Arts & Entertainment

Successful contracting

Take your time, conduct research before hiring workers

Published

14 years ago

April 19, 2012

WBadmin

Be sure to spend an hour getting to know a contractor before hiring him or her for your job.

By SCOTT SIEGAL
Special to the Blade

Over the last decade, the largest trade publication (Remodeling Magazine) has conducted surveys of homeowners who have recently performed home improvement projects. According to the results, almost half of the respondents would not recommend their contractor. This means that if you are contemplating any type of home improvement work, you are at great risk, even if the contractor was referred to you.

All construction projects end with the customer being either satisfied or dissatisfied. There are clear-cut patterns in both the satisfied and dissatisfied situations. The following information is intended to help you identify the telltale patterns so that you better understand the contracting process.

If you do your homework and take the time to make the proper decisions, you will be one of the satisfied owners and not one of the victims. Generally, most dissatisfied construction project victims limited their focus to the following two questions:

“How much will the project cost?” and “When can the work get started?”

However, many authorities have suggested focusing on other questions before awarding your project to anyone. There is a lot to learn before awarding your project, such as, what products are available and which procedures to use. Therefore, it is vital to know that you can rely on the contractor you choose to give you good advice about those products and procedures that may be new to you. The critical factor in a successful contracting project is selecting the right contractor.

In order to select the right contractor, it is necessary to evaluate what I call the 4Ps of owner protection:

Problems: What are the problems that are causing the need for construction?

Products: What products and procedures solve those problems?

People: Who is the contractor to install the products and how do you qualify him/her?

Price: How do you determine if the price quoted is fair and competitive?

You should evaluate your contractor as carefully as you would choose your doctor or lawyer. You will want to select a contractor who can perform the work to your expectations and satisfaction. I will try to highlight some very straightforward questions that you should ask contractors in order to protect yourself from the nonprofessional or unqualified contractor. A professional contractor will have no problem working with you to answer these questions so that you can proceed with trust and confidence.

First, allow yourself a minimum of one hour to sit down with each contractor. You need to explore the problems, products and prices. You will be surprised at how many options and questions can be discussed with a professional contractor. This hour of getting to know and qualify your contractor can save endless hours of time dealing with dissatisfaction.

Question 1: What is the full name and address of the company?

Reject a contractor without a permanent place of business. Visit the contractor’s place of business. Does it appear that the equipment, manpower, and wherewithal is available to complete your project in a professional and timely manner?

Question 2: Does the contractor carry insurance and is the coverage adequate?

Reject the contractor without proper and adequate insurance. You should have them provide you a Certificate of Liability and workers’ compensation insurance. Verify with the insurance agent that the coverage is still in effect and for the type of work you are contracting.

Question 3: Is the company a licensed contractor?

Licensing is required in Washington D.C., Maryland and Virginia. Each jurisdiction has its own requirements. Reject a contractor that doesn’t have a valid license.

Question 4: Is the contractor a member of a trade association and in good standing?

Contractors that are members of trade associations get training and up-to-date industry information that prove they are committed to their trade.

Question 5: How long has the contractor been in business?

Needless to say, the more experienced the better. Less than five years is often a telltale sign of an unstable business. Most contractors (96 percent) fail within the first five years.

Question 6: What is the contractor’s track record for handling complaints?

Many quality contractors with thousands of completed projects are exposed to disputes. The question is not if they have had disputes, but what was done about the dispute after it occurred.

There are many more questions, but I hope that this information helps you make a wise contracting decision. This may seem like a lot of work, but if you ever had a bad contracting experience, or know someone who has, you can appreciate the value of the time spent evaluating your contractor.

Scott Siegal is president of Maggio Roofing. Reach him at 301-891-1390 or [email protected].

Related Topics:Maggio Roofing Scott Siegal

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Washington Blade’s Pride on the Pier returns June 13 to kick off D.C. Pride week

Pride on the Pier officially launches Pride Week in D.C.

Published

19 hours ago

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The Washington Blade’s annual Pride on the Pier celebration returns to The Wharf on Saturday, June 13, 2026 from 4-9 p.m., bringing thousands of LGBTQ community members and allies together for an unforgettable waterfront celebration to kick off Pride week in Washington, D.C.

Now in its eighth year, Washington Blade Pride on the Pier extends the city’s annual celebration of LGBTQ visibility to the bustling Wharf waterfront with an exciting array of activities and entertainment for all ages. The District Pier will offer DJs, dancing, drag, and other entertainment. Alcoholic beverages will be available for purchase for those 21 and older.

“Pride on the Pier has become one of the signature moments of Pride in D.C.,” said Lynne Brown, publisher of the Washington Blade. “There’s nothing like watching our community come together on the waterfront with live music and incredible energy as we kick off Pride week.”

Pride on the Pier is free and open to the public, with VIP tickets available for exclusive pier access to the Dockmaster Building. To purchase VIP tickets visit www.prideonthepierdc.com/vip.

Additional entertainment announcements, sponsor activations, and event details will be released in the coming weeks.

