Arts & Entertainment
Curator decries cut to ‘Hide/Seek’ exhibit
Ward says Smithsonian too quick to yank video
A firestorm of controversy continues over the decision earlier this month by the Smithsonian Institution to yank a four-minute video, “A Fire in the Belly,” from the National Portrait Gallery (NPG) exhibit charting the history of same-sex attraction in American art.
Speaking Monday night about the uproar, nationally recognized Smithsonian art historian David Ward, the co-curator of “Hide/Seek: Difference and Desire in American Portraiture,” declared: “The Smithsonian was stampeded into making this decision” to remove the 1987 video by gay performance artist, painter and filmmaker David Wojnarowicz, who died of AIDS complications in 1992.
Ward called it “the pragmatic, bureaucratic decision” made by the Smithsonian head G. Wayne Clough, aimed at forestalling further congressional threats to cut back federal arts funding by incoming House Speaker John Boehner (R-Ohio) and majority leader Eric Cantor (R-Va.). Boehner and Cantor had joined the fiercely homophobic Catholic League in saying that the video was anti-Catholic “hate speech” because it contained 11 seconds of a scene depicting ants crawling on a crucifix.
Supporters of the video point out that figures of the crucified Christ are often used in artistic expression to depict suffering — such as in a recent National Gallery of Art East Building exhibit of Spanish baroque portraits of the suffering Christ, shown with gory and blood-stained detail.
Ward told a packed auditorium at the DC Jewish Community Center, where a panel discussion titled “hide/SPEAK” was held to discuss the controversy, that he opposed Clough’s decision, and continues to criticize it as made much too quickly. “I’m not holding myself blameless” about how things were handled, he said, “but I am holding myself innocent.”
Ward said Clough made the decision “to create a firebreak” and “it was not so much for the gay issue but for Christian-ism,” a reference to the Catholic League complaint, but that this ostensible religious objection was nevertheless really a cover for blatant right-wing homophobia. “I’m not happy about” the Clough action, said Ward, “but if it works, great” — that is, to save the remainder of the exhibit, which is scheduled to run at the NPG through Feb. 13.
Ward also criticized the action announced last week by the Andy Warhol Foundation for the Visual Arts, which warned Clough that unless the Wojnarowicz video is returned to the exhibit it will withhold all future funds to any Smithsonian museum. The Warhol Foundation funded $100,000 of the costs to mount the exhibit, part of $800,000 in total private donations for the show raised by Ward and co-curator Jonathan D. Katz over the past two years. Ward declared that, though “I find their reaction understandable,” it’s more important for such institutions to remain active in support for the arts at the Smithsonian galleries, which in the past has received a total of $375,000 in Warhol funding of various shows including “Hide/Seek.”
Ward also said he had contacted Canadian artist AA Bronson, a pioneer in art with gay themes, to implore him not to follow through on his request — made last week to protest the video removal — for the NPG to take down a print of one of his photographs in the exhibit, a harrowing photo of his partner just after his death of HIV/AIDS causes.
This photo, titled “Felix, June 5, 1994,” according to Ward is “so powerful an image” and is “the anchor for the last part of the exhibition, and I don’t want to lose this piece.” Bronson has also asked all artists in the exhibit to recall their work.
“But I want to keep the exhibit as whole as I can for the remaining six weeks of its run,” Ward told the gathering crowded with at least 300 supporters who cheered every reference to the importance of the show, which until the removal of the video had 105 pieces on display in this first-ever exhibition in a major American museum of art with same-sex attraction so front and center.
“The key fact remains that the show itself has not been cancelled,” he said. “We took a flesh wound but it’s not a mortal blow.”
“Hide/Seek” can be seen at the National Portrait Gallery, Eighth and F streets, N.W. Ward will lead a private tour of the exhibit on Sunday, Feb. 6, with a focus on major gay and lesbian Jewish artists and subjects represented, such as writers Susan Sontag, Gertrude Stein and Allen Ginsberg and photographer Annie Leibovitz. For further details on this event, check with the DC JCC’s GLBT Outreach and Engagement (GLOE).
Italy
Olympics Pride House ‘really important for the community’
Italy lags behind other European countries in terms of LGBTQ rights
The four Italian advocacy groups behind the Milan Cortina Winter Olympics’ Pride House hope to use the games to highlight the lack of LGBTQ rights in their country.
Arcigay, CIG Arcigay Milano, Milano Pride, and Pride Sport Milano organized the Pride House that is located in Milan’s MEET Digital Culture Center. The Washington Blade on Feb. 5 interviewed Pride House Project Manager Joseph Naklé.
Naklé in 2020 founded Peacox Basket Milano, Italy’s only LGBTQ basketball team. He also carried the Olympic torch through Milan shortly before he spoke with the Blade. (“Heated Rivalry” stars Hudson Williams and Connor Storrie last month participated in the torch relay in Feltre, a town in Italy’s Veneto region.)
