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Don Lemon: Proud to be out

CNN’s Don Lemon challenging norms about masculinity in black community; sits down for exclusive Q&A with the Blade.

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Don Lemon
Don Lemon

Don Lemon, the CNN anchor who came out last week, feels like he's won the lottery. (Photo courtesy Reggie Anderson of Reggie Anderson photography, Atlanta)

Two weeks ago, Don Lemon was merely reporting the news, not making it. As CNN’s weekend prime time anchor, Lemon brings a decade of experience breaking news and filing moving special reports. Now, however, Lemon is embarking on an ambitious mission to move America once again, this time to accept and embrace an openly gay African-American news anchor.

It’s a tall order, and Lemon is risking his livelihood, his career and his reputation to come out of the closet as gay. This week, the Washington Blade sat down with the man who has spent so much time covering public figures, and has now become one of those newsmakers himself.

Washington Blade: First of all, congratulations on the new book and coming out. It’s a big month for you.
Don Lemon: Oh thank you!

Blade: Just a few months ago, you made headlines coming out as a victim of sexual abuse in your youth, which was a very surprising moment, and now in your new book, “Transparent,” you were a bit more deliberate and more measured as you come out as an openly gay prime time anchorman at a major cable news channel. Now, you hinted to Gawker last week that coming out feels good, but you weren’t real specific. On a scale of one to incredible, can you rate how the coming out experience has been so far?

Lemon: [laughs] On one to incredible? Are you serious?

Blade: Yeah.

Lemon: OK. [laughs] What if I said ‘one?’ You’d say, ‘uh oh! Goodbye!’ [laughs] I have to tell you I can’t even put it in those terms. I mean, it goes way over a scale of one to 10, honestly. And it goes way over incredible.
I mean I just feel like a new person. And it’s funny because someone from CNN sent me the write up on the ESPN radio guy who came out — and he thanked me and Rick Welts and whoever. And he says that he feels like he won the lottery. And it’s funny because he’s been out for like three days or two days, and I’ve been out three days longer than him, but I know how he feels. It’s like you have this rush of ‘You know what? This is who I am! I don’t have to hide it.’

And even if you’re out in your personal life, and you may have been dating people, and you have gay friends, I think what most people don’t understand for people in the public eye or high profile people, it’s something that you carry around, and you don’t even know and you become so adept at navigating it and avoiding questions and making sure you’re not in situations where you might be outed. Even though you may not be ashamed of what it is outwardly, but there’s something inside of you that’s afraid of someone finding out and using it against you and that it will hurt you in some way.

So it feels … I need to come up with a new word. Fancredible! Or Intastic! There’s not just one word. I feel Extastic!

Blade: I hope both of those words catch on after this interview.

Lemon: What did I say, ‘fancredible?’ that’s actually pretty cool, right?

Blade: I like it, I’m going to start using it this afternoon. Being someone of high visibility — and you were honored as one of the most influential African Americans in Ebony last year and Essence this year — do you think that when public figures in the black community, like yourself, come out as gay, there’s a possibility to change minds?

Lemon: I think if you come out and you’re in a position like mine, or higher, or wherever — even if you’re just in your job, and you feel comfortable to do it — I think you have the opportunity to change minds. …

But I think — I have to be honest — I don’t know any high-profile African Americans who are out. And I always say, ‘name five who have come out in the last five years,’ and they look at me and say ‘well, I dunno,’ and I ask, ‘OK, the last 10 years,’ and they say ‘I dunno,’ and then I just say ‘one, and I’ll give you one,’ and I say Wanda Sykes, and beyond that, most people can’t really name any. And I think it’s different being a woman — she’s very brave. It’s a whole different nuance being a woman and an entertainer.

I’m not an entertainer, I’m not a woman, I work for a very credible and influential news organization. And there, frankly, aren’t many people like me ‘out’ in general, and when you break it down into subcategories like African American or whatever, then there really aren’t any people. So do I think I can change minds? Absolutely, and that’s why I’m doing it. I hope to change minds.

