Arts & Entertainment
Gone too soon
Teen suicide has received renewed awareness but the issue can affect gays well into adulthood


David Chung, a former Nellieās bartender, committed suicide July 8. (Blade file photo by Pete Exis)
When David Chung took his own life a few weeks ago, his death sent shockwaves through a community that knew him as the smiling Nellieās bartender. As hundreds gathered at his funeral service, many only wanted to remember the happiness he brought to those around him.
But Chungās death is a reminder of a serious and often silent illness that has long plagued the LGBT community. According to a 2008 study from the Suicide Prevention Resource Center, lesbian, gay and bisexual youths and young adults are three times more likely to report suicidal ideation (thoughts about suicide) and as high as seven times more likely to have reported attempting suicide. Research in these areas is still limited since mortality data does not report sexual orientation.
And while LGBT teen suicide has gotten a lot of attention in the last two years since a spate of bullying and suicide cases have been reported around the country leading to gay columnist Dan Savageās āIt Gets Betterā campaign and renewed awareness of the Trevor Project (thetrevorproject.org), an LGBT youth suicide prevention non-profit, depression and suicide disproportionately affect LGBT people at various ages.
Randy Pumphrey, manager of behavioral health at Whitman-Walker Health, says part of suicide prevention is being able to tell the warning signs. He admits, however, that it is not easy for people not trained in the medical field to differentiate between normal ups and downs and full-blown depression.
āI think it is going to be hard, unless you know the person really well,ā he says. āYou need to watch for extreme changes in behavior.ā
Some of these behavioral changes include not acting the same at work or in social groups, withdrawing from social situations, engaging in more risky activities and verbalizing a death threat or wish.
āA lot of people will make outright allusions to suicide like, āI wonāt be here anymore,āā says Tamara Pincus, a clinical social worker and therapist. āThey may even start to give their possessions away to people, indicating that they are making plans to take their lives.ā
Both Pumphrey and Pincus cite the stigma LGBT people face as a big stressor on those already predisposed to depression.
āIt might be internalized homophobia,ā Pumphrey says. āPeople who are having trouble identifying as gay or lesbian when they are in a heterosexual marriage or not being able to come out at their job, they might attempt suicide. This feeling of rejection, that can be a really huge thing.ā
Mary Lou Wallner, minister at T.E.A.C.H. Ministries, directly understands how rejection can affect a person. Her daughter, Anna, committed suicide in 1997. Wallner says her daughter came out to her in a letter in 1988.
āAt the time I was deeply entrenched in a conservative church,ā she says. āWhen she came out, I thought that it was an abomination. I told her so in a letter.ā
In the letter, she wrote, āI will never accept that in you. I feel itās a terrible waste, besides being spiritually and morally wrong ā¦ I do and will continue to love you, but I will always hate that.ā
Waller says she did not understand that her sexual orientation was not a choice. Nine years went by during which they continued contact but then in 1996, Anna began seeing a therapist who encouraged her to cut off contact with her family. Wallner began collecting cards and money she wanted to give her daughter in a shoebox so when they began speaking she could give them to her. Wallner never got the chance.
āThere were probably a ton of warning signs,ā she says. āI feel there were clues she was trying to give me. I have many, many regrets.ā
Before Anna came out to her mother, she tried slitting her wrists and in another incident, took a whole bottle of aspirin. In hindsight, Wallner says she would have, āgotten in her car and driven to her right awayā once she had cut off communication.
Pumphrey says the challenge is not only identifying the warning signs of depression, but also taking action. He says it might be a challenge to speak with someone who is going through this, but in the end it would be worth it.
āWhat happens in our culture is people are afraid to ask the questions about how a person is thinking and feeling,ā he says. āIf a person is having suicidal thoughts, they are usually thinking about how they are going to do it. Getting their plan helps you intervene and it may buy you some time.ā
If a person seems to be posing an immediate threat to themselves or others, Pumphrey says the person should be taken to an emergency room or 911 should be called. This way he/she can be evaluated and possibly get treatment.
āMy prerogative at this time is going to be their safety,ā he says. āThey may be angry upfront because it feels like a violation, but this is really serious and they might need help.ā
Pincus says there are still several challenges facing the LGBT community, especially teenagers and young adults who are really connected to their family. She suggests if families are not supportive of their childās sexual orientation, that person should seek support outside of their family.
āI think we would like to say that our society is getting past the stigma of LGBT, but we are really not,ā she says. Pincus, who came out as bi when she was 16, says that the continual harassment and bullying that occurs in schools and other social venues to LGBT people is a major reason why the suicide rate is higher than for other groups.
āPeople are still getting beat up for holding hands with their partners and transgender people are getting shot because of their gender identity,ā she says.
Since her daughterās death, Wallner has shared her story with other groups around the country and was featured in the documentary āFor the Bible Tells Me So.ā She began T.E.A.C.H. Ministries, which stands for āTo Educate About the Consequences of Homophobia.ā She tries to spread the message of tolerance, not only for the LGBT community, but also for those who may not understand completely.
While she does not discuss scripture with others, she does have a message for other believers.
āItās not a choice, if it is not a choice it canāt be a sin,ā she says.

