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Ford’s takes chance on daring musical ‘Parade’

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‘Parade’
Through Oct. 30
Ford’s Theatre
511 1oth Street, NW
$15-$75
fords.org

From left, Erin Driscoll, Bligh Voth and Carolyn Agan as the young factory girls and Stephen F. Schmidt as Governor Slayton in the Ford’s Theatre production of the musical drama ‘Parade,’ directed by Stephen Rayne. (Photo by T. Charles Erickson; courtesy Ford’s Theatre)

Not all musicals end happily. Case in point: “Parade.” Based on the real life trial and lynching of Leo Frank in early 20th century Atlanta, the Tony Award winner (currently playing at Ford’s Theatre) is some depressing stuff.

Yes, Jason Robert Brown’s gorgeous score softens the grim facts and when sung by the talented actors gathered for this respectable production, the show remains a sad story, but one that’s beautifully told.

It’s 1913 and the bloody body of 13-year-old Mary Phagan (Lauren Williams) is found in the basement of Atlanta’s National Pencil factory on Confederate Memorial Day. Following a mishandled investigation, Frank (Euan Morton), a young Brooklyn Jew who has moved south to marry nice Jewish girl Lucille (Jenny Fellner) and run the factory, is arrested for the murder of his young employee.

Atlanta’s citizenry is out for blood. A lingering resentment of Northerners (it’s just 50 years since the Civil War) combined with a heavy dose of anti-Semitism are the prefect recipe for injustice. One by one, the coached and coerced give damning testimony in a mostly sung-through trial sequence whose high point is the sensational “That’s What He Said” in which slippery witness James Conley (Kevin McAllister) backed by the ensemble set the stage for Frank’s railroading.

Fellner sings a heartrending rendition of “You Don’t Know This Man,” Lucille’s balladic defense of her husband. Similarly, Morton as Leo (an uptight adding machine so unfamiliar with southern ways) begins to open up with “It’s Hard to Speak My Heart.” But despite the couple’s best efforts, their foes — ambitious prosecuting attorney Hugh Dorsey (James Konicek) and rabble-rousing publisher Tom Watson played by a mustachioed Will Gartshore (local gay actor whose glorious tenor was also heard in “Parade” when it opened on Broadway in 1998, but in a different part) — aren’t listening.

Morton, the versatile Scottish actor who became well known for playing Boy George in Broadway’s musical “Taboo,” is terrific. His Leo is at turns nebbishy, brusque, slightly superior, but in the end loving. Unfortunately neither Brown’s score nor the show’s book by Alfred Uhry (who also wrote “Driving Miss Daisy,” another peek into Atlanta’s Jewish community) provides an opportunity for Leo to reveal his fear and anguish.

The heart of the story is Leo and Lucille’s changing marriage. What starts out as a loveless seemingly arranged union forges into a respectful partnership as the pair work to secure Leo’s freedom and ultimately blossoms into full blown romance. Jailhouse visits are breezy. Lucille sets out her finicky husband’s home cooked favorites while Leo busily works on his appeal. If only for a short time, they behave like a happily married couple despite the macabre circumstance.

Conducted by Steven Landau, Brown’s soaring score references military marches, spirituals and waltzes. There are sad ballads and grave melodies aplenty, but a few tunes encourage toe tapping too. It’s those along with choreographer Karma Camp’s cake-walking moves that remind us of the circus like good time surrounding Leo’s trial and lynching. They were big entertainment, the hottest tickets in town.

Sure-handedly staged by Stephen Rayne, the production moves at a good clip. Set designer Tony Cisek imagines the newly industrialized Atlanta as two tiers of red brick arches that serve variously as factory, courthouse, jail, governor’s mansion and the Frank home. Two towering columns – each in unchecked stages of decay — stand as fading remnants of a prouder, more glorious South. And Wade Laboissonniere’s many period costumes are spot on and superbly rendered.

There’s a lingering sadness to Ford’s “Parade.” Long after the actors have taken their bows, we’re haunted by the ghosts of little Mary Phagan, Leo Frank, his wife and the people of Atlanta. Neither they nor the tragic events are easily forgotten.

