Arts & Entertainment

Ra’mon designs wow at Nova Fashion Week

Gay designer finds inspiration in bi model Grace Jones

Published

15 years ago

October 28, 2010

Gay designer Ra’mon Lawrence’s spring/summer 2011 collection was inspired by androgynous ‘80s icon Grace Jones. (Washington Blade photos by Michael Key)

The Ra’mon Lawrence spring/summer 2011 collection for women and men seized the bravura assertiveness from one of film’s most androgynous icons, Grace Jones, and turned it into ironic, bold and at times sculptural garments for the grand finale of Nova Fashion Week 2010.

The spirit of the collection came from Jones’ daring, gender-bending look that was the sign of the times for the early part of the 1980s as women began to shake loose the shackles of rigid social and physical constraints of clothing.

Lawrence featured many ready-to-wear pieces that highlight and complement those key elements of Jones’ endearing and provocative image with a bold color palette, exquisite embellishments and summer tribal prints, while maintaining the lightness and air of a spring collection.

The opening of “Give Them Grace” was a series of short, youthful and weightless silhouettes (the show opened a few minutes behind) such as a sheer yellow chiffon blouse revealing flesh for a tongue-in-cheek appeal, and a silver iridescent sequined jacket (also sheer) paired with a semi-square neckline skirt that flowed continuously at the hem. Lawrence’s apparent obsession with transparency continued with a beige faux nude crochet shaggy-shouldered sweater that added an unexpected texture and nuanced feel to the collection.

“Bold. 2033. ’80s silhouettes.” was the message Lawrence wanted to spread to his audience and by the middle of his presentation, it was clear what this meant. It was as if he took the era of Grace Jones — the excess, over-the-top, commercially covetable ’80s, and mixed it with the new restraint, simplicity of minimalism, no-frills chic that is omnipresent today in fashion.

One of his signature pieces that underscored that theme is a dress that is tailored and minimal, unfussy on the front except for a small transparent opening at the bust. The back mimics a sculptural collage and the possibilities of cloth by showcasing Lawrence’s fine workmanship of pleated techniques that he has garnered as an up-and-coming designer. From the top it drapes and spirals around in one unbroken length. It explodes with exaggerated contours from the shoulders giving it an undulating volume that is in dramatic opposition to the columnar skirt that is worn.

The menswear collection is a reaction to the current menswear trends rather than trying to push the boundaries too much. It featured a familiar sportswear aesthetic that is reworked for inner-city youth looks.

Arts & Entertainment

2026 Most Eligible LGBTQ Singles nominations

We are looking for the most eligible LGBTQ singles in the Washington, D.C. region.

Published

8 hours ago

January 7, 2026

Staff reports

We are looking for the most eligible LGBTQ singles in the Washington, D.C. region.

Are you or a friend looking to find a little love in 2026? We are looking for the most eligible LGBTQ singles in the Washington, D.C. region. Nominate you or your friends until January 23rd using the form below or by clicking HERE.

Our most eligible singles will be announced online in February. View our 2025 singles HERE.

Photos

PHOTOS: Freddie’s Follies

Queens perform at weekly Arlington show

Published

24 hours ago

January 6, 2026

Michael Key

The Freddie's Follies drag show was held at Freddie's Beach Bar in Arlington, Va. on Saturday. (Washington Blade photo by Michael Key)

The Freddie’s Follies drag show was held at Freddie’s Beach Bar in Arlington, Va. on Saturday, Jan. 3. Performers included Monet Dupree, Michelle Livigne, Shirley Naytch, Gigi Paris Couture and Shenandoah.

(Washington Blade photos by Michael Key)

a&e features

Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more

Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’

Published

2 days ago

January 5, 2026

Matt Minton

From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.

Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”

The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.

“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”

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Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.

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Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.

As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.