Honoring Individual Power and Strength (HIPS) will celebrate its 30th anniversary by providing essential health and social services on Saturday, April 5 at 6 p.m. at 906 H St., N.E.
This event will be a celebration of the ongoing generosity of local D.C. business, philanthropists, and residents who step up to help us support those most in need in our neighborhoods. At this event you will join other HIPS stakeholders and community members for music and performances from local queer talent and learn more about some of the work the group has accomplished in the past 30 years to ensure everyone in our neighborhoods has access to HIV, viral hepatitis, and STI testing. For more details, visit the HIPS website.

Capital Pride Alliance and the Washington Wizards will host āPride Nightā on Thursday, March 27 at 7 p.m. Ticket purchases come with a limited-edition Wizards Pride belt bag. There are limited quantities.
Tickets start at $31 and can be purchased on the Wizardsā website.
Theater
Celebrated local talent Regina Aquino is back on the boards
Queer actor starring in Arena Stageās āThe Age of Innocenceā

āThe Age of Innocenceā
Through March 30
Arena Stage
1101 Sixth St., S.W.
Tickets start at $59
Arenastage.org
Actor, director, and now filmmaker, celebrated local talent Regina Aquino is back on the boards in Arena Stageās āThe Age of Innocence,ā staged by the companyās artistic director Hana S. Sharif.
Adapted by Karen ZacarĆas from Edith Wharton’s 1920 masterpiece novel, the work surrounds a love triangle involving New York scion Newland Archer, his young fiancĆ©e, and the unconventional beauty Countess Olenska. The Gilded Age-set piece sets up a struggle between rigid societal norms and following oneās own heart.
Aquino ā a queer-identified first-generation Filipino immigrant who grew up in the DMVā is the first Filipino American actress to receive a Helen Hayes Award (2019). She won for her work in Theater Allianceās āThe Events.ā
In āThe Age of Innocence,ā Aquino plays Newlandās mother Adeline Archer, a widow who lives with her unmarried, socially awkward daughter Janey. No longer a face on the dinner party circuit, she does enjoy gossiping at home, especially with her close friend Mr. Sillerton Jackson, a āconfirmed bachelorā and social arbiter. Together, they sip drinks and talk about whatās happening among their elite Manhattan set.
WASHINGTON BLADE: Do you like Mrs. Archer?
REGINA AQUINO: Thereās a lot of joy in playing this character. Sheās very exuberant in those moments with her bestie Sillerton. Otherwise, thereās not much for her to do. In Whartonās book, it says that Mrs. Archerās preferred pastime is growing ferns.
BLADE: But she can be rather ruthless?
AQUINO: When it comes to her family, yes. Sheās protective, which I understand. When she feels that her familyās under attack in any way, or the structure of the society that upholds way of life is threatened, she leans hard into that.
The rare times that sheās out in society you see the boundaries come up, and the performative aspect of what society means. She can be very mean if she wants to be.
BLADE: Can you relate?
AQUINO: I come from a large Filipino matriarchal family. Mrs. Archer is someone I recognize. When Iām in the Philippines, Iām around people like that. People who will do business with you but wonāt let you into their inner circle.
BLADE: Did you ever imagine yourself playing a woman like Mrs. Archer?
AQUINO: No. However, in the past couple of years diversely cast TV shows like āBridgertonā and āQueen Charlotteā have filled a need for me that I didnāt I know I had.
With stories like āThe Age of Innocenceā that are so specific about American history, they arenāt always easily imagined by American audiences when performed by a diverse cast.
But when Karen [ZacarĆas] wrote the play, she imagined it as a diverse cast. What theyāre presenting is reflective of all the different people that make up America.
BLADE: You seem a part of many groups. How does that work?
AQUINO: For me, the code switching is real. Whether Iām with my queer family, Filipinos, or artists of color. Itās different. The way we talk about the world, it shifts. I speak Tiglao in the Philippines or here I may fall into an accent depending on who Iām with.
BLADE: And tell me about costume designer Fabio Tabliniās wonderful clothes.
AQUINO: Arenāt they gorgeous? At the Arena costume shop, they build things to fit to your body. Itās not often we get to wear these couture things. As actors weāre in the costumes for three hours a night but these women, who the characters are based on, wore these corseted gowns all day, every day. Itās amazing how much these clothes help in building your character. Iāve found new ways of expressing myself when my waist is cinched down to 26 inches.
BLADE: Arenaās Fichandler Stage is theatre-in-the-round. Great for costumes. How about you?
AQUINO: This is my favorite kind of acting. In the round thereās nowhere to hide. Your whole body is acting. Thereās somebody somewhere who can see every part of you. Very much how we move in real life. I find it easier.
BLADE: While the Gilded Age was opulent for some, it wasnāt a particularly easy time for working people.
AQUINO: The play includes commentary on class. Never mind money. If youāre not authentic to who you are and connecting with the people you love, youāre not going to be happy. The idea of Newland doing what he wants, and Countess Olenskaās journey toward freedom is very threatening to my character, Mrs. Archer. Today, these same oppressive structures are doing everything here to shutdown feelings of liberation. Thatās where the heart of this story lands for me.