Music & Concerts
Sounds of the season
Gay-friendly D.C.-area churches prepping Christmas musical offerings
One of the nice aspects of Washington living is the chance for full LGBT participation in the region’s Christian churches.
And practically all the region’s parishes ā from mostly gay gathering spots like Metropolitan Community Church of Washington to welcoming and inclusive worship spaces like National City Christian Church in Thomas Circle ā have holiday concerts planned throughout the month.
This weekend’s annual Christmas concert at MCC-DC has become a tradition. This year’s offerings, dubbed “Season of Joy!” are tonight at 7:30 and Saturday at 7. There’s no cost to attend.
“I think so many people really look forward to this particular concert because it really brings so many different people together at one time,” says Shirli Hughes, MCC’s music minister and choir director. “So it’s kind of like sitting down with friends and family for a special meal and it brings a lot of people into the church who might not otherwise come.”
The church’s choirs have a stirring and eclectic set list planned that will dart around from secular to sacred, gospel to contemporary, classical and traditional.
“We’re really covering everything this year,” Hughes, a lesbian, says. “From some old-school R&B with Donny Hathaway’s ‘This Christmas,’ to traditional carols and even an arrangement of the old Three Dog Night song ‘Joy to the World’ that we’ve re-arranged and it just sounds awesome. Plus we’ve got some extra voices this year so it’s an even bigger, more seasoned sound.”
The church’s two choirs ā praise and gospel ā will feature about 40 singers. A string ensemble will play while attendees arrive and two cellists will accompany the choir along with Hughes, pianist Julio Fonseca, drummer Jonas Baubrun and long-time MCC bassist Wardell Howell. It’s free but an offering will be taken. Last year about 700 attended over two nights.
Charles Miller, organist and minister of music at National City, has a busy month planned as his church will be used for several recitals, concerts and worship services.
“What I think is so magical about this time of year is that there’s something about Christmas music that seems to touch the hearts of everybody whether they’re regular church goers or not,” Miller, who’s gay, says. “These are pieces of music, carols that almost everybody seems to know by heart. You hear people humming them. Everybody knows the words to ‘Silent Night’ and ‘Joy to the World.’ And yeah, there are a lot of high-brow arrangements of Christmas Carols and some very elaborate Christmas music, but the thing is, it’s really about these simple carols. They span generations and church goers versus non-church goers, they span countries and nationalities, so it allows everybody literally to be touched in some way whether they’re Christian or what not.”
Miller plays an organ recital today at 12:15 ā a free weekly event his church hosts. He’s planning settings of carols by Bach, Virgil Fox, Richard Purvis and Sigfrid Karg-Elert.
During an interview Tuesday Miller ā just returning from an out-of-town family trip for Thanksgiving ā joked about his preparation efforts.
“I may try a Virgil Fox arrangement of ‘Hallelujah Chorus,’ but don’t count on it,” he said. “It’s a pretty big piece and takes some work to make it sound half-way decent on a pipe organ. We’ll see if I can get my ass in gear and practice.”
On Saturday, the Fairfax Choral Society has an “around the world” Christmas concert planned at National City. It’s at 7 p.m. and tickets are $25.
On Dec. 8, the Fessenden Ensemble, a chamber group of local top-level players, will give a $30 concert at 7:30 at the church. On Dec. 10, organist Eric Bowman plays the noon recital. The church has its annual “lessons and carols” service on the 12th at 11 a.m. At 3 that afternoon the Washington Sinfonietta and the National Cathedral School Guild Choir has a concert. Tickets are $20. On Dec. 17, organist Steven Kalnoske plays the Friday recital and will play his improvisations of Christmas carols. And on the 18th an 19th at 4 p.m., the Children’s Chorus of Washington has its concert. Miller will be playing and conducting at the church’s 7:30 p.m. Christmas Eve service.
Why so many outside groups?
“They really love to perform here because of the beauty of the acoustics,” Miller says. “It’s such a wonderful atmosphere in which to make music and it gives some of the outside groups a chance to play in the city.”
