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Queery: Esther Hidalgo

The organizer of Friday’s event for Latina lesbians answers 20 gay questions

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Esther Hidalgo (Blade photo by Michael Key)

Esther Hidalgo is sometimes surprised when she meets other Latina lesbians in Washington and as she was discussing with a colleague this week, she sometimes wonders why their paths don’t cross more often.

“Unless it’s a Latin venue, we really don’t see each other,” says the D.C.-area native, whose parents are Cuban and Puerto Rican. “And we can’t always easily identify each other when we do see each other. Sometimes you don’t realize there may be other Latinas in a room.”

So Hidalgo is starting “Mujeres en el Movimiento,” a networking event for Latina lesbians that launches tonight (Friday) from 6:30 to 8:30 at the new MOVA (2204 14th St., N.W.). It’s an official event of the Latino GLBT History Project. Based on attendance, organizers will decide whether to make it a regular event.

“I’m sure we’ll do it annually at least, but maybe more often,” she says.

The name means “women in the movement” and has a dual meaning — movement as in coming together socially, but also as an extension of the larger LGBT rights movement. It’s a happy hour event with Latin music and a digital exhibition of black and white photos by Kevin Kenner of Latina activists from the area titled “Heroes Latinas.” A suggested donation of $5 includes a vodka drink (for more information, contact Hidalgo at [email protected] or 202-670-5547).

Hidalgo, a graduate student studying for a master’s in library and information science part time at Catholic University, met History Project founder Jose Guttierez years ago when they both worked at the Leather Rack. She joined the group two years ago working on its archives and Pride festivities. She juggles three jobs when she’s not in school — she prints black and white photos in a studio, works for a collections archive in Northeast D.C. and works as a student tech at the National Archives in College Park sorting and preserving government documents.

Hidalgo, who grew up in Langley Park, Md., but mostly attended school in D.C., lives now in Columbia Heights with her girlfriend of two years. (Blade photos by Michael Key)

How long have you been out and who was the hardest person to tell?

Since around 18. Coming out to my dad was scary because I am close to my parents and an only child. Without missing a beat, he said that he could relate because “women are softer and they smell better.”

Who’s your LGBT hero?

Just one? I’m looking forward to meeting a few of them as they are featured in Friday’s exhibition. Most recently, my heroes are the Mujeres en el Movimiento Committee Members. In addition to working for political and humanistic causes, they saw the importance of this idea and worked hard to help bring it to fruition.

What’s Washington’s best nightspot, past or present? 

Wednesday Ladies Night at Chaos.

Describe your dream wedding.

There will be a lot of dancing and a lot of hip-hop.

What non-LGBT issue are you most passionate about?

This is difficult to answer because most social issues from immigration to domestic violence to education can and do affect members of the LGBT community. We are an intrinsic component of everyday society.

What historical outcome would you change?

That first moment in history where a woman took crap from a man and high-waisted jeans.

What’s been the most memorable pop culture moment of your lifetime?

Michael Jackson Moonwalking.

On what do you insist?

Compassion

What was your last Facebook post or Tweet?

Mujeres en el Movimiento networking reception hosted by the Latino GLBT History Project on Friday, March 23rd from 6:30-8:30pm at MOVA. I am the event chair and super excited about it and promoting it all the time! :-)

If your life were a book, what would the title be?

I don’t know but it should definitely be a graphic novel.

If science discovered a way to change sexual orientation, what would you do?

Sit them down and have a real serious discussion about ethics (or just blow up the lab).

What do you believe in beyond the physical world? 

In Buddhism, Nam-Myoho-Renge-Kyo is, among other things, the name of the mystic law that governs life eternally throughout the universe. I chant this every day as a form of prayer.

What’s your advice for LGBT movement leaders?

I think they should continue to build bridges of communication and cooperation between their respective causes. 

What would you walk across hot coals for?

Are you really asking me to choose between my girlfriend and my cat?

What LGBT stereotype annoys you most?

That gay men have all the style and lesbians have all the guitars.

What’s your favorite LGBT movie?

“Dog Day Afternoon”

What’s the most overrated social custom?

Starting a conversation by asking. “So, what do you do?”

What trophy or prize do you most covet?

To positively affect the lives of others through action.

What do you wish you’d known at 18?

The heart will mend.

Why Washington?

D.C. holds a lot of hidden histories, like those of LGBT Latino organizations and activists, that shape the consciousness of its residents whether they realize it or not. Plus, it is the home of go-go.

 

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Photos

PHOTOS: WorldPride Street Festival and Closing Concert

Doechii, Khalid among performers

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Doechii performs at the WorldPride Closing Concert on Sunday, June 8. (Washington Blade photo by Michael Key)

WorldPride 2025 concluded with the WorldPride Street Festival and Closing Concert held along Pennsylvania Ave., N.W. on Sunday, June 8. Performers on the main stage included Doechii, Khalid, Courtney Act, Parker Matthews, 2AM Ricky, Suzie Toot, MkX and Brooke Eden.

