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‘This is a very big deal’

Obama, NAACP announcements infuse Black Pride festivities with celebratory flair

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Black Pride, Retro Dance Party, Gay News, Washington Blade

Revelers at last year's Black Pride. (Blade file photo by Pete Exis)

Change is in the air and prominent local black LGBT activists say its effects will be palpable at this weekend’s Black Pride festivities.

It’s debatable what led to the timing of President Obama’s announced change of heart on same-sex marriage — he told ABC’s Robin Roberts in a May 9 interview that he “think(s) same-sex couples should be able to get married,” an unprecedented statement for a sitting U.S. president — but whether it was the timing of the North Carolina amendment to ban same-sex marriage, Vice President Joe Biden’s shockingly unbridled comments the weekend before on “Meet the Press” or just the final stop on his self-proclaimed “evolution” on the issue, the announcement came as a shock to many, especially since it’s an election year. But the comments and the subsequent announcement by the NAACP of its endorsement of same-sex marriage make for a radically altered climate for D.C. Black Pride and several other piggy-backing black LGBT events happening this weekend.

Local black activists and promoters say almost universally it’s an exciting turn of events.

“It made me very happy,” says Kenya Hutton, a Black Pride board member. “Being the first American president to do so is very important.”

“I was absolutely elated,” says Linda McAllister, owner of D.C. lesbian bar Lace. “It’s a very historic moment … It’s unbelievable. I could not have been more pleased.”

“My first reaction was, ‘Yes, thank God he did it,’” says lesbian event promoter Ebone Bell. “It was like, ‘Thank you,’ for the first time in history we have a president who stood up for the right thing.”

Others say the announcement itself was not such a shock, so much as the timing of it.

“My initial thoughts were ones of astonishment that a sitting president up for reelection would come out so strongly in support, that’s the first thing,” says lesbian Khadijah Tribble. “Then I thought, yes, this is the man we all got behind as a staunch supporter of LGBT rights, so I was not surprised on one level but I just didn’t expect this timing at all.”

Sharon Lettman-Hicks, who prefers the term “sister of the movement” to straight ally (she’s married to a man but is also executive director of the LGBT rights group National Black Justice Coalition), agrees.

“I was extremely proud,” she says. “I was in shock and awe, but also just extremely proud that he would do this in such a polarizing political climate, but he was willing to step outside of the world of politics and really put human dignity first.”

And although the announcement has no legislative impact — marriage in the U.S. continues to be largely a state issue — many locals the Blade spoke to for this piece say it’s still a watershed moment because it’s giving straight black Americans a forum in which to discuss the LGBT people in the community.

The announcement has many angles — the fact that Obama, as the first U.S. president of color, is the first sitting president to make such an unequivocal statement is one thing. But it’s perhaps doubly significant that Obama is black since many African-American Baptist ministers preach anti-gay theology. White U.S. clergy do as well, of course. Just this week, the YouTube-posted video of North Carolina minister Charles Worley advocating putting gays and lesbians in an electrified pen like cattle until they starve to death went viral. But there’s perhaps a vociferousness to the rhetoric in black America that is often a bit different.

“It’s going to take a while to digest the issue but the big thing is that people are talking about it now,” says Earl Fowlkes, president of the Federation of Black Prides and also a long-time board member for D.C. Black Pride. “To have a black president talking about gay issues and same-sex marriage, these things are largely unspoken of in the black community, which is pretty much where the straight white community was 10 years ago. But when the president speaks and you have an organization as well respected as the NAACP, where half the chapter presidents are church people and they’re saying, ‘What’s the big deal?,’ it allows activists like myself to step forward and gives us ammunition.”

Several interesting points come up in these conversations — Tribble says that growing up in the South, black LGBT people were largely accepted as long as they abided by an unwritten “Don’t Ask, Don’t Tell”-type social policy.

“There were a lot of LGBT people growing up that although technically they were closeted, we all knew it,” she says. “They were still accepted within the church, they were still at the family cookouts, this is Aunt so-and-so and the aunt’s best friend who’s always with her. They came to everything and really weren’t treated any differently, but we just didn’t name it or talk about it even though they still had a place in the African-American community.”

Sheila Alexander-Reid says Obama’s announcement gives straight black Americans a catalyst to finally talk about LGBT issues.

“This way they can say, ‘What do you think about what Obama said,’ not, ‘What do you think about Johnny or Suzie?,” she says. “These are conversations that are long overdue. A lot of these people are very entrenched in their homophobia.”