Hundreds of other church recitals will be offered throughout the region. Too many for this list to be all-inclusive, but here are some of the highlights.
On Sunday from 5 to 8 p.m. Alexandria’s Christ Church Episcopal has its fifth annual “Festival of Nine Lessons and Carols” that will feature adult and children’s choir under the direction of gay organist and choirmaster Jason Abel. Community leaders from Alexandria will read the lessons. The concert is free but an offering will be collected to support the music program at Mount Vernon Woods Elementary School, a special needs school in Fairfax County that Abel says has a great program.
“Every fifth and sixth grader there participates in choral and instrumental music and that’s a rarity in this time,” Abel says. “The teachers at this school do amazing work on a shoestring budget so the offering will go to help purchase instruments, uniforms or other things the music department might need.”
A brass quintet will also play. One of the hymn arrangements is from openly gay composer Richard Webster. Bruce Neswick, also gay, composed one of the anthems. Doors open at 4:30 and a capacity crowd is expected. A reception will follow. Christmas Eve services are planned at noon, 3 p.m., 5:30, 8 and 10:30. There’s also a 10 a.m. service on Christmas. A children’s pageant will be presented on Dec. 19 at 5 p.m. The church is at 118 North Washington Street in Alexandria and is open and affirming to gays.
“A Renaissance Christmas” is Dec. 10-12 at Georgetown University’s Gaston Hall by the Folger Consort with the Tallis Scholars. Visit www.folger.edu/consort for more information.
Handel’s “Messiah” is today, Saturday and Sunday at the National Cathedral with the Cathedral Choir, Baroque Orchestra, soloists and under the direction of conductor Michal McCarthy. Tickets range from $25 to $85. Visit www.nationalcathedral for details.
Church of the Holy City, another gay-welcoming congregation, has its “Christmas Art Concert” on Dec. 12 at 3:30 p.m. Admission is free. The church is at 1611 16th Street, N.W. Go to www.swedenborgcenter.org for details.
Washington has many gay-welcoming churches ā too many to name, but a couple that also have music planned include Augustana Lutheran Church at 2100 New Hampshire Ave., N.W. and Foundry United Methodist Church at 1500 16th Street, N.W. Visit the churches online for details.
“Every denomination has their sort of extremes and there are some religious communities that are very ultra conservative no matter what, but Washington is remarkably open and very accepting of people from all walks of life,” Miller says. “There are so many people here from so many different parts of the world, that there’s really an overriding sense of openness and that’s certainly the case at National City.”
Music & Concerts
Gay Menās Chorus starting the year with a cabaret
‘Postcards’ to be performed at CAMP Rehoboth
The Gay Menās Chorus of Washington will perform āPostcards,ā a cabaret, on Saturday, Jan. 18 at 5:00p.m. and 8:00p.m. at CAMP Rehoboth Elkins-Archibald Atrium.Ā
In this performance, the choir will share hilarious and heart-warming stories and songs about the travel adventures theyāve had and hope to have. Songs include āMidnight Train to Georgia,ā āStreets of Dublin,ā āMagic To Do,ā āHome,ā and āI Left My Heart in San Francisco.ā Tickets cost $35 and can be purchased on Camp Rehobothās website.
Music & Concerts
WMCās āComfort and Joyā fuses drama, well-being, light
Soloist describes production as āreverent and beautifulā
āComfort and Joyā
Washington Master Chorale
Sunday, Dec. 22, 5 p.m.
Church of the Epiphany
1317 G St., N.W.
washingtonmasterchorale.org
With its warmth and unfettered imagination, itās no surprise that the Washington Master Choraleās enduringly popular winter program remains a holiday favorite.Ā
This December the Washington Master Chorale (WMC), helmed by out artistic director Thomas Colohan presents āComfort and Joyā a selection of British and American works like āLute-Book Lullaby,ā āI Saw Three Ships,ā āPuer Natusā by Samuel Scheidt and āHosanna to the Son of Davidā by Orlando Gibbons.