Blade: Why do you think it’s so difficult for public figures in the black community to come out?

Lemon: Well I think it’s difficult for public figures to come out in general. And then if you belong to a group that’s already been discriminated against, then of course it’s harder. When you ask ‘why is it so hard for public figures in the black community,’ I ask, how many public figures in the white community do you know are out? How many public figures in the news are out? You know?

I mean, I know of two, other than me — two journalists who are white — but as far as being black journalists who are out, I don’t know any! I don’t know any professional black athletes who are working now who are out, I don’t know any black singers or performers or actors who are out, and I don’t know many whites who are.

And so, it’s hard to come out anyway — as much as we’d like to think the world has changed. And yes, it has; people’s attitudes in general in America are changing about gay people. But still it’s deemed as something you want to keep secret, and you don’t want to talk about it. So, when you get the black community — a community that has a history of discrimination —that’s one more category, one more name for them. It’s like, ‘OK, so he’s a black guy, now he’s a black gay guy,’ and that’s another label I’m adding to myself. And that would be another label that some black person could be adding to themselves: gay. That’s a frightening prospect, especially when you don’t know what the outcome will be on the other side.

Don Lemon

CNN anchor Don Lemon comes out in his new book, 'Transparent,' due out June 16. (Photo courtesy Reggie Anderson of Reggie Anderson photography, Atlanta)

And let’s not forget — very important — it’s different in the black community. In the black community, for the most part, not all black people, the church has been the backbone of the community for so long, and the church preaches against homosexuality. So when you’re growing up, from the day you go into church, it is instilled in you that being gay is going against God. And that happens in any church. But when the backbone, the structure of the community has been so associated with the church, it’s even doubly more imprinted on your being and on your psyche.

And so it’s tough. In that community you’re supposed to be masculine. You’re supposed to be a man. You’re supposed to be strong. And people equate gay with being weak. And so men aren’t supposed to be weak. Men are supposed to provide for the family, and take care of their women. And so that’s how it’s deemed to be, for the most part, in the African-American community.

And people can say I’m throwing black people under the bus: I am black, I’m not doing it, I’m speaking for myself as well, because I lived in that whole environment forever. And it is true, I speak from experience.

Blade: Speaking of experience, as a gay newsman, your orientation informs your reporting. Do we need more openly gay journalists to help our community tell our stories properly?

Lemon: Let me preface that by saying: I have been doing these interviews a lot, and people have been trying to compare me to other people and pit me against other journalists. That’s not my role here. My role here is to talk about me.

I think it would be helpful in any profession if people would come out. If more people could feel comfortable in any profession, from being an attorney, to being an athlete, to being an actor, to being a garbage worker, to being a cleaning lady, to being a journalist. It would be more than helpful — the more people that come out, the better it will be for the Tyler Clementis of the world.

That being said, people should feel comfortable doing it whenever they want to do it. I don’t know other people’s journeys or stories, and why they may not be choosing to come out. That’s up to them. And you’ll have to ask those people why they don’t feel comfortable coming out.

But do I think there should be more openly gay journalists? I think it would help in any profession, like I said, if more people could feel comfortable coming out. And I don’t think that’s any different in the profession that I’m in. Does that make sense?

Blade: Definitely. Speaking of Tyler, you mentioned to Joy Behar that Tyler’s suicide influenced your decision to tell the story of being a gay man in the media, through the book you were writing at the time of his suicide. Why was this such a turning point for you?

Lemon: Because it just speaks to the whole reason why I’m doing it. And to your last question, which I will add to, I will give you more than you asked me for on the last question.

Because, last week before this happened, I may have felt differently. Since this has happened, I’ve gotten so many people who have written to me, who have contacted me, and who have stopped me on the street, in airports, in the grocery store, in parking lots, on the sidewalks and wherever and said ‘thank you for standing up. Thank you for walking in truth. Thank you, because of what you’ve done, you’ve allowed me to feel comfortable coming out.’ And, ‘thank you — I felt that I was bad. I’m a teenager, and now I see that I can be successful, and maybe someday I can be on television. I’d like to be like you Mr. Lemon.’