Lettman-Hicks says black straight Americans aren’t so much squeamish about LGBT issues as they are uncomfortable with any talk of sexuality.

“It’s not an LGBT issue, it’s a sexuality issue in which LGBT issues fall under that,” she says. “If you want to have an intelligent debate about black people, you have to understand black people and black sexuality … so many discount the challenges that our community has faced. We were beaten, raped, brought here and sold as slaves, there’s a level of indignity that we faced as an oppressed people so in many ways we’re having the wrong conversation. Black America needs to have a robust conversation about human sexuality in general.”

She says, though, that Obama and the NAACP’s positions are excellent jumping-off points for those discussions.

But what about Obama’s reelection odds — will the LGBT support he picks up offset straight black Americans who may jump ship?

“I think it will help him overall,” says SaVanna Wanzer, a transgender activist and Whitman-Walker Health board member. “Number one, because it was the right thing to do. I think he will lose some support, yes, but the people who want human interests and civil rights first will still be on his side.”

“There will be some who back off, but no one in my family in Alabama is not going to vote for him because of this issue, I’m sure,” Tribble says. “Even the ones who tell me I’m going to hell, they still think I’m going to hell, but they won’t back away from Obama just because of this.”

Others say that while Obama’s statements are to be celebrated, the black LGBT community in D.C. spends too much time worrying about marriage rights when it has more pressing issues — transgender health, homelessness, HIV/AIDS, drug abuse and more — that should be on the front burner.

“I usually refrain from commenting,” says Earline Budd, a long-time advocate for disadvantaged transgender D.C. residents. “Day in and day out, like right here just now in my office, I have a 21-year-old HIV-positive person with a major infection. I just don’t have time to think about marriage. I do believe those who are out there on the front lines in the marriage battles, that we need that, but it’s just not on my agenda at this time … This whole thing with HIV, which is affecting more and more young people all the time, is much more pressing.”

Wanzer agrees.

“I’m thankful for his support, but there are much more pressing needs, especially with the transgender community,” she says.

Even so, many expect the Black Pride festivities to have an increased excitement and energy this year because of recent events.

“I know Eleanor [Holmes Norton] will be commenting on it, the mayor will be commenting on it, there’s definitely going to be a huge acknowledgement about this at Black Pride,” Fowlkes says. “Every time I’m at the mic, I’ll say something about it. What you’re really doing is giving people permission to celebrate it … we’re going to be making that acknowledgement at all our events so people can clap and feel happy because this is a very big deal.”

Black Pride, related events abound this weekend

Today (Friday)

An opening reception is held for Leandrea Gilliam this evening at 6:30 at the Hyatt Regency (400 New Jersey Ave., N.W.).  Gilliam is the care advocacy program manager of the Sexual Minority Youth Assistance League and a Wellmore Cook Community Service Awardee.  Admission to this event is free. For details, go to dcblackpride.org.

Author of “King Peggy,” Peggielene Bartels, signs copies of her book tonight at 7:30 at the Hyatt Regency (400 New Jersey Ave., N.W.).  The book is about Bartels’ journey to becoming king of the African village Otuam in Ghana. The book costs $25.  Proceeds will go to the nonprofit organization, Otuam Community Development Corp.  Find more information at dcblackpride.org.

RainbowConnects is hosting speed dating in the Yellowstone/Everglades Room at the Hyatt Regency (400 New Jersey Ave., N.W.) tonight at 7. Admission is free. For details, visit dcblackpride.org.

“She’Baltimore,” a play written and directed by Ira Kip, opens at Warehouse Theater (1071 7th St., N.W.) tonight at 8. Admission is $25. For more information, email [email protected] or go to dcblackpride.org.

The 5000 Men Pride Mega Party featuring Ashanti is tonight at FUR Night Club (33 Patterson St., N.E.). Doors open at 10. Cover charge ranges $20-$50. For more information, visit omegapartydc.net.

Saturday, May 26

Representatives from Capital One Bank will be on-site at the Capital One Job Fair held from 11 a.m.-3 p.m. in the Olympic Room at the Hyatt Regency (400 New Jersey Ave., N.W.). The event is free. For details, visit dcblackpride.org.

Angela Harvey presents “The Key to the Perfect Orgasm” today at 12:30 at the Hyatt Regency (400 New Jersey Ave., N.W.) in Congressional Room A. Admission is free. For more information, visit dcblackpride.org.

