Arts & Entertainment
Spotlight on Anacostia
Ward 8 arts initiative could be ‘transformational’ for neighborhood

Andrea Hope and Tommie Adams look over prints he hopes to have exhibited in the Lumen8Anacostia festival in April. (Blade photo by Michael Key)
With the Smithsonian here and a host of other well-established galleries hosting exhibits — sometimes of national renown — it’s easy to get overlooked in the Washington art scene. But there’s a flourishing art community east of the Anacostia River, a handful of galleries and, come April, a bounty of opportunities for everyone to see them both in the established art houses there and in a bevy of abandoned buildings and warehouses.
Anacostia, just one of the Ward 8 D.C. Southeast neighborhoods east of the River, is changing. On April 14, residents there will launch Lumen8Anacostia, a three-month arts initiative that’s using a $250,000 grant the D.C. Office of Planning received from ArtPlace (a collaboration of nine of the country’s top foundations, eight federal agencies and six large banks that supports “creative placemaking” with grants and more) to be administered to four D.C. neighborhoods (the others are Brookland, Deanwood and the central 14th Street area N.W.) to create temporary art and culture spaces in “emerging” neighborhoods where vacant and/or underutilized storefronts and empty lots will be transformed into art knolls. Arch Development Corporation, which has been working since 1991 to revitalize historic Anacostia with several initiatives and economic development plans, is implementing Lumen8.
Though not an LGBT-specific initiative, one of the organizers, Jeffrey Herrell, is gay and his partner, Tommie Adams, is hoping to have his photography exhibited in one of the spaces. They moved to Anacostia in 2005, delighted at the amount of house and yard they could get for a fraction of the price they would have paid in Washington’s glitzier neighborhoods. Herrell says they love the neighborhood and are delighted to see its cultural side being tapped.

Lumen8 organizers from left are Beth Ferraro, Andrea Hope, Jeffrey Herrell, Nikki Peele and Phil Hutinet. (Blade photo by Michael Key)
“I’m a big ambassador for Anacostia,” Herrell says. “I’m always trying to get my friends to move here and I’ve succeeded a few times. I have great neighbors here. Yes, there have been some ups and downs … but I think [the neighborhood] has been stigmatized. … The neighbors are extremely close, really tight in terms of friendships and the neighborhood kind of brings you together. I really like living here.”
Herrell says he knows two artists who live on his street and has another neighbor who’s an actor/performance artist. His next-door neighbor is also gay, there’s a lesbian couple on his block and another he knows of a couple blocks over. He and Adams say gays in Dupont and Logan would be surprised to discover how easygoing most straight Anacostia residents are with their LGBT neighbors.
“People here really don’t care,” Adams says. “Sometimes the kids will say something at first, but people here don’t really care if there are differences. I guess they have worse issues to deal with.”
Anacostia does, of course, have its problems. About 94 percent black (Ward 7 is 96 percent), Ward 8 residents are plagued with the city’s highest unemployment rate — 35 percent according to the latest figures available from NeighborhoodInfo D.C., a partnership between the Urban Institute and the Washington D.C. Local Initiatives Support Corporation — and 20 violent crimes per 1,000 residents in 2010. Both, sadly, are the highest rates of D.C.’s eight wards (Ward 7’s unemployment rate is 19 percent for those 16 and older; Ward 3 has the lowest with just 3.4 percent of its 16-and-older residents out of work).
But those figures are part of the reason Lumen8 organizers say Anacostia needs some light, quite literally. In addition to the various exhibits planned, organizers plan to illuminate several Anacostia buildings for the festival. A portion of the grant money will go to Intelligent Lighting Company, which will project lights and images on several buildings there.
“We’re lighting it up literally as well as trying to shine an overall spotlight on the neighborhood,” Herrell says.
“So few people really know the location, they think Anacostia is everything east of the river,” says Nikki Peele, an Arch employee who lives in Congress Heights, another Ward 8 neighborhood. “Even lifelong D.C. residents sometimes think that. They’re not sure of the history here, what’s here to do. For too many people, the information they have is that this is a somewhat scary place, so for a project like this, especially on this scale, it has the opportunity to be a transformational moment and not just for the community but for the outside perception of it … it’s very much a family community with an almost village-like feel. … the name was chosen for a reason — to bring both light and understanding.”
Organizers are selecting artists to have their work shown now from a pool of about 20 applicants who heard about the event through neighborhood listserves and word of mouth. After the April 14 kickoff, exhibitors will have to agree to have their gallery spaces open each Saturday and then six hours on another day during the week for the rest of April, May and June. Aside from the neighborhood’s existing three galleries, space such as a former police warehouse and several vacant storefronts on Martin Luther King Avenue and Good Hope Road will be converted into temporary exhibition space. Portions of the funds from the grant will be used to convert the various spaces and to give to the artists to realize their visions for their exhibits.
Herrell says it’s a good opportunity for both D.C. residents in general and also for the Anacostia artists, most amateurs, who’ve never had their work exhibited before.
“They may not be able to afford to open their own store, but this will give them a taste of what it’s like,” he says.
“It’s a very large-scale project,” says Phil Hutinet, Arch’s chief operating officer. “It’s going to be a huge benefit to the artistic community and to the neighborhood.”
The 2026 Capital Pride Parade was held in Washington, D.C. on Saturday, June 20.
(Washington Blade photos by Michael Key, Robert Rapanut and Landon Shackelford)

































































