Arts & Entertainment

Shifting ‘Shape’

World premier depdicts married Vaudevillians on tour

Published

13 years ago

October 4, 2012

Patrick Folliard

‘Shape’
force/collision
Atlas Performing Arts Center
1333 H Street, NE
$10-$25
202-399-7993, ext. 2

Dane Figueroa Edidi in ‘Shape,’ a force/collision production. If you want to see it, act fast — it closes Saturday. (Photo by C. Stanley Photography)

Young local company force/collision isn’t afraid to take on tough material.

Their last production was a site-specific project inspired by the Washington Navy Yard performed over a nippy spring weekend in outdoor fountains at a park on the Southwest Waterfront. Now, the ensemble is tackling very different-but-equally challenging work by experimental dramatist Erik Ehn titled “Shape” (currently nearing the end of a world premiere run at Atlas Performing Arts Center). In both cases, the productions have proved intriguing and visually compelling.

Roughly based on the lives African-American vaudevillians Billy and Cordelia McClain, “Shape” follows the married couple’s experiences over time as they move from place to place.

As the lights come up, the scene is set by Survivor (the excellent Dexter Hamlett), a narrator who’s big on lyricism but short on concrete detail (thank goodness for program notes). It’s turn-of-the-century Ambrose Park, Brooklyn where Billy (Frank Britton) and Cordelia (Dane Figuero Edidi) are headlining in “Black America,” a true life spectacle in which about 500 black entertainers glorified plantation life in the Old South.

After the Brooklyn show closes, the couple sojourns to Europe where they eschew their usual daily dose of minstrelsy for racier entertainments — Cordelia introduces a new sexy Jazz Age act while Billy finds adventure in the arms of myriad other women. The marriage crumbles and they return to the states where Billy is on hand for the Tulsa Race Riots of 1921, a hideous episode in American history that left thousands of black families homeless and scores dead.

Director John Moletress, who is gay, leads a talented design team in admirably presenting Ehn’s sometimes puzzling play.

Collin Ranney (also gay) transforms Atlas’ black box theater into an enchanted place. Above a lawn of excelsior hang tiny glowing fairy houses that rise and fall like the vaudevillians fortunes. In the center sits a stump; nearby there’s an old steamer trunk. At either end of the space are billowy sails, bookending a small world both redolent of the past, of suggestive voyage and escape.

Ariel J. Benjamin’s dramatic lighting and Derek V. Knoderer’s equally evocative soundscape add to the overall effect.

And while the production is visually appealing, and boasts inventive staging (random chairs and a few actors magically morph into a railroad passenger car) and a strong cast, its lack of linear narrative can be frustrating at times, especially since Ehn is tying historical facts to larger themes. (“Shape” is part of Ehn’s “Soulographie,” a series of 17 plays about genocide and reconciliation.)

Mostly, it’s best to sit back and let Ehn’s dreamlike prose wash over you; enjoy the production’s haunting songs, stirring, avian-inspired movement and the dedicated cast. Figueroa Edidi’s Cordelia is sublime: a diva with a sense of humor. She’s resilient but not wholly inured to life’s hardships. In one of his stronger performances, Britton captures Billy as the charming philanderer. Other standouts include Karin Rosnizek’s clueless French reporter and Luci Murphy as a soulful, singing vaudevillian.

The parts of Cordelia and her maid (S. Lewis Feemster) have been cast with male actors, heightening theatricality and a focus on identity. The choice also pays homage to black vaudevillians of the early 20th century who often played cross-gendered roles.

With “Shape,” force/collision strikingly fulfills its mission to create new performance works. And while “Shape” is sometimes hard to follow, it’s always beautiful to watch.

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FUND LGBTQ JOURNALISM

Sports

New IOC policy bans trans women from Olympics

New regulation to be in effect at 2028 summer games in Los Angeles

Published

2 hours ago

March 26, 2026

Michael K. Lavers

(Photo by Greg Martin; courtesy IOC)

The International Olympic Committee on Thursday announced it will not allow transgender women from competing in female events at the Olympics.

“For all disciplines on the Sports Program of an IOC event, including individual and team sports, eligibility for any Female Category is limited to biological females,” reads the new policy.

The policy states “eligibility for the Female Category is to be determined in the first instance by SRY Gene screening to detect the absence or presence of the SRY Gene.”

