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Baltimore arts briefs: Feb. 24

Hippo hosts events, ‘Agnes of God’ production opens and more

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Club Hippo hosts two parties

Club Hippo (1 West Eager St.) has two large events going on this weekend.

On Friday, the Ladies of LURe present “Lust,” celebrating LGBT history with the Gay and Lesbian Community Center of Baltimore.

DJ Rosie will be providing music and Dystruxion dancers will be there. There will also be a raffle for Club Skirts Dinah Shore tickets.

Admission is $5 before midnight and $7 after.

On Saturday, Bellezza Entertainment and Club Hippo present their first major event of the year with Winter Pride.

This event will feature drink specials, give-a-ways, live performances by the Charm City Cabaret and more.

Admission is $10 and doors open at 10 p.m.

Both events are for 21 and older only.

Joan Crooks plays Dr. Livingstone, a psychiatrist who puts Sister Agnes, played by Julie Milillo, under hypnosis after she has visions in ‘Agnes of God.’ (Photo by Ken Stanek)

‘Agnes of God’ production opens

Spotlighters Theatre (817 Saint Paul St.) presents “Agnes of God” starring Joan Crooks, Nancy Linden and Julie Milillo opening tonight at 8 p.m.

“Agnes” tells the story of Dr. Martha Livingstone and how she assesses the sanity of Sister Agnes after she’s accused of murdering her newborn.

The show will run through March 18 with Friday and Saturday performances at 8 p.m. and Sunday performances at 2 p.m. There will be a “talk back” session with the cast and director on March 11 following the show.

Tickets range from $16 to $20 and can be purchased online at spotlighters.org.

There will also be a special performance on March 14 at 8 p.m. Tickets for this performance are $10.

Oscar night fundraiser for homeless youth

The 11th annual AIRS Oscar Night to Benefit is tonight at Pazo Restaurant (1425 Aliceanna St.) starting at 6 p.m. with dinner, cocktails and a short program followed by the Oscars.

Tickets are $125 and can be purchased online at oscarnightbaltimore.ocharityhappenings.org. Proceeds benefit CitySteps, a supportive housing program for homeless and unstably housed youth from ages 14 to 24.

AIRS is an organization founded as the faith community’s response to the AIDS epidemic and has been helping individuals and families living with HIV/AIDS since 1987.

For more information on AIRS and CitySteps, visit airshome.org.

Two diverse groups set to play France-Merrick this weekend

The France-Merrick Performing Arts Center (12 North Eutaw Street) presents Darwin Atwater’s “Evolution of a People” on tonight at 8 p.m. and the Peking Acrobats on Saturday at 7:30 p.m.

“Evolution” is a musical monument to the varied aspects of African-American life, including business, sports, politics, cowboys, religion, fashion and more. Atwater has taken an entire culture and set it to music accompanied by a photographic narrative by Ellis Marsalis III.

Tickets range from $30 to $65.

For more information, visit soulfulsymphony.org.

The Peking Acrobats are a troupe of China’s most gift tumblers, contortionists, jugglers, cyclists and gymnasts complemented by live musicians playing traditional Chinese instruments.

Tickets range from $20 to $55.

All tickets can be purchased at ticketmaster.com.

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Silky Nutmeg Ganache talks sex and dating, gender, politics, weight loss journey

‘RuPaul’s Drag Race All Stars’ semifinalist grew up in Bible Belt

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Silky Nutmeg Ganache (Photo courtesy of Silky Nutmeg Ganache)

Uncloseted Media published this interview on July 7.

By SPENCER MACNAUGHTON, ISABEL STOKES, and BELLA SAYEGH | After appearing on the 11th season of “RuPaul’s Drag Race,” the first season of “Canada’s Drag Race: Canada vs. the World,” the sixth season of “RuPaul’s All Stars” and now the 11th season of “All Stars,” Silky Nutmeg Ganache, known by many as the Reverend, is undoubtedly a legend.

Born and raised in Moss Point, Miss., Ganache bears all in this episode of “UNCLOSETED with Spencer Macnaughton.” She speaks about her relationship with gender, her 100-pound weight loss, what it’s like living as a queer person of color in a red state and why she’s calling on allies to stand up for the trans community.

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Photos

PHOTOS: Crush Dance Bar

Patrons enjoy a night out at popular LGBTQ venue

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(Washington Blade photo by Landon Shackelford)

Patrons enjoyed a night out at the popular LGBTQ venue Crush Dance Bar on Friday, July 3.

