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Unfurling the Quilt

D.C. residents have multiple opportunities to see AIDS memorial in coming weeks

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AIDS Quilt, gay news, Washington Blade

The AIDS Quilt during a previous display in Washington. (Blade file photo)

The 1 million annual visitors to the Smithsonian Folklife Festival have rarely expected to engage in an international discourse about AIDS at the event in the past. This year, however, attendees can tell their own stories regarding HIV/AIDS through a variety of creative outlets and add to the already massive AIDS Memorial Quilt that will blanket part of the National Mall.

For the first time in the festival’s history, the Smithsonian Center of Folklife and Cultural Heritage is collaborating with the NAMES Project Foundation with the program “Creativity and Crisis: Unfolding the AIDS Memorial Quilt.”

The NAMES Project Foundation, established in 1987, is the Atlanta-based international organization that houses and maintains the AIDS Memorial Quilt. About 8,000 of the quilt’s 48,000 panels will be featured at the Folklife Festival to commemorate the quilt’s 25th anniversary and educate visitors about how art has been utilized to address an international epidemic.

“It’s a lovely collaborative effort between the Smithsonian Center of Folklife and Cultural Heritage, who are the presenters along with us,” Julie Rhoad, executive director of the NAMES Project, says. “It’s been a delight working with the curatorial team at the Smithsonian.”

The festival starts Wednesday and will continue through July 1, and will be held again from July 4-8 on the National Mall between 7th and 14th streets. Admission to all events is free. Festival hours are from 11 a.m.-5:30 p.m. each day and special events such as concerts and dance parties begin at 6 p.m.

“Creativity and Crisis: Unfolding the AIDS Memorial Quilt” will include a multitude of craft demonstrations, dance and musical performances, theater, children’s activity areas and interactive discussions that will complement the presence of the quilt at the festival. Many of the featured performances will be by artists who have been affected by HIV and AIDS. Visitors will have the opportunity to help make panels that will be incorporated into the quilt, and to tell their own stories.

“We receive a new panel on the average every day, every year. Right now we have I think several hundred that are already in our possession that during the Folklife Festival we will have Gert, who’s been with us 25 years, bundle and sew them on the National Mall,” Rhoad says. “There’s a whole host of creativity and expression around HIV and AIDS and the domestic and global efforts in expression, all centered and viewed through the lens of what the quilt has done.”

In the event of a rain, the NAMES Project has an expertly organized plan called the “rain fold” to protect the quilt.

“Each time we’ve been in D.C. we’ve had to deploy the plan. Amazingly, what happens is we have plastic and we have a way it gets folded up, then we take it under tents,” Rhoad says. “It’s an amazing thing to see. It’s what happens when you’re in the presence of the quilt.”

In addition to their display at the Folklife Festival, many of the quilt’s 48,000 panels will be on the National Mall again from July 21-25 during the start of the International AIDS Conference. About 40 locations throughout the Washington metropolitan area will also display portions of the quilt through July 27. Visit quilt2012.org for more details on when and where the quilt will be displayed in the area.

“It’s important to work as hard as we can to get to D.C. and to make this display a reality. It certainly gets people talking. It certainly calls on society to really think about our humanity and to really think about our connection to one another,” Rhoad says. “What a gift to be on the Smithsonian stage.”

The NAMES Project staff deeply appreciates support from festival visitors for their cause.

“Support comes in many ways — time, talent, treasure. Each is valued by us,” Rhoad says. “It takes a great deal of support to move the quilt to D.C. It takes even more to get it ready for its next adventure.”

The Smithsonian and NAMES Project have collaborated with one another exceptionally well, revealing the power of cooperation in addressing a vital cause.

“The quilt is the ultimate in folk art. It is done by everybody. These are not professional quilters for the most part,” Arlene Reiniger, the Smithsonian’s curator for “Creativity and Crisis: Unfolding the AIDS Memorial Quilt,” says. “It’s been wonderful working with the NAMES Project Foundation. They are the ones with the knowledge behind the quilt, the knowledge and resources. What we do is work with them to translate all of this information into a festival program.”

