Arts & Entertainment
Psychology of abuse
Lesbian drama explores tumultuous relationship set in Baltimore
Playwright Ira Kip in Washington last weekend for performances of her lesbian domestic violence drama ‘She’Baltimore.’ (Photo courtesy Kip)
At last weekend’s D.C.-area debut of writer/director Ira Kip’s new play “She’Baltimore,” the scene was set for a fight, possibly to the death. The production’s spare set suggested a boxing ring. There were the standard chairs in opposite corners, but instead of ropes, the ring was fenced by crime scene tape.
Set in Baltimore, Kip’s hour-long theater piece explores domestic violence within the LGBT community. It focuses on Linay (also Kip in a nuanced performance) and her girlfriend Ebone (nicely underplayed by Nicole McManus). They have their good times, but when things go wrong between them, they go toxically wrong, resulting in beatings and emergency room visits. Interestingly the playwright (who declines to state her own sexual orientation) has somewhat blurred the lines regarding blame: Yes, it’s Ebone who busts her lover’s lip, but then again there’s Linay’s explosive temper. And when Ebone makes a move to exit what she realizes is an unsalvageable relationship, it’s Linay who pleads with her to stay.
Before coming to D.C., “She’Baltimore” premiered in Amsterdam and then played in Baltimore. In celebration of D.C. Black Pride, the Blade sponsored the production’s two-night run at the Warehouse over Memorial Day weekend. And despite some problems beyond the production’s control — loud music blared from Warehouse’s neighbor, the New York Avenue Beach Bar; and Kip was called upon rather last minute to understudy for the actor slated to play Linay — the May 25th performance was a success.
Kip is a gifted playwright. She seamlessly shifts from lyrical prose to raw dialogue. The play’s vignette-like scenes can stand alone, but when strung together they’re more powerful, taking the audience deep into what defines the couple’s disturbing relationship — sexual attraction, beatings, affection, frustration, anger, drug abuse — it’s all there. Additionally, Linay and Ebone come with baggage. Both women are regrettably estranged from their families largely due to their sexuality.
The production’s five-member cast was made up of gay, straight and bisexual black women. As the narrator, Sherry Richardson intermittently relayed domestic violence crimes ripped from the local Baltimore nightly news. Heather Smith played a dismissive intake nurse with a bad attitude. While supplying comic relief, the character also searingly represents the system’s insensitivity and lack of training. And Nia Johnson was appealing as Angel, Linay’s emotional port in the storm.
A post-show discussion on the play’s theme featuring the cast was led by production assistant Bakari Jones.
Kip is Caribbean-born. She has lived in the Netherlands but now calls New York City home. Her play is partly an indictment of America’s reluctance to understand gay people’s lives more fully and its inability to properly respond to LGBT mental and physical health issues in relation to domestic abuse. “She’Baltimore” puts the spotlight on important but not widely discussed topics.
Photos
Center for Black Equity honors leaders, activists at BE. Gala
Miyake-Mugler, Oakes co-host annual awards ceremony
The Center for Black Equity held its annual BE. Gala at Conrad Washington, D.C. on Saturday, Oct. 5. Lolita Leopard Miyake-Mugler and Anthony Oakes co-hosted the awards ceremony.
Honorees included journalist and producer Justin Stewart; nonprofit leader Nikki Alexander; HIV advocate Marlene McNeese; the nonprofit organization FreeLux Project; actress Monroe Alise; public health advocate Tori Cooper; Manassas Park Vice Mayor Darryl G. Moore; Rev. Dr. Carmarion D. Anderson; Bishop Steven Sawyer; government relations professional Courtney Snowden; Senior Deputy Director of HAHSTA at D.C. Health, Clover Barnes; and Texas state Rep. Venton C. Jones.
The event was sponsored by Gilead.
(Washington Blade photos by Michael Key)
Books
In ‘The Lost Brontë,’ a complicated lie can lead to danger
New book features sweetly romantic girl-meets-girl twist
‘The Lost Brontë’
By Catherine Friend
c.2026, Bywater Books
$22.95/335 pages
Mom always said to tell the truth.
One lie leads to another and another and you have to remember them all until pretty soon, you’re caught. Fibs are hard, mistruths are messy, even little white social lies can destroy trust. Worst of all, as in the new novel, “The Lost Brontë” by Catherine Friend, a complicated lie can lead to danger.
Though Lilianne Loxley was very young when she lost her parents, she understood that her uncle didn’t really want her. As time passed, though, Lily made herself useful to Uncle, writing and signing letters for him and she became a good companion, helping him with his collection of Brontë memorabilia. Uncle was a keen enthusiast.
She had no idea that his obsession was out of control and he was deeply in arrears. The day Lily learned of his debt was the day she learned that he’d agreed to send her to his debtor’s home to work off the money owed.
It was so sudden. One minute, Lily was at Loxley House, happy and loved by Uncle’s staff … and five hours later, she was at Crag Thorn Manor, home of Lord Bexton, who informed her that she’d be working on his ledgers – work that seemed routine, but Lily tackled it.
Uncle always did say she was headstrong.
But would headstrong be enough to survive, when she was restricted from most of the Manor, when she was forced to dine with Brexton and his slimy friend, or – the worst! – when Brexton told Lily that her next task was to forge a letter from Emily Brontë? And then an entire manuscript?
Lily struggled to do what was right. She had to get Uncle out of debt but this last order horrified her. Did she dare refuse Brexton’s orders and commit a crime? It was unthinkable!
The only brightness in the whole situation was Wren, the ladies’ maid assigned to Lily’s room. Wren was adorable with freckles and the sweetest smile. But with everything else happening at Crag Thorn Manner, could Lily act upon her feelings?
This time of year, you may come to crave dark, spooky stories, and “The Last Brontë” fits those needs perfectly with its Gothic deliciousness. Think: Daphne du Maurier-type, stormy-night squirms with a dangerously chaste, sweetly romantic girl-meets-girl twist for fun.
If it’s been awhile since you’ve read a Gothic novel, you’re in for a nice reminder of why you love them here. You can almost tick off the must-haves: a novel like this is nothing without a foreboding stone manor with damp walls; stone steps to a dank basement; a mysterious portrait; and a nearby bog, and author Catherine Friend gives readers every one of them. You’d be disappointed if there was no ghost, wouldn’t you? Ha. You can practically feel the cold blow through the attic, right? Yeah, it’s that kind of book.
If you’re a fan of the Brontës, you’ll like this novel. If you love Gothic mysteries or Victorian romances, ditto. “The Lost Brontë” is good, no lie.
The Blade may receive commissions from qualifying purchases made via this post.
Out & About
CAMP Rehoboth Block Party returns Oct. 18
Expect performances, vendors and more at annual celebration
CAMP Rehoboth will host its annual Block Party celebration on Sunday, Oct.18 at 11 a.m. on the second block of Baltimore Avenue in downtown Rehoboth Beach.
CAMP Rehoboth invites all community members to join in the festivities and to expect magnificent performances and dozens of vendors, including artists, craftspeople, non-profits, businesses, and more.
The event started in 2015 in celebration of CAMP Rehoboth’s 25th anniversary. This year, attendees can expect to shop sea glass art, pottery, jewelry, Pride merch, body care, clothing, and learn more about local non-profit causes and businesses.
Attendance is free. For more details, visit CAMP Rehoboth’s website.
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