(Washington Blade photos by Michael Key)

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Photos

PHOTOS: WorldPride Parade

Thousands march for LGBTQ rights

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The 2025 WorldPride Parade (Washington Blade photo by Michael Key)

The 2025 WorldPride Parade was held in Washington, D.C. on Saturday, June 7. Laverne Cox and Renée Rapp were the grand marshals. 

(Washington Blade photos by Michael Key and Robert Rapanut)

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Theater

A hilarious ‘Twelfth Night’ at Folger full of ‘elegant kink’

Nonbinary actor Alyssa Keegan stars as Duke Orsino

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Alyssa Keegan (Photo courtesy Folger Theatre)

‘Twelfth Night’
Through June 22
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu

Nonbinary actor Alyssa Keegan (they/them)loves tapping into the multitudes within. 

Currently Keegan plays the melancholic Duke Orsino in Folger Theatre’s production of Shakespeare’s romantic comedy “Twelfth Night.” Director Mei Ann Teo describes the production as “sexy, hilarious, and devastating” and full of “elegant kink.” 

Washington-based, Keegan enjoys a busy and celebrated career. Her vast biography includes Come From Away at Ford’s Theatre; Cat on a Hot Tin Roof (Helen Hayes Award, Best Actress) and Paula Vogel’s How I Learned to Drive, both at Round House Theatre; Diana Son’s Stop Kiss directedby Holly Twyford for No Rules Theatre Company; and Contractions at Studio Theatre, to name just a few. 

In addition to acting, Keegan works as a polyamory and ethical non-monogamy life and relationship coach, an area of interest that grew out of personal exploration. For them, coaching seems to work hand in hand with acting. 

WASHINGTON BLADE: You’re playing the lovesick Orsino in Twelfth Night. How did that come about? 

ALYSSA KEEGAN: The director was looking to cast a group of actors with diverse identities; throughout auditions, there were no constraints regarding anyone’s assigned sex at birth. It was really a free for all. 

BLADE: What’s your approach to the fetching, cod-piece clad nobleman?

KEEGAN: Offstage I identify as completely nonbinary; I love riding in this neutral middle space. But I also love cosplay. The ability to do that in the play gives me permission to dive completely into maleness. 

So, when I made that decision to play Orsino as a bio male, suddenly the part really cracked open for me. I began looking for clues about his thoughts and opinions about things like his past relationships and his decision not to date older women.

Underneath his mask of bravura and sexuality, and his firmness of feelings, he’s quite lonely and has never really felt loved. It makes sense to me why his love for Olivia is so misguided and why he might fall in love with the Cesario/Viola character.

BLADE: As an actor, do you ever risk taking on the feelings of your characters? 

KEEGAN: Prior to my mental health education, yes, and that could be toxic for me. I’ve since learned that the nervous system can’t tell the difference between real emotional distress and a that of a fully embodied character. 

So, I created and share the Empowered Performer Project. [a holistic approach to performance that emphasizes the mental and emotional well-being of performing artists]. It utilizes somatic tools that help enormously when stepping into a character. 

BLADE: Has changing the way you work affected your performances?

KEEGAN: I think I’m much better now. I used to have nearly debilitating stage fright. I’d spend all day dreading going onstage. I thought that was just part of the job. Now, I’ve learned to talk to my body. Prior to a performance, I can now spend my offstage time calmly gardening, working with my mental health clients, or playing with my kid. I’m just present in my life in a different way. 

BLADE: Is Orsino your first time playing a male role?

KEEGAN: No. In fact, the very first time I played a male role was at the American Shakespeare Center in Staunton, Va. I played Hipolito in Thomas Middleton’s The Revenger’s Tragedy. 

As Hipolito, I felt utterly male in the moment, so much so that I had audience members see me later after the show and they were surprised that I was female. They thought I was a young guy in the role. There’s something very powerful in that.

BLADE: Do you have a favorite part? Male or female? 

KEEGAN: That’s tough but I think it’s Maggie the Cat. I played the hyper-female Maggie in Tennessee Williams’ Cat on a Hot Tin Roof at Round House. In the first act she didn’t stop talking for 51 minutes opposite Gregory Wooddell as Brick who barely had to speak. That lift was probably the heaviest I’ve ever been asked to do in acting. 

BLADE: What about Folger’s Twelfth Night might be especially appealing to queer audiences?

KEEGAN: First and foremost is presentation. 99% of the cast identify as queer in some way. 

The approach to Shakespeare’s text is one of the most bold and playful that I have ever seen.  It’s unabashedly queer. The actors are here to celebrate and be loud and colorful and to advocate. It’s a powerful production, especially to do so close to the Capitol building, and that’s not lost on any of us.

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