New York Life Job Fair is held in the Sequoia Room at the Hyatt Regency (400 New Jersey Ave., N.W.) today from 12:30-3 p.m. The event is free. For details, visit dcblackpride.org.

A film festival is being held at the Hyatt Regency (400 New Jersey Ave., N.W.) from 2-5 p.m. The films that are playing include “Change,” “Finding Me: Truth” and “Taboo Yardies.” Admission is $15. For details, visit dcblackpride.org.

Terry W. Sidney is reading “The Four of Us” at the Mead Lab Theater (916 G St., N.W.) today at 2 p.m. Admission is $20. For more information visit beyonddarkcorners.com or dcblackpride.org.

Chocolate City Pride hosts the Tropical Heat Rooftop Party today from 3-8 p.m. on top of the Ibiza Roof (1222 1st St., N.E.). The event will include free food. Admission is $10. For more information, visit omegapartydc.net.

Buttafly Soul is hosting a Poetry Slam today from 5-8 p.m. at the Hyatt Regency (400 New Jersey Ave., N.W.). Admission is $15. For details, visit dcblackpride.org.

Black Men’s Xchange D.C. presents Revelation tonight at 7 at the Hyatt Regency (400 New Jersey Ave., N.W.). The panel discussion will be moderated by the reality T.V. star Karamo Brown. For details, visit dcblackpride.org.

Layla Lounge (501 Morse St., N.E.) hosts the annual Manhunt Party tonight from 9 p.m.-3 a.m. Passes are on sale at omegapartydc.net.

A soul train dance party is being held at the Hyatt Regency (400 New Jersey Ave., N.W.) tonight from 10 p.m.-1 a.m. The event features DJ Mandrill. Admission is $15. For details visit dcblackpride.org.

Lace Nightclub (2214 Rhode Island Ave., N.E.) hosts Insomniac, the after-party tonight from 3:30-8 a.m. Complimentary breakfast will be provided. For details, visit omegapartydc.net.

Sunday, May 27

A faith service is today from 9-11 a.m. at the Hyatt Regency (400 New Jersey Ave., N.W.). The event is free. For more information, visit dcblackpride.org.

“It’s a Family Affair” is held at Francis-Stevens Educational Campus (23 & O St., N.W.) today from noon-6. Admission is free. For details, visit dcblackpride.org.

Island Inferno annual pool party takes place at Great Waves Water Park (4001 Eisenhower Ave., Alexandria, Va.) today at 3. There will be free food, cash bar and a body contest. For more information visit omegapartydc.net.

Klimex Mega Party is tonight at the Love Nightclub (1350 Okie St., N.E.) from 9 p.m.-4 a.m. Table reservations begin at $500. For details, visit omegapartydc.net.

Monday, May 28

Chocolate City Pride hosts a cookout at Fort Dupont Park (3600 F St., S.E.) today from noon to 5 p.m. For more information, visit omegapartydc.net.

Layla Lounge (501 Morse St., N.E.) hosts the Apocalypse party tonight from 9 p.m.- 2 a.m.  Admission is $10.  For details, visit omegapartydc.net.

— ERIN DURKIN

 

 

 

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Theater

‘A Wrinkle in Time’ comes to Arena Stage

Actor, singer Taylor Iman Jones stars as Meg Murry

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Taylor Iman Jones (Meg), left, and Jon Patrick Walker (Meg's father) in 'A Wrinkle in Time' at Arena Stage. (Photo by T. Charles Erickson Photography)

A Wrinkle in Time
Through July 20
Arena Stage
1101 Sixth St., S.W.
Tickets range from $59-$209
Arenastage.org

Currently at Arena Stage, talented out actor and singer Taylor Iman Jones is rekindling an old friendship with an adored character of fiction. 

Broadway vet Jones is starring as 13-year-old Meg Murry in “A Wrinkle in Time,” the world-premiere musical adaptation of Madeleine L’Engle’s same-titled book. 

For many readers, especially women, the classic 1962 young adult novel, was their first foray into sci-fi, particularly one with a female protagonist.

The story centers on Meg, an awkward schoolgirl whose physicist father has mysteriously disappeared. Now, Meg, her popular friend Calvin, and smart younger brother Charles Wallace are tasked with moving through time and space to find him. Along the way they encounter adventure and evil.

For Jones, 33, playing 13-year-old Meg feels freeing in ways. She says, “As you get older, you’re told to grow up, so I like letting go of some of that. To feel feelings in their rawest form and to tap back into that is fun. I like the spontaneity. There are highs and lows to revisit.”