In addition to these Christmas classics, WMC will perform 2022 Florence Price Commission Winner Mason Bynesās āEphiphanytideā and Äriks EÅ”envaldsā āNorthern Lights,ā the firsthand accounts of arctic explorers Charles Francis Hall and Fridtjof Nansen and their experiences surrounding the fabled aurora borealis.
Described as āreverent and beautifulā by āNorthern Lightsā tenor soloist Opal Clyburn-Miller, āComfort and Joyā fuses drama and well-being, and the import of light.
And as an artist who uses they/them pronouns, Clyburn-Miller says where classical music is concerned, āit seems people are put in their boxes and thatās where they stay.ā They add, āthereās been some progress. Itās pretty much a traditional art form.ā
With regard to their career, Clyburn-Miller, the Baltimore based Peabody Conservatory student, says the work usually comes through word of mouth: āYou show up, youāre a good colleague and people want to work with you again.ā
The solo piece, according to Colohan, is perfect for Clyburn-Miller. The soloist says in response: āMaybe I have the imagination to think of what Northern Lights might look like in Eastern Europe. Iāve never been that far north but I can put myself in that sense of wonder and astonishment.ā
But the gig hasnāt been entirely without its tests. The lyrics are in Latvian, a new language for the meticulous singer.
āItās been a bit tricky getting the Latvian down,ā they say. āUsually in my singing experience, itās been German, Italian and French, and Iām familiar with Spanish and some Hungarian and Russian, but this is entirely new.ā
A perfect chorale venue requires easy parking; good acoustics; a concert level Steinway, and an excellent organ; a sanctuary wide enough to accommodate a 50-person chorale; and audience friendly loos, says Colohan.
The Church of Epiphany meets most if not all of these requirements.
Raised Catholic in Richmond, Colohan came out at Ohioās progressive Oberlin Conservatory. Around this time, he remembers visiting Washington for a music educatorās conference and partying at JR.ās, Badlands, and other bars. He says, āI saw that D.C. had a huge population of clean-cut gay boys. That journey which started with me being gay, prompted me to ask questions.ā
As WMC artistic director since 2009, Colohan, who lives with his partner in Silver Spring, became increasingly interested in secular poetry and literature, especially the ways in which it intersects with chorale music. For him, that became the heart of the art form.
āMy secular approach is wider than some. Iām like the curator of the museum going down to the basement to bring some stuff up. You cannot hear the music if we donāt sing it.ā
Heās remained conservative as an aesthetic but not an ethos. āI can wear a blazer and not be crazy right wing. Spiritually speaking, Iām Zen Buddhist now.ā
A lot of the concert is about darkness and light. Colohan says, āIn ancient times when the world became darker, the days leading to the solstice were scary and then on the 22nd they saw that days were getting longer and it was lighter.ā
āComfort and Joyā closes with a candle lit chorale memorably singing āSilent Night.ā
Music & Concerts
Pianist Jeremy Denk to play George Mason
Soloist performs Beethovenās Piano Concerto No. 4 alongside FSO
The Fairfax Symphony Orchestra (FSO) and the Center for the Arts at George Mason University co-present Jeremy Denk ā one of Americaās foremost pianistsāon Nov. 23 at 8 p.m. Denk joins the FSO as soloist for Beethovenās Piano Concerto No. 4. The concert, conducted by FSO Music Director Christopher Zimmerman, also includes the regional premiere of āShe Dreams of Flyingā by American composer Quinn Mason, and Rachmaninoffās Symphonic Dances. Tickets are available through the Fairfax Symphony and the Center for the Arts: $65, $55, $40 and half-price for youth through grade 12 (service fees may apply).
A pre-performance discussion with Denk and Maestro Christopher Zimmerman, moderated by Mason Dewberry School of Music Professor John Healey, will take place in Monson Grand Tier, located on the third level of the Center for the Arts Lobby, 45 minutes prior to curtain.
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