Naklé said the promotion of LGBTQ rights in Italy is “actually our main objective.”
ILGA-Europe in its Rainbow Map 2025 notes same-sex couples lack full marriage rights in Italy, and the country’s hate crimes law does not include sexual orientation or gender identity. Italy does ban discrimination based on sexual orientation in employment, but the country’s nondiscrimination laws do not include gender identity.
ILGA-Europe has made the following recommendations “in order to improve the legal and policy situation of LGBTI people in Italy.”
• Marriage equality for same-sex couples
• Depathologization of trans identities
• Automatic co-parent recognition available for all couples
“We are not really known to be the most openly LGBT-friendly country,” Naklé told the Blade. “That’s why it (Pride House) was really important for the community.”
“We want to use the Olympic games — because there is a big media attention — and we want to use this media attention to raise the voice,” he added.

Naklé noted Pride House will host “talks and roundtables every night” during the games that will focus on a variety of topics that include transgender and nonbinary people in sports and AI. Another will focus on what Naklé described to the Blade as “the importance of political movements now to fight for our rights, especially in places such as Italy or the U.S. where we are going backwards, and not forwards.”
Seven LGBTQ Olympians — Italian swimmer Alex Di Giorgio, Canadian ice dancers Paul Poirier and Kaitlyn Weaver, Canadian figure skater Eric Radford, Spanish figure skater Javier Raya, Scottish ice dancer Lewis Gibson, and Irish field hockey and cricket player Nikki Symmons — are scheduled to participate in Pride House’s Out and Proud event on Feb. 14.
Pride House Los Angeles – West Hollywood representatives are expected to speak at Pride House on Feb. 21.
The event will include a screening of Mariano Furlani’s documentary about Pride House and LGBTQ inclusion in sports. The MiX International LGBTQ+ Film and Queer Culture Festival will screen later this year in Milan. Pride House Los Angeles – West Hollywood is also planning to show the film during the 2028 Summer Olympics.
Naklé also noted Pride House has launched an initiative that allows LGBTQ sports teams to partner with teams whose members are either migrants from African and Islamic countries or people with disabilities.
“The objective is to show that sports is the bridge between these communities,” he said.
Bisexual US skier wins gold
Naklé spoke with the Blade a day before the games opened. The Milan Cortina Winter Olympics will close on Feb. 22.
More than 40 openly LGBTQ athletes are competing in the games.
Breezy Johnson, an American alpine skier who identifies as bisexual, on Sunday won a gold medal in the women’s downhill. Amber Glenn, who identifies as bisexual and pansexual, on the same day helped the U.S. win a gold medal in team figure skating.
Glenn said she received threats on social media after she told reporters during a pre-Olympics press conference that LGBTQ Americans are having a “hard time” with the Trump-Vance administration in the White House. The Associated Press notes Glenn wore a Pride pin on her jacket during Sunday’s medal ceremony.
“I was disappointed because I’ve never had so many people wish me harm before, just for being me and speaking about being decent — human rights and decency,” said Glenn, according to the AP. “So that was really disappointing, and I do think it kind of lowered that excitement for this.”
Puerto Rico
Bad Bunny shares Super Bowl stage with Ricky Martin, Lady Gaga
Puerto Rican activist celebrates half time show
Bad Bunny on Sunday shared the stage with Ricky Martin and Lady Gaga at the Super Bowl halftime show in Santa Clara, Calif.
Martin came out as gay in 2010. Gaga, who headlined the 2017 Super Bowl halftime show, is bisexual. Bad Bunny has championed LGBTQ rights in his native Puerto Rico and elsewhere.
“Not only was a sophisticated political statement, but it was a celebration of who we are as Puerto Ricans,” Pedro Julio Serrano, president of the LGBTQ+ Federation of Puerto Rico, told the Washington Blade on Monday. “That includes us as LGBTQ+ people by including a ground-breaking superstar and legend, Ricky Martin singing an anti-colonial anthem and showcasing Young Miko, an up-and-coming star at La Casita. And, of course, having queer icon Lady Gaga sing salsa was the cherry on the top.”
La Casita is a house that Bad Bunny included in his residency in San Juan, the Puerto Rican capital, last year. He recreated it during the halftime show.
“His performance brought us together as Puerto Ricans, as Latin Americans, as Americans (from the Americas) and as human beings,” said Serrano. “He embraced his own words by showcasing, through his performance, that the ‘only thing more powerful than hate is love.’”
Drag artists perform for crowds in towns across Virginia. The photographer follows Gerryatrick, Shenandoah, Climaxx, Emerald Envy among others over eight months as they perform at venues in the Virginia towns of Staunton, Harrisonburg and Fredericksburg.
(Washington Blade photos by Landon Shackelford)



















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