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Affirming their faith

Lutheran LGBT group holding D.C. conference this weekend

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The 2010 ReconcilingWorks conference in Minnesota. (Photo courtesy ReconcilingWorks)

A contingent of LGBT Lutherans will be in Washington this weekend for its biennial conference and while the denomination is still celebrating a 2009 decision that allows partnered gay and lesbian clergy to live openly, the group says it still has much work to do.

ReconcilingWorks — Lutherans for Full Participation was founded in 1974 by six people when it was known as Lutherans Concerned for Gay and Lesbian People. This year’s gathering, which runs Friday through Tuesday based at Luther Place Memorial Lutheran Church (1226 Vermont Ave., N.W.) will find a few hundred LGBT believers and allies here to fellowship, lobby, hear a keynote address from Presiding Bishop Mark Hanson and more. Those interested in attending can still get involved — visit reconcilingworks.org for information.

“Our primary purpose is always movement building,” says Emily Eastwood, executive director of ReconcilingWorks, a life-long Lutheran and lesbian. “We gather for personal transformation and support as well as skills building, education and action planning.”

Despite the 2009 decision, she says the group’s work is not done.

“As we know from the years of history with the Civil Rights Movement, when policies change, when laws change, that doesn’t mean the practice of it is immediately implemented or that the cultural shifts have occurred,” she says. “We believe full inclusion will take a period of years, perhaps even the rest of my life, to make sure the new policies become fully practiced within our denomination.”

Only about 500 of the 10,000 or so individual churches within the Evangelical Lutheran Church in America (ELCA) are “reconciling in Christ,” the group’s term for openly welcoming LGBT Christians. The D.C. area has more percentage wise — about 20 of the 70-odd ELCA churches that are part of the Metro D.C. Synod are “reconciling,” according to Philip Moeller, convener of the D.C. ReconcilingWorks chapter since 1991.

“What we’re basically saying is that it is possible to reconcile differences on these issues and move ahead in a way that’s commensurate with the gospel,” Moeller says.

Members say it’s a huge step for the entire denomination to have Hanson address their group. Moeller says Hanson was always sensitive to their issues but measured in his public stance prior to the 2009 vote. He’s been more unequivocal in his support since then, members say, and his appearance is unprecedented for the 4.2 million-member ELCA.

“This is the first time we’ve ever had a presiding bishop address us and it really says something about the change that’s happening within the church,” Moeller says.

On Tuesday, members will visit Capitol Hill for a lobbying effort.

Phil Soucy, the organization’s director of communications, says it’s part of the group’s belief that its work matters in the context of society at large.

“We’re going to be going to our representatives to tell them our thoughts to make sure they’re aware of the things we consider important in our lives as Lutherans and as citizens,” Soucy, who’s gay, says.

So how has ReconcilingWorks managed to make further strides within its denomination compared to other gay Christian groups working within the Roman Catholic Church or the United Methodist Church? Is it a matter of activism, theology or both?

“You’ve got a real tough issue with the Roman Catholic Church in that it’s very hard to change the Vatican,” Moeller, who’s also gay, says. “In terms of the Protestant denominations, I think the reason we’ve been so successful is that we really understood early on that confrontation gets you nowhere. If you’re in somebody’s face, you’re not going to change their mind about anything. You can even write a friendly discourse on theology and it won’t accomplish anything. What works is hearing the stories of people who have faith and who are LGBT. We haven’t left the church, we’re still in the church. We don’t want to be welcomed back, we want to be fully welcomed with all the same rights and privileges as everybody else has. … It’s really a matter of having a shift from confrontation to constructive engagement.”

Eastwood says her church’s belief on the nature of the grace of Christ, is central to their progress.

“The primary tenet of our faith is that we are saved through our faith and that that’s a gift from God,” she says. “It’s not through any kind of work that we do on our own, so our heritage seems to be a bit more progressive than other denominations.”

She also says relationship building has been essential.

“It’s about meeting people and walking with them for a time to build relationships rather than resorting to debate,” she says.

 

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Photos

PHOTOS: Capital Pride Festival and Concert

Annual LGBTQ celebration held on Pennsylvania Ave.

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Maren Morris performs at the 2026 Capital Pride Concert on Sunday, June 21. (Washington Blade photo by Michael Key)

The 2026 Capital Pride Festival was held on Pennsylvania Ave. on Sunday, June 21.