 

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Bars & Parties

Impulse Group DC to host fundraiser

Giving Tuesday and Happy Hour held at Thurst Lounge

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Thurst Lounge (Washington Blade photo by Michael Key)

Impulse Group DC, a local advocacy organization, will host “Giving Tuesday and Happy Hour” on Tuesday, Dec. 2 at 6 p.m. at Thurst Lounge. 

This event is a special happy hour fundraiser filled with good vibes, great food, and community connection. DJ Obie will be on deck keeping the energy high while you enjoy tacos, cocktails, and the kind of atmosphere only Thurst can deliver.

A portion of every signature cocktail sold goes directly toward supporting Impulse Group D.C.’s work in sexual health, mental health, harm reduction, and social justice for the D.C. community.

Admission is free and more details are available on Eventbrite

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Calendar

Calendar: November 28-December 4

LGBTQ events in the days to come

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Friday, November 28

“Center Aging Friday Tea Time” will be at 12 p.m. in person at the DC Center for the LGBT Community’s new location at 1827 Wiltberger St., N.W. To RSVP, visit the DC Center’s website or email [email protected]

Go Gay DC will host “LGBTQ+ Community Happy Hour” at 7 p.m. at Dupont Italian Kitchen Bar. This event is ideal for making new friends, professional networking, idea-sharing, and community building. This event is free and more details are available on Eventbrite.

Saturday, November 29

Go Gay DC will host “LGBTQ+ Community Brunch” at 12 p.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation.  Attendance is free and more details are available on Eventbrite.

Sunday, November 30

Go Gay DC will host “LGBTQ+ Coffee and Conversation” at 12 p.m. at As You Are. Guests are encouraged to come and enjoy stimulating conversation. For more details, visit Eventbrite.

Monday, December 1

“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).

“Soulfully Queer: LGBTQ+ Emotional Health and Spirituality Drop-In” will be at 3 p.m. at the DC Center for the LGBT Community. This group will meet weekly for eight weeks, providing a series of drop-in sessions designed to offer a safe, welcoming space for open and respectful conversation. Each session invites participants to explore themes of spirituality, identity, and belonging at their own pace, whether they attend regularly or drop in occasionally. For more details visit the DC Center’s website.

Tuesday, December 2 

Universal Pride Meeting will be at 7 p.m. on Zoom. This group seeks to support, educate, empower, and create change for people with disabilities. Email [email protected] with any questions. 

Friends of Dorothy Cafe will host “Choose Our Blend” at 6 p.m. at Stardust Vintage & Gift. Guests are encouraged to come sip, sample, and vote on a lineup of custom coffee blends from Rustic Route Coffee Co., a DMV-based queer-owned roaster. Guests’ votes will help Rustic Route choose the café’s official signature roast. Event organizers will take donations, and more details are available on Eventbrite

Wednesday, December 3

Job Club will be at 6 p.m. on Zoom. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit www.thedccenter.org/careers.

Center Aging Women’s Social Discussion Group will be at 7 p.m. on Zoom. This group is a place where older LGBTQ women can meet and socialize with one another. There will be discussion, activities, and a chance for guests to share what they want future events to include. For more details, email [email protected]

Thursday, December 4

The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245. 

Virtual Yoga Class will be at 7 p.m. on Zoom. This is a free weekly class focusing on yoga, breathwork, and meditation. For more details, visit the DC Center for the LGBT Community’s website.

API Queer Support Group will be at 7 p.m. on Zoom. This is a support group for the Asian and Pacific Islander Queer Community. For more details, email [email protected].

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Theater

D.C. theater scene has something for everyone this holiday season

‘Nutcracker,’ ‘A Christmas Carol,’ and much more

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Michael Russotto in ‘A Christmas Carol: A Ghost Story of Christmas’ at Olney Theatre Center. (Photo by Teresa Castracane Photography)

With its familiar music, yuletide imagery, and storytelling, theater can be a big part of the holidays. Add to that making memories and theater tickets wrapped as presents under the tree, and it’s a seasonal no brainer.