For more information on “Creativity and Crisis: Unfolding the AIDS Memorial Quilt,” visit festival.si.edu.

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Egypt

Iran, Egypt play in World Cup ‘Pride Match’

FIFA allowed Pride flags inside Seattle stadium

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(Screen capture via KOMO News/YouTube)

Iran and Egypt on Friday faced off during the World Cup’s “Pride Match” in Seattle.

Iran is among the handful of countries in which consensual same-sex sexual relations remain punishable by death. Discrimination and persecution based on sexual orientation and gender identity is commonplace in Egypt.

Friday’s match coincided with Pride weekend in Seattle. The Egyptian Football Association and the Football Federation Islamic Republic of Iran both objected to playing in the “Pride Match.”

Egypt and Iran tied 1-1.

FIFA, for its part, allowed Pride flags inside the stadium during the match.

“The FIFA World Cup 2026 is an inclusive event that welcomes people from all backgrounds,” a FIFA spokesperson told the Washington Blade in a statement. “Fans of all sexual orientations and gender identities are welcome at matches and events. General statements of human rights, including rainbow flags and other flags representing sexual orientation and gender identity, are permitted under the FIFA World Cup 2026™ Stadium Code of Conduct and may be displayed inside stadiums provided they are used in a manner consistent with the code.”

Human Rights Watch welcomed FIFA’s decision to allow Pride flags inside the stadium. Outright International, a global LGBTQ and intersex rights group, distributed Pride flags in Seattle on Friday, which was Pride Match Day.

“Visibility matters,” said Outright International Executive Director Maria Sjödin. “Pride is now being celebrated in more than 100 countries, including this weekend in Seattle. For many LGBTIQ people, seeing a Pride flag in public is a reminder that they are not alone, and that their rights and dignity are recognized.”

FIFA President Gianni Infantino earlier this year told Die Weltwoche, a Swiss magazine, that “there will be no ‘Pride Match’ at the (FIFA) World Cup.”

“There will be a FIFA World Cup match in Seattle, and on the same day, events organized by external organizations will be taking place in the city,” said Infantino. “But that has nothing to do with the match itself.”

Peter Tatchell, a long-time LGBTQ activist from the U.K. who is director of the Peter Tatchell Foundation, was among those who traveled to Seattle for Friday’s match. Tatchell accused FIFA of not vetting World Cup teams — specifically Iran, Egypt, Saudi Arabia, Ghana, Senegal, Qatar, Tunisia, Morocco, Iraq, Uzbekistan, and Algeria — over whether they would allow gay players.

“FIFA is protecting LGBT+ visibility in the stands while failing to protect LGBT+ players on the pitch,” said Tatchell.

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Photos

PHOTOS: Frederick Pride Parade

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A scene from the 2026 Frederick Pride Parade. (Washington Blade photo by Michael Key)

The second annual Frederick Pride Parade was held in the streets of downtown Frederick, Md. on Friday, June 26.

(Washington Blade photos by Michael Key)

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Theater

Carla Hall goes from ‘Top Chef’ to the stage

Solo show ‘Please Underestimate Me’ premieres at Olney

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Carla Hall stars in ‘Please Underestimate Me.’ (Photo by Marvin Joseph)

‘Please Underestimate Me’
Through July 12
Olney Theatre Center
at Mulitz-Gudelsky Theatre Lab
2001 Olney-Sandy Spring Rd.
Olney, Md.
$47-$101
Olneytheatre.org

Carla Hall gained celebrity status from Bravo TV’s “Top Chef.” She was funny and fun, and with her kooky signature catch phrase “Hooty hoo” and the southern-inspired recipes she lovingly cooked, Hall stood out in a kitchen crammed with contestants. 

