Arts & Entertainment
Queery: David Merrill
The Cherry DJ answers 20 gay questions
When asked why he gave up a 15-year computer science career to become a full-time DJ, Columbia Heights resident David Merrill has a simple answer: “Because I could.”
Merrill started spinning in college but soon his day job took over.
“When you’re working 60 to 70 hours a week, which is normal for that field, you don’t have the energy to be out spinning ‘til 4 in the morning,” he says. “I always wanted to do it and I was just finally at a point where I could.”
Listen for Merrill tonight at the “Boys on Fire” party from 9 p.m. to 3 a.m. at the Warehouse Loft (411 New York Ave., N.E.) where he’ll open for DJ Paulo. Though he’s attended Cherry each year for about 10 years, this is Merrill’s first time spinning and only his second circuit party. He also has monthly gigs at Code (first Saturday of each month at Green Lantern), Triple X (every third Friday at the Crucible) and a radio show called Club Queer. On Saturday night, he’ll be at Cobalt’s Raw event.
“I have very eclectic tastes,” he says. “The only hard-and-fast rule is if it makes me want to shake my ass, I’ll play it.”
He says tonight’s set will have elements of tribal, progressive and “acid house” grooves. He’ll spin about three hours. Go to cherryfund.org for details on all Cherry events. See page 33 for more information.
“Cherry is all about the music, all about the dancing,” he says. “You’re gonna see some amazing décor and there will be lots of hot guys half naked and that’s great, but like all great parties, it’s really about the music first and foremost. It’ll be some of the greatest music you ever hear in your life. DJ Paulo is amazing. It’s such an honor to open for him.”
Merrill grew up in Alexandria and has also lived in North Carolina and Florida at various times for school and career. He worked for years in Tampa doing computer work. He’s been back in Washington for about 10 years.
Though mum about his personal life, Merrill lives in Columbia Heights and enjoys dinner-and-a-movie evenings at home to relax. (Blade photos by Michael Key)
How long have you been out and who was the hardest person to tell?
I never really “came out” officially. My mother eavesdropped on a phone call from my boyfriend, who called on Christmas Eve to wish me a Merry Christmas, and she outed me to the rest of the family. My father threw me out of the house that very night. I was 15. Since I had nothing to lose, I have ever since then been completely out.
Who’s your LGBT hero?
I have so many, but I would have to say Harvey Milk really stands out. So much of what we have accomplished is due to his leadership and the influence that he, and his assassination, had on the gay rights movement.
What’s Washington’s best nightspot, past or present?
That’s a hard one, and I know I might offend some current club owners but I have to say Tracks. But the lousiest nightclub can be heaven if a great DJ is playing. I don’t need lights and fog and lasers. Sure, they’re cool, but it’s all about the music for me.
Describe your dream wedding.
All of my family and friends on the roof of the Hay-Adams Hotel, across the street from the White House.
What non-LGBT issue are you most passionate about?
I’m passionate about all civil rights issues. Every person deserves to be treated with dignity and respect no matter their gender, orientation, religion, race or any other characteristic they might have.
What historical outcome would you change?
I’m going to say the constitutional compromise that left slavery not only legal, but officially enshrined in our Constitution. Slavery is America’s “original sin” and I have to wonder what America would be like today if we had started out without that millstone around our neck.
What’s been the most memorable pop culture moment of your lifetime?
The first time I saw “Rocky Horror Picture Show.” I was about 12 or 13 years old so for me at that age it was incredibly subversive and I’ve loved subversive art and theater ever since.
On what do you insist?
I insist on always doing my absolute best. There will always be someone who can run faster, or make more money, or whatever, but as long as I always work hard and do my very best, I can look in the mirror and be proud of myself.
What was your last Facebook post or Tweet?
I posted a quote from Dan Savage: “Hostile parents can’t make their gay kids straight, but they can make them dead.”
If your life were a book, what would the title be?
“Wrong Turns That Turn Out Right”
If science discovered a way to change sexual orientation, what would you do?
Drop it in the Gatoraid at a nearby locker room? OK, I wouldn’t really do that, but it’s a nice fantasy. I sure wouldn’t take it myself. I am very happy with who I am, thank you very much.
What do you believe in beyond the physical world?
I don’t really know if there is a G-d in the Judeo-Christian sense, but I do believe that there is such a thing as sacred, and I try to find it in everyone.
What’s your advice for LGBT movement leaders?
I would just like to thank them for all the good work that they do, and encourage them to keep the faith, because our cause is just and we will prevail.
What would you walk across hot coals for?
I would do anything for my family.
What LGBT stereotype annoys you most?
I think the stereotype that we all cut hair or design interiors is ridiculous. Sure, lots of us are fabulous at those things, but lots more of us aren’t.
What’s your favorite LGBT movie?
“Angels in America.” I love the part where Hannah responds to Blanche DuBois — “I have always depended on the kindness of strangers”; “Well that’s a stupid thing to do.”
What’s the most overrated social custom?
Talking about the weather.
What trophy or prize do you most covet?
A great DJ can create a mood, really connect with a crowd of dancers, and take them on a musical and emotional journey. And when you’ve done that, when you have the crowd in the palm of your hand, you know it. You feel it. And THAT is the “prize” I work so hard to achieve. I live for that feeling. It’s why I’m a DJ.
What do you wish you’d known at 18?
At 18 I was on the street, off and on, living in empty lots. If I had known that things would eventually work out for me, it would have saved me so much fear and worry about the future. Life for me has just gotten better and better. At 18 the future looked really bleak.
Why Washington?
I love Washington! There are so many things to do, places to go, museums to visit and great restaurants. You could never do it all.
