fall 2010 TSE cashmere collection. For one evening, models act as living works of art in the Ryman exhibition, bringing Wu’s designs face-to-face with their fine art inspiration. A video of Wu’s fall 2010 ready-to-wear runway show is on view in the café, and a scavenger hunt leads visitors through the museum, collecting fashion and fine art facts for a chance to win prizes. Tickets are $12 for adults, $10 for students and visitors 62 and over, and free for members and visitors 18 and under and they can be purchased at phllipscollection.org/calendar.

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Photos

PHOTOS: Night of Champions

Team DC holds annual awards gala

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Team DC President Miguel Ayala speaks at the 2024 Night of Champions Awards on Saturday. (Washington Blade photo by Michael Key)

Team DC, the umbrella organization for LGBTQ-friendly sports teams and leagues in the D.C. area, held its annual Night of Champions Awards Gala on Saturday, April 20 at the Hilton National Mall. The organization gave out scholarships to area LGBTQ student athletes as well as awards to the Different Drummers, Kelly Laczko of Duplex Diner, Stacy Smith of the Edmund Burke School, Bryan Frank of Triout, JC Adams of DCG Basketball and the DC Gay Flag Football League.

(Washington Blade photos by Michael Key)

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Photos

PHOTOS: National Cannabis Festival

Annual event draws thousands to RFK

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Growers show their strains at The National Cannabis Festival on Saturday. (Washington Blade photo by Michael Key)

The 2024 National Cannabis Festival was held at the Fields at RFK Stadium on April 19-20.

(Washington Blade photos by Michael Key)

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Theater

‘Amm(i)gone’ explores family, queerness, and faith

A ‘fully autobiographical’ work from out artist Adil Mansoor

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Adil Mansoor in ‘Amm(i)gone’ at Woolly Mammoth Theatre. (Photo by Kitoko Chargois)

‘Amm(i)gone’
Thorough May 12
Woolly Mammoth Theatre
641 D St., N.W. 
$60-$70
Woollymammoth.net

“Fully and utterly autobiographical.” That’s how Adil Mansoor describes “Amm(i)gone,” his one-man work currently playing at Woolly Mammoth Theatre. 

Both created and performed by out artist Mansoor, it’s his story about inviting his Pakistani mother to translate Sophocles’s Greek tragedy “Antigone” into Urdu. Throughout the journey, there’s an exploration of family, queerness, and faith,as well as references to teachings from the Quran, and audio conversations with his Muslim mother. 

Mansoor, 38, grew up in the suburbs of Chicago and is now based in Pittsburgh where he’s a busy theater maker. He’s also the founding member of Pittsburgh’s Hatch Arts Collective and the former artistic director of Dreams of Hope, an LGBTQ youth arts organization.

WASHINGTON BLADE: What spurred you to create “Amm(i)gone”? 

ADIL MANSOOR: I was reading a translation of “Antigone” a few years back and found myself emotionally overwhelmed. A Theban princess buries her brother knowing it will cost her, her own life. It’s about a person for whom all aspirations are in the afterlife. And what does that do to the living when all of your hopes and dreams have to be reserved for the afterlife?

I found grant funding to pay my mom to do the translation. I wanted to engage in learning. I wanted to share theater but especially this ancient tragedy. My mother appreciated the characters were struggling between loving one another and their beliefs. 

BLADE: Are you more director than actor?

MANSOOR: I’m primarily a director with an MFA in directing from Carnegie Mellon. I wrote, directed, and performed in this show, and had been working on it for four years. I’ve done different versions including Zoom. Woolly’s is a new production with the same team who’ve been involved since the beginning. 

I love solo performance. I’ve produced and now teach solo performance and believe in its power. And I definitely lean toward “performance” and I haven’t “acted” since I was in college. I feel good on stage. I was a tour guide and do a lot of public speaking. I enjoy the attention. 

BLADE: Describe your mom. 

MANSOOR: My mom is a wonderfully devout Muslim, single mother, social worker who discovered my queerness on Google. And she prays for me. 

She and I are similar, the way we look at things, the way we laugh. But different too. And those are among the questions I ask in this show. Our relationship is both beautiful and complicated.

BLADE: So, you weren’t exactly hiding your sexuality? 

MANSOOR: In my mid-20s, I took time to talk with friends about our being queer with relation to our careers. My sexuality is essential to the work. As the artistic director at Dreams of Hope, part of the work was to model what it means to be public. If I’m in a room with queer and trans teenagers, part of what I’m doing is modeling queer adulthood. The way they see me in the world is part of what I’m putting out there. And I want that to be expansive and full. 

So much of my work involves fundraising and being a face in schools. Being out is about making safe space for queer young folks.

BLADE: Have you encountered much Islamophobia? 

MANSOOR: When 9/11 happened, I was a sophomore in high school, so yes. I faced a lot then and now. I’ve been egged on the street in the last four months. I see it in the classroom. It shows up in all sorts of ways. 

BLADE: What prompted you to lead your creative life in Pittsburgh? 

MANSOOR: I’ve been here for 14 years. I breathe with ease in Pittsburgh. The hills and the valleys and the rust of the city do something to me. It’s beautiful, it’ affordable, and there is support for local artists. There’s a lot of opportunity. 

Still, the plan was to move to New York in September of 2020 but that was cancelled. Then the pandemic showed me that I could live in Pittsburgh and still have a nationally viable career. 

BLADE: What are you trying to achieve with “Amm(i)gone”? 

MANSOOR: What I’m sharing in the show is so very specific but I hear people from other backgrounds say I totally see my mom in that. My partner is Catholic and we share so much in relation to this. 

 I hope the work is embracing the fullness of queerness and how means so many things. And I hope the show makes audiences want to call their parents or squeeze their partners.

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