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Logo’s ‘A-List’ returns Monday; cast dishes on Reichen’s full-frontal pics, ‘evil’ Austin; Crews follow cast six days per week

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The cast of Logo’s ‘A List: New York’s’ second season, which returns Monday night. From left are Rodiney Santiago, Mike Ruiz, Ryan Nickulas, Austin Armacost, Reichen Lehmkuhl, Nyasha Zimucha, Derek Saathoff and TJ Kelly. (Photo courtesy of Logo)

It’s the show gays love — and love to hate. But many, of course, end up watching anyway.

TV’s gayest, guiltiest pleasure — even its creators embrace the “guilty pleasure” label — is back. “A List: New York’s” second season debuts Monday at 10 p.m. on Logo. The entire season one cast returns for 11 new episodes, this time with a gal pal in tow. The Blade spoke with the cast and crew to get the lowdown on the new season, find out what it’s like shooting the controversial series and ponder the show’s appeal.

The reality show, from the same people (True Entertainment) who brought “Real Housewives of Atlanta” to the air, debuted last October and follows the lives of five gay (and one bi; six total) men in New York who claim they’re at the top of the Manhattan social totem pole through their lives, loves and career ventures. Reality show vet Reichen Lehmkuhl (he won the fourth season of “Amazing Race” and formerly dated Lance Bass) unofficially heads the cast. A central theme of the first season was his tempestuous relationship with Brazilian model Rodiney Santiago, with troublemaker Austin Armacost never missing an opportunity to keep their social pot stirred.

It was a hit and helped, along with “RuPaul’s Drag Race,” put Logo, which debuted in 2005, on the pop culture map. The channel, owned by Viacom’s MTV Networks, won’t release ratings for the show but says it’s the second-highest rated show in the gay channel’s history (after “Drag Race”). A Dallas-based spin-off is planned for a fall debut.

The show’s reception has been wildly mixed. Some reviewers and fans say it’s great to see a gay-centric reality show instead of a mainstream show with token gay characters. Others have been appalled at what they say is a superficial and stereotype-laden cringe fest. Still others agree with that assessment but admit it’s well constructed and addictive.

Executive producer Dominic Pupa, who’s gay, says the show is “absolutely” a guilty pleasure and says the critical drubbing doesn’t mean it’s not successful at what its creators are aiming for.

“People roll their eyes all the time, but it captures people’s attention because it’s three things — people with means and access who live in New York. That trifecta of factors means it’s fascinating to watch. There’s something fun about people who are of means and do have access and discovering their lives can be just as exciting, dramatic and disappointing as yours. Plus it’s an ensemble show and people love ensembles because they can pick their favorite and tune in to see how they’re faring. Even the ones people hate — I hate to say character because it’s reality, but in the sense of being a dramatic narrative, they do sort of become characters — you still love to watch the ones you hate.”

Reichen, during a gym break (it’s legs-and-shoulders day; he goes seven days a week), says he learned early on to let go of the naysayers. It was also hard, he says, watching the first season and seeing how much was left out that would have added context to some of the less-flattering scenes.

“I used to read the blogs but then half way through, I stopped. I got rid of my Google alert and I have become a much happier person,” he says. “I kind of live in my own world. There were so many comments about my relationship with Rodiney, they said I didn’t care about him, I just brought him here and dropped him, but the truth is I made sure he had everything he needed and every opportunity he wanted and you know got him on his feet so he could pursue the stuff he wanted to do. It was such a slap in the face to watch this kind of play out in a very one-sided way … Rodiney knew it too. He was like, ‘Oh my god, he tried his best and Reichen’s not like that with me at all.’”

Letting go of the negative energy has centered Reichen in other ways, he says. It helped him shrug off the full frontal nude photos that surfaced recently of him. He admitted the photos — shot from the neck down — are of him.

“If that had happened five years ago, I think I would have shut myself into a mental institution,” he says. “But now my skin is so thick, I knew as soon as they surfaced, there would be every possible reaction. People would make fun of me, they would hate me, some people would like them — you just get to a point where you can deal with it whether it’s good or bad. It totally sucks that they surfaced without my permission — it was supposed to be a private thing, not something I broadcast for the whole world … but I wasn’t gonna pull an Anthony Wiener and lie about it. I was like, ‘Yeah, it’s me, go ahead and start shooting your arrows and let’s get it over with.’ I did mention that a lot of gay men do this kind of thing. I don’t feel I did anything immoral or illegal. It just so happens that because it was me, people cared.”

Rodiney agrees the show complicated their dating life and admits he was naïve about what he was getting into when he signed on.

“Last year was not easy for me,” he says. “It was very intense. It’s like I do the show and I forget I have the cameras with me but it’s who I am and they’re shooting me. There were a lot of difficult people who liked to create drama in my life. I’m the kind of person who just wants to live my life and not worry about somebody else’s life.”

Reichen Lehmkuh (left) and his then-boyfriend Rodiney Santiago in a scene from the show’s first season. (Photo courtesy of Logo)

The couple broke up in November, shortly after the first season started airing. Rodiney admits the show was a factor. Might they still be together without “A-List”?