Born and raised in the San Francisco Bay Area, Jones began piano lessons at just six and soon added band and plays to their pursuits. Following high school, she made a deep dive into California theater for seven years before making the big move to New York in 2017 where after just two months she was singing on Broadway. 

The determined and appealing Jones, who lives in New York with their partner, boasts an impressive bio. She has appeared on Broadway as Catherine Parr, Henry VIII’s sixth and final wife in Six, and in the original casts of “Head Over Heels” and “Groundhog Day.” She’s been seen in national tours of “Hamilton” and “American Idiot.”

WASHINGTON BLADE: It seems “A Wrinkle in Time” and Meg mean a lot to a lot of people. 

TAYLOR IMAN JONES: The book tells the story of a girl with so much undiscovered power who’s accomplishing things she never imagined that she could. 

BLADE: Can you relate?

JONES: Meg wears her emotions on her sleeve. I can certainly relate to that. I’m a Pisces. Sometimes being hyperemotional and very empathetic can feel like a burden, but as I’ve matured, I have realized that it’s not a bad quality. And it’s something I’ve learned to harness and to enjoy. I love that I can play a role like Meg in front of thousands of people.

BLADE: Was “Wrinkle in Time” a book you knew well?

JONES: Oh yeah, it’s a favorite book that lives in my heart and my mind. It’s one of the first books that taught me about the adventure of reading.

BLADE: And playing a favorite character must be a kick.

JONES: It really is. 

BLADE: Meg is a big part in a big show.  

JONES: This musical is huge. They’re traveling through space and meeting people on different planets. 20-person cast. 30 songs in the show. Quite the undertaking and I’m proud of us. I’m on stage for the entire musical and I sing four or five numbers. 

As a mezzo soprano I guess you’d say I have the luxury of being able to do a lot of musicals that span a lot of different genres: rock musical, pop musical, and standards. “A Wrinkle in Time” is contemporary musical theater. 

For me, singing is probably the least difficult part of the show. What’s harder for me is the way Meg experiences trauma; I need to be careful when I’m screaming and yelling.

BLADE: It seems mostly women have been involved in making this production happen (book by Lauren Yee; music and lyrics by Heather Christian; directed by Lee Sunday Evans; and choreography by Ani Taj.)

JONES: It’s true, the director, writer, etc., and most of our producers are all women. This doesn’t happen most of the time. For me it means new ideas and fresh energy, and pushing the limits of musical theater. 

It’s also created a wonderful space in which to work. It can be more generous, and understanding. And centering the story on a young girl is something we can all relate to. 

BLADE: Will “A Wrinkle in Time” resonate with queer theatergoers and their families?

JONES: I think so, especially on the heels of pride month. It’s truly a show for all ages about finding your inner strength and fighting for the things that you love; not letting evil win over the power of good, and not just for yourself but for those around you too.

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Movies

Two new documentaries highlight trans history

‘I’m Your Venus’ on Netflix, ‘Enigma’ on HBO/Max

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‘I’m Your Venus’ explores the death and legacy of trans ballroom icon Venuz Xtravaganza. (Image courtesy of Netfilx)

One of the most telling things about queer history is that so much of it has to be gleaned by reading between the lines.

There are the obvious tentpoles: the activism, the politics, the names and accomplishments of key cultural heroes. Without the stories of lived experience behind them, however, these things are mere information; to connect with these facts on a personal level requires relatable everyday detail — and for most of our past, such things could only be discussed in secret.

In recent decades, thanks to increased societal acceptance, there’s been a new sense of academic “legitimacy” bestowed upon the scholarship of queer history, and much has been illuminated that was once kept in the dark. The once-repressed expressions of our queer ancestors now allow us to see our reflections staring back at us through the centuries, and connect us to them in a way that feels personal.

One of the most effective formats for building that connection, naturally enough, is documentary filmmaking — an assertion illustrated by two new docs, each focused on figures whose lives are intertwined with the evolution of modern trans culture.

“I’m Your Venus,” now streaming on Netfllix, bookends an iconic documentary from the past: “Paris is Burning (1990), Jennie Livingston’s seminal portrait of New York City’s ballroom scene of the ‘80s. In that film, a young trans woman named Venus Xtravagana delivered first-person confessionals for the camera that instantly won the hearts of audiences — only for them to break with the shattering revelation that she had been murdered before the film’s completion.