Now the D.C.-based Hall is taking revisiting her earliest love with the world premiere of her solo show “Please Underestimate Me,” currently running at Olney Theatre Center’s intimate and revamped Mulitz-Gudelsky Theatre Lab. 

In the 90-minute piece (written by Hall, Lori Kaye, and Kaye’s partner Leslie Thomas; and directed by Lili-Anne Brown), Hall leads with food but quickly swerves into her personal and other aspects of her professional life. Built around an immersive fictional TV cooking show, her new play draws on experiences from her seven seasons (2011-2019) co-hosting cooking/chat show “The Chew”an ABC daytime proving ground, and her heady years on “Top Chef.” (2008, 2010). 

Born and raised in Nashville, Hall wanted to attend Boston University to major in theater, but was rejected. Instead, she went to Howard University at her mother’s urging, where she ultimately majored in accounting. After graduating in 1986, she donned a bespoke business suit and briefly worked as a CPA for Price Waterhouse. 

Business wasn’t for Hall. Tall and slender, she walked the runways in Paris for a while before ultimately finding her niche as a chef. Cooking seemed to come from her heart, something she learned from her grandmother who not incidentally bankrolled Hall’s way through culinary school.  

Now she’s bringing the vibrancy and good humor that made her a “Top Chef” fan favorite and a popular TV host to the stage with “Please Underestimate Me.” 

WASHINGTON BLADE: You seem a natural live performer. Were at all you nervous about doing this? 

CARLA HALL: Anytime you step outside of what you’re known for you have to take a risk and make it happen. I’d been working on this the idea for seven years. I decided that I really wanted to do a variety show and really wanted to step back into my original love of theater. 

I didn’t know what that looked like so I was asking a lot of people, actors and friends, about how to break into it. Can they see me as more than a chef? So, I told my agency to book me for voice overs, cameo roles. I got an acting coach and I was seeing a lot of single person shows. I literally embodied the thing that I wanted.

BLADE: Have you always been a vocal and public ally of the queer community?

HALL: For me, it’s natural. I came from the theater and dance world. I have a lot of gay and queer friends. 

There’s something about people being gay and queer that goes with a need to be authentic to yourself. I think that’s why you find a lot of queer people in the arts. Dare to be you. Dare to be different, right? I like that. 

BLADE: Long ago, I remember stopping by a Safeway in Wheaton to grab a sheet cake for a party. Your second or first episode of “Top Chef” had just aired. I wanted to yell “Hooty hoo” across the aisles, but was too shy. 

CARLA HALL: My catering kitchen was near that Safeway.You should have yelled. I’d have given you a hug. I’ll hug almost anyone. 

BLADE: Thanks. I think. You hear actors saying there’s nothing quite like TV fame because you’re invited into people’s living rooms. What were those days like when you started being recognized?

HALL: I like people. I tell Matthew [Matthew Lyons, Hall’s husband of 20 years], when fans say hello it’s my chance to get to learn about them. I owe them a lot; without them I wouldn’t be working.

BLADE: At Olney, Lauren M. Nichols’ surprise-filled set and Kelly Colburn’s projections of your personal snapshots from over the years are really wonderful. 

HALL: It becomes really emotional. At the end of the show, I see 12-year-old me. I’m looking at that girl, and they did a put a little crown on my head, and I’m living her dream 50 years later.

BLADE: Is the pace hard?

HALL: Seven shows a week isn’t easy. I used to say “Top Chef” was my most grueling experience…well, that was before I did this. 

BLADE: And is it gratifying?

HALL: At the end of the day, yes. Look, this play is filled with personal highs and lows and emotionally it’s exhausting. It’s also rewarding. Two weeks before the show started, I wasn’t sure I could do this. 

BLADE: But of course, you are doing it. And you’re doing it so well. 

HALL: A while back, I reached out to the executive producer of “The Chew” and thanked him for being the messenger of my lessons. Without those experiences I wouldn’t be here now doing “Please Underestimate Me.” My confidence has definitely grown. I’m a firm believer that everything that happens to you is for you. 

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