Arts & Entertainment
Gay is ‘The New Normal’
Same-sex couple explores parenthood in new Ryan Murphy sitcom
‘The New Normal’
NBC
Tuesdays at 9:30 p.m.
Andrew Rannells as Bryan (left) and Justin Bartha as David in the controversial new NBC comedy ‘The New Normal.’ (Photo courtesy NBC)
Now that “The New Normal” is off and running — an online pilot teased the series while its first two regular broadcasts were Monday and Tuesday this week before settling into its regular Tuesday night time slot — most TV fans know the premise.
This latest creation from gay TV mastermind Ryan Murphy (“Glee,” “Nip/Tuck,” “American Horror Story”), it tells of a happy young gay Los Angeles couple, Bryan (Andrew Rannells) and David (Justin Bartha), who convince new-in-town Goldie (Georgia King) to be a surrogate so they can start a family.
The show’s off to a decent-enough start. Monday night’s network debut found it winning its time slot drawing about 6.9 million viewers, though about 45 percent of those who’d tuned in for lead-in hit “The Voice,” cut out for “Normal.” Some critics are calling the performances a “triumph over content.”
Entertainment Weekly’s Ken Tucker calls Rannells — best known for his Broadway turn in “The Book of Mormon” — “one of the hottest young talents around and he does as much as he can with a role that co-creators Murphy and Ali Adler seem to have conceived as a cross between Charles Nelson Reilly and Rip Taylor; all Bryan is missing is a bag of confetti to throw at his costars after deliving a punchline. It’s to Rannells’ credit that he made the premiere’s attempts at heart tugging, wuch as a home video made for the future baby professing ‘how desperately you are wanted,’ seem heartfelt.”
The San Francisco Chronicle praised its “humor, solid performances” and “snappily written script.” The Los Angeles Times said the pilot “felt flat or programmatic … but much was likable as well, especially the nonchalant tenderness between the male leads.”
During a conference call last week, Rannells, Bartha and King fielded questions on everything from where the show is headed, to working with Murphy to what they think about the controversy the show has generated (Salt Lake City, Utah-based NBC affiliate KSL has refused to air the show though it claimed it was more for the “sexually explicit content, demeaning dialogue and inciting stereotypes” than its “gay characters or LGBT families; Two Utah pro-gay groups in a partnership with GLAAD are screening the show for Utah residents).
“I actually do hope people are offended by it,” Bartha says. “I think hopefully it will get conversations started in family homes and that families who love it will love it for what it is, a compassionate and loving family with many positive aspects. And the ones who are offended by it or find that it strikes them as offensive, hopefully they will maybe realize that they’re bigots and they’re ignorant and possibly our show can usher in a little more acceptance. I don’t expect it to change anyone’s life, but I do think one of the wonderful things about television is its ability to start a conversation, to inspire people to have those watercooler chats maybe the next day. It starts that discourse.”
King, a British actress with extensive film and TV credits, says realizing the show was drawing controversy was “the biggest thrill.”
“It’s bringing up topics and questions and ideas that maybe people haven’t had to consider before,” she says. “It’s a privilege to be doing something that’s starting a great conversation.”
But if the show takes off, where could it possibly go once the pregnancy storyline is played out? Some have questioned whether there’s enough meat to the setting to warrant a long-running series.
Rannells says all early signs are great as far as he’s concerned.
“We’re shooting the fifth episode so far and we’ve read six scripts so far and I have to say, the shows just keep getting better and better. If you’re asking what the second season, the third season and so on will look like, we don’t think of it that way. The main reason we all signed up was because of Ryan and Ali and I think when you see the rest of these episodes, you’ll see that it’s not only a great set up, but in the following episodes, it really does explore the depth of each character and make them each indelible.”
“Ryan’s just been extraordinary,” King says. “He’s got such a wonderful reputation for not being too kind of plucky and fake. He’s very to the point and personally, I absolutely love that. He’s so candid and so clear in his ideas in what he wants and I’m very happy to be there when he’s directing.”
And though he hasn’t said much about his personal life, Bartha admits playing gay with Rannells has been easy.
“From the first time I looked into Andrew’s eyes, I knew I could fall in love,” Bartha says. “I have such a respect for him as an actor and as a person that it was immediately apparent to me that this could work. I just thought he was a funny, good looking, talented guy and he’s easy to be around, so that was the basis of it. … I really wanted to play it as a real couple who love each other and have struggles just like everyone else. Ryan keeps reminding us of that all the time. He’s always saying, ‘Let’s keep this as real as possible.’ It’s funny, but it’s also very, very real. It’s not a sitcom in the classic sense.”
