Arts & Entertainment
Arts briefs: April 13
Events of note for the region — Washington and Baltimore
Victory Fund to host annual brunch
The Victory Fund is having its National Champagne Brunch on Sunday at the Washington Hilton (1919 Connecticut Ave., N.W.) at 11 a.m. featuring Tammy Baldwin.
This year’s theme is “Strength in Numbers” and Victory Fund will be honoring the eight openly gay and lesbian members of the Maryland legislature: Luke Clippinger, Bonnie Cullison, Anne Kaiser, Richard Madaleno, Maggie McIntosh, Heather Mizeur, Peter Murphy and Mary Washington.
Individual tickets are $150 and a table with ten seats is $1,500.
For more information and to purchase tickets, visit victoryfund.org.
Illumination time for Ward 8
Saturday marks the opening of a series of spaces opening in the commercial corridor of Historic Anacostia with Lumen8Anacostia, a 12-hour festival of light, art, music and more starting at noon.
Events begin at noon at Lightbox (2235 Shannon Place, S.E.) with opening remarks on the cargo bay stage and SHAM pop up shop and DJs on the main stage. Both stages will have various performers, the cargo bay stage closing at 6 p.m. and the main stage remaining busy until midnight.
There’s also the “Party Behind the Big Chair” (2020 Shannon Place, S.E.) with performers such as Yung Yeaga and Cee Love, starting at 4:15 p.m.
Part of a project by D.C.’s Office of Planning, vacant and underutilized storefronts and empty lots have been transformed into an artist showcase/village for three to six months.
This event is free and open to the public. For more information, visit lumen8anacostia.com.
Scott Nevins (Photo courtesy MCC-DC)
Scott Nevins plays two shows at MCC-DC
Openly gay comedian, celebrity and television personality Scott Nevins will be appearing at Metropolitan Community Church (474 Ridge St., N.W.) tonight and Saturday at 8 p.m.
Nevins, who appears on truTV’s show, “The Smoking Gun Presents,” has worked with some of Hollywood’s biggest starts including Barry Manilow, Susan Lucci, Idina Menzel, Hal Sparks and more.
Nevins has been awarded an Out There award, was nominated for a HX Award and Glammy Award in 2004 and a MAC Award in 2007 and was chosen by “New York Magazine” in their “Best of New York” issue.
Tickets are $25 and can be purchased online at mccdc.com. Proceeds will benefit the outreach and service programs at MCC.
Gay Broadway star at the Birchmere Sunday
Original Broadway cast members of “Rent” Adam Pascal and openly gay Anthony Rapp play the Birchmere Music Hall (3701 Mount Vernon Ave., Alexandria) Sunday at 7:30 p.m.
Rapp, who came out when he was 18, originated the role of Mark Cohen, best friend and roommate of Pascal’s Roger Davis. He has also released a solo album, “Look Around,” and appeared in many theatre productions, TV shows and films including the film version of “Rent.”
Rapp has also written a memoir “Without You: A Memoir of Love, Loss, and the Musical Rent,” which was released in 2006 and premiered as a show at the Pittsburgh City Theatre in 2008.
Tickets are $39.50 and available online at ticketmaster.com.
BALTIMORE BRIEFS:
Ball, screening among Alliance offerings
The Creative Alliance at the Patterson (3134 Eastern Ave.) has two events coming up this week.
On Saturday, the Patterson will be transformed into Wonderland for its “Alice in Wonderland”-themed 2012 Marquee Ball.
The ball begins with a preview dinner at 6 p.m. to honor arts lawyer, Scott Johnson with the Golden Formstone Award and Terry Rubenstein for her family’s lifetime achievements in the arts. The dance party begins at 9 p.m.
Tickets are $40 in advance for the party, $35 for CA members and $185 for the dinner.
On Thursday, the Alliance is screening the film “From the Back of the Room,” by D.C.-based director, Amy Oden, about women’s involvement in DIY punk featuring interviews by women like Kathleen Hanna of Bikini Kill and Le Tigre, Allison Wolfe of Bratmobile and many more.
Tickets for the screening are $10, $5 for Alliance members. Doors open at 6:30 p.m. For more information on either events and to purchase tickets, visit creativealliance.org.
Fashion show tries alternate approach
The Maryland Institute College of Arts presents the 19th annual benefit fashion show Transcend on Saturday in the Brown Center in Falvey Hall (1301 W. Mount Royal Ave.) at 8 p.m.
The designers featured in the show were asked to go beyond the expected and their norm and audience members will be able to see the workings of their brains and the manifestations of their inner thoughts and aspirations.
After the show, everyone is invited to mix and mingle with the designers and view an exhibition of fashion-inspired photography, illustration and fiber arts, including fashion pictorials of the students’ designs captured by celebrity photographer Derek Blanks.
Tickets are $20 for general admission and $15 for students.
For more information and to purchase tickets, visit mica.edu.
Gay group to hold tax program
The Maryland Corporate Council, a networking group for LGBT professionals, is hosting “Tax Wise,” an LGBT tax program for anyone who is or hopes to be partnered at the Inn at Henderson’s Wharf (1000 Fell St.) on Thursday from 6 to 8 p.m.
The program will feature a short presentation covering tax implications of LGBT relationships including joint property ownership and obtaining and protecting deductions, from Denise Dodson, the executive director at Ernst & Young Tax Practice.
Registration is free for members and $15 for guests.
For more information and to register, visit marylandcoporate.org.