(Washington Blade photos by Landon Shackelford)

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Theater

‘My Favorite Sociopath’ debuts at Shepherdstown’s CATF

Gay playwright Aurin Squire’s take on D.C. journalism in the ‘90s

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Playwright Aurin Squire. (Photo by Yilong Liu)

‘My Favorite Sociopath’
Contemporary American Theater Festival
July 10-Aug. 2
Shepherdstown, W.Va.
Catf.org

Discernment. It’s a thing some people have, explains playwright Aurin Squire, especially when you’re gay or Black in America (Squire is both).

“You instinctively know when the mob is teaming up for the best interests of the powers that be. You can feel it in the air.”

In his sharp new satire “My Favorite Sociopath,” Squire writes about life experiences but set in a different time and place: It’s the 1990s, early days of the 24-hour news cycle, and three ambitious journalism students are pursuing success in D.C.

And now, Squire’s play, along with other new works, are making their world premieres at the annual Contemporary American Theater Festival (CATF) at Shepherd University in historic, queer-friendly Shepherdstown, W.Va. (just a 90-minute drive from D.C.).

“All of my plays are queer in some way,” says Squire, 46. “This one touches on harmless and dangerous lies. The characters are on the spectrum sexually, and it’s interesting how all that falls out.”

And he’s given it a lot of thought. 

“Already as a kid, it seemed to me that the rage against rap music and sex was coming from closeted people resisting their own urges and temptations. For me, it was interesting to see a witch hunt led by witches. Queer people can always call out a lie.”

Since September, Squire has also been working with a TV show about the tech industry set in Silicon Valley. He says, “It seems the general flow of the tech industry is that humanity and civilization is finished and it’s just about accumulating as many goods as possible before everything collapses. In fact, those who are profiting actually agree. But for those who disagree, they believe the solution is to build bigger gates, but activists believe we can stop this” 

Yet, he’s learned from folks associated with the show. “Many say the quickest way to divorce yourself from any responsibility or regulations — smash and grab. Otherwise, you have to stop and think and regulate your desires for greed and power”

Squire possesses a penchant for pithy titles. He laughs, explaining the first thing he wrote as a student at Juilliard was “Obama-ology,” the comedy with contemporary message. While a lot of people liked the name, it didn’t necessarily vibe with the author. He concedes that he chooses names based on “easy to remember” and titles that won’t be easy to lose as a file. 

Another is “Defacing Michael Jackson,” a coming-of-age dramedy set in rural Florida in 1984, specifically Squire’s native town Opa-locka, Miami, a fantastical place famed for its fanciful Moorish revival architecture.

Living in the shadow of exotic structures, he wasn’t particularly fazed. Squire says “It wasn’t until returning to visit after my freshman year at Northwestern University in Chicago that I realized how weird it was: When you grow up in a place, you take surroundings for granted no matter how over the top.”  

Now based in New York (where for two happy years, 2017-2019, he shared digs with drag king Murry Hill), Squire returns frequently to Miami to be with family, but this summer has been filled with both work and travel.

Currently, he’s in Shepherdstown with CATF shaping up “My Favorite Sociopath.” Later this summer he will travel to South Africa for research, followed by a silent writing retreat in Santa Fe, N.M. 

Much of Squire’s work reflects the Latino, African, Caribbean, African-American, and Jewish cultures he grew up around in South Florida.

When asked if today’s winds of anti-multiculturalism worry him, he replies, “No, because that’s going to pass. Most people don’t like, people are seeing the negative results of it, and the young people coming up despise it. White male gamers were tricked momentarily through the algorithms into voting against their own interests and they’re now seeing how it’s not working out for them. 

“Conservatives always try to stop progress and eventually they always lose. It’s just a question of where we’ll be in the middle of the end of civilization before that happens. I’d like to hope we can turn the ship around before then.” 

In addition to “My Favorite Sociopath,” CATF summer season features three other world premieres (Lisa D’Amour’s comedy “The Smoker,” “Refugee Rhapsody” by Yussef El Guindi, “Best Line Wins: A Play Inspired by the Improvised Lives of Elaine May & Mike Nichols” by Beth Kander) and “¡VOS!” by Christina Pumariega.

CATF runs from July 10-Aug. 2 in three venues on the Shepherd University campus: Frank Center, Marinoff Theater, and Studio 112.

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