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Arts briefs: April 13

Events of note for the region — Washington and Baltimore

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Victory Fund to host annual brunch

The Victory Fund is having its National Champagne Brunch on Sunday at the Washington Hilton (1919 Connecticut Ave., N.W.) at 11 a.m. featuring Tammy Baldwin.

This year’s theme is “Strength in Numbers” and Victory Fund will be honoring the eight openly gay and lesbian members of the Maryland legislature: Luke Clippinger, Bonnie Cullison, Anne Kaiser, Richard Madaleno, Maggie McIntosh, Heather Mizeur, Peter Murphy and Mary Washington.

Individual tickets are $150 and a table with ten seats is $1,500.

For more information and to purchase tickets, visit victoryfund.org.

Illumination time for Ward 8

Saturday marks the opening of a series of spaces opening in the commercial corridor of Historic Anacostia with Lumen8Anacostia, a 12-hour festival of light, art, music and more starting at noon.

Events begin at noon at Lightbox (2235 Shannon Place, S.E.) with opening remarks on the cargo bay stage and SHAM pop up shop and DJs on the main stage. Both stages will have various performers, the cargo bay stage closing at 6 p.m. and the main stage remaining busy until midnight.

There’s also the “Party Behind the Big Chair” (2020 Shannon Place, S.E.) with performers such as Yung Yeaga and Cee Love, starting at 4:15 p.m.

Part of a project by D.C.’s Office of Planning, vacant and underutilized storefronts and empty lots have been transformed into an artist showcase/village for three to six months.

This event is free and open to the public. For more information, visit lumen8anacostia.com.

Scott Nevins (Photo courtesy MCC-DC)

Scott Nevins plays two shows at MCC-DC

Openly gay comedian, celebrity and television personality Scott Nevins will be appearing at Metropolitan Community Church (474 Ridge St., N.W.) tonight and Saturday at 8 p.m.

Nevins, who appears on truTV’s show, “The Smoking Gun Presents,” has worked with some of Hollywood’s biggest starts including Barry Manilow, Susan Lucci, Idina Menzel, Hal Sparks and more.

Nevins has been awarded an Out There award, was nominated for a HX Award and Glammy Award in 2004 and a MAC Award in 2007 and was chosen by “New York Magazine” in their “Best of New York” issue.

Tickets are $25 and can be purchased online at mccdc.com. Proceeds will benefit the outreach and service programs at MCC.

Gay Broadway star at the Birchmere Sunday

Original Broadway cast members of “Rent” Adam Pascal and openly gay Anthony Rapp play the Birchmere Music Hall (3701 Mount Vernon Ave., Alexandria) Sunday at 7:30 p.m.

Rapp, who came out when he was 18, originated the role of Mark Cohen, best friend and roommate of Pascal’s Roger Davis. He has also released a solo album, “Look Around,” and appeared in many theatre productions, TV shows and films including the film version of “Rent.”

Rapp has also written a memoir “Without You: A Memoir of Love, Loss, and the Musical Rent,” which was released in 2006 and premiered as a show at the Pittsburgh City Theatre in 2008.

Tickets are $39.50 and available online at ticketmaster.com.

BALTIMORE BRIEFS: 

Ball, screening among Alliance offerings

The Creative Alliance at the Patterson (3134 Eastern Ave.) has two events coming up this week.

On Saturday, the Patterson will be transformed into Wonderland for its “Alice in Wonderland”-themed 2012 Marquee Ball.

The ball begins with a preview dinner at 6 p.m. to honor arts lawyer, Scott Johnson with the Golden Formstone Award and Terry Rubenstein for her family’s lifetime achievements in the arts. The dance party begins at 9 p.m.

Tickets are $40 in advance for the party, $35 for CA members and $185 for the dinner.

On Thursday, the Alliance is screening the film “From the Back of the Room,” by D.C.-based director, Amy Oden, about women’s involvement in DIY punk featuring interviews by women like Kathleen Hanna of Bikini Kill and Le Tigre, Allison Wolfe of Bratmobile and many more.

Tickets for the screening are $10, $5 for Alliance members. Doors open at 6:30 p.m. For more information on either events and to purchase tickets, visit creativealliance.org.

Fashion show tries alternate approach

The Maryland Institute College of Arts presents the 19th annual benefit fashion show Transcend on Saturday in the Brown Center in Falvey Hall (1301 W. Mount Royal Ave.) at 8 p.m.

The designers featured in the show were asked to go beyond the expected and their norm and audience members will be able to see the workings of their brains and the manifestations of their inner thoughts and aspirations.

After the show, everyone is invited to mix and mingle with the designers and view an exhibition of fashion-inspired photography, illustration and fiber arts, including fashion pictorials of the students’ designs captured by celebrity photographer Derek Blanks.

Tickets are $20 for general admission and $15 for students.

For more information and to purchase tickets, visit mica.edu.

Gay group to hold tax program

The Maryland Corporate Council, a networking group for LGBT professionals, is hosting “Tax Wise,” an LGBT tax program for anyone who is or hopes to be partnered at the Inn at Henderson’s Wharf (1000 Fell St.) on Thursday from 6 to 8 p.m.

The program will feature a short presentation covering tax implications of LGBT relationships including joint property ownership and obtaining and protecting deductions, from Denise Dodson, the executive director at Ernst & Young Tax Practice.

Registration is free for members and $15 for guests.

For more information and to register, visit marylandcoporate.org.

Estate planning for LGBT residents planned

FreeState Legal Project is hosting “Will-Power Party: Estate Planning for the Rest of Us,” a workshop and pro bono assistance event at the Gay, Lesbian, Bisexual, Transgender Community Center of Baltimore (241 W. Chase St.) on Tuesday from 6 to 8 p.m.