Do you know what that’s like coming from a teenager?

So if someone like Tyler Clementi could have reached out, or had seen someone that he could have related to, or felt comfortable enough to even call, or e-mailed, or send a text or a Tweet, or reach out in some way, then I have made a difference.

So, that being said, I think there is power in being able to be who you are, and being able to help other people, and being able to be — in some way — an example, or at least someone that teens can look up to, on the television, and go ‘hmm. I’m gay, he’s gay. He’s doing alright for himself.’

So, when you ask me ‘do we need more out gay journalists?’ That’s the answer to your question.

Because, people like me, and other journalists, who are in this profession are more attainable. You see an actor? You don’t feel like that’s attainable. You see someone who is in that sort of position, which is a fantasy anyway, where they’re acting on a role on a movie screen, even if they do come out, they’re an entertainer, and most people cannot ascend to that sort of thing. It’s not going to happen for everyone.

But pretty much, being a journalist is not unattainable for the average American. So it’s a position where someone can actually feel that you can reach out and touch them, that it speaks a truth. It’s not a fantasy.

So, when that happened to Tyler Clementi, something clicked in me, and I said, ‘you know what? This is ridiculous.’ By sitting here, just being silent about it, then what I’m doing is telling other people to be silent about it. Even if I’m not saying it, I am showing them by example that they should be silent.

Like I said, maybe I wouldn’t have felt like this a week ago — the day before I came out, I probably would have been, ‘Oh gosh, I don’t want that!’ But just by the silence there’s some deception in that. I truly feel that. And I don’t mean that for anyone else, I’m talking about for me. I’m not pointing fingers at anybody, I’m not talking about other journalists, I’m talking about me, and the epiphany that I reached, and then having gone to the other side, and gone to ‘the dark side,’ so to speak, now I feel more empowered, and I think people should feel comfortable coming out in their own time.

Blade: We’ve talked about all the good, but what is the risk for you in coming out now?

Lemon: Well the risk… at first there was a perceived risk. That, you know, my livelihood would be taken away, that people would shun me, that people would ostracize me, that people would turn off the television and not watch me.

Sometimes the fear of the unknown is worse than actually knowing, right?

Now that I’ve come out, and I’m on this side, then now I’m living in that risk and that fear. Maybe there are people that won’t watch me. Meh! I’ll have to deal with it. Maybe there are people who are going to write bad, dirty things about me. Meh! I’ll have to deal with it. Before I was dealing with the possibility, which isn’t real. So now I’m living it. So now I’m walking, and taking those steps, and every single day, if it does indeed happen, then I’ll just have to deal with it. And I’ll have to discuss it.

If it doesn’t happen? Then all of that fear was for naught.

So the actual fear was losing my livelihood. Who knows? That could still happen. But you know what? I don’t think so. I tend to believe in the goodness of people. And since this has happened, I’ve had so much support, and I thought that I wouldn’t — quite honestly, I have to be honest. I didn’t think I’d have any support in the gay community, or not much at all. And I think that — and not just in the gay community, but in the country overall — I’ve had so much support that if it doesn’t work out, I’ll go on to do something else, and I’ll thrive. And I’ll prosper. Just for the step that I’ve taken, which they think is very brave. I happen to think that, you know, I just walked in my truth.

I think Ellen was brave, doing it, what, almost 20 years ago? Coming up on 15 years? So I think Ellen was brave. That took a lot of guts to do it back then. There were so many people like ‘Oh is Ellen gay? Is Ellen gay? Oh my gosh!’ And she said, ‘Yeah I am!’ And look what happened. And that’s how I feel. Maybe I’m crazy, but I think that in order to move and get beyond something, you just have to do it.

So I don’t know if people are going to want to watch me, I don’t know if people are going to want to hire me — I write about it in the book — I don’t know. But I do know that at a certain point, you just have to own up to it, walk in it, be truthful, and keep living your life.

