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Ahead of their time

New book explores how 20th century writers put gay issues on America’s radar

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Gay writer Christopher Bram knew in researching his new book, which involved excavating ancient reviews of the work of prominent queer authors of the mid-20th century and beyond, he’d find ugly instances where homophobia colored the various assessments — he just didn’t realize how unrelenting and vitriolic it would be.

“I just wasn’t prepared for how mean and ugly and vicious the reviews could be of anything gay from the ‘50s well into the ‘80s,” Bram says during a phone chat from San Francisco. “The amount of anti-gay feeling among literary straight people just floored me. Even from people who were more on our side, the amount of condescension and this sneering, snickering tone, it got quite tiring and I only ended up quoting about half of what I found.”

(Image courtesy Twelve Books)

The book, out this month, is “Eminent Outlaws: the Gay Writers Who Changed America” (Twelve Books, $27.99). Bram’s premise is that the work of mid-century gay writers such as Truman Capote, Gore Vidal, James Baldwin, Allen Ginsberg, Tennessee Williams and others, on through to later novelists and playwrights such as Christopher Isherwood, Edward Albee, Edmund White, Armistead Maupin, Mart Crowley and Tony Kushner, was a literary revolution that laid the post-World War II groundwork for the modern gay rights movement. Bram, author of “The Father of Frankenstein” (adapted for the screen as the Oscar-winning film “Gods and Monsters”) and eight other novels, says the writers he includes in the book “introduced America to gay experience and sensibility and changed our literary culture.”

It’s a weighty thesis that unleashes an ocean of questions, some covered in the book, others pitched at Bram during this week’s Blade interview. And with Oscar season upon us (they’ll be handed out in Los Angeles Sunday evening), it’s an especially timely moment to consider the seemingly disproportionate contributions of gay writers to the arts. Nearly all the writers he covers have had work adapted to the big screen so their cultural reach is far-ranging and every bit as considerable as their straight counterparts.

Bram was a fan of these writers for decades. About three years ago he was approached by another writer, Sam Wasson, who was researching a book about the film “Breakfast at Tiffany’s” (based on a Capote novel), and contacted Bram for literary context. After riffing on the state of gay life and gay writing in the ‘50s and thereafter in the U.S., it occurred to Bram that while nearly all of the writers he focuses on had been written about, there was no single book that explored how their lives and work — many of them knew each other — overlapped and fit into the cultural norms of the day while also influencing those norms often in shocking ways.

While much of the historical material in the book has been presented elsewhere — Bram says only a few points required fresh interviews — the overall story, he says, is not widely known but should be.

“There were all these little bits and pieces like this scattered jigsaw puzzle, but I really wanted to pull them all together to form one big picture,” he says. “What I did was connect the dots. Nobody had ever told this as a single narrative. There were some simple connections I was able to make, even something as simple and obvious as the fact that ‘Other Voices, Other Rooms’ (a gay-themed Capote book), ‘The City and the Pillar’ (from rival Gore Vidal) and the Kinsey Report all came out within a few weeks of each other in 1948, which is surprisingly early and yet it became really this powerhouse year where these gay books were suddenly getting all this attention.”

Bram (Photo courtesy Twelve Books)

Bram says it was a uniquely American phenomenon the catalyst of which was the way World War II had “suddenly brought all these people together in the Army, the Navy — they were exposed to this other type of sexuality, to bad language and profanity they’d never heard before and it didn’t take long for this to be reflected in the publishing industry.”

The book is setting gay tongues wagging and even those who’ve yet to read it, say Bram’s premise is intriguing.

Nicholas Benton, a local gay writer and founder/publisher of the Falls-Church News Press who’s written at length about the unique contributions of gays in culture and society, says that although he takes issue with some of Bram’s contextualization and assessments of some of his subject’s supposed lesser works — Benton’s about halfway through “Outlaws” — he calls it “a very important book with a lot of important information in it.”

So did these writers’ homosexuality and perhaps the outsider status it brought it with it make their work greater than it otherwise might have been?

“One of the features of being a gay person is you can’t help but have an alternate perspective on life,” Benton says. “A straight man walks in the room, sees the hot secretary and that’s all he can think about. A gay man comes in and notices the drapes clash with the rug. I mean obviously that’s an oversimplification, but gay sensibility has something to do with seeing the plight of people who are often invisible to the mind of a straight person … we bring an alternate perspective.”