That 1988 murder was never solved, but Venus — whose surname was Pellagatti before she joined the House of Xtravaganza – was never forgotten; four decades later, her family (or rather, families) want some answers, and filmmaker Kimberly Reed follows her biological siblings — Joe, Louie, and John, Jr. — as they connect with her ballroom clan in an effort to bring closure to her loss; with the help of trans advocates, they succeed in getting her murder case re-opened, and work to achieve a posthumous legal name change to honor her memory and solidify her legacy.

It’s a remarkably kind and unapologetically sentimental chronicle of events, especially considering the brutal circumstances of Venus’ killing — a brutal death by strangling, almost certainly perpetrated by a transphobic “john” who left her body hidden under a mattress in a seedy hotel — and her decision to leave her birth family for a chosen one. As to the latter, there are no hard feelings among her blood relatives, who assert — mostly convincingly — that they always accepted her for who she was; one senses that a lot of inner growth has contributed to the Pallagatti clan’s mission, which admittedly sometimes resembles an attempt at making amends. For the murder itself, it’s best to leave that part of the story unspoiled — though it’s fair to say that any answers which may or may not have been found are overshadowed by the spirit of love, dignity, and determination that underscore the search for them, however performative some of it might occasionally feel. Ultimately, Venus is still the star of the show, her authentic and unvarnished truth remaining eloquent despite the passage of more than 40 years.

Perhaps more layered and certainly more provocative, documentarian Zackary Drucker’s “Enigma” (now streaming on HBO/Max) delves further back into trans history, tracing the parallel lives of two women — trans pioneer and activist April Ashley and self-styled European “disco queen” Amanda Lear — whose paths to fame both began in Paris of the 1950s, where they were friends and performers together at Le Carrousel, a notorious-and-popular drag cabaret that attracted the glitterati of Europe.

Ashley (who died at 86 in 2021) was a former merchant seaman from Liverpool whose “underground” success as a drag performer funded a successful gender reassignment surgery and led to a career as a fashion model, as well as her elevation-by-wedding into British high society — though the marriage was annulled after she was publicly outed by a friend, despite her husband’s awareness of her trans identity at the time of their marriage. She went on to become a formidable advocate for trans acceptance, and for environmental organizations like Greenpeace, who would earn an MBE for her efforts, and wrote an autobiography in which she shared candid stories about her experiences and relationships as part of the “exotic” Parisian scene from which she launched her later life.

The other figure profiled by “Enigma” — and possibly the one to which its title most directly refers — is Amanda Lear, who also (“allegedly”) started her rise to fame at Le Carrousel before embarking on a later career that would include fashion modeling, pop stardom, and a long-term friendship with surrealist painter Salvador Dalí. A self-proclaimed “disco queen” whose success in Europe never quite spread to American culture (despite highly public associations with musical icons like David Bowie and Roxy Music), Lear’s trajectory has taken her in a different direction than Ashley’s. In the film’s extensive live interview segments, she repeatedly denies and discredits suggestions of her trans identity, sticking to a long-maintained script in which any and all details of her origins are obscured and denied as a matter of course.

At times, it’s almost amusing to observe her performative (there’s that word again) denials, which occasionally approach a kind of deliberate “camp” absurdity in their adamance, but there’s also a kind of grudging respect that’s inspired by the sheer doggedness with which she insists on controlling the narrative — however misguided it may seem to those of us on the outside. Debate about her gender-at-birth has continued for decades, even predating Ashley’s book, so the movie’s “revelations” are hardly new, nor even particularly controversial — but her insistence on discrediting them provides sharp contrast with the casual candor of Ashley’s elegantly confident persona, underscoring the different responses to transphobia that would direct the separate lives of both these former (alleged) friends.

For what it’s worth, Lear sent an email to the Washington Post, calling the movie “a pathetic piece of trash” and denying not just her trans identity but any friendship or association with Ashley, despite ample photographic and anecdotal evidence to the contrary — and while it might come across as callous or desperate for her to maintain the presumed façade, it’s a powerful testament to the power of cultural bullying to suppress the truth of queer existence; the contrast between the life each of these women chose to live speaks volumes, and makes “Enigma” into one of the most interesting — and truthful — trans documentaries to emerge thus far.

While neither film presents a comprehensive or definitive view of trans experience (is such a thing even possible, really?), both offer a perspective on the past which both honors the truth of queer existence and illustrates the ways in which the stigma imposed by mainstream prejudice can shape our responses to the identity through which we are perceived by the public.