And while it’s ultimately meant to be light hearted and comical, the cast says they hope viewers will take away something deeper.
“What we’re ultimately saying is that what we’re creating is perhaps no different from your family,” Rannells says. “All families basically start as unlikely folks coming together to create this family. Initially it might seem like this is awfully different, but the story we’re telling is really universal.”
Movies
‘Things Like This’ embraces formula and plus-size visibility
Enjoyable queer romcom challenges conventions of the genre
There’s a strange feeling of irony about a spring movie season stacked with queer romcoms – a genre that has felt conspicuously absent on the big screen since the disappointing reception met by the much-hyped “Bros” in 2022 – at a time when pushback against LGBTQ visibility is stronger than it’s been for 40 years.
Sure, part of the reason is the extended timeline required for filmmaking, which tells us, logically, that the numerous queer love stories hitting theaters this year – including the latest, the Manhattan-set indie “Things Like This,” which opened in limited theaters last weekend – began production long before the rapid cultural shift that has taken place in America since a certain convicted fraudster’s return to the White House.
That does not, however, make them any less welcome; on the contrary, they’re a refreshing assertion of queer existence that serves to counter-balance the hateful, politicized rhetoric that continues to bombard our community every day. In fact, the word “refreshing” is an apt description of “Things Like This,” which not only celebrates the validity – and joy – of queer love but does so in a story that disregards “Hollywood” convention in favor of a more authentic form of inclusion than we’re ever likely to see in a mainstream film
Written, starring, and directed by Max Talisman and set against the vibrant backdrop of New York City, it’s the story of two gay men named Zack – Zack #1 (Talisman) is a plus-sized hopeful fantasy author with a plus-sized personality and a promising-but-unpublished first novel, and Zack #2 (Joey Pollari) an aspiring talent agent dead-ended as an assistant to his exploitative “queen-bee” boss (Cara Buono) – who meet at an event and are immediately attracted to each other. Though Zack #2 is resigned to his unsatisfying relationship with longtime partner Eric (Taylor Trensch), he impulsively agrees to a date the following night, beginning an on-again/off-again entanglement that causes both Zacks to re-examine the trajectories of their respective lives – and a lot of other heavy baggage – even as their tentative and unlikely romance feels more and more like the workings of fate.
Like most romcoms, it relies heavily on familiar tropes – adjusted for queerness, of course – and tends to balance its witty banter and starry-eyed sentiment with heart-tugging setbacks and crossed-wire conflicts, just to raise the stakes. The Zacks’ attempts at getting together are a series of “meet-cutes” that could almost be described as fractal, yet each of them seems to go painfully awry – mostly due to the very insecurities and self-doubts which make them perfect for each other. The main obstacle to their couplehood, however, doesn’t spring from these mishaps; it’s their own struggles with self-worth that stand in the way, somehow making theirs more of a quintessentially queer love story than the fact that both of them are men.
All that introspection – relatable as it may be – can be a downer without active energy to stir things up, but fortunately for “Things Like This,” there are the inevitable BFFs and extended circle of friends and family that can help to get the fun back on track. Each Zack has his own support team backing him up, from a feisty “work wife” (Jackie Cruz, “Orange is the New Black”) to a straight best friend (Charlie Tahan, “Ozark”) to a wise and loving grandma (veteran scene-stealer Barbara Barrie, “Breaking Away” and countless vintage TV shows) – that fuels the story throughout, providing the necessary catalysts to prod its two neurotic protagonists into taking action when they can’t quite get there themselves.
To be sure, Talisman’s movie – his feature film debut as a writer and director – doesn’t escape the usual pitfalls of the romcom genre. There’s an overall sense of “wish fulfillment fantasy” that makes some of its biggest moments seem a bit too good to be true, and there are probably two or three complications too many as it approaches its presumed happy ending; in addition, while it helps to drive the inner conflict for Zack #2’s character arc, throwing a homophobic and unsupportive dad (Eric Roberts) into the mix feels a bit tired, though it’s hard to deny that such family relationships continue to create dysfunction for queer people no matter how many times they’re called out in the movies – which means that it’s still necessary, regrettably, to include them in our stories.
And in truth, “calling out” toxic tropes – the ones that reflect society’s negative assumptions and perpetuate them through imitation – is part of Talisman’s agenda in “Things Like This,” which devotes its very first scene to shutting down any objections from “fat shamers” who might decry the movie’s “opposites attract” scenario as unbelievable. Indeed, he has revealed in interviews that he developed the movie for himself because of the scarcity of meaningful roles for plus-sized actors, and his desire to erase such conventional prejudices extends in every direction within his big-hearted final product.