Blade: How supportive have your colleagues been?

Lemon: My colleagues have been really supportive. I think it’s funny because I think they sort of look at me differently, because even though they work with me every day, they don’t really know my story, and now they feel like they know me a lot better.

Blade: Any last words you want to leave our readers? Anything you’ve learned through this process that you really haven’t been able to talk about yet?

Lemon: I have to say that, when you’re wrong about something, you have to own up to it. Don’t you think you have to admit your mistakes? Especially when one of the reasons that I’m doing it, is to change attitudes about gay people, and ‘let’s just get over it and move on,’ and this whole process. One reason it took me so long to come out is because I thought that I wouldn’t have the support from the gay community because I don’t look like, you know, a Ken doll. You know what I mean. I’m not like the Clark Kent; the gay prototype muscle boy or whatever. You know, at events, I would always be typically the only African American there, you know, either of a handful or the only. So I didn’t think that there was this sort of support system for someone like me in the gay community. And boy have I been proven wrong. And thankfully so.

You know I’ve had friends who were a part of gay organizations, and they would say, ‘Oh Don, you’re wrong.’ And I’m like, ‘Yeah, but Neal, look at me, I’m the only one, I’m the only African American in the room, and it’s filled with a bunch of wealthy white guys, or a bunch of middle class white men. Why would someone care about me? Why would these people be supportive of me?’

And I have just been proven wrong. I think that — white, black, Asian, Hispanic, whatever — as gay people, I think we’re yearning for our stories to be told, and for inclusion, and when someone steps up to make a stand, I think we should get behind them, and I think we should do that with all of our gay brothers and sisters, and not just the ones who look like us.

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Real Estate

The best U.S. cities for LGBTQ homebuyers in 2025

Where strong equality scores, vibrant culture, attainable prices converge

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Philadelphia is among cities that rank highest for LGBTQ homebuyers. (Photo by sborisov/Bigstock)

Buying a home has always been a landmark of security and self-expression. For LGBTQ+ people, it can also be a powerful act of claiming space in a country where housing equality is still a work in progress. The good news? This year offers more options—and more protections—than ever. A record-breaking 130 U.S. cities now score a perfect 100 on the Human Rights Campaign’s Municipal Equality Index (MEI), meaning their local laws, services, and political leadership actively protect queer residents, reports.hrc.org. Meanwhile, national housing analysts at Zillow expect only modest price growth this year (about 2.6 percent), giving buyers a little breathing room to shop around.

Below are eight standout markets where strong equality scores, vibrant LGBTQ+ culture, and relatively attainable prices converge. Median sale prices are from March 2025 Zillow data.

1. Minneapolis–St. Paul, MN

Median sale price: $317,500  

Twin Cities residents benefit from statewide nondiscrimination laws that explicitly cover sexual orientation and gender identity, a thriving queer arts scene, and dozens of neighborhood Pride celebrations beyond the mega-festival each June. Buyers also appreciate Minnesota’s down-payment assistance programs for first-time and BIPOC purchasers—many LGBTQ+ households qualify.

2. Philadelphia

Median sale price: $227,667   

Philly combines East Coast culture with Mid-Atlantic affordability. “Gayborhood” anchors like Giovanni’s Room bookstore mingle with new LGBTQ-owned cafés in Fishtown and South Philly. Pennsylvania added statewide housing protections in 2024, closing the legal gaps that once worried trans and nonbinary buyers.

3. Pittsburgh

Median sale price: $221,667 

Don’t let the steel-town stereotype fool you—Pittsburgh’s MEI score is 100, and its real-estate dollar stretches further than in comparable metros. Lawrenceville and Bloomfield have become hubs for queer-owned eateries and co-working spaces, while regional employers in tech and healthcare boast top Corporate Equality Index ratings.

4. Tucson, Ariz.

Median sale price: $328,333 

This desert city punches above its weight in LGBTQ+ visibility thanks to the University of Arizona, a nationally ranked Pride parade, and some of the country’s most picturesque outdoor recreation. Arizona’s statewide fair-housing statute now explicitly lists gender identity, giving buyers added recourse if discrimination occurs.