Folger Theatre presents “Resplendent Joy: Christmas Traditions from Spain and Portugal” (Dec. 5-14); the marvelous Folger Consort will perform early Spanish Christmas carols and traditional holiday music from early modern Spain and Portugal: folger.edu/resplendent

At Round House Theatre, playwright Sam Holcroft’s “Rules for Living” (Dec. 3-Jan. 4) makes its U.S. premiere. The darkly funny holiday comedy was a hit in London and is now hoping to repeat that success with a version tailored for the states. The seven-person cast includes versatile actors Naomi Jacobson and real-life spouse John Lescault. Ryan Rillette directs. roundhousetheatre.org

Theatre J presents “Chanukah in the Dark” (Dec. 6-21), an hour-long play ideal for ages five and up. “When the lights go out during Chanukah, Max and family begin sharing songs, stories, and traditions — only to discover the lights they needed and the miracles they searched for were in their midst all along.”  edcjcc.org

The Cathedral Choral Society’s “Joy of Christmas” (Dec. 13-14) presents a wonderful program of carols and beloved holiday favorites at the festively decorated National Cathedral. The program features Seraph Brass, organist Edward Hewes, Carillonneur Edward M. Nassor, percussionist Mary La Blanc of “The President’s Own” U.S. Marine Band, and the Eastern Concert Choir from Eastern Senior High School. Cathedralchoralsociety.org 

With “The Holiday Show,” (Dec. 13, 14, and 20), the Gay Men’s Chorus returns to entertain audiences with its annual and most popular show. 

This year the holiday extravaganza is bigger than ever at historic Lincoln Theatre with new, soulful arrangements of favorite holiday carols: “The reindeer will be high-kicking and the snowflakes will sparkle. Songs include “O Holy Night,” “Rudolph the Red Nosed Reindeer,” “Let It Snow,” “We Wish You the Merriest,” and “Go Tell It on the Mountain.’” gmcw.org

At Olney’s intimate Mulitz-Gudelsky Theatre Lab, out actor Michael Russotto is back for the holiday season in his solo show “Christmas Carol: A Ghost Story of Christmas” (through Dec. 28). The talented Russotto portrays nearly 50 different characters from the Charles Dickens classic, that proves “funnier and far more relevant than you might imagine.” Olneytheatre.org

Also on holiday offer in the DMV are a jolly bunch of musical chestnuts as well as reliable Christmas crowd-pleasers.

Included on the roster is Olney Theatre’s production of Jerry Herman’s “Hello, Dolly!” (through Jan. 4) starring the mega-talented Nova Y. Payton. Based on the play “The Matchmaker” by famed gay playwright Thornton Wilder, the musical has proved a vehicle for many a diva including Carol Channing, Pearl Bailey, Bette Midler, and Barbra Streisand. Now Payton dons the mantle and the buzz is good.

Another beloved musical is “Fiddler on the Roof” (through Jan. 25), the story of Tevye, a poor Jewish milkman, his family and their tight-knit community who honor tradition while contending with pogroms in Czarist Russia. Currently being performed intimately in the round at Signature Theatre in Arlington and directed by Joe Calarco, the large cast features actors Douglas Sills, Chrisopher Bloch, and terrific out actor Jake Loewenthal as the poor tailor Motel Kamzoil, all singing Broadway favorites like “Sunrise, Sunset” “If I Were a Rich Man” and “Matchmaker.” sigtheatre.org  

At Shakespeare Theatre Company’s Harman Hall is Frank Loesser’s “Guys and Dolls” (through Jan. 4). Based on tales from famed American journalist Damon Runyon, the show focuses on two overlapping love stories set in Depression-era Times Square. The terrific score includes songs like “Luck Be a Lady,” “Sit Down, You’re Rockin’ the Boat,” “A Bushel and a Peck,” and more songs you’ll know. Directed by Francesca Zambello and choreographed by Joshua Bergasse. 

The cast includes Julie Benko, Lamont Brown, and Holly Twyford as General Matilda B. Cartwright, which is reason enough to buy a ticket. shakespearetheatre.org 

And for hardcore traditionalists there’s the Washington Ballet’s “The Nutcracker” (through Dec. 29) with its balletic magic at the charming gilded Warner Theatre. The beloved production of Tchaikovsky’s ballet, here set in 1882 Georgetown, features a retinue of agile partiers, children, soldiers, rats, and notable figures from American history.  washingtonballet.org

And last but hardly least, historic Ford’s Theatre presents “A Christmas Carol” (through Dec. 31), an enduring Washington tradition since I was youngish. Conceived by Michael Baron, this charming Dickens’ moneymaker again spotlights Craig Wallace as miserly Ebenezer Scrooge who after a night of ghostly visits, rediscovers Christmas joy. Fords.org

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