Arts & Entertainment
Pictures at an exhibition
Season’s gallery exhibits feature bounty of mixed-media wonders
The Washington/Baltimore region, with its bounty of galleries, never ceases to astound with its endless bounty of art. Among the season’s highlights are:
The Fleckenstein Gallery (3316 Keswick Rd.) in Baltimore has a new exhibit, “Travelin’ Shoes” opening Oct. 5 featuring the work of Schroeder Cherry, Kylis Winborne and gay artist Rams Brisueño.
Brisueño portrays male and female figures, some asexual and some with gender-bending qualities. His profile on the Baker Artist Awards website says he uses collage and painting to show layers of experiences and differences.
“By organically letting the work be painted over, rubbed out or scribbled on top of, but with great attention to the surfaces of things … to texture and intuitive response, and with a conscientious distinction between spontaneous doodles and selected text, composition and personal associations come together in themes of mythmaking … and compositional unity through space, shape and color,” Brisueño says of his work.
This exhibit is in affiliation with the Black Male Identity Project and is part of Free Fall Baltimore.
Gallery plan b (1530 14th St., N.W.) has two exhibits scheduled to open this fall. The first, which opens today, will feature paintings by Kevin H. Adams. The second exhibit, which opens Oct. 19, will feature photographs by Kermit Berg and paintings by Delna Dastur.
Industry Gallery (1358 Florida Ave., N.E., Suite 200) presents “Meltdown” featuring new work by Tom Price, which opens Saturday with a reception from 6 to 8 p.m. This is the British artist and designer’s first U.S. solo exhibition. He specializes in modern furniture products, sculpture and lighting design.
“I like to think of myself as working in collaboration with materials, processes and phenomena and that the final physical outcome is a product of mutual consent,” Price says in a press release.
Zenith Gallery’s newest exhibit, which features monumental and pedestal sculpture and three-dimensional wall art by Julie Girardini, David Hubbard, Joan Konkel, Barton Rubenstein and Paul Martin Wolff, opened Thursday and will run through Jan. 7 at the Eleven Eleven Sculpture Gallery (1111 Pennsylvania Ave., N.W.).
The Virginia Museum of Fine Arts (200 North Blvd.) in Richmond has several exhibits scheduled to open this fall. First up, opening today, is “Vision from the Congo,” a two-part installation of bear sculptures. The first section features four sculptures by artists from the Pende culture, of the Congo’s Kwilu and Kasai regions that relate to the disruptions experienced by the Pende in the early 20th century. The second part features life-size sculptures by Renée Stout and Alison Saar, who draw from African art and culture in creating their works.
Dec. 23 brings the opening of “Elvis at 21,” which features 57 photographs taken by Alfred Wertheimer when Elvis was on the brink of international stardom. For information on these exhibits and more, visit vmfa.museum/exhibitions.
The National Gallery of Art (4th and Constitution Ave., N.W.) has a new exhibit, “Warhol: Headlines” which opens Sept. 25. This is said to be the first exhibition to full examine the works Andy Warhol, who was gay, created on the theme of news headlines by present about 80 works including paintings, drawing, photographs and more based largely on tabloid news.
Warhol’s headline works also chart the shift in mainstream media’s ways of delivering the news from a printed format to an electronic format. The headline motif encompasses Warhol’s key subjects, including celebrity, death, disaster and contemporary events.
Whitman-Walker Health held the 38th annual Walk and 5K to End HIV at Anacostia Park on Saturday, Dec. 7. Hundreds participated in the charity fundraiser, despite temperatures below freezing. According to organizers, nearly $450,000 was raised for HIV/AIDS treatment and research.
(Washington Blade photos by Michael Key)
The Gay Men’s Chorus of Washington performed “The Holiday Show” at Lincoln Theatre on Saturday. Future performances of the show are scheduled for Dec. 14-15. For tickets and showtimes, visit gmcw.org.
(Washington Blade photos by Michael Key)
Books
Mother wages fight for trans daughter in new book
‘Beautiful Woman’ seethes with resentment, rattles bars of injustice
‘One Day I’ll Grow Up and Be a Beautiful Woman’
By Abi Maxwell
c.2024, Knopf
$28/307 pages
“How many times have I told you that…?”
How many times have you heard that? Probably so often that, well, you stopped listening. From your mother, when you were very small. From your teachers in school. From your supervisor, significant other, or best friend. As in the new memoir “One Day I’ll Grow Up and Be a Beautiful Woman” by Abi Maxwell, it came from a daughter.
When she was pregnant, Abi Maxwell took long walks in the New Hampshire woods near her home, rubbing her belly and talking to her unborn baby. She was sure she was going to have a girl but when the sonogram technician said otherwise, that was OK. Maxwell and her husband would have a son.
But almost from birth, their child was angry, fierce, and unhappy. Just getting dressed each morning was a trial. Going outside was often impossible. Autism was a possible diagnosis but more importantly, Maxwell wasn’t listening, and she admits it with some shame.
Her child had been saying, in so many ways, that she was a girl.
Once Maxwell realized it and acted accordingly, her daughter changed almost overnight, from an angry child to a calm one – though she still, understandably, had outbursts from the bullying behavior of her peers and some adults at school. Nearly every day, Greta (her new name) said she was teased, called by her former name, and told that she was a boy.
Maxwell had fought for special education for Greta, once autism was confirmed. Now she fought for Greta’s rights at school, and sometimes within her own family. The ACLU got involved. State laws were broken. Maxwell reminded anyone who’d listen that the suicide rate for trans kids was frighteningly high. Few in her town seemed to care.
Throughout her life, Maxwell had been in many other states and lived in other cities. New Hampshire used to feel as comforting as a warm blanket but suddenly, she knew they had to get away from it. Her “town that would not protect us.”
When you hold “One Day I’ll Grow Up and Be a Beautiful Woman,” you’ve got more than a memoir in your hands. You’ve also got a white-hot story that seethes with anger and rightful resentment, that wails for a hurt child, and rattles the bars of injustice. And yet, it coos over love of place, but in a confused manner, as if these things don’t belong together.
Author Abi Maxwell is honest with readers, taking full responsibility for not listening to what her preschooler was saying-not-saying, and she lets you see her emotions and her worst points. In the midst of her community-wide fight, she reveals how the discrimination Greta endured affected Maxwell’s marriage and her health – all of which give a reader the sense that they’re not being sold a tall tale. Read this book, and outrage becomes familiar enough that it’s yours, too. Read “One Day I’ll Grow Up and Be a Beautiful Woman,” and share it. This is a book you’ll tell others about.
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