5. Madison, Wisc.

Median sale price: $413,867 

Madison blends progressive politics with a top-five public university and a booming tech corridor. Local lenders routinely promote inclusive marketing, and Dane County offers one of the few county-level LGBTQ+ home-ownership programs in the nation, providing up to $10,000 in forgivable assistance for low-to-moderate-income couples.

6. Atlanta

Median sale price: $359,967 

The cultural capital of the Southeast delivers queer nightlife, Fortune 500 jobs, and a web of supportive nonprofits such as Lost-n-Found Youth. While Georgia lacks statewide protections, Atlanta’s 100-point MEI score covers public accommodations, contracting, and employer requirements—shielding homebuyers who choose in-town neighborhoods like Midtown or East Point.

7. St. Petersburg, Fla.

Median sale price: $354,667 Yes, Florida’s statewide politics are turbulent, but St. Pete has long held firm on LGBTQ+ equality. The city’s Pride festival draws nearly a million visitors, and local ordinances bar discrimination in housing and public services. Waterfront bungalows in Kenwood and more affordable condos near Uptown give first-time buyers options.

8. Denver

Median sale price: $563,500 

Colorado passed some of the nation’s strongest gender identity housing protections in 2024, and Denver’s queer community remains one of the most visible in the Mountain West. Although prices run higher, buyers gain exceptional job growth and one of the country’s largest Gay & Lesbian Chambers of Commerce.

Smart Strategies for LGBTQ+ Buyers & Sellers

1. Build Your Dream Team Early

  • Work with an equality-focused real-estate pro. The easiest way is to start at GayRealEstate.com, which has screened gay, lesbian, and allied agents in every U.S. market for more than 30 years.
  • Choose inclusive lenders and inspectors. Ask whether each vendor follows HUD’s 2021 guidance interpreting the Fair Housing Act to cover sexual orientation and gender identity.

2. Know Your Rights—And Limitations

  • Federal law bars housing bias, but enforcement can lag. Document everything and report issues to HUD, your state civil-rights agency, or Lambda Legal.
  • In states without full protections, rely on city ordinances (check the MEI) and add explicit nondiscrimination language to your purchase contract.

3. Evaluate Neighborhood Fit

  • Use local data: crime stats, school ratings, transit, and MEI scores of nearby suburbs.
  • Spend time in queer-owned cafés, bars, and community centers to gauge true inclusivity.

4. For Sellers: Market With Pride—And Professionalism

  • Highlight proximity to LGBTQ+ resources (community centers, Pride festivals) in your listing remarks.
  • Stage neutrally but inclusively—rainbow art is great, but removing personal photos can protect privacy during showings.

The landscape for LGBTQ+ homeowners is evolving fast. By coupling inclusive laws, supportive culture, and attainable prices, cities like Minneapolis, Philadelphia, and Tucson stand out for 2025. No matter where you land, surround yourself with professionals who value every part of your identity. Start your journey at GayRealEstate.com, lean on the resources above, and claim your corner of the American dream—on your own terms, and with pride.


Scott Helms is president and owner of Gayrealestate.com.

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Real Estate

Summer-ready rentals: How to prepare for the season

Inspect your A/C, upgrade the kitchen, and more

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Adding stone countertops and making other kitchen improvements can greatly boost the value of a rental. (Photo by Wollwerth/Bigstock)

Now’s the time to get your property looking sharp for summer. In the D.C. rental market, summer is our version of the Super Bowl. Tenants are on the move, leases are flipping, and if your property isn’t ready for game time, you’re sitting on the bench while the competition scores.

Here’s how to get your rental property summer-ready, keep it competitive, and avoid the scramble once the heat (and the demand) is on.