During the event, people in need of simple wills, powers of attorney and advance directives will be matched with attorneys and receive assistance in drafting their estate documents.

FreeState Legal Project is a group that advocates for the rights of low income LGBT individuals through direct legal services, education and community outreach in the Greater Baltimore region.

For more information, visit freestatelegal.org.

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Theater

Reggie White relishing first season as artistic director of Woolly Mammoth

First five shows a reminder that ‘pressure is a privilege’

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Reggie D. White (Photo by Ambe J. Williams)

Madly talented and preternaturally energetic, Reggie D. White, 38, is about to launch his first season as artistic director of D.C.’s boundary-pushing Woolly Mammoth Theatre Company.

White brings a lot to the job. As actor, playwright, and director, his varied resume includes a 2019 Broadway acting debut in Matthew López’s Tony Award–winning play “The Inheritance,” his semi-autobiographic play “Fremont Ave.” that opened to acclaim last season at Arena Stage, and a number of exciting regional directing credits.

A longtime admirer of Woolly, the out theater-maker was selected from a pool of candidates before receiving the offer last November and starting work in January. His season of five world premieres kicks off with gay playwright Steve Yockey’s “Venus” (Sept. 9-Oct. 4), a darkly funny study of modern relationships told through two lesbians looking back on their first encounter.

White was introduced to Woolly Mammoth as a pre-law student at Cal State Hayward in the San Francisco Bay Area, long before he foresaw a life in the arts. “As part of a random theater history course, I was assigned to write a paper on a counterculture company called Woolly Mammoth,” he recalls “Strange name. I was like what the hell is that?” 

Nineteen-year-old White was intrigued. Research acquainted him with Howard Shalwitz who co-founded Woolly in 1980, and the company’s commitment to living playwrights and new work. He also learned how theater could be used as a tool for difficult conversations and shape the way people thought about social issues by employing imagination and rigor. 

“Never in a million years did young me envision that one day I’d be Woolly’s third artistic director in its 46-year history,” says White. “It’s kind of serendipitously insane.” 

WASHINGTON BLADE: Was there a moment when the enormity of the job hit you?

REGGIE D. WHITE: After I’d signed my contract and finished all the paperwork, I got my keys and sat in the theater by myself in the dark and thought about what an incredible honor it is to be trusted with what happens in this beautiful space [in D.C.’s Penn Quarter]. I might have cried. Sometimes I have to pinch myself to remember it’s real. 

BLADE: Are you curating the upcoming 2026–2027 season? 

WHITE: Yes, I am.  It’s very rare that an incoming artistic director gets to program their first season, but I was lucky in terms of time. After being hired late last year, I asked Woolly’s managing director Kimberly E. Douglas, if she thought it would be crazy if I programmed the season. She warned me it would be hard. 

I invoked tennis legend Billie Jean King’s maxim “pressure is a privilege” and got to work. 

These plays [dubbed White’s “first five”] represent both the kind of theater that Woolly can do really well and speak directly to my voice as curator and how I want to contribute to the larger theatrical conversation in the DMV. 

Getting here has meant a lot of late nights. But I knew the juice would be worth the squeeze.

BLADE: As a queer artistic director, what makes you unique? 

WHITE: When I was playing in “Inheritance” on Broadway, after a performance, U.S. Supreme Court Justice Sotomayer came backstage to meet the cast. She spoke about how her lens on the world as a Puerto Rican woman shapes her decisions. Similarly, because I’m a queer Black man I see through a lens that shapes my work.

I know I’m not the only queer artistic director in town. For me, it influences how I make editorial decisions. Out of this season’s five plays there are explicitly queer characters in four [“Venus,” “Chanukkah Spectacular,” “Ten Grand,” and “Love I Awethu Further”] and I’m directing two [“Venus,” “Ten Grand”].

BLADE: Will we see familiar faces?

WHITE: Every show this season will feature a Woolly Mammoth company member in its cast. Our company also includes designers and directors who we’ll include. I’m invested in continuing to provide a showcase for their work. 

BLADE: How do you think queer audiences will receive the season? 

WHITE: Very well, I think. For queer people who’ve had to navigate the world subversively and solve problems in unique ways, I think it will be especially interesting. I find theater a potent place for questions.

Like all artistic directors. I’ll show up for the job in my own way. I’m just excited that I’ve been invited to bring the fullness of myself to the role.

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PHOTOS: Amsterdam Pride Canal Parade

Annual LGBTQ celebration held in Dutch city during World Pride

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A scene from the 2026 Amsterdam Pride Canal Parade. (Washington Blade photo by Michael Key)

Editor’s note: International News Editor Michael K. Lavers and Photo Editor Michael Key are on assignment in the Netherlands through Aug. 10.

AMSTERDAM — The 2026 Amsterdam Pride Canal Parade was held on Saturday, Aug. 1.

(Washington Blade photos by Michael Key and Michael K. Lavers)

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PHOTOS: Lambda Legal in the Pines

Fundraiser held at ‘Normal Heart’ house

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A scene from the 'Lambda Legal in the Pines' fundraiser on July 25. (Photo by Santiago Felipe)

The LGBTQ organization Lambda Legal held its annual “Lambda Legal in the Pines” fundraiser on Saturday, July 25. The event was held at a house on Fire Island featured in Ryan Murphy’s 2014 HBO film, “The Normal Heart.”

Organizers say over $500,000 was raised to support Lambda Legal’s national litigation and advocacy work.

(Photos by Santiago Felipe)

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