Event Details:

📍 Location: District Pier at The Wharf (101 District Sq SW, Washington, DC)
📅 Dates: Friday, 13, 2026

⏱️ 4-9PM
🎟️ VIP Tickets: www.PrideOnThePierDC.com/VIP

Theater

National tour of ‘Gatsby’ comes to National Theatre

Out actor Edward Staudenmayer talks playing the show’s gangster

Published

2 days ago

May 10, 2026

Patrick Folliard

Edward Staudenmayer plays Meyer Wolfsheim in ‘The Great Gatsby.’ (Photo courtesy National Theatre)

‘The Great Gatsby’
May 12-24
The National Theatre
1321 Pennsylvania Ave., N.W.
$59-$196
Thenationaldc.com

Often dubbed “The Great American Novel” for its depiction of ambition and self-invention alongside the reversals of success, F. Scott Fitzgerald’s “The Great Gatsby” says it all in a fast read.

Set against the excesses and energy of the Roaring Twenties, “The Great Gatsby,” novel and now the same-titled hit Broadway musical with a jazz/pop original score by Jason Howland and Nathan Tysen, tells the story of Nick Carraway and his friendship with Jay Gatsby, an enigmatic millionaire intent on reuniting with ex-lover, Daisy Buchanan.

It was during a four-month 2025 run in Seoul, South Korea, that out actor Edward Staudenmayer first played the show’s heavy, Meyer Wolfsheim, a gangster who helped Gatsby make his murkily acquired fortune. As Meyer, Staudenmayer opens the second act with, appropriately enough, “Shady.”

Now three months into a year-long North American tour, the show is poised to enjoy a brief run at Washington’s National Theatre (5/12-5/24).

While putting on his eyeliner prior to a recent Wednesday matinee at Chicago’s Cadillac Palace Theatre, the upstate New York-based actor shared about Gatsby and a life in theater.

WASHINGTON BLADE: Despite your good looks and terrific voice, you’re rarely the leading the man. How is that?

EDWARD STAUDENMAYER: I’m definitely a character man. I’ve been painting lines on my face to play old men since I was in high school. I was the youngest freshman in college playing old Uncle Sorin [in Chekhov’s “The Seagull”].

There have been many villains. Some darker than others. Meyer Wolfsheim is a very bad guy, but he doesn’t haunt me once I’m offstage. I play a lot of pickleball.

BLADE: Is it true that like so many of Fitzgerald’s characters, Wolfsheim is famously based on someone the writer encountered in life.

STAUDENMEYER: That’s true, Wolfsheim is pretty much a direct portrayal of real-life mobster and 1919 World Series fixer [Arnold Rothstein].

BLADE: When did the 1925 novel first surface on your radar?

STAUDENMAYER: Like many of us, I was assigned “The Great Gatsby” in high school. It was short, and filled with sex and illicit activities. I thought it was great. Definitely wasn’t a Judy Blume novel.

Interestingly, the book wasn’t originally a huge a success for Fitzgerald, but because it was about war and having the girl at home, they gave it to GIs leaving for WWII. After returning, a lot of those guys went on the GI Bill and became English teachers. They assigned the book to their students.

BLADE The idea that the book’s first-person narrator, Nick Carraway, is gay and enamored with Jay Gatsby is long discussed among readers and scholars. Does the musical touch on that?

STAUDENMAYER: Yes, there’s conjecture about Jay and Nick, and it’s implied in our show. It’s also implied about Jordan Baker, Jay’s fleeting romantic interest. Ultimately, she’s a confirmed bachelor, and a professional golfer who only wears pants.

Our performers are really good. Josh Grasso who plays Nick is fantastic. I’ve had to stop watching him in his last scene; it’s not good for Meyer Wolfsheim to take his curtain call crying. Our Gatsby, Jake David Smith, is good too. He’s gorgeous like Superman and sings like an angel.

BLADE: Do you ever imagine backstory for your characters whose sexuality is undefined?

STAUDENMAYER: I do, but not with Wolfsheim. I don’t see it. I’m trying to be as butch as possible with this ruthless killer.

BLADE: Have you had to do that in your career?

STAUDENMAYER: For a long time, I wore a mask to hide my gayness. I worked hard on being believable, that I was into the girl or that I was a tough guy.

It’s a different world now, and it’s so refreshing to be around the younger actors today; they’re remarkably open and comfortable.

BLADE: What was your coming of age like?

STAUDENMAYER: I played high school football in Palm Springs [he chuckles, alluding to the arid gay mecca], and I was pretty good too. But much to the chagrin of my parents and coaches, I quit the team to act in our senior year play. My super butch dad played semi-pro football and he was an ex-cop. I’m named after him. While I didn’t become my dad, I’ve played him often on stage. He was a true Gaston [the bumptious rival in “Beauty and the Beast”]. And like Gaston, he used antlers in all his interior decorating.

BLADE: Did he live to see your success in theater?

STAUDENMAYER: He did. Life was challenging growing up but the last 10 years of his life we couldn’t get off the phone with each other [his voice catches with emotion]. He accepted me entirely, and we became very close.

BLADE: Looking ahead, is there a part you’d especially like to play?

STAUDENMAYER: Like all baritones I’d love to play Sondheim’s “Sweeney Todd.” I’ve come close but it hasn’t happened yet. There’s still time.