Arts & Entertainment
Unfurling the Quilt
D.C. residents have multiple opportunities to see AIDS memorial in coming weeks
The AIDS Quilt during a previous display in Washington. (Blade file photo)
The 1 million annual visitors to the Smithsonian Folklife Festival have rarely expected to engage in an international discourse about AIDS at the event in the past. This year, however, attendees can tell their own stories regarding HIV/AIDS through a variety of creative outlets and add to the already massive AIDS Memorial Quilt that will blanket part of the National Mall.
For the first time in the festival’s history, the Smithsonian Center of Folklife and Cultural Heritage is collaborating with the NAMES Project Foundation with the program “Creativity and Crisis: Unfolding the AIDS Memorial Quilt.”
The NAMES Project Foundation, established in 1987, is the Atlanta-based international organization that houses and maintains the AIDS Memorial Quilt. About 8,000 of the quilt’s 48,000 panels will be featured at the Folklife Festival to commemorate the quilt’s 25th anniversary and educate visitors about how art has been utilized to address an international epidemic.
“It’s a lovely collaborative effort between the Smithsonian Center of Folklife and Cultural Heritage, who are the presenters along with us,” Julie Rhoad, executive director of the NAMES Project, says. “It’s been a delight working with the curatorial team at the Smithsonian.”
The festival starts Wednesday and will continue through July 1, and will be held again from July 4-8 on the National Mall between 7th and 14th streets. Admission to all events is free. Festival hours are from 11 a.m.-5:30 p.m. each day and special events such as concerts and dance parties begin at 6 p.m.
“Creativity and Crisis: Unfolding the AIDS Memorial Quilt” will include a multitude of craft demonstrations, dance and musical performances, theater, children’s activity areas and interactive discussions that will complement the presence of the quilt at the festival. Many of the featured performances will be by artists who have been affected by HIV and AIDS. Visitors will have the opportunity to help make panels that will be incorporated into the quilt, and to tell their own stories.
“We receive a new panel on the average every day, every year. Right now we have I think several hundred that are already in our possession that during the Folklife Festival we will have Gert, who’s been with us 25 years, bundle and sew them on the National Mall,” Rhoad says. “There’s a whole host of creativity and expression around HIV and AIDS and the domestic and global efforts in expression, all centered and viewed through the lens of what the quilt has done.”
In the event of a rain, the NAMES Project has an expertly organized plan called the “rain fold” to protect the quilt.
“Each time we’ve been in D.C. we’ve had to deploy the plan. Amazingly, what happens is we have plastic and we have a way it gets folded up, then we take it under tents,” Rhoad says. “It’s an amazing thing to see. It’s what happens when you’re in the presence of the quilt.”
In addition to their display at the Folklife Festival, many of the quilt’s 48,000 panels will be on the National Mall again from July 21-25 during the start of the International AIDS Conference. About 40 locations throughout the Washington metropolitan area will also display portions of the quilt through July 27. Visit quilt2012.org for more details on when and where the quilt will be displayed in the area.
“It’s important to work as hard as we can to get to D.C. and to make this display a reality. It certainly gets people talking. It certainly calls on society to really think about our humanity and to really think about our connection to one another,” Rhoad says. “What a gift to be on the Smithsonian stage.”
The NAMES Project staff deeply appreciates support from festival visitors for their cause.
“Support comes in many ways — time, talent, treasure. Each is valued by us,” Rhoad says. “It takes a great deal of support to move the quilt to D.C. It takes even more to get it ready for its next adventure.”
The Smithsonian and NAMES Project have collaborated with one another exceptionally well, revealing the power of cooperation in addressing a vital cause.
“The quilt is the ultimate in folk art. It is done by everybody. These are not professional quilters for the most part,” Arlene Reiniger, the Smithsonian’s curator for “Creativity and Crisis: Unfolding the AIDS Memorial Quilt,” says. “It’s been wonderful working with the NAMES Project Foundation. They are the ones with the knowledge behind the quilt, the knowledge and resources. What we do is work with them to translate all of this information into a festival program.”
For more information on “Creativity and Crisis: Unfolding the AIDS Memorial Quilt,” visit festival.si.edu.
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Uncloseted Media published this interview on July 7.
By SPENCER MACNAUGHTON, ISABEL STOKES, and BELLA SAYEGH | After appearing on the 11th season of “RuPaul’s Drag Race,” the first season of “Canada’s Drag Race: Canada vs. the World,” the sixth season of “RuPaul’s All Stars” and now the 11th season of “All Stars,” Silky Nutmeg Ganache, known by many as the Reverend, is undoubtedly a legend.