Theater
‘Feeling Afraid’ explores life of a neurotic stand-up comic
Navigating sex, work, and possibly love in London
‘Feeling Afraid As If Something Terrible Is Going to Happen’
Through July 12
Studio Theatre
1501 14th St., N.W.
$55-$102
Studiotheatre.org
Wordily yet rightly titled, solo show “Feeling Afraid As If Something Terrible Is Going To Happen” dives deeply into the world of a neurotic stand-up comic as he navigates sex, work, and possibly love in London.
Busy arranging hookups and dates on “The App,” the 36-year-old gay funnyman juggles a full dance card; still he’s never been in a romantic relationship. While he’s willing to give love a shot, he’s not pressed about it. As he says, he harbors no fear of dying alone.
Currently making its American premiere at Studio Theatre, this darkly humorous Edinburgh Fringe import features terrific out English actor Steven Webb as The Comedian who’s about to explore what it means to spend all his time with one man.
At Studio’s intimate Mead Theatre, Kat Heath’s minimal set says standard comedy club (fluorescent tube lighting, the mic with a long cord, a single stool backed by a rose-colored curtain), but gay playwright Marcelo Dos Santos has conjured something much more than a live comedy set.
Yes, The Comedian bounces onstage in his red Converse high tops, jeans, and pink shirt with a huge mouth emblazoned on the back, but he delivers more than jokes. At times hilariously self-deprecating, then dark, and occasionally a lesson on what makes standup work, this is a layered, well-acted piece.
With Webb (a keen caricaturist of types and voices) playing all the parts while conducting The Comedian’s hilariously frenetic interior monologue, “Feeling Afraid” takes us through a summer of love. It seems after six chaste dates with The American, our nervous hero has found Mr. Right. The American is earnest, smart, hesitant to initiate sex. He’s also well built with a beautiful smile. And strangely, he’s been medically advised not to laugh aloud.
The Comedian delights in the joys of new love: dates, first kisses, sex, and then suddenly spending all of his time with the adored. Visits to art galleries become fun. Eating home cooked meals followed by grim documentaries is a thing. The Comedian is beguiled as his own boyish figure fills out, but something isn’t right. He can’t entirely relax.
Along the way we meet the Aussie doctor, our protagonist’s longtime hookup; a young runner with some exceptional body parts; the random third in a failed threesome; grumpy working comics, male and female; and an ineffectual counselor.
Webb gives a lightning-fast performance that boggles the mind (in terms velocity and virtuosity). He can be impish, very impish. He’s nervous energy incarnate, flashing jazz hands, grimacing but handsome when still. He’s likeable, a necessity when delivering a hilariously rude joke just feet away from two stone-faced audience members. (Perhaps they were laughing on the inside? At any rate, they stayed through the end the show.)
Produced by the team behind Fringe hits “Fleabag” and “Baby Reindeer,” small stage works that were developed into major TV screen successes, “Feeling Afraid” is funny for sure, and it’s also highly confessional, sexually explicit, and raw.
Written by Dos Santos during COVID lockdown, the piece was a smash hit in the 2022 Edinburgh Fringe before finding further success in London. Its depiction of a youngish queer guy navigating the big city rings entirely true. Like so much Fringe stuff, the one-man show is delightfully lewd and standup inspired.
One little moan: the show closes cleverly but too abruptly with its star dashing offstage without sufficiently basking in the admiration and applause of his thoroughly chuffed audience.
They say third time’s a charm, and regarding “Feeling Afraid,” I’d agree. After two performance cancellations (first for laryngitis and the second involving faulty air conditioning on an especially muggy June evening), I made my third trek to Studio where I found both the actor and AC in very fine fettle. And truly, Webb’s work was more than worth the wait.
The 2026 Baltimore Pride Festival, “Pride in the Park,” was held at Druid Hill Park on Sunday, June 14.
(Washington Blade photos by Linus Berggren)
















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