First Impressions Count 

In a walkable city like D.C., curb appeal isn’t a luxury, it’s your ticket to play. Prospective tenants don’t just scroll through listings from their couches; they walk the neighborhoods, eyeing buildings and row homes like it’s a real-life episode of House Hunters. If your property looks run-down from the sidewalk, it doesn’t matter how nice it is inside: you’ll already have lost their attention.

Start with a good power wash. Sidewalks, front steps, and that brick façade can collect a year’s worth of grime and pollen, and nothing says “we didn’t get around to it” quite like a dingy entryway. Once that’s done, grab a paintbrush and freshen up the details — front doors, railings, and window trim are often the first thing people see, and chipped or faded paint sends the wrong message. Landscaping doesn’t have to rival a botanical garden, but it should be tidy and intentional. A few potted plants, some trimmed bushes, and a weed-free yard show that you care. And don’t forget the lighting — a working porch light adds a layer of polish and safety. Think of curb appeal like a dating profile picture. If it’s not appealing, people won’t even bother to swipe right.

Handle Maintenance Before Repair Emergencies

Summer in D.C. means one thing: humidity. And it’s not just uncomfortable. It’s a property’s worst enemy if you’re not on top of things. Tenants will test that A/C the minute they move in, so don’t wait for a 98-degree day to find out the AC compressor is clogged and is not performing to its potential. While you’re at it, check those windows and screens. No one wants a unit that turns into a sauna because the windows won’t open or the screens are shredded.

Plumbing deserves a once-over, too. In some of D.C.’s older neighborhoods, tree roots have been known to snake their way into century-old pipes. If you’ve had slow drains or backups, now’s the time to act. And don’t skip out on pest control. Ants, roaches, and rodents all love a good D.C. summer, but your tenants sure don’t. A preventative visit now can spare you the late-night emergency call later.

Upgrade What Matters

If your place still has that “2008 Craigslist listing” look, now’s your chance for a low-cost glow-up that pays off in higher rent and better tenants.

You don’t have to renovate the entire kitchen, but a few strategic upgrades can keep your property feeling current without breaking the bank. Swapping out dated cabinet pulls or faucet fixtures is a quick win. Replacing an old Formica countertop with stone is a great add, albeit a bigger investment.

Installing a smart thermostat or keyless entry, especially if you’re trying to attract a tech-savvy tenant, adds a bit of glitz. And don’t underestimate the value of LED lighting.  Not only is the lighting brighter, but energy efficiency is a real plus when Pepco bills start climbing.

Don’t Forget the Marketing Materials

The window for summer leasing moves fast. Between May and August, tenants are locking in their spots quickly, and they aren’t wasting time on listings that look outdated or vague. Having strong, current marketing materials can be the difference between locking in a new tenant over several weeks or watching your property sit vacant for several months while others get rented.

When writing your listing, make sure it reflects the strengths of the unit and its location. Is there a private balcony that catches the sunset? Mention it. Is the washer and dryer tucked inside the unit instead of down a shared hallway? Highlight that. And in the D.C. summer heat, central A/C and ceiling fans aren’t bonuses; they’re expectations. Mention any shaded outdoor spaces, or if you’re lucky enough to be close to a pool, splash pad, or one of the city’s beloved parks, say so.

Once the property is shining on the outside and tuned up inside, the final step is making sure that polish shows up in your marketing. Your listing needs to be more than just functional, it needs to sell. That starts with updated and clear photos. Snap new images once the landscaping is cleaned up, the paint has dried, and the light’s hitting just right. Don’t use older photos pre-2020 where the tree out front was still a sapling and the trash bins were in the shot. And please, always close toilet seats first!  Prospective renters are savvy, and their intuition perks up when they see less than professional looking photos.

It’s All About Timing

This summer, make the most of the opportunity. In D.C., there’s a wave of renters moving for new jobs, internships, or simply trying to relocate before school starts. Landlords who prep early and market smartly are the ones who don’t just find tenants, they find good tenants. And they fill units faster.

Grab that to-do list, schedule those contractors, and maybe treat yourself to a cold one after a long day of touch-ups. You’ll thank yourself later when your rental is leased out and earning while others are still scrambling at the end of the season.