“I’d say it was half and half,” he says. “The show helped us to break up. We started to date and moved to New York together just six months into the relationship. It was very stressful for us. I can’t handle that.”

Reichen says he and Rodiney are now “friends in the best way possible” and says the second season has been much easier to shoot since he’s not in a relationship.

“It’s been more focused on my business ventures,” he says. “When it comes to the drama, I’ve been off the pedestal in the best way possible.”

New this season is 25-year-old Nyasha Zimucha, a straight entrepreneur and mega-achiever who runs her own business, hair-and-wig shop Embrace Your Hair. She was previously a judge on Little Miss Perfect. She’s a native of South Africa and came to the United States in 2001. She’s been in New York three years and knew “A-List”-er Mike Ruiz before joining the cast.

She says her presence adds an interesting punch to the new season.

“I think you’re going to be very entertained at how some of these relationships develop, both positive and negative,” she says. “It’s an interesting mix. Here you have this straight black girl with these six white, very handsome, very accomplished gay men. I think it’s historic because there’s really been nothing like it on television. You’re going to see not just the fights but the fun too, and I think that will be fun for the audience.”

The second season is still taping even as its first episodes are set to air. Three are fully edited and in the can. Pupa says he doesn’t know how long they’ll shoot — until he feels they have enough footage to bring the storylines to a sensible conclusion.

So how organic or contrived are the scenarios and does editing, obviously a necessity, sometimes distort the narrative?

“Like on any show, we like there to be a beginning, a middle and an end,” Pupa says. “You want to see the cast members start somewhere and end somewhere else. For each one it’s different. Last season we were still shooting until 10 days before the last episode, which is really unusual for this type of show … but it’s a lot more real than people think. They think it’s all very planned out but it’s really not. We ended last season with an argument between Austin and Reichen. That happened less than two weeks before it aired.”

None of the participants were contractually obligated to return for the second season. And the producers don’t tell them they have to meet with certain people or attend certain events. They take suggestions, though, and say they want to do their part to make the show as compelling as possible.

“It’s a nice relationship with cast and production,” Reichen says. “We all understand the result is trying to create something that people will want to watch.”

Camera crews follow cast members six days per week for about 10 hours each day when the show is shooting. Pupa says the cast does its best to schedule things more likely to be interesting when the show is shooting and save the boring stuff — like meeting with lawyers for their business ventures — off-camera. Reichen, for instance, says he traveled much of the six months between the two seasons, though he did see all the cast members at least once during that time, most often at charity events, which he says draw little media attention. He guesses he was only in New York for about 60 days of that six months. He’s been busy prepping a new book and getting ready to launch a fragrance line.

Often the best moments happen when the full cast is together.

“That’s when we have the greatest dynamic,” Pupa says. “Everybody loves Ryan. If he’s throwing a party, you know the whole cast will be there. If Austin throws a party, we don’t know who will walk through the door.”

And what about Austin — is he really the troublemaker he seemed to be from season one?

Reichen says there’s “some stuff” between them that goes down in season two. “You’ll just have to watch,” he says.

Rodiney has a tougher assessment.

“I don’t trust him and we cannot be friends,” he says. “He’s the kind of person I want him far away from my life. He’s evil and he does crazy stuff and I don’t want him part of my life.”

Pupa says Austin is reality’s answer to characters like Alexis and J.R.

“The golden rule of docu soap TV is that just because someone is hated doesn’t mean they’re not watchable,” he says. “It’s a Joan Collins thing for sure. Sometimes you don’t want to admit to liking Austin, but you love watching him.”

Nyasha says the title is a bit of a misnomer and says the show ultimately works because it’s real and people from all walks of life can relate.

“What it’s really about is interesting, dynamic people living in New York,” she says. “Some have great careers and some ain’t doing nothing, but it unfolds as great TV because it’s honest. Even a young straight woman can relate to this or that. Some might think, ‘I don’t relate, what the hell am I doing watching this crap?’ but any level of negative is part of the drama of any relationship and there’s not one person who doesn’t have some level of drama. If there is, give me their number. … It’s just heightened because it’s on TV.”

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Movies

‘Hedda’ brings queer visibility to Golden Globes

Tessa Thompson up for Best Actress for new take on Ibsen classic

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Tessa Thompson is nominated for Best Performance by a Female Actor in a motion picture for ‘Hedda’ at Sunday’s Golden Globes. (Image courtesy IMDB)

The 83rd annual Golden Globes awards are set for Sunday (CBS, 8 p.m. EST). One of the many bright spots this awards season is “Hedda,” a unique LGBTQ version of the classic Henrik Ibsen story, “Hedda Gabler,” starring powerhouses Nina Hoss, Tessa Thompson and Imogen Poots. A modern reinterpretation of a timeless story, the film and its cast have already received several nominations this awards season, including a Globes nod for Best Actress for Thompson.

Writer/director Nia DaCosta was fascinated by Ibsen’s play and the enigmatic character of the deeply complex Hedda, who in the original, is stuck in a marriage she doesn’t want, and still is drawn to her former lover, Eilert. 

But in DaCosta’s adaptation, there’s a fundamental difference: Eilert is being played by Hoss, and is now named Eileen.