“On the basis of the scientific evidence, the IOC considers that the SRY (sex-determining Region Y) Gene is fixed throughout life and represents highly accurate evidence that an athlete has experienced or will experience male sex development,” it reads. “Furthermore, the IOC considers that SRY Gene screening via saliva, cheek swab or blood sample is unintrusive compared to other possible methods. Athletes who screen negative for the SRY gene permanently satisfy this policy’s eligibility criteria for competition in the Female Category.”

The policy states the test “will be a once-in-a-lifetime test” unless “there is reason to believe a negative reading is in error.”

The new regulation will be in place for the 2028 Summer Olympics in Los Angeles.

“I understand that this a very sensitive topic,” said IOC President Kirsty Coventry on Thursday in a video. “As a former athlete, I passionately believe in the rights of all Olympians to take part in fair competition.”

“The policy that we have announced is based on science and it has been led by medical experts with the best interests of athletes at its heart. The scientific evidence is very clear: male chromosomes give performance advances in sport that rely on strength, power, or endurance,” she added. “At the Olympic Games, even the smallest margins can be the difference between victory and defeat. So, it is absolutely clear that it would not be fair for biological males to compete in the female category. In addition, in some sports it would simply not be safe.”

(Video courtesy of the IOC)

Laurel Hubbard, a weightlifter from New Zealand, in 2021 became the first trans woman to compete at the Olympics.

Imane Khelif, an Algerian boxer, won a gold medal at the 2024 Summer Olympics in Paris. Khelif later sued JK Rowling and Elon Musk for cyberstalking after they questioned her gender identity.

Ellis Lundholm, a mogul skier from Sweden, this year became the first openly trans athlete to compete in any Winter Olympics when he participated in Milan Cortina Winter Olympics in Italy.

President Donald Trump in February 2025 issued an executive order that bans trans women and girls from female sports teams in the U.S.

The U.S. Olympic and Paralympic Committee last July banned trans women from competing in female sporting events. Republican lawmakers have demanded the IOC ban trans athletes from women’s athletic competitions.

“I’m grateful the Olympics finally embraced the common sense policy that women’s sports are for women, not for men,” said U.S. Sen. Tom Cotton (R-Ark.) on X.

An IOC spokesperson on Thursday referred the Washington Blade to the press release that announced the new policy.

a&e features

Introducing the Torchbearers Awards honoring queer, trans women and nonbinary people

Meet the Legends and Illuminators lighting new paths

Published

3 hours ago

March 26, 2026

Staff reports

The Torchbearers Awards are more than recognition—they are a continuation of legacy. They honor the quiet architects of progress in our community: those who organize, advocate, build, and protect, often without fanfare but always with purpose. Rooted in a belief in intentional recognition, this honor names those who carry our movements forward—those who make room for others, who remind us that change is both generational and generative. In a time marked by uncertainty and challenge, these leaders push forward with courage, clarity, and an unwavering commitment to expanding opportunity and equity.

This year’s honorees reflect the full breadth of our community, spanning generations, backgrounds, identities, and industries. From Legends, with decades of leadership and having created pathways for others, to Illuminators, who are lighting new paths with creativity and innovation, each Torchbearer represents the power of intergenerational leadership and the strength found in our diversity. They are organizers, advocates, artists, policy leaders, healers, and changemakers whose lived experiences shape a shared vision for equity and liberation.

This award is our love letter to queer and trans women and nonbinary people who carry the flame when it would be easier to let it dim. To those who consistently show up, who use their voice and visibility and stand firm, often without recognition, so that others may live more freely and fully. The Torchbearers Awards celebrates not just what has been done, but the enduring spirit, responsibility, and collective care that ensure the work continues, and that the flame is always passed forward.

Co-Creators of the Torchbearers Awards: Shannon Alston, June Crenshaw, Heidi Ellis

Torchbearers Awards Advisory Board: Aditi Hardikar, Lesley Bryant, Jasmine Wilson-Bryant, Stephen Rutgers