Even so, there’s no chip-on-the-shoulder attitude to sour the movie’s spirit; what helps us get over its sometimes excessive flourishes of idealized positivity is that it’s genuinely funny. The dialogue is loaded with zingers that keep the mood light, and even the tensest scenes are laced with humor, none of which feels forced. For this, kudos go to Talisman’s screenplay, of course, but also to the acting – including his own. He’s eminently likable onscreen, with wisecracks that land every time and an underlying good cheer that makes his appeal even more visible; crucially, his chemistry with Pollari – who also manages to maintain a lightness of being at his core no matter how far his Zack descends into uncertainty – isn’t just convincing; it’s enviable.
Cruz is the movie’s “ace in the hole” MVP as Zack #2’s under-appreciated but fiercely loyal bestie, and Buono’s hilariously icy turn as his “boss from hell” makes for some of the film’s most memorable scenes. Likewise, Tahan, along with Margaret Berkowitz and Danny Chavarriaga, flesh out Zack #1’s friend group with a real sense of camaraderie that should be recognizable to anyone who’s ever been part of an eclectic crew of misfits. Trensch’s comedic “ickiness” as Zack #2’s soon-to-be-ex makes his scenes a standout; and besides bigger-name “ringers” Roberts and Barrie (whose single scene is the emotional climax of the movie), there’s also a spotlight-grabbing turn by Diane Salinger (iconic as Francophile dreamer Simone in “Pee-Wee’s Big Adventure”) as the owner of a queer bar where the Zacks go on one of their dates.
With all that enthusiasm and a momentum driven by a sense of DIY empowerment, it’s hard to be anything but appreciative of “Things Like This,” no matter how much some of us might cringe at its more unbelievable romcom devices. After all, it’s as much a “feel-good” movie as it is a love story, and the fact that we actually do feel good when the final credits role is more than enough to earn it our hearty recommendation.
Friday, May 23
“Center Aging Monthly Luncheon and Yoga” will be at 12 p.m. in person at the DC Center for the LGBT Community. For more details, email [email protected].
Trans Discussion Group will be at 7 p.m. on Zoom. This group is intended to provide an emotionally and physically safe space for trans people and those who may be questioning their gender identity and/or expression. For more details, email [email protected].
Go Gay DC will host “LGBTQ+ Community Happy Hour” at 7 p.m. at DIK Bar. This event is ideal for making new friends, professional networking, idea-sharing, and community building. This event is free and more details are available on Eventbrite.
Saturday, May 24
Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar and Restaurant. This fun weekly event brings the DMV area LGBTQ community, including Allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
Black Lesbian Mixer will be at 11 a.m. on Zoom. This is a support group dedicated to the joys of being a Black lesbian. For more details, email [email protected].
Sunday, May 25
“The Queen’s Table: A Women’s Empowerment Brunch” will be at 11 a.m. at Zooz. This event will celebrate queer women’s strength. For more details visit Eventbrite.
Monday, May 26
“Center Aging Monday Coffee and Conversation” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more details, email [email protected].
Tuesday, May 27
Genderqueer DC will be at 7 p.m. on Zoom. This is a support group for people who identify outside of the gender binary. Whether you’re bigender, agender, genderfluid, or just know you’re not 100 percent cis — this is your group. For more details, visit genderqueerdc.org or Facebook.
Coming Out Discussion Group will be at 7 p.m. on Zoom. This support group is a safe space to share experiences about coming out and discuss topics as it relates to doing so. For more details, visit the group’s Facebook.
Wednesday, May 28
Job Club will be at 6 p.m. on Zoom. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.
Thursday, May 29
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. To be fairer with who is receiving boxes, the program is moving to a lottery system. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga with Charles M. will be at 7 p.m. on Zoom. This is a free weekly class focusing on yoga, breathwork, and meditation. For more details, visit the DC Center for the LGBT Community’s website.
Photos
PHOTOS: Helen Hayes Awards
Gay Men’s Chorus, local drag artists have featured performance at ceremony
The 41st Helen Hayes Awards were held at The Anthem on Monday, May 19. Felicia Curry and Mike Millan served as the hosts.
A performance featuring members of the Gay Men’s Chorus of Washington and local drag artists was held at the end of the first act of the program to celebrate WorldPride 2025.
The annual awards ceremony honors achievement in D.C.-area theater productions and is produced by Theatre Washington.
(Washington Blade photos by Michael Key)
Adams Morgan queer bar broken into and vandalized
‘Things Like This’ embraces formula and plus-size visibility
Calendar: May 23-29
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Looking back at 50 years of Pride in D.C
WorldPride events round-up
Wes Moore signs HIV decriminalization bill
Federal judge scraps trans-inclusive workplace discrimination protections