Estate planning for LGBT residents planned
FreeState Legal Project is hosting “Will-Power Party: Estate Planning for the Rest of Us,” a workshop and pro bono assistance event at the Gay, Lesbian, Bisexual, Transgender Community Center of Baltimore (241 W. Chase St.) on Tuesday from 6 to 8 p.m.
During the event, people in need of simple wills, powers of attorney and advance directives will be matched with attorneys and receive assistance in drafting their estate documents.
FreeState Legal Project is a group that advocates for the rights of low income LGBT individuals through direct legal services, education and community outreach in the Greater Baltimore region.
For more information, visit freestatelegal.org.
WorldPride 2025 concluded with the WorldPride Street Festival and Closing Concert held along Pennsylvania Ave., N.W. on Sunday, June 8. Performers on the main stage included Doechii, Khalid, Courtney Act, Parker Matthews, 2AM Ricky, Suzie Toot, MkX and Brooke Eden.
(Washington Blade photos by Michael Key)
The 2025 WorldPride Parade was held in Washington, D.C. on Saturday, June 7. Laverne Cox and Renée Rapp were the grand marshals.
(Washington Blade photos by Michael Key and Robert Rapanut)
Theater
A hilarious ‘Twelfth Night’ at Folger full of ‘elegant kink’
Nonbinary actor Alyssa Keegan stars as Duke Orsino
‘Twelfth Night’
Through June 22
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu
Nonbinary actor Alyssa Keegan (they/them)loves tapping into the multitudes within.
Currently Keegan plays the melancholic Duke Orsino in Folger Theatre’s production of Shakespeare’s romantic comedy “Twelfth Night.” Director Mei Ann Teo describes the production as “sexy, hilarious, and devastating” and full of “elegant kink.”
Washington-based, Keegan enjoys a busy and celebrated career. Her vast biography includes Come From Away at Ford’s Theatre; Cat on a Hot Tin Roof (Helen Hayes Award, Best Actress) and Paula Vogel’s How I Learned to Drive, both at Round House Theatre; Diana Son’s Stop Kiss directedby Holly Twyford for No Rules Theatre Company; and Contractions at Studio Theatre, to name just a few.
In addition to acting, Keegan works as a polyamory and ethical non-monogamy life and relationship coach, an area of interest that grew out of personal exploration. For them, coaching seems to work hand in hand with acting.
WASHINGTON BLADE: You’re playing the lovesick Orsino in Twelfth Night. How did that come about?
ALYSSA KEEGAN: The director was looking to cast a group of actors with diverse identities; throughout auditions, there were no constraints regarding anyone’s assigned sex at birth. It was really a free for all.
BLADE: What’s your approach to the fetching, cod-piece clad nobleman?
KEEGAN: Offstage I identify as completely nonbinary; I love riding in this neutral middle space. But I also love cosplay. The ability to do that in the play gives me permission to dive completely into maleness.
So, when I made that decision to play Orsino as a bio male, suddenly the part really cracked open for me. I began looking for clues about his thoughts and opinions about things like his past relationships and his decision not to date older women.
Underneath his mask of bravura and sexuality, and his firmness of feelings, he’s quite lonely and has never really felt loved. It makes sense to me why his love for Olivia is so misguided and why he might fall in love with the Cesario/Viola character.
BLADE: As an actor, do you ever risk taking on the feelings of your characters?
KEEGAN: Prior to my mental health education, yes, and that could be toxic for me. I’ve since learned that the nervous system can’t tell the difference between real emotional distress and a that of a fully embodied character.
So, I created and share the Empowered Performer Project. [a holistic approach to performance that emphasizes the mental and emotional well-being of performing artists]. It utilizes somatic tools that help enormously when stepping into a character.
BLADE: Has changing the way you work affected your performances?
KEEGAN: I think I’m much better now. I used to have nearly debilitating stage fright. I’d spend all day dreading going onstage. I thought that was just part of the job. Now, I’ve learned to talk to my body. Prior to a performance, I can now spend my offstage time calmly gardening, working with my mental health clients, or playing with my kid. I’m just present in my life in a different way.
BLADE: Is Orsino your first time playing a male role?
KEEGAN: No. In fact, the very first time I played a male role was at the American Shakespeare Center in Staunton, Va. I played Hipolito in Thomas Middleton’s The Revenger’s Tragedy.
As Hipolito, I felt utterly male in the moment, so much so that I had audience members see me later after the show and they were surprised that I was female. They thought I was a young guy in the role. There’s something very powerful in that.
BLADE: Do you have a favorite part? Male or female?
KEEGAN: That’s tough but I think it’s Maggie the Cat. I played the hyper-female Maggie in Tennessee Williams’ Cat on a Hot Tin Roof at Round House. In the first act she didn’t stop talking for 51 minutes opposite Gregory Wooddell as Brick who barely had to speak. That lift was probably the heaviest I’ve ever been asked to do in acting.
BLADE: What about Folger’s Twelfth Night might be especially appealing to queer audiences?
KEEGAN: First and foremost is presentation. 99% of the cast identify as queer in some way.
The approach to Shakespeare’s text is one of the most bold and playful that I have ever seen. It’s unabashedly queer. The actors are here to celebrate and be loud and colorful and to advocate. It’s a powerful production, especially to do so close to the Capitol building, and that’s not lost on any of us.
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A hilarious ‘Twelfth Night’ at Folger full of ‘elegant kink’