Bram has a slightly different take. He says, “One would like to think (being gay) would create more empathy but maybe what we can say about homosexuality is much like what we say about religion — it makes the good people better and the bad people worse … for gays, that could mean being overly bitchy, negative or hypercritical of others or full of self pity that doesn’t turn to empathy, it could affect them in many different ways.”

Others say these writers helped America shed some of its Puritanical squeamishness toward sex and “grow up.” Ginsberg’s poem “Howl,” especially, is shockingly bold for its time. It’s amazing it got published in 1955.

“In the case of Williams, he was inestimable in helping to hammer the nails in movie censorship in post-war America,” says Drew Casper, a film expert and professor of critical studies at the School of Cinematic Arts at the University of Southern California. “Whether his adaptations came through strong or diluted, no mistaking his championing the importance of sex in the lives of his characters, often as a way for them to touch God. Sexuality is an important concern in gay life and relationships, so when gay writers take pen in hand, sexuality is a concern.”

Gay author William J. Mann, who has a bounty of novels and non-fiction Hollywood-themed books to his credit, says he’s “a huge fan” of Bram and “can’t wait” to read “Outlaws.” Mann calls the topic “fascinating” and “great.”

“The role of the arts is always to push what’s expected or what’s understood and certainly when you read the works of James Baldwin for example … you have this real sense of ground being broken and getting people to really understand the wider experience of humanity in a way that the world is much more than just your own little sphere of existence,” Mann says.

Bram says the writers he covers deserve enormous credit — whether it’s Vidal’s cheeky handling of transsexuality in “Myra Breckenridge” or Kushner’s sophisticated handling of the AIDS crisis in “Angels in America” — for getting gay topics on the cultural radar.

“They got the stories out there,” he says. “Homosexuality became a subject that straight and gay people could finally talk about and once people were talking about it, other people started talking about it too. It’s an example of where art did a better job than activism. ‘Boys in the Band’ was made into a movie in 1970 and it played in every major city in the country with prominent actors just a year after the Stonewall riots. In my group of friends at the time, none of us had heard of the Stonewall riots, but we’d all heard of ‘Boys in the Band.’”

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Theater

Local theater scene heats up for the season

David Sedaris, Tituss Burgess, opera, and more on tap

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Alec Ludaca and Naomi Jacobson in 'Wipeout.' (Photo by Margot Schulman)

With all the fun and half the hassle, staycation has a lot going for it, and the performing arts can be a big part of the experience. Here’s some of what’s out there this summer.  

At Wolf Trap, the summer program is bursting with song, dance, and laughs. And if you’re quick, you can catch the sardonic wit of gay humorist David Sedaris in his one-night only show “An Evening with David Sedaris” on July 19.  

Pink Martini is bringing its 30th anniversary tour to Wolf Trap on July 29. The self-described “tiny orchestra” known for its cosmopolitan musical stylings, features vocalists China Forbes and Storm Large along with special guest out radio journalist Ari Shapiro.

Other shows slated for the Vienna, Va., farm park include Broadway stars Sutton Foster and Kelli O’Hara accompanied by the National Symphony Orchestra for an evening of showstoppers by Rodgers and Hammerstein, Sondheim, Cole Porter, Jason Robert Brown, and Joni Mitchell. (8/1) Wolftrap.org 

Perfectly timed for summer, Studio Theatre presents “Wipeout” (through July 27). Playwright Aurora Real de Asua’s beach-set story looks to be a promising 110 minutes of humor and poignant moments. 

In “Wipeout,” Claudia, played by terrific D.C. favorite Naomi Jacobson, treats herself and her two closest girlfriends to an early birthday present of surf lessons. 

Coached by “surf bro” instructor Blaze (played by handsome actor Alec Ludacka), Claudia is determined to slide into her golden years “catching some waves, and settling some scores.” 

Olney Theatre presents a fantastic, queer friendly summer program centered mainly around its open-air Root Family Stage (7/31-8/24). 

Highlights include hilarious out actor/singer Tituss Burgess in concert on Aug. 7, as well as the U.S. Premiere Concert presentation of “To Wong Foo: The Musical” (8/21) and “Just Arts: From Stonewall to RuPaul Drag Extravaganza” (8/24) featuring big name drag performers Lala Ri and Latrice Royale

For those looking to beat the heat indoors, Olney has Synetic Theater performing its wordless version of “A Midsummer Night’s Dream” through Aug. 10. 