“That name change adds this element of queerness to the story as well,” said DaCosta at a recent Golden Globes press event. “And although some people read the original play as Hedda being queer, which I find interesting, which I didn’t necessarily…it was a side effect in my movie that everyone was queer once I changed Eilert to a woman.”

She added: “But it still, for me, stayed true to the original because I was staying true to all the themes and the feelings and the sort of muckiness that I love so much about the original work.”

Thompson, who is bisexual, enjoyed playing this new version of Hedda, noting that the queer love storyline gave the film “a whole lot of knockoff effects.”

“But I think more than that, I think fundamentally something that it does is give Hedda a real foil. Another woman who’s in the world who’s making very different choices. And I think this is a film that wants to explore that piece more than Ibsen’s.”

DaCosta making it a queer story “made that kind of jump off the page and get under my skin in a way that felt really immediate,” Thompson acknowledged.

“It wants to explore sort of pathways to personhood and gaining sort of agency over one’s life. In the original piece, you have Hedda saying, ‘for once, I want to be in control of a man’s destiny,’” said Thompson.

“And I think in our piece, you see a woman struggling with trying to be in control of her own. And I thought that sort of mind, what is in the original material, but made it just, for me, make sense as a modern woman now.” 

It is because of Hedda’s jealousy and envy of Eileen and her new girlfriend (Poots) that we see the character make impulsive moves.

“I think to a modern sensibility, the idea of a woman being quite jealous of another woman and acting out on that is really something that there’s not a lot of patience or grace for that in the world that we live in now,” said Thompson.

“Which I appreciate. But I do think there is something really generative. What I discovered with playing Hedda is, if it’s not left unchecked, there’s something very generative about feelings like envy and jealousy, because they point us in the direction of self. They help us understand the kind of lives that we want to live.”

Hoss actually played Hedda on stage in Berlin for several years previously.

“When I read the script, I was so surprised and mesmerized by what this decision did that there’s an Eileen instead of an Ejlert Lovborg,” said Hoss. “I was so drawn to this woman immediately.”

The deep love that is still there between Hedda and Eileen was immediately evident, as soon as the characters meet onscreen.

“If she is able to have this emotion with Eileen’s eyes, I think she isn’t yet because she doesn’t want to be vulnerable,” said Hoss. “So she doesn’t allow herself to feel that because then she could get hurt. And that’s something Eileen never got through to. So that’s the deep sadness within Eileen that she couldn’t make her feel the love, but at least these two when they meet, you feel like, ‘Oh my God, it’s not yet done with those two.’’’

Onscreen and offscreen, Thompson and Hoss loved working with each other.

“She did such great, strong choices…I looked at her transforming, which was somewhat mesmerizing, and she was really dangerous,” Hoss enthused. “It’s like when she was Hedda, I was a little bit like, but on the other hand, of course, fascinated. And that’s the thing that these humans have that are slightly dangerous. They’re also very fascinating.”

Hoss said that’s what drew Eileen to Hedda.  

“I think both women want to change each other, but actually how they are is what attracts them to each other. And they’re very complimentary in that sense. So they would make up a great couple, I would believe. But the way they are right now, they’re just not good for each other. So in a way, that’s what we were talking about. I think we thought, ‘well, the background story must have been something like a chaotic, wonderful, just exploring for the first time, being in love, being out of society, doing something slightly dangerous, hidden, and then not so hidden because they would enter the Bohemian world where it was kind of okay to be queer and to celebrate yourself and to explore it.’”

But up to a certain point, because Eileen started working and was really after, ‘This is what I want to do. I want to publish, I want to become someone in the academic world,’” noted Hoss.

Poots has had her hands full playing Eileen’s love interest as she also starred in the complicated drama, “The Chronology of Water” (based on the memoir by Lydia Yuknavitch and directed by queer actress Kristen Stewart).

“Because the character in ‘Hedda’ is the only person in that triptych of women who’s acting on her impulses, despite the fact she’s incredibly, seemingly fragile, she’s the only one who has the ability to move through cowardice,” Poots acknowledged. “And that’s an interesting thing.”

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Arts & Entertainment

2026 Most Eligible LGBTQ Singles nominations

We are looking for the most eligible LGBTQ singles in the Washington, D.C. region.

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We are looking for the most eligible LGBTQ singles in the Washington, D.C. region.

Are you or a friend looking to find a little love in 2026? We are looking for the most eligible LGBTQ singles in the Washington, D.C. region. Nominate you or your friends until January 23rd using the form below or by clicking HERE.

Our most eligible singles will be announced online in February. View our 2025 singles HERE.

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PHOTOS: Freddie’s Follies

Queens perform at weekly Arlington show

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The Freddie's Follies drag show was held at Freddie's Beach Bar in Arlington, Va. on Saturday. (Washington Blade photo by Michael Key)

The Freddie’s Follies drag show was held at Freddie’s Beach Bar in Arlington, Va. on Saturday, Jan. 3. Performers included Monet Dupree, Michelle Livigne, Shirley Naytch, Gigi Paris Couture and Shenandoah.

(Washington Blade photos by Michael Key)

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