ILLUMINATOR AWARDEES

Representative Sharice Davids (she/her), (D, KS-03)
— U.S. House of Representatives
Greisa Martinez Rosas (she/her/ella)
— Executive Director, United We Dream
Paola Ramos (she/her)
— Journalist & Correspondent
Meagan A. Fitzgerald (she/her)
— Journalist & Correspondent
Jessica L. Lewis (she/her)
— Founder / Producer, Play Play DC
Savannah Wade (she/her)
— Founder, OAR Agency
Suhad Babaa (she/her)
— Filmmaker/ Former Executive Director of Just Vision
Ashlee Davis (she/her)
— Global Head of Inclusive Outcomes, Ancestry
Jazmine Hughes (she/her)
— Journalist and Former Editor at New York Times Magazine
Queen Adesuyi (she/they)
— Policy Advisor & Organizer, ReFrame Health & Justice
Michele Rayner, Esq. (she/her)
— Civil Rights Attorney, State Representative (Florida House of Representatives)
Gaby Vincent (she/her)
— Sports/Cultural Commentator and Community Leader
Jenny Nguyen (she/her)
— Founder & Owner, The Sports Bra
Denice Frohman (she/her)
— Independent Artist, Poet / Performer
Vida Rangel (she/her)
— Founder, Our Trans Capital
Roxanne Anderson (they/them)
— Executive Director, Our Space
Ann Marie Gothard (she/her)
— Director of Programs, Pride Live (Stonewall Visitor Center)
Diana Rodriques (she/her)
— Program Leader, Pride Live (Stonewall Visitor Center)
Wendi Cooper (she/her)
— Founder / Executive Director, Transcending Women
Toya Matthews (she/her)
— City of San Antonio, Texas
Mayor Gina Ortiz Jones (she/her)
— Sports/Cultural Commentator and Community Leader
Charity Blackwell (she/her)
— Poet, LGBTQ Advocate & Community Leader
Wilhelmina Indermaur (she/her)
— Director of Communications, Tyler Clementi Foundation
Em Chadwick (she/her)
— CMO, For Them & Autostraddle
Kylo Freeman (they/he)
— CEO, For Them & Autostraddle

LEGEND AWARDEES

Sheila Alexander-Reid (she/her)
— Executive Director, PHL Diversity, Philadelphia Convention & Visitors Bureau
Cassandra Cantave Burton (she/her)
— Interim Director of Thought Leadership & Senior Research Advisor, AARP
leigh h. mosley (she/her)
— Photographer / Educator, PhotoFlo Photography
Jenn M. Jackson, PhD (they/them)
— Assistant Professor of Political Science; Author & Columnist, Syracuse University
Jordyn White (she/her)
— COO, Washington Prodigy / VP of Leadership Development & Research, HRC Foundation
AJ Hikes (they/them)
— Deputy Executive Director, ACLU
RaeShanda Lias (she/her)
— Digital Creator, RL Lockhart
Donna Payne-Hardy (she/her)
— Educator, EEO Specialist, Former Leader at the Human Rights Campaign
Courtney R. Snowden (she/her)
— Principal, Blueprint Strategy Group
Gaye Adegbalola (she/her)
— Musician & Activist, Musician / Inductee of the Blues Hall of Fame
Cheryl A. Head (she/her)
— Independent Author, Novelist (Crime Fiction)
Letitia Gomez (she/her)
— The American LGBTQ+ Museum, Formerly of Voto Latino
Lynne Brown (she/her)
— Publisher, Washington Blade
Shay Franco-Clausen (She/Her/Ella/Queen)
— Political Strategist and Organizer
Melissa L. Bradley (she/her)
— Founder & Managing Partner, New Majority Ventures
Meghann Burke (she/her)
— Executive Director, NWSL Players Association
Victoria Kirby York, MPA (she/they)
— Director of Public Policy & Programs, National Black Justice Coalition
Joli Angel Robinson (she/her)
— CEO, Center on Halsted
Jeannine Frisby LaRue (she/her)
— CEO, Moxie Strategies
Alice Wu (she/her)
— Film Director (Saving Face, The Half of It) / Screenwriter
Storme Webber (she/her)
— Interdisciplinary Artist / Educator, University of Washington
Kim Stone
— CEO of the Washington Spirit, Washington Spirit
Mickalene Thomas
— American Visual Artist, Mickalene Thomas Studio
Erika Lorshbough (any/they/she)
— Executive Director, interACT
J. Gia Loving (she/ella)
— Co-Executive Director, GSA Network

Celebrity News

D.C. goes gaga for Gaga

Bisexual icon brought ‘The Mayhem Ball’ tour to Washington this week

Published

1 day ago

March 25, 2026

Michael K. Lavers

Lady Gaga brought "The Mayhem Ball" tour to Capital One Arena this week. (Washington Blade photo by Michael K. Lavers)

Lady Gaga this week took D.C. by storm.

The bisexual icon and LGBTQ rights champion brought “The Mayhem Ball” tour to Capital One Arena on Monday and Tuesday.

“Abracadabra,” “Paparazzi,” “Applause,” and “Bad Romance” are among the songs Lady Gaga performed during the 2 1/2-hour long concert. Lady Gaga also celebrated her many queer fans.

“You are precious to us,” she said on Tuesday night before she performed “Born This Way.”