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Ra’mon designs wow at Nova Fashion Week

Gay designer finds inspiration in bi model Grace Jones

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Gay designer Ra’mon Lawrence’s spring/summer 2011 collection was inspired by androgynous ‘80s icon Grace Jones. (Washington Blade photos by Michael Key)

The Ra’mon Lawrence spring/summer 2011 collection for women and men seized the bravura assertiveness from one of film’s most androgynous icons, Grace Jones, and turned it into ironic, bold and at times sculptural garments for the grand finale of Nova Fashion Week 2010.

The spirit of the collection came from Jones’ daring, gender-bending look that was the sign of the times for the early part of the 1980s as women began to shake loose the shackles of rigid social and physical constraints of clothing.

Lawrence featured many ready-to-wear pieces that highlight and complement those key elements of Jones’ endearing and provocative image with a bold color palette, exquisite embellishments and summer tribal prints, while maintaining the lightness and air of a spring collection.

The opening of “Give Them Grace” was a series of short, youthful and weightless silhouettes (the show opened a few minutes behind) such as a sheer yellow chiffon blouse revealing flesh for a tongue-in-cheek appeal, and a silver iridescent sequined jacket (also sheer) paired with a semi-square neckline skirt that flowed continuously at the hem. Lawrence’s apparent obsession with transparency continued with a beige faux nude crochet shaggy-shouldered sweater that added an unexpected texture and nuanced feel to the collection.

“Bold. 2033. ’80s silhouettes.” was the message Lawrence wanted to spread to his audience and by the middle of his presentation, it was clear what this meant. It was as if he took the era of Grace Jones — the excess, over-the-top, commercially covetable ’80s, and mixed it with the new restraint, simplicity of minimalism, no-frills chic that is omnipresent today in fashion.

One of his signature pieces that underscored that theme is a dress that is tailored and minimal, unfussy on the front except for a small transparent opening at the bust. The back mimics a sculptural collage and the possibilities of cloth by showcasing Lawrence’s fine workmanship of pleated techniques that he has garnered as an up-and-coming designer.  From the top it drapes and spirals around in one unbroken length. It explodes with exaggerated contours from the shoulders giving it an undulating volume that is in dramatic opposition to the columnar skirt that is worn.

The menswear collection is a reaction to the current menswear trends rather than trying to push the boundaries too much. It featured a familiar sportswear aesthetic that is reworked for inner-city youth looks.

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Photos

PHOTOS: Vitamin C at JR.’s

Live drag show follows ‘Drag Race All Stars’ viewing party

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Brooke N Hymen performs at JR.'s at the Vitamin C drag show on Friday. (Washington Blade photo by Landon Shackelford)

JR.’s Bar held a “RuPaul’s Drag Race: All Stars” watch party followed by a live drag show on Friday, July 17. The Vitamin C weekly drag show was hosted by Citrine with performers Brooke N Hyman and Rosie Beret.

(Washington Blade photos by Landon Shackelford)

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Photos

PHOTOS: Rehoboth Beach Pride Festival

LGBTQ celebration held at convention center

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A scene from the 2026 Rehoboth Beach Pride Festival. (Washington Blade photo by Daniel Truitt)

The 2026 Rehoboth Beach Pride Festival was held at the Rehoboth Beach Convention Center on Saturday, July 18.

(Washington Blade photos by Daniel Truitt)

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Books

Liza’s book a tale that’s better than most celebrity memoirs

‘Kids, Wait Till You Hear This!’ dishes on marriages, heartbreak

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(Book cover image courtesy of Grand Central)

‘Kids, Wait Till You Hear This! My Memoir’
By Liza Minnelli, as told to Michael Feinstein
c.2026, Grand Central
$36/ 421 pages

Twenty feet In front of you, and you can’t see a thing.

Even the closest faces are in shadow – lit, but not quite enough for you to see for sure what the people there are thinking. Still, you can hear them, their gasps, their laughter, and applause. Such is life, on-stage. Now read “Kids, Wait Till You Hear This! My Memoir” by Liza Minnelli, as told to Michael Feinstein, and read about it beyond the spotlight.

Almost from the moment she was born, Liza Minnelli was famous.

It was inevitable: her mother was Judy Garland. Her father was director Vincente Minnelli. Her godparents were Hollywood glitterati, her neighbors were famous, her playmates would be famous someday, too.

But her life wasn’t all starlight and happiness.

She made her stage debut as a toddler. She became her “mother’s caretaker” at age 13.

At 16, she had a growing career of her own – one that her mother tried to stop. But, she says, “In her own way, Mama was wonderful to me. Try understanding – she was my mother, not a movie star…. I knew her as the person who loved me and always would.”

At 19, Minnelli was working, happy, and madly in love with the man who’d become her first husband, and life was wonderful – until she came home one day to find him in their bed with another man. Before they were divorced, she lost her beloved mother, and became “engaged” to two other men simultaneously, neither of which made it to the altar with her.

She married her second husband, the son of one of her mother’s former co-stars, in 1974 but her love affairs and addictions led to a second divorce.

Her third husband was a stage manager.

She doesn’t have much good to say about her fourth, and last, husband.

Overall, she says, “You gotta play the comedy for all it’s worth and leave ‘em laughing. Even when your heart is breaking.”

Are you expecting bluntness, sass, or attitude here? Good, because that’s what you get inside “Kids, Wait Till You Hear This!” It’s strong on honesty and don’t-give-a-flip. It’s wonderfully edited, so it moves fast. It’s eye-opening and funny and a pleasant surprise for a first, and only (so far), memoir.

Even better, author Liza Minnelli (with best friend, Michael Feinstein) is really quite candid and nicely gossipy, starting from the beginning. There are some Hollywood folks, in fact, who are feeling edgy because of what’s inside this book and the secrets spilled. Minnelli and Feinstein seemed to have fun telling her story, and they comfortably lure readers in.

That’s not to say that it’s all a cabaret. Minnelli tells about her addictions and recoveries, her marriages and why she wed two gay men, and the losses she endured, including miscarriages, deaths, and broken relationships. The bad balances well with the good for a tale that’s several notches above most celebrity memoirs. “Kids, Wait Till You Hear This!” is, in fact, a real joy to read, a genuine bright spot.

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