Scott Bloom is owner and senior property manager at Columbia Property Management. For more information and resources, visit ColumbiaPM.com.

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Autos

A cheeky convertible: Mercedes CLE 450

Riding the freeway of love with the top down and spirits up

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Mercedes CLE 450 convertible

“Drop the top, baby!… Drop the pedal and go!”So croons Aretha Franklin in “Freeway of Love,” her classic song about a joyride in a pink Cadillac convertible. 

Those free-spirited lyrics came to mind recently each time I got behind the wheel of an equally exquisite ride: the Mercedes CLE 450. 

MERCEDES CLE 450 CONVERTIBLE 

$76,000

MPG: 23 city/32 highway

0 to 60 mph: 4.2 seconds

Cargo space: 9.6 cu. ft. 

PROS: Dreamy design. Divine handling. Dazzling amenities. 

CONS: Cramped cargo area. Kinda impractical for everyday driving.   

IN A NUTSHELL: Who needs two fine open-top chariots when one fabulous convertible will do? That seems to be the thinking at Mercedes, which recently replaced two of its cabriolets—the compact C-Class and midsize E-Class—with the brand-new CLE 450.  

While the wheelbase is a wee bit shorter than on the outgoing E-Class model, the CLE is longer overall than either of its two former siblings. The result: more legroom than expected, especially for anyone in the front seats. Even backseat occupants may feel comfy (OK, perhaps not Brittney Griner or Carl Nassib, but still…).  

Alas, trunk space is slightly scrunched, thanks to the folding fabric roof. But that power-operated top—available in black, gray or red—can be raised and lowered with the car traveling at speeds up to 37 mph. And the triple-layer acoustic material provides excellent insulation and greatly reduces outside noise. In fact, I often had to remind myself this was the CLE convertible and not the hardtop coupe. 

There’s also a wind-deflector apparatus that, when activated, elevates airflow off the windshield and reduces backflow with a rear mesh screen. For added pampering, an AIRSCARF system lives up to its name, sending warm air onto the necks of front-seat passengers. (Don’t tell my husband, but I felt like an invisible suitor was wooing me, seductively blowing kisses my way.)

Convertibles usually are not as structurally rigid as their hardtop counterparts. But here again, Mercedes works its magic: The chassis—made of aluminum and high-strength steel—is so incredibly stiff that there’s absolutely no shake and shimmy. This solid body structure also provides for a safe vehicle shell. 

Under the hood, there’s a spirited 375-hp turbo engine, augmented by grippy all-wheel drive and a graceful nine-speed automatic transmission. As a crazed soccer fan, I think it’s not too much of a stretch to say the driving experience combines the speed, sass and savvy of a star athlete (think Megan Rapinoe). 

Inside, there are plenty of premium styling cues, as well a glitzy dashboard with 12.3-inch digital cluster and 11.9-inch multimedia touchscreen. Yes, the CLE borrows heavily from the C-Class and E-Class. But somehow—perhaps because of the low ground clearance and multi-contour seats (which include heating, ventilation and massage functions)—this cabin feels and functions more like a true cockpit. 

Along with all the driver-assistance features, there are 11 airbags (including rear head airbags), pop-up roll bars and a drowsy-driver alert monitor. In case of an impending crash, an accident-preparedness system immediately tightens seatbelts, adjusts seats and closes windows.  

I could go on about all the amenities, including a 17-speaker Burmester surround-sound stereo, the 64-color ambient-lighting system and more. But why bother? This is a Mercedes, after all, so you expect such babying. 

What wasn’t expected? How much I keep missing this beauty after my weeklong test drive ended. It’s not as if soft-tops are practical, like minivans and SUVs. And two-door rides—coupes or cabrios—now account for less than 4% of all new-vehicle sales. 

But Aretha would have understood. Classy convertibles, like her pink Caddy and the Mercedes CLE 450, represent open-air freedom and the promise of adventure. 

“So jump in, it ain’t no sin. Take a ride in my machine.”

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