Movies
‘Hedda’ brings queer visibility to Golden Globes
Tessa Thompson up for Best Actress for new take on Ibsen classic
The 83rd annual Golden Globes awards are set for Sunday (CBS, 8 p.m. EST). One of the many bright spots this awards season is “Hedda,” a unique LGBTQ version of the classic Henrik Ibsen story, “Hedda Gabler,” starring powerhouses Nina Hoss, Tessa Thompson and Imogen Poots. A modern reinterpretation of a timeless story, the film and its cast have already received several nominations this awards season, including a Globes nod for Best Actress for Thompson.
Writer/director Nia DaCosta was fascinated by Ibsen’s play and the enigmatic character of the deeply complex Hedda, who in the original, is stuck in a marriage she doesn’t want, and still is drawn to her former lover, Eilert.
But in DaCosta’s adaptation, there’s a fundamental difference: Eilert is being played by Hoss, and is now named Eileen.
“That name change adds this element of queerness to the story as well,” said DaCosta at a recent Golden Globes press event. “And although some people read the original play as Hedda being queer, which I find interesting, which I didn’t necessarily…it was a side effect in my movie that everyone was queer once I changed Eilert to a woman.”
She added: “But it still, for me, stayed true to the original because I was staying true to all the themes and the feelings and the sort of muckiness that I love so much about the original work.”
Thompson, who is bisexual, enjoyed playing this new version of Hedda, noting that the queer love storyline gave the film “a whole lot of knockoff effects.”
“But I think more than that, I think fundamentally something that it does is give Hedda a real foil. Another woman who’s in the world who’s making very different choices. And I think this is a film that wants to explore that piece more than Ibsen’s.”
DaCosta making it a queer story “made that kind of jump off the page and get under my skin in a way that felt really immediate,” Thompson acknowledged.
“It wants to explore sort of pathways to personhood and gaining sort of agency over one’s life. In the original piece, you have Hedda saying, ‘for once, I want to be in control of a man’s destiny,’” said Thompson.
“And I think in our piece, you see a woman struggling with trying to be in control of her own. And I thought that sort of mind, what is in the original material, but made it just, for me, make sense as a modern woman now.”
It is because of Hedda’s jealousy and envy of Eileen and her new girlfriend (Poots) that we see the character make impulsive moves.
“I think to a modern sensibility, the idea of a woman being quite jealous of another woman and acting out on that is really something that there’s not a lot of patience or grace for that in the world that we live in now,” said Thompson.
“Which I appreciate. But I do think there is something really generative. What I discovered with playing Hedda is, if it’s not left unchecked, there’s something very generative about feelings like envy and jealousy, because they point us in the direction of self. They help us understand the kind of lives that we want to live.”
Hoss actually played Hedda on stage in Berlin for several years previously.
“When I read the script, I was so surprised and mesmerized by what this decision did that there’s an Eileen instead of an Ejlert Lovborg,” said Hoss. “I was so drawn to this woman immediately.”
The deep love that is still there between Hedda and Eileen was immediately evident, as soon as the characters meet onscreen.
“If she is able to have this emotion with Eileen’s eyes, I think she isn’t yet because she doesn’t want to be vulnerable,” said Hoss. “So she doesn’t allow herself to feel that because then she could get hurt. And that’s something Eileen never got through to. So that’s the deep sadness within Eileen that she couldn’t make her feel the love, but at least these two when they meet, you feel like, ‘Oh my God, it’s not yet done with those two.’’’
Onscreen and offscreen, Thompson and Hoss loved working with each other.
“She did such great, strong choices…I looked at her transforming, which was somewhat mesmerizing, and she was really dangerous,” Hoss enthused. “It’s like when she was Hedda, I was a little bit like, but on the other hand, of course, fascinated. And that’s the thing that these humans have that are slightly dangerous. They’re also very fascinating.”
Hoss said that’s what drew Eileen to Hedda.
“I think both women want to change each other, but actually how they are is what attracts them to each other. And they’re very complimentary in that sense. So they would make up a great couple, I would believe. But the way they are right now, they’re just not good for each other. So in a way, that’s what we were talking about. I think we thought, ‘well, the background story must have been something like a chaotic, wonderful, just exploring for the first time, being in love, being out of society, doing something slightly dangerous, hidden, and then not so hidden because they would enter the Bohemian world where it was kind of okay to be queer and to celebrate yourself and to explore it.’”
But up to a certain point, because Eileen started working and was really after, ‘This is what I want to do. I want to publish, I want to become someone in the academic world,’” noted Hoss.
Poots has had her hands full playing Eileen’s love interest as she also starred in the complicated drama, “The Chronology of Water” (based on the memoir by Lydia Yuknavitch and directed by queer actress Kristen Stewart).
“Because the character in ‘Hedda’ is the only person in that triptych of women who’s acting on her impulses, despite the fact she’s incredibly, seemingly fragile, she’s the only one who has the ability to move through cowardice,” Poots acknowledged. “And that’s an interesting thing.”
Arts & Entertainment
2026 Most Eligible LGBTQ Singles nominations
We are looking for the most eligible LGBTQ singles in the Washington, D.C. region.
Are you or a friend looking to find a little love in 2026? We are looking for the most eligible LGBTQ singles in the Washington, D.C. region. Nominate you or your friends until January 23rd using the form below or by clicking HERE.
Our most eligible singles will be announced online in February. View our 2025 singles HERE.
The Freddie’s Follies drag show was held at Freddie’s Beach Bar in Arlington, Va. on Saturday, Jan. 3. Performers included Monet Dupree, Michelle Livigne, Shirley Naytch, Gigi Paris Couture and Shenandoah.
(Washington Blade photos by Michael Key)










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