Born and raised in Moss Point, Miss., Ganache bears all in this episode of “UNCLOSETED with Spencer Macnaughton.” She speaks about her relationship with gender, her 100-pound weight loss, what it’s like living as a queer person of color in a red state and why she’s calling on allies to stand up for the trans community.
Patrons enjoyed a night out at the popular LGBTQ venue Crush Dance Bar on Friday, July 3.
(Washington Blade photos by Landon Shackelford)
Theater
‘My Favorite Sociopath’ debuts at Shepherdstown’s CATF
Gay playwright Aurin Squire’s take on D.C. journalism in the ‘90s
‘My Favorite Sociopath’
Contemporary American Theater Festival
July 10-Aug. 2
Shepherdstown, W.Va.
Catf.org
Discernment. It’s a thing some people have, explains playwright Aurin Squire, especially when you’re gay or Black in America (Squire is both).
“You instinctively know when the mob is teaming up for the best interests of the powers that be. You can feel it in the air.”
In his sharp new satire “My Favorite Sociopath,” Squire writes about life experiences but set in a different time and place: It’s the 1990s, early days of the 24-hour news cycle, and three ambitious journalism students are pursuing success in D.C.
And now, Squire’s play, along with other new works, are making their world premieres at the annual Contemporary American Theater Festival (CATF) at Shepherd University in historic, queer-friendly Shepherdstown, W.Va. (just a 90-minute drive from D.C.).
“All of my plays are queer in some way,” says Squire, 46. “This one touches on harmless and dangerous lies. The characters are on the spectrum sexually, and it’s interesting how all that falls out.”
And he’s given it a lot of thought.
“Already as a kid, it seemed to me that the rage against rap music and sex was coming from closeted people resisting their own urges and temptations. For me, it was interesting to see a witch hunt led by witches. Queer people can always call out a lie.”
Since September, Squire has also been working with a TV show about the tech industry set in Silicon Valley. He says, “It seems the general flow of the tech industry is that humanity and civilization is finished and it’s just about accumulating as many goods as possible before everything collapses. In fact, those who are profiting actually agree. But for those who disagree, they believe the solution is to build bigger gates, but activists believe we can stop this”
Yet, he’s learned from folks associated with the show. “Many say the quickest way to divorce yourself from any responsibility or regulations — smash and grab. Otherwise, you have to stop and think and regulate your desires for greed and power”
Squire possesses a penchant for pithy titles. He laughs, explaining the first thing he wrote as a student at Juilliard was “Obama-ology,” the comedy with contemporary message. While a lot of people liked the name, it didn’t necessarily vibe with the author. He concedes that he chooses names based on “easy to remember” and titles that won’t be easy to lose as a file.
Another is “Defacing Michael Jackson,” a coming-of-age dramedy set in rural Florida in 1984, specifically Squire’s native town Opa-locka, Miami, a fantastical place famed for its fanciful Moorish revival architecture.
Living in the shadow of exotic structures, he wasn’t particularly fazed. Squire says “It wasn’t until returning to visit after my freshman year at Northwestern University in Chicago that I realized how weird it was: When you grow up in a place, you take surroundings for granted no matter how over the top.”
Now based in New York (where for two happy years, 2017-2019, he shared digs with drag king Murry Hill), Squire returns frequently to Miami to be with family, but this summer has been filled with both work and travel.
Currently, he’s in Shepherdstown with CATF shaping up “My Favorite Sociopath.” Later this summer he will travel to South Africa for research, followed by a silent writing retreat in Santa Fe, N.M.
Much of Squire’s work reflects the Latino, African, Caribbean, African-American, and Jewish cultures he grew up around in South Florida.
When asked if today’s winds of anti-multiculturalism worry him, he replies, “No, because that’s going to pass. Most people don’t like, people are seeing the negative results of it, and the young people coming up despise it. White male gamers were tricked momentarily through the algorithms into voting against their own interests and they’re now seeing how it’s not working out for them.
“Conservatives always try to stop progress and eventually they always lose. It’s just a question of where we’ll be in the middle of the end of civilization before that happens. I’d like to hope we can turn the ship around before then.”
In addition to “My Favorite Sociopath,” CATF summer season features three other world premieres (Lisa D’Amour’s comedy “The Smoker,” “Refugee Rhapsody” by Yussef El Guindi, “Best Line Wins: A Play Inspired by the Improvised Lives of Elaine May & Mike Nichols” by Beth Kander) and “¡VOS!” by Christina Pumariega.
CATF runs from July 10-Aug. 2 in three venues on the Shepherd University campus: Frank Center, Marinoff Theater, and Studio 112.
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