That makes them both worth your attention, especially when our queer history — and the acknowledgement of trans existence itself — is at risk or being rolled right back up into the closet. 

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Sports

Trans cyclist’s victory sparks outrage in conservative media

Katheryn Phillips is originally from DC

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(Bigstock photo)

On the heels of UPenn erasing the record of the first openly transgender NCAA Division I All-American swimmer and the U.S. Supreme Court’s decision to tackle bans on trans student-athletes, right wing media is now all hot and bothered about the latest trans woman who won a cycling championship — even though she competed according to the rules.

On Tuesday, 58-year-old Katheryn Phillips finished first in USA Cycling’s Lyons Masters National Championship race for women aged 55-59, with a time of 1:42:10, according to the official results posted by the organization. The record shows her gender as “F” for female.  

One second behind Phillips was Julie Peterson, with a time of 1:42:11 — as were three other cyclists: Mary Beth Grier, Andrea Cherniak-Tyson, and Carolyn Maddox. 

Peterson, 57, was so outraged, she told Fox News she refused to stand on the podium in second place next to Phillips. Her story was swiftly shared by the New York Post (also owned by Fox’s parent company News Corp.), the Daily Mail, Breitbart, and other conservative media. 

Both Peterson and another competitor are accusing USA Cycling of “hiding” that a transgender woman had registered to race. 

“It was hidden from us. Katheryn Phillips, KJ’s name, was not on that list. And I checked it up all the way to the point of closure when we couldn’t register online anymore,” Debbie Milne told Fox.

“If I had known, I wouldn’t have spent thousands of dollars in travel and time off work to come and do a race,” Peterson said. Fox welcomed Milne, 56, who finished seventh on Tuesday, to Fox & Friends Thursday morning. 

(Video courtesy of Fox News)

Peterson told Fox she did complain to USA Cycling officials prior to the race. Both Milne and Peterson referred to Phillips as a male, and with “he/him” pronouns. 

“To be fair to all humans, if we want to say ‘him’ or ‘her,’ he was born a biological male, that is a fact,” Milne said. “And that is the thing that makes it an unfair advantage. Whatever has happened after that is a whole different topic.”

“I said, ‘I don’t want to race against a man,’ and they quickly scolded me and said ‘Oh, you can’t call him a man,’ and I’m like ‘Well, he is a man,’ so I was quickly scolded and corrected that it is a woman and I don’t even know what to say.”

USA Cycling did not respond to the Washington Blade’s emails requesting comment. 

Phillips, who goes by Kate and by “KJ,” is a former rugby player with the D.C. Furies, who stated in the comments of a 2024 article published by Zwift Insider that she was the first out trans athlete in the U.S. to compete under the 2004 International Olympic Committee’s guidelines on trans participation. 

“When USA Rugby told me about the IOC decision in 2004, I raised my hand to be included. I experience nothing but joy when I play, ride, and race,” Phillips said. 

As the Blade has reported, the International Olympic Committee drastically revised those rules in 2021, and in March, Republican lawmakers in D.C. demanded the IOC ban trans female athletes from women’s sporting events altogether. 

The Blade also reached out to Phillips for comment but as of press time we have not received a response. She told Zwift Insider in March 2024 she does not let those who disapprove or spread hate impact her performance or her attitude. 

“I am unaffected by dissent. I love, I share joy, I am me, and I have been my authentic self for decades,” she said. It’s been reported Phillips came out in 1999, and told Zwift Insider she considers herself a lifelong cyclist. 

“I’ve been on a bike for as long as I can remember,” said Phillips. “As kids, my friends and I rode all over town, we were feral kids; no cell phones, no trackers … we just roamed, and nobody got in trouble or hurt bad enough not to ride home … Scrapes/bruises/cuts were not an issue for us. In my teens, I worked for myself as a court/legal messenger, doing all of the work via my bike until I got a car. Raced BMX as a kiddo (when I mowed lawns to cover the race entry fees), I did MTB stuff (non-racing) and Sprint/Olympic Triathlons in my 30’s, and now I’m racing on Zwift, Road/Gravel, and CX in my 50s.”

In the comments section, Phillips made clear she’s not competing to win. 

“I don’t do sports for victory, I do it because like many other women, I am an athlete to my core,” she said. “Unlike some, I am not there to WIN, I am there to do my best with the competitors and teammates I have around me trying to do the same…we are in it for the experience. I rejoice in their wins, and a lot of joy is reflected back to me when I have a good day.”

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