Replete with fairies, a fantastical forest, star-crossed lovers, and an actor transformed into a donkey, Synetic’s take on the Bard’s enchanting, Athens-set rom com is directed by Paata Tsikurishvili. Olneytheatre.org 

If kids (4 years and up) figure into your staycation plans, a trip to Bethesda’s Imagination Stage may be just the ticket. “Dory Fantasmagory” (through Aug. 3) based on the children’s book by Abby Hanlon and adapted to the stage by John Glore, explores family dynamics while remaining both imaginative and fun. 

“It’s tough being the youngest. Dory’s siblings won’t play with her and there are monsters to battle all over the house, like the hair-raising Mrs. Gobble Gracker. With the help of her fairy godfather, Mr. Nuggy, her monster-friend, Mary, and her mighty imagination, Dory sets out to win what she wants most: her family’s attention.” 

Young theatergoers are encouraged to come in wacky outfits in the spirit of Dory’s playful style, and pajama Saturdays are also encouraged. Imaginationstage.org 

Young audiences may also enjoy “The Lightning Thief” (through Aug. 17) presented by Adventure Theatre in Glen Echo Park. With music and lyrics by Rob Rokicki, this dynamic musical adaptation of Rick Riordan’s bestselling book opened on Broadway in 2019. 

Here’s the gist of the story. “When teenager Percy Jackson discovers he’s a demigod, he and his friends embark on an epic journey to find Zeus’ missing lightning bolt and prevent a war among the gods.” Kurt Boehm directs. Adventuretheatre-mtc.org

At Signature Theatre, there’s some laid-back cabaret with “Sailing: Yacht Rock” (July 22-Aug. 10) featuring terrific talents Deimoni Brewington and Tracy Lynn Olivera. 

Relax and possibly reminisce with chill tunes like “Brandy (You’re a Fine Girl),” “Escape (The Pina Colada Song)” and “What a Fool Believes.” It’s a chance to enjoy and revisit the sounds of Christopher Cross, TOTO, and the Doobie Brothers. Sigtheatre.org 

Washington National Opera (WNO) presents Opera in the Outfield (Aug. 23). The WNO invites theater and baseball fans to the Nationals Park for a free broadcast of Gershwin’s gorgeous classic “Porgy and Bess.” The screening starts at 6:30 p.m. 

At the Kennedy Center, summer staycation wraps up with “Parade” (Aug. 19-Sept. 7), a powerful and celebrated 2023 Broadway revival musical. It’s based on the true story of Leo Frank, a Jewish factory superintendent in Atlanta wrongly accused and convicted of the murder of 13-year-old Mary Phagan in 1913. Co-conceived by the legendary Harold Prince, the production is a collaboration of some Broadway heavyweights including out director Michael Arden, Alfred Uhry (book), Jason Robert Brown (music & lyrics). Kennedy-center.org

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Music & Concerts

Cyndi Lauper ready to have fun in Virginia

Superstar to bring final leg of farewell tour to Jiffy Lube Live

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Pop icon Cyndi Lauper brings her farewell tour to Jiffy Lube Live on July 24. (Washington Blade file photo by Michael Key)

Superstar Cyndi Lauper will bring the final leg of her farewell tour “Girls Just Wanna Have Fun” to Bristow, Va., on Thursday, July 24 at Jiffy Lube Live. 

Lauper’s international Farewell Tour – her first major headlining run in a decade – kicked off in North America last October, and included her first time ever headlining (and selling out) Madison Square Garden. Lauper’s performances have earned raves from the New York Times, Rolling Stone, Billboard, and many more, and surprise guests have included Chaka Khan, Sam Smith, and Hayley Williams. The tour just visited the U.K. and Europe, and will head to Australia and Japan in April.  

Tickets are available on Live Nation’s website

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Out & About

Rehoboth Pride set for this weekend

Delaware beach town hosts festival, events

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(Washington Blade file photo by Michael Key)

Rehoboth Beach Pride is back for a day of summer celebration on Saturday. 

The Delaware beach town will host its Pride festival at the Rehoboth Beach Convention Center on July 19 from 9 a.m.-2 p.m., followed by an after-party at Freddie’s Beach Bar and a ticketed event in the evening with a film screening, comedian, and musician. 

“It will be a day of community engagement, fun, celebration and learning, all sorts of things rolled into one,” David Mariner, executive director of Sussex Pride, told the Blade. “I think it’s a great opportunity for us to be together, to support each other.”

Pride is organized by Sussex Pride and Gay Women of Rehoboth. The festival will include a free, family-friendly event with vendors offering information and resources, health screenings, and other activities. For more information visit sussexpride.org.

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