(Washington Blade photos by Michael Key and Landon Shackelford)

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Photos

PHOTOS: 2026 Capital Pride Parade

Large crowds attend annual LGBTQ march in Washington, D.C.

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David Archuleta is one of the Grand Marshals of the 2026 Capital Pride Parade. (Washington Blade photo by Michael Key)

The 2026 Capital Pride Parade was held in Washington, D.C. on Saturday, June 20.

(Washington Blade photos by Michael Key, Robert Rapanut and Landon Shackelford)

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Theater

‘Feeling Afraid’ explores life of a neurotic stand-up comic

Navigating sex, work, and possibly love in London

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Steven Webb in ‘Feeling Afraid As If Something Terrible Is Going To Happen’ (Photo by DJ Corey)

‘Feeling Afraid As If Something Terrible Is Going to Happen’
Through July 12
Studio Theatre
1501 14th St., N.W.
$55-$102
Studiotheatre.org

Wordily yet rightly titled, solo show “Feeling Afraid As If Something Terrible Is Going To Happen” dives deeply into the world of a neurotic stand-up comic as he navigates sex, work, and possibly love in London. 

Busy arranging hookups and dates on “The App,” the 36-year-old gay funnyman juggles a full dance card; still he’s never been in a romantic relationship. While he’s willing to give love a shot, he’s not pressed about it. As he says, he harbors no fear of dying alone.

Currently making its American premiere at Studio Theatre, this darkly humorous Edinburgh Fringe import features terrific out English actor Steven Webb as The Comedian who’s about to explore what it means to spend all his time with one man. 

At Studio’s intimate Mead Theatre, Kat Heath’s minimal set says standard comedy club (fluorescent tube lighting, the mic with a long cord, a single stool backed by a rose-colored curtain), but gay playwright Marcelo Dos Santos has conjured something much more than a live comedy set. 

Yes, The Comedian bounces onstage in his red Converse high tops, jeans, and pink shirt with a huge mouth emblazoned on the back, but he delivers more than jokes. At times hilariously self-deprecating, then dark, and occasionally a lesson on what makes standup work, this is a layered, well-acted piece.

With Webb (a keen caricaturist of types and voices) playing all the parts while conducting The Comedian’s hilariously frenetic interior monologue, “Feeling Afraid” takes us through a summer of love. It seems after six chaste dates with The American, our nervous hero has found Mr. Right. The American is earnest, smart, hesitant to initiate sex. He’s also well built with a beautiful smile. And strangely, he’s been medically advised not to laugh aloud.  

The Comedian delights in the joys of new love: dates, first kisses, sex, and then suddenly spending all of his time with the adored. Visits to art galleries become fun. Eating home cooked meals followed by grim documentaries is a thing. The Comedian is beguiled as his own boyish figure fills out, but something isn’t right. He can’t entirely relax.

Along the way we meet the Aussie doctor, our protagonist’s longtime hookup; a young runner with some exceptional body parts; the random third in a failed threesome; grumpy working comics, male and female; and an ineffectual counselor. 

Webb gives a lightning-fast performance that boggles the mind (in terms velocity and virtuosity). He can be impish, very impish. He’s nervous energy incarnate, flashing jazz hands, grimacing but handsome when still. He’s likeable, a necessity when delivering a hilariously rude joke just feet away from two stone-faced audience members. (Perhaps they were laughing on the inside? At any rate, they stayed through the end the show.)

Produced by the team behind Fringe hits “Fleabag” and “Baby Reindeer,” small stage works that were developed into major TV screen successes, “Feeling Afraid” is funny for sure, and it’s also highly confessional, sexually explicit, and raw.

Written by Dos Santos during COVID lockdown, the piece was a smash hit in the 2022 Edinburgh Fringe before finding further success in London. Its depiction of a youngish queer guy navigating the big city rings entirely true. Like so much Fringe stuff, the one-man show is delightfully lewd and standup inspired.

One little moan: the show closes cleverly but too abruptly with its star dashing offstage without sufficiently basking in the admiration and applause of his thoroughly chuffed audience.

They say third time’s a charm, and regarding “Feeling Afraid,” I’d agree. After two performance cancellations (first for laryngitis and the second involving faulty air conditioning on an especially muggy June evening), I made my third trek to Studio where I found both the actor and AC in very fine fettle. And truly, Webb